Movies to See Right Now

Adam Driver and Jonathan Pryce in THE MAN WHO KILLED DON QUIXOTE

Lots of new recommendations this week.  Of course, I’m covering this year’s San Francisco International Film Festival (SFFILM Festival). ICYMI:

OUT NOW

  • In The Chaperone, Downton Abbey’s writer Julian Fellowes and star Elizabeth McGovern reunite for a pleasing character study of self-discovery in 1921 America – it’s deeper than it first appears to be.
  • The Man Who Killed Don Quixote: after 25 years of misfortune and missteps, Terry Gilliam has succeeded in making a Don Quixote movie – and it’s good. (link to full review will be live later.)
  • In Teen Spirit, Elle Fanning plays an underdog teenager who has the chance to win a talent contest and become an instant pop star – yes, it’s a genre movie, but it’s a pretty fair one.
  • The Brink is documentarian Alison Klayman’s up-close-and-personal portrait of Steve Bannon, the outsized personality who coached Donald Trump’s race-baiting right into the White House. As Bannon unintentionally reveals himself to be pathetically craving relevance, I found The Brink to be irresistible, and I watched with fascination.
  • You can still stream Tre Maison Dasan, the unwavering and emotionally powerful documentary about boys with incarcerated parents from PBS.
  • For the first hour-and-a-half of Sunset, I was convinced that I was watching the best movie of the year. Then the coherence unraveled, but I still recommend Sunset, even with its flaws, for its uncommon artistry.
  • The puzzling thriller Transit, with all its originality, just isn’t director Christian Petzold’s best.
  • Skip The Hummingbird Project – two good scenes just isn’t enough.

ON VIDEO

The San Francisco International Film Festival (SFFILM) in underway, and this week’s video pick comes from the 2014 festival. On its surface, the brilliant comedy Dear White People seems to be about racial identity, but – as writer-director Justin Simien points out – it’s really about personal identity (of which race is an important part). Dear White People, which has been spun off into a popular Netflix series, is available on DVD from Netflix and Redbox and streaming on Amazon Instant, iTunes, Vudu, YouTube, and Google Play.

ON TV

On April 16, Turner Classic Movies presents the gold standard of Civil War films, Ron Maxwell’s 1994 Gettysburg. It follows Michael Shaara’s superb historical novel The Killer Angels and depicts the decisive three day battle. It was filmed on the actual battlefield with re-enactors. Maxwell took great care in maintaining historical accuracy. Civil War buffs will recognize many lines of dialogue as historical, as well as shots that recall famous photographs. In addition, Gettysburg is especially well-acted, especially by Jeff Daniels, Tom Berenger, Stephen Lang, Sam Elliott and Brian Mallon.

Jeff Daniels (center) in Gettysburg

Actor Seymour Cassel’s dies this wek at age 84. His singular performances were often eccentric and exuberant – and always no bullshit. The most recent of Cassel’s 213 screen credits was in 2015, but he is best remembered for his association with writer-director John Cassavetes. Two of my favorite Cassel performances are in Cassavetes’ Minnie and Moscowitz (1971) and The Killing of a Chinese Bookie (1976).

Seymour Cassel in MINNIE AND MOSCOWITZ

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