Movies to See Right Now – Labor Day Edition

ROBOT & FRANK

There are some good movies out this Labor Day, and four of them are comedies.  Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.  The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France.  I am impressed by both Celeste and Jesse Forever and Ruby Sparks – each is written by an actress and each is a good time at the movies.  Celeste and Jesse Forever is a smart and authentic comedy of best friends too perfect for each other to fall in love at the same time.  Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York, which opens this week, is a rollicking light culture clash comedy.  I haven’t yet seen the stylishly violent crime drama Lawless is well-made and well-acted but predictable.  The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase.  The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. Magic Mike has male stripping, but no magic.

I haven’t yet seen the controversial indie drama Compliance or Spike Lee’s Red Hook Summer, which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is The Hunger Games, a well-paced, well-acted and intelligent sci-fi adventure fable for tweens – and for the rest of us, too.

The Movie Mitt Romney Doesn’t Want You To See

Mitt Romney has been formally nominated by this week’s Republican Convention in Tampa.  Imagine if Michael Moore directed a profile of Mitt’s career as co-founder of Bain Capital.  Well, the 28-minute short film When Mitt Romney Comes to Town is an even more devastating critique of Romney than a Moore film would be.

The storyline of When Mitt Romney Comes to Town is essentially 1) you are happily living in Middle America, working in a factory and paying your mortgage and your taxes; 2) Mitt Romney’s Bain Capital buys and then loots your company; 3) you lose your job and then your home; and 4) repeat several times.

Amazingly, the film was directed by Jason Killian Meath, a Republican media consultant and culture warrior. During the GOP primary season, it was shilled by a Newt Gingrich-friendly SuperPAC.

Meath’s film is heavy-handed and manipulative (as a Michael Moore film would be). Meath doesn’t have Moore’s sense of humor, but also doesn’t have Moore’s abrasiveness and self-righteousness, which makes his film smoother, more broadly accessible and ultimately more persuasive. In an appeal to Republican primary voters, Meath uses Reaganesque “Morning in America” music and imagery, and I don’t think that it’s an accident that most of Bain Capital’s victims in the film are White.

The oddest thing about When Mitt Romney Comes to Town is that it is not just an attack on Mitt Romney, but against the type of Vulture Capitalism tolerated or even promoted by all recent Republican Congressional leaders and presidential candidates. This is a major thread of the Obama narrative against Romney.

Here’s the entire 28-minute movie.

Lawless: good looking, well-acted and completely predictable

Lawless is a good looking, well-acted and completely predictable crime drama among moonshiners in Prohibition Era Appalachia.  The filmmakers were careful to enrich the film with all kind of period detail – not just the cars and the clothes, but down to the advertisements at the gas station and the footwashing and the Sacred Harp singing at the Church of the Brethren. However, we always know that [minor spoilers] the good guys will defeat the villain and Jessica Chastain will fall for Alpha male Tom Hardy.

The story by musician Nick Cave is based on a real family of Virginia bootleggers and, as typical for Cave, is severely violent.  Hardy grunts and snorts, but is convincing as the leader of his brothers, played by Jason Clarke and (why is he a movie star?) Shia LaBeouf.

But the best acting is by the supporting company.  As the villain, Guy Pearce plays a lethal dandy.  Gary Oldman sparkles as a gangster ally. Mia Wasikowska, looking like she stepped out of a Dorothea Lange photo, is perfectly cast as a teen girl with an eye for bad boys.   And every time Jessica Chastain is on camera, she commands the screen and elevates the entire film; her beauty is especially breathtaking in Lawless, particularly when naked.

Robot & Frank: funny and revealing as a man ages

Frank Langella’s performance in Robot & Frank elevates the film from a pretty good comedy to a revealing study of getting older.  Langella’s character Frank lives an isolated retirement in upstate New York, and he is experiencing some symptoms consistent with the early onset of dementia.  Naturally, his adult kids are worried.  The story takes place in the near future, so his son helpfully provides Frank with robotic personal healthcare assistant.  Frank resists, and this is where, in lesser hands,  Robot & Frank could have become just another comedy about a crusty old curmudgeon.

But the focus of Robot & Frank is deeper than that – it’s about an older person’s strategy to accept, resist, deny or adapt to the various ravages of becoming older.  As the robot institutes a daily routine with improved diet and exercise, Frank becomes less addled.  With his new-found lucidity, he can now try to resist aging by making some new goals.  It turns out that Frank’s career was as a cat burglar  – and he would prefer to be only semi-retired – so….

It’s an enlightening exploration, which becomes more profound when a fact is revealed very late in the film.

The supporting cast, including the always appealing Susan Sarandon, is very good. The sardonically detached Peter Sarsgaard was the perfect choice to voice the robot.  Jeremy Strong is very good as a particularly despicable yuppie.

The trailer makes Robot & Frank appear lighter than it is.  It is a funny movie, but also has some heft.

Premium Rush: cool bike chase, not much else

Premium Rush is a thriller set in Manhattan’s bike messenger subculture and is basically one 90-minute chase scene.  It is cool to watch skilled outlaws bob in and out of NYC traffic, running red lights and just missing cabs, more cabs and the occasional baby carriage.  But that’s all that Premium Rush has to offer.

Premium Rush does employ – and mostly waste – the talents of two of our greatest actors, Joseph Gordon-Levitt and Michael Shannon.  Gordon-Levitt is just fine, and, Lord knows, he deserves a Hollywood payday after making all those wonderful indies.  The same goes for Shannon (who better to play a maniacal villain?), who does well when called upon to be scary and less well when he displays Elmer Fudd frustration.

DVD of the Week: The Hunger Games

Jennifer Lawrence in THE HUNGER GAMES

I was impressed by The Hunger Games, a well-paced, well-acted and intelligent sci-fi adventure fable for tweens – and for the rest of us, too.

Since I apparently live under a rock, I was unaware of the source material, the popular and acclaimed young adult fiction trilogy by Suzanne Collins. The only reason I saw The Hunger Games was to accompany The Wife, who had read the first Hunger Games book. I hadn’t even seen the trailer, so I went in totally blind.

The story is set in the future, where several generations after a rebellion, an authoritarian government plucks teenagers from the formerly rebellious provinces to fight to the death in a forest. It’s all broadcast on reality TV for the entertainment of the masses. Children killing children – it doesn’t get much harsher than that.

Jennifer Lawrence plays the heroine, a poor Appalachian girl who volunteers to compete in place of her little sister. Lawrence starred in Winter’s Bone, my pick for the best movie of 2010. Here she carries the movie with her performance as an incredibly determined and resourceful girl. Her character is completely candid and unfiltered. This creates a moment that is all the more powerful when she has to pull off smarmy inauthenticity for an insipid TV interview.

Stanley Tucci is brilliant as the oleaginous reality TV host – it’s an Oscar-worthy performance.

Coming up on TV: Warren William, the King of Pre-Code

Warren William with Loretta Young in EMPLOYEES ENTRANCE

I’ve recently discovered the actor Warren William, whose movies from the early 30s remain fresh today.  On August 30, Turner Classic Movies will be broadcasting sixteen Warren William movies.  Although he is not well-known today, William was “King of the Pre-Code”, starring in 25 movies between 1931 and 1934, many with the sexual frankness and moral ambiguity that was to be erased by the Production Code.  His leading ladies included the likes of Bette Davis, Barbara Stanwyck, Loretta Young, Ann Dvorak and Claudette Colbert.

With his striking features (including a prominent and noble nose) and his deep and cultured voice, William was a natural for the newfangled talkies.  William excelled in the Pre-Code movies because he could play deliciously shameless scoundrels who would use their wit and position to exploit everyone else, especially for sex, power and money.  His characters are fun to watch because they take such delight in their own depravity.  But in 1934, the new Production Code meant that movies could no longer allow his characters to have sex and otherwise behave badly and get away with it.

My recommendation among TCM’s offerings this week is the 1933 Employees Entrance.  William plays a department store manager who is viciously ruthless with his competitors and suppliers.  He abuses his own employees and is indifferent to the resultant suicide attempts.  He uses his position to have sex with a young employee (Loretta Young), even after she marries someone else.  And he keeps a floozy on the payroll to distract another executive (his putative supervisor) from meddling in the business.  And for all 75 minutes of Employees Entrance, William’s joyously despicable character is richly enjoying himself.  If you’re looking for the triumph of Good over Evil, this isn’t your movie.

One of my favorite movies is 1932’s hilarious political comedy The Dark Horse, in which William plays an equally ruthless and amoral campaign manager.  He is such a scoundrel that he must first get sprung from jail to teach his dimwitted candidate to answer every question with “Yes…and, then again, no.”  He describes his own candidate (the gleefully dim Guy Kibbee) thus:  “He’s the dumbest human being I ever saw. Every time he opens his mouth he subtracts from the sum total of human knowledge.”  (Unfortunately, TCM is not showing The Dark Horse this week.)

Ever the sexually predatory cad on the screen, the real life William led a quiet life and was married to the same woman for twenty-five years until his death.

Return of the Gangster Movie

During the next few months, we’re going to see some major releases of violent crime dramas.

The first, opening on August 29, is Lawless, written by musician Nick Cave.  It is set among moonshiners in Depression Era Appalachia.  The cast includes Tom Hardy, Guy Pearce, Jessica Chastain, Gary Oldman, Mia Wasikowska and (why is he a movie star?) Shia LaBeouf.

On October 19, we’ll see what I expect to be the best of the lot,  the stylishly violent Killing Them Softly, a big hit at Cannes.  It’s a contemporary story with an ensemble cast featuring Brad Pitt, James Gandolfini, Ray Liotta, Richard Jenkins and Sam Shepherd.

Those two movies were going to sandwich the release of Gangster Squad, a mob movie based on Mickey Cohn’s 1949 sojourn in LA, starring Sean Penn, Ryan Gosling, Nick Nolte, Josh Brolin, Emma Stone, Anthony Mackie (The Hurt Locker) and Giovanni Ribisi.  But one scene in Gangster Squad is a shooting in a movie theater; the Aurora, Colorado, tragedy made the distributor skittish, and the release has been delayed to January 13.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.  Here’s the trailer for Killing Me Softly:

Celeste and Jesse Forever: another actress-written, smart, funny movie

I really enjoyed Celeste and Jesse Forever, starring Rashida Jones and Andy Samberg as best friends who have been married, are now working on an amiable divorce and are still best friends.  The screenplay is co-written by Rashida Jones (Paul Rudd’s fiance in I Love You, Man) and, once you accept the comic premise that this couple is made for each other but not as a married couple, everyone’s behavior is authentic.  Sure, he wants to get back with her when she isn’t in a place to do that – and, then, vice versa – but the characters resolve the conflict as they would in real life.  Here’s a mini-spoiler – this movie is just too smart to end in rushing to the airport or disrupting the wedding or any of the other typical rom com contrivances.

The supporting characters are funny without being absurdly zany (except for one pot dealer).   Chris Messina pops up in Celeste, as he did in Ruby Sparks, and does a good job here, too.

I’m certainly looking forward to Rashida Jones’ next screenplay.

Movies to See This Week

CELESTE AND JESSE FOREVER

Here’s a surprise – there are some appealing (and smart) romantic comedies this August!  I am impressed by both Celeste and Jesse Forever and Ruby Sparks – each is written by an actress and each is a good time at the movies.  Celeste and Jesse Forever is a smart and authentic comedy of best friends too perfect for each other to fall in love at the same time.  Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.

And here are two more comedy winners.  Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.  The Intouchables is a crowd pleasing odd couple comedy – an attendance record breaker in France.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York, which opens this week, is a rollicking light culture clash comedy. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. Magic Mike has male stripping, but no magic.

I haven’t yet seen the French drama Beloved, the controversial indie drama Compliance or the bike messenger thriller Premium Rush, all of which open this weekend.   You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the brilliantly constructed (but gloomy) Iranian drama A Separation, which won the Best Foreign Language Picture Oscar.