Tomorrow, June 10, Turner Classic Movies is airing two films on my list of Least Convincing Movie Monsters. We’ll get to see The Black Scorpion and The Killer Shrews.
In The Killer Shrews, the voraciously predatory mutant shrews are played by dogs in fright masks. Yes, dogs. As you can see from the bottom photo, the filmmakers have also applied shaggy patches to the sides of the dogs and ropy rat tails to their backs. [SPOILER ALERT: When humans escape from their island, the killer shrews die of overpopulation.]
Visit my Best Movies of 2015 for my list of the year’s best films, complete with images, trailers and my comments on each movie – as well as their availability to rent on DVD and to stream. My top ten movies for 2015 are:
Ex Machina
Wild Tales
Leviathan
Brooklyn
Youth
Me and Earl and the Dying Girl
Creed
Spotlight
Phoenix
The Martian
The other best films of the year are: The End of the Tour, Love & Mercy, The Big Short, Corn Island, Mustang, I’ll See You in My Dreams, ’71, The Look of Silence and The Grief of Others.
I’m saving space for these promising 2015 films that I haven’t seen yet: The Revenant, Joy, The Hateful Eight and 45 Years.
This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them. You don’t need ME to tell you that The Big Short, Creed, Spotlight and The Martian are good movies. What’s important to me is that you don’t miss the less well-known gems:
The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
Phoenix from Germany – a riveting psychodrama with a wowzer ending. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
The brilliant psychological drama 99 Homes, available on DVD early in 2016.
The delightful family centric Meet the Patels – a documentary funnier than most comedies.
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT
Talk about overlooked – one of the year’s very best films, the exquisite and lyrical Georgian drama Corn Island, didn’t even get a US release. Neither did some other wonderful films that I saw at Cinequest: the narrative feature The Hamsters and the documentaries Aspie Seeks Love, Meet the Hitlers and Sweden’s Coolest National Team. Here’s hoping that I can tell you where to see them soon.
There’s been a glimmer of feminism in many of the year’s best films. The most overtly feminist is Mustang, a fierce assault on the patriarchy of a traditional culture. But Brooklyn and Carolshare a feminist point of view. It’s no coincidence that the character that revolts in Ex Machinahas a female form. Ex Machina, Mustang and Brooklyn are are on my Best Movies of 2015.
Mad Max: Fury Road, a movie loved by critics (especially the female ones), is a rock ’em, sock’em action movie where women characters flee for their safety from male atrocities and then exact their revenge.
Testament of Youth is a biopic of the pioneering woman who leads a social movement. And from the 19th Century, there was the proto-feminist bodice ripper Far from the Madding Crowd. Chi-raq, Spike Lee’s modern inner city version of Aristophanes’ Lysistrata, also has women taking charge of their society.
All of these movies are primarily about women and have female leads.
Even the protagonist’s love interest (usually a thankless and peripheral role) in Creed is accomplished and only interested in embracing the title character on her own terms.
What does this mean? Not that Hollywood is now the paradigm of gender equity. Just that there were some high quality movies this year, some women-centered, with a welcome perspective.
The Movie Gourmet doesn’t watch many horror movies, but 2015 featured some that were unusually inventive, scary and non-gory. It’s great to see young filmmakers bringing some intelligence and surprise (not just shockers) to this genre.
It Follows: Writer-director David Robert Mitchell has created a very scary horror film with an excellent soundtrack and a minimum of makeup, special effects and hardly any blood. 19-year-old Jay (Maika Monroe) has sex with a guy who then tells her that he has passed on to her a kind of supernatural infection – a monster will follow her and kill her if she doesn’t pass it on to someone else. The monster shambles along at zombie speed and takes the form of a different human being each time. It Follows is available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
Unfriended: It’s the one-year anniversary of a teenage girl’s suicide, and her bullying peers convene via webcams on social media – but their computers are hijacked by an Unknown Force who starts wreaking revenge. Here’s a new one: the entire movie is compiled of the characters’ screenshots. Unfriended is available to rent on DVD from Netflix and Redbox and to stream from Amazon Video, iTunes, Vudu, YouTube, Google Play and Flixster.
The House on Pine Street: So here’s the thing with every movie ghost story – either the ghost is real or the protagonist is crazy enough to hallucinate one. The beauty of The House on Pine Street is that the story is right down the middle – ya just don’t know until the end when the story takes us definitively in one direction – and then suddenly lurches right back to the other extreme. I saw The House on Pine Street at Cinequest, and it’s now available to stream on Amazon Instant, iTunes, Vudu, YouTube and Google Play.
You don’t need to wait until December to see my list of top 2015 films because, beginning in late March, I keep a running list – Best of 2015 – So Far. By the end of the calendar year, I will have a Top Ten plus another 8-18 or so. I’ll publish my official year end list on December 31, but here’s a sneak preview of my Best Movies of 2015 (I’ve removed the “- So Far”).
Four of the movies on the list are in theaters right now: Brooklyn, Spotlight, Creed and The Martian. Eight films on my list are ALREADY available to stream or rent on DVD. Throughout the Holidays, I’ve been featuring these in my weekly Movies to See Right Now posts.
I haven’t yet seen these movies, which I believe will be candidates for my final list: The Big Short, Carol, The Danish Girl, 45 Years, Youth, The Revenant, The Hateful Eight and Room. When I see them, I’ll revise my list accordingly.
Natasha Lyonne and Judy Greer in ADDICTED TO FRESNO
In the limp comedy Addicted to Fresno, the appealing Natasha Lyonne (Slums of Beverly Hills, Orange Is the New Black) plays an inspirational, plays-by-the-rules Fresno hotel maid. She has taken in her wayward sister (Judy Greer), whose sex addiction has made her otherwise unemployable, and gotten her a similar job. Having just left Sex Addiction Rehab, the sister is supposed to be in recovery, but is far from it. Misadventures ensue.
The problem with Addicted to Fresno is that the screen-writing is mid-level sit-com, only much dirtier. I generally like sex comedies, but Addicted to Fresno is pretty much unwatchable.
Addicted to Fresnois (justifiably) hard to find in theaters and also streaming on Amazon iTunes and Vudu.
Wow, we’ve had a great start to 2015 in the movies. I’ve already placed eight films on my running list of Best Movies of 2015 – So Far. Usually, I only have three or four at this time of year. Here’s my Best of 2015 to date:
Wild Tales (saw at Cinequest; DVD release in June)
Leviathan (available to stream from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and DirecTV)
Ex Machina (in theaters now)
Me and Earl and the Dying Girl (saw at San Francisco International Film Festival; releases June 12)
The End of the Tour (saw at San Francisco International Film Festival; releases July 30)
’71 (saw at Cinequest; DVD release in July)
The Look of Silence (saw at San Francisco International Film Festival; limited release July 16)
The Grief of Others (saw at Camera Cinema Club; release undetermined)
I’m also mulling over adding to the list I’ll See You in My Dreams (in theaters now). And I know I’ll include Corn Island, an exquisite Georgian film that I saw at Cinequest, if it gets a US release. This is a GREAT and uncharacteristic start to the year in movies!
I’m already looking forward to some especially promising films that debuted at the Cannes International Film Festival. The universally acclaimed, heartbreaking biodoc of Amy Winehouse, Amy, releases July 3. Other Cannes films that will contend for my top ten list include The Lobster, Louder Than Bombs, Mia Madre, The Measure of a Man, Sicario (releases September 18), Youth, Green Room, The Assassin and Dheepan.
Plus there will be some superb documentaries that I don’t know about yet AND the usual stream of Oscar Bait movies released in the fall by the prestige arms of the Hollywood studios. We should have a pretty good handle on 2015’s pool of excellent cinema at the time of the Toronto and Telluride film festivals in September.
2015 has been an excellent year so far and has the potential to be a great year of cinema.
Eller Coltrane, Ethan Hawke and Lorelei Linklater in BOYHOOD
Visit my Best Movies of 2014 for my list of the year’s best films, complete with images, trailers and my comments on each movies. My top nine for 2014 are:
Boyhood
Ida
Dear White People
Birdman
Gone Girl
Locke
Force Majeure
Calvary
Alive Inside
The other best films of the year are: True Detective (the HBO mini-series), A Coffee in Berlin, Borgman and The Grand Seduction.
I’m saving space for these promising films that I haven’t seen yet: A Most Violent Year, Inherent Vice, Selma, American Sniper, The Overnighters and Two Days, One Night.
Talk about “overlooked” – there were some great movies this year that didn’t even get a meaningful theatrical release. Let’s start with Blue Ruin – a completely fresh take on the revenge thriller.
Then there’s the romantic drama a la Twilight Zone, The One I Love, with brilliant performances by Elisabeth Moss and Mark Duplass.
The year’s best documentary – Alive Inside – didn’t even get shortlisted for the best Documentary Oscar. I dare you to watch this movie without tearing up.
I thought that the Canadian comedy The Grand Seductionwould become a long running art house hit like The Best Exotic Marigold Hotel or The Full Monty. But, despite being the year’s funniest and most audience-friendly comedy, it came and went quickly.
I loved the darkly droll German slacker comedy A Coffee in Berlin, but only a few other folks saw it in this country. It was a big hit in Europe – for a reason.
Fortunately, Blue Ruin, The One I Love, The Grand Seduction and A Coffee in Berlin are all available on DVD and/or streaming. Follow the links above to find out how to watch them. But two wonderful films that I saw at Cinequest – the outrageously dark Hungarian comedy Heavenly Shift and the provocative Slovenian classroom dramaClass Enemy are not currently available to US audiences. When they are, I’ll let you know.
