Movies

GOING CLEAR: THE PRISON OF BELIEF: a devastating expose

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GOING CLEAR: THE PRISON OF BELIEF
GOING CLEAR: THE PRISON OF BELIEF

HBO is airing Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology.  The indictment of Scientology as dangerous cult is stunning.  Gibney is sunshining an amazingly rich reservoir of source material: we hear from several  former Scientologists, including the former chief spokesperson, the former top deputy to the Chairman of the Board, along with former believer director Paul Haggis and the John Travolta’s original Scientology handler.

Gibney begins by tracing the journey of Scientology’s founder, L. Ron Hubbard and reviewing the organization’s history.  Now I knew about the science fiction writer Hubbard, his book Dianetics and even the E-meter.  But I sure didn’t know about the Sea Org with its billion-year employment contracts, the Scientology Navy and the bizarro theology with invisible Thetans, volcanos and H-bombs.  Nor had I seen the North Korea-style cult-of-personality spectacles featuring Chairman of the Board David McCavige.  And I hadn’t heard about the church’s opposition to same-sex marriage.

Then come the really scary stuff.  We hear from former Scientology officials who testify that they have been incarcerated in the Rehabilitation Project Force –  a concentration camp on a top floor of the Scientology’s Los Angeles HQ and in what is essentially a prison camp in Florida to “re-educate” suspected heretics and backsliders.  And there is testimony about the prisoners being separated from their children, who are shunted off to Cadet Org.  One official offers personal testimony of his assignment to break up Nicole Kidman’s marriage to Tom Cruise and to alienate her children from her.  It’s horrifying stuff.  And it’s a riveting viewing experience.

Alex Gibney is one our very, very best documentarians.  He won an Oscar for Taxi to the Dark Side, and he made the superb Casino Jack: The United States of Money, Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Elliot Spitzer and Mea Maxima Culpa: Silence in the House of God.  (He can’t seem to pass up a really long movie title – but Going Clear etc., came from a book title.)

If you’re asking “How can smart, able people fall into this stuff?”, then I recommend finding a film that I reviewed at Cinequest 2015 – The Center.  Upon its release, The Center should become the perfect narrative fiction companion to Going Clear.

DVD/Stream of the Week: THE THEORY OF EVERYTHING – things gets complicated for Mr. and Mrs. Genius

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Felicity Jones and Eddie Redmayne in THE THEORY OF EVERYTHING

The Theory of Everything is based on the book by the woman who married Stephen Hawking – and this is important. While the story of Stephen Hawking – a generational genius who becomes physically disabled but continues his groundbreaking work – is pretty amazing, the story of the two of them facing this journey together brings more depth and texture to the tale. And, since everybody is somewhat familiar with the arc of Stephen Hawking’s career, the added focus on Jane Hawking brings some unpredictability to the plot.

The role of Stephen is one that many actors would kill for, and Eddie Redmayne delivers an exceptionally good performance. You may remember Redmayne’s solid turn in a good movie, My Week with Marilyn, and that he was one of the few highlights in the otherwise dreadful Les Miserables.

Felicity Jones’s performance as Jane stands up to Redmayne’s. She masks her profound inner strength with adorability. She was very good in Like Crazy, a romance that I really liked, although NONE of my readers did.

It’s worth mentioning that The Theory of Everything was directed by James Marsh, because he’s on a helluva storytelling run: the acclaimed documentaries Man on a Wire and Project Nim and last year’s overlooked thriller Shadow Dancer.

All told, The Theory of Everything has a compelling story with two fine performances, which adds up to a satisfying moviegoing experience.  It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, YouTube, Google Play and Xbox Video.

THE WRECKING CREW: the soundtrack of the 60s

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THE WRECKING CREW
THE WRECKING CREW

You have heard these guys play without knowing their names – The Wrecking Crew profiles the legendary Hollywood studio band that played on (perhaps literally half of) the pop music of the 60s.  These musicians were extremely skilled and creative – and they were fast, too, which put their services at a premium among music producers with limited studio time.  As a result they played on the recordings of Frank Sinatra (and Dino and Sammy), the Beach Boys, the Mamas and the Papas, Herb Alpert and the Tijuana Brass, Sonny and Cher, Gary Lewis and the Playboys, ad infinitum.   Plus the Hawaii Five-O theme.

You already know about The Monkees not playing their own instruments, but The Association didn’t play on a single track of their first two albums – those were all played by the Wrecking Crew.  And Roger McGuinn was the only Bird to play on Mr. Tambourine Man, with the Wrecking Crew knocking out two tracks in three hours; the Birds themselves played on Turn, Turn, Turn, but it took them 77 takes.

Filmmaker Danny Tedesco, made this film to salute his dad, Wrecking Crew guitarist Tommy Tedesco.  Glen Campbell and Leon Russell were members of the band (and we get to see a rare photo of the early 1960s Leon without long hair, beard, hat and tinted glasses).  Surprisingly, the electric bass player was female – Carol Kaye.  In The Wrecking Crew we get to hear the backstories of the standup bass intro in These Boots Were Made for Walking, the El Paso guitar lick in Something Stupid, the bass drum intro for The taste of Honey and the sax part in the Pink Panther Theme.

The Wrecking Crew isn’t a Must See, but I recommend it for those with an interest in the music of the 1960.  The Wrecking Crew is now in theaters and is also streaming on Amazon Instant Video, iTunes, YouTube, Google Play and Xbox Video. If you like The Wrecking Crew, I’d also recommend these recent films about other unknown musicians:

  • Twenty Feet from Stardom (Netflix DVD, Redbox, Netflix Streaming, Amazon, YouTube and Google Play);
  • Muscle Shoals (Netflix DVD, Netflix Streaming, Amazon Instant Video, iTunes, YouTube, Google Play, Xbox Video); and
  • Standing in the Shadows of Motown Netflix DVD, Amazon Instant Video, iTunes, YouTube, Google Play, Xbox Video).

THREE HEARTS: a man with a weak heart

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Benoît Poelvoorde and Chiara Mastroianni in THREE HEARTS
Benoît Poelvoorde and Chiara Mastroianni in THREE HEARTS

The Belgian romantic drama Three Hearts centers on the singular character of Marc, a Parisian tax auditor who has a fondness for the ladies – and they for him. He also is very conflict-averse and handles stress very badly, which has contributed to a sometimes disabling heart condition. On a business trip to a provincial town, Marc misses his train, and becomes romantically involved with a local woman. Because of circumstance, that relationship doesn’t move forward, which clears him to begin a relationship with a second woman in that town. Once he is irrevocably entangled, he learns that the two women are intimates.

In what I think is a really compelling performance, Marc is played by Benoît Poelvoorde. Marc finds himself trapped in an excruciating situation, and the only way out requires courage that he just doesn’t have. Poelvoorde is completely believable as a guy who chats up women, settles into domesticity and then is paralyzed by terror and dread. Plus, Poelvoorde has a gangly walk and often slips into outright goofiness, which effectively lightens the dramatic tension.

Now, some critics do not agree with me. Poelvoorde is not a conventionally good-looking guy. Ordinarily, you wouldn’t expect a guy like this to be able to attract a woman who looks like Chiara Mastroianni or Charlotte Gainsbourg. If you can’t jump this, you’re not gonna buy into the movie, but it worked for me. Marc does seem to one of those rugged guys who has a knack with the ladies, and the two woman characters are in windows of extreme vulnerability and are ripe to experiment outside their own relationships.

Charlotte Gainsbourg and Chiara Mastroianni are excellent as the two women. Their personalities are starkly different but they each have an immediate need that they hope Marc can fill. With the regal serenity that she can muster, Catherine Deneuve plays the character who intuits what is going on long before the others.

Three Hearts is directed and co-written by Benoit Jaquot, who recently gave us the lavishly staged and absorbing costume drama Farewell, My Queen.

One more thing – the potential for upcoming confrontation is signaled by Big Music – ominous cello notes that sound like the theme from Jaws played backwards. I saw this as wry self-mocking of the drama, and I found this device to be amusing. It’s just a little part of the movie, but people that I saw Three Hearts with found it to be off-putting.

The bottom line is that Three Hearts worked for me, and I recommend it with the caveat that some willing suspension of disbelief is required.

DVD/Stream of the Week: THE HOMESMAN

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Hilary Swank and Tommy Lee Jones in THE HOMESMAN
Hilary Swank and Tommy Lee Jones in THE HOMESMAN

Tommy Lee Jones co-wrote, directs and stars in the dark Western (I love Westerns!) The Homesman. Hilary Swank plays a single woman in bleak frontier Nebraska who volunteers to take three madwomen to respite, a hard five weeks wagon ride to the east in civilized Iowa. She conscripts an irascible reprobate (Tommy Lee Jones) to help her. About Jones’ character, A.O. Scott of the New York Times wrote “It’s as if Yosemite Sam had turned up in the pages of a Willa Cather novel.” As in any odyssey or road trip story, they face obstacles that make it an adventure – and, in a Western, we expect those to include harsh natural conditions, hostile Indians and bad gunmen.

Like Clint Eastwood’s Unforgiven, The Homesman doesn’t romanticize the Wild West. The three passengers have suffered mental breakdowns. Each of them has clung to sanity through almost the unbearable hardships of frontier life, and then has been broken by a distinct trauma.

The Homesman has been labeled a “feminist Western”, and this is accurate. Swank’s character is independent, industrious and earnest and responsible to a fault. She’s a great catch for any guy post-1900, but her very independence repels any hope for male companionship in the mid-19th Century Old West, where the local yokels travel all the way Back East for women that are suitably submissive. As to the three broken passengers, really bad things have happened to the women, and the fact that they’ve been isolated with patriarchal and, in some cases abusive, men, has made it that much more unbearable.

Jones directs with a steady hand, and as in his exemplary Three Burials of Melquiades Estrada, proves to have a special gift with a western setting and in getting good performances. Here, he and Swank are just as good as we would expect, which is pretty damn good. The cast is dotted by the likes of John Lithgow and even Meryl Streep, but the standout, most memorable performances are the supporting turns by Tim Blake Nelson, James Spader and Hailee Steinfeld.

Unless you’re on a date or looking for an escapist lark, The Homesman is a fine movie on all counts; but be prepared for unrelenting grimness in this starkly, dark tale. It is available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

Movies to See Right Now

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WILD TALES
WILD TALES

There are two Must Sees in theaters now, and both were nominated for this year’s Best Foreign Language Picture Oscar:

  • The hilariously dark Argentine comedy Wild Tales, a series of individual stories about revenge fantasies becoming actualized.
  • The Job-like Russian drama Leviathan, a searing expose of post-Soviet Russian society.

Magician: The Astonishing Life and Work of Orson Welles is a satisfying bio-doc that features lots of clips of the great Orson himself.  Queen and Country is director John Boorman’s (Deliverance) well-crafted and moderately entertaining look back at his year as a British Army conscript in the 50s.

My DVD/Stream of the Week is Whiplash, the drama about the line between motivation and abuse and the line between ambition and obsession. J.K. Simmons just won an acting Oscar for his dominating performance. Whiplash is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

If you haven’t seen the hilarious gender bender comedy Victor Victoria in a while, catch it again on March 20 on Turner Classic Movies. I think that’s it’s director Blake Edwards’ best comedy – and that’s saying something after all the Pink Panther movies. Along with the alcoholism drama Days of Wine and Roses, this is Edwards’ masterpiece. Julie Andrews (Mrs. Blake Edwards) and James Garner give perfect performances, and there’s a memorable supporting turn by Alex Karras. Victor Victoria is over thirty years old, but stands up just as well today as in 1981.

DVD/Stream of the Week: WHIPLASH

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Miles Teller and JK Simmons in WHIPLASH
Miles Teller and JK Simmons in WHIPLASH

J.K. Simmons deservedly won an Oscar for his performance in Whiplash , the drama about the line between motivation and abuse and the line between ambition and obsession. A young jazz drummer (Miles Teller of The Spectacular Now and Rabbit Hole) attends an elite music academy (think Julliard) and comes under the attention of a drill sergeant-type of instructor (J.K. Simmons). The teacher-tormentor pushes the kid toward perfection through tough love and, ultimately, abuse. To what extent is the teacher trying to get the kid to excel? And how much of the teacher’s behavior is just sadistic bullying? And how will the kid respond? (The movie’s title reflects both a jazz song and the teacher’s instructional technique.)

J.K. Simmons is a guy whose name you may not recognize, but whose face you will. He has 143 screen credits, most memorably as the of the ironic and supportive father in Juno and Vernon Schillinger, the Aryan Brotherhood leader in the prison series Oz. This is Simmons’ movie; it’s an exceptional performance, that will probably land Simmons an Oscar nomination.

How good a movie is Whiplash? It’s a very good one – taut, and intense. The fact that it’s extremely focused on the two characters and the fundamental questions about their characters is a strength, but also limits it from being a great movie. Still, Simmons, Teller and the unrelenting tension makes Whiplash definitely worth seeing.  Whiplash is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

LEVIATHAN: the overwhelming crush of corruption

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LEVIATHAN
LEVIATHAN

The extraordinary Russian drama Leviathan is a searing indictment of society in post-Soviet Russia – and it’s one of the best movies of the year.  A Job-like Everyman struggles to protect his home from the clutches  of the town’s corrupt mayor – and he has to battle the corruption that has permeated the political and justice systems.  The very struggle takes its toll in his relationships, too, and the audience begins to wonder just how much he’s going to be left with at the end of the story.

Despite being deliberately paced and darkly themed, Leviathan is very watchable.  The characters are superbly crafted and the story is filled with “what’s going to happen next?” moments.  Writer-director Andrei Zvyagintsev and co-writer Oleg Negin are keen observers of human nature and season Leviathan with plenty of wry humor (e.g., the mayor runs his criminal Sopranos-like enterprise from a desk under a portrait of Putin).  And there’s a surprise at the end.

Our Everyman is Kolya (Vladimir Vdovichenkov), who is hotheaded and drinks too much.  He fixes cars out of his seafront home in a bleak village on the Barents Sea.  His younger second wife Elena Lyadova is cipher.  His teenage son (Sergey Pokhodaev) is a good kid, but troubled by the death of his mother.   The performances are exceptional, along with that of Roman Madyanov as the corrupt-to-his-marrow mayor.  The mayor wants to take Kolya’s property, and their battle plays out in the courts – and in extra-judicial arenas.

And then there’s the vodka abuse.  The amount of vodka consumption by virtually every character is astounding. Expect (along with your fellow audience members) to gasp and giggle at the size of the pours.

The film’s only shortcoming is the heavy-handed symbolism employed to hammer home the hopelessness of the protagonist’s struggle,  There’s a biblical quote (from Job, of course): “Can you draw out the Leviathan with a fishhook?”, and then shots of whales and of the skeleton of a long-dead beached whale.  All this isn’t really necessary, especially with the courtroom scenes, which make the filmmakers’ point exceedingly well.

Andrei Zvyagintsev has solidified his place as one of the masters of world cinema.  Leviathan is just his fourth feature, after Elena , which made my Top Ten list for 2012, and The Return, which made my Best Movies of 2004.  Elena is available on DVD from Netflix and streaming on Vudu and Xbox Video. The Return is available on DVD from Netflix.

Leviathan was nominated for this year’s Best Foreign Language Picture Oscar, and has been critically acclaimed, currently scoring 92 on Metacritic.com. ,

Movies to See Right Now

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LEVIATHAN
LEVIATHAN

There are two Must Sees in theaters now, and both were nominated for this year’s Best Foreign Language Picture Oscar:

  • The hilariously dark Argentine comedy Wild Tales, a series of individual stories about revenge fantasies becoming actualized.
  • The Job-like Russian drama Leviathan, a searing expose of post-Soviet Russian society.

Queen and Country is director John Boorman’s (Deliverance) well-crafted and moderately entertaining look back at his year as a British Army conscript in the 50s.

We’ve just concluded the 2015 Cinequest film festival. Here’s all my Cinequest coverage – with several features and comments on over twenty five movies – conveniently linked on one page.

My DVD/Stream of the Week is Dear White People, a brilliant comedy about identity that’s on my list of Best Movies of 2014. It’s available on DVD from Netflix and Redbox and streaming on Amazon Instant, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

On March 16, Turner Classic Movies is playing the French thriller Wages of Fear. It’s directed by that master of suspense Henri-Georges Clouzot (Diabolique), nicknamed the French Hitchcock. The Wages of Fear features one achingly scary scene where two truck drivers try to get a long truck around a cliff side hairpin curve – and the truck is filled with nitroglycerin.

WAGES OF FEAR
WAGES OF FEAR

Cinequest 2015: festival recap

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THE CENTER
THE CENTER

A pronounced overall success, Cinequest 2015 delivered hearty audience-pleasers from a varied and satisfying menu that featured some real gems from the indie, documentary and world cinema categories.

The fest kicked off with two huge popular successes: the feel-good BATKID BEGINS and the hilariously dark WILD TALES, and kept up the pace throughout the first weekend with an assortment of successful premieres.

Cinequest’s Director of Programming Mike Rabehl presented a fest especially rich in first features, including:

  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult; and especially promising debut from filmmaker Charlie Griak.
  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters (actually a second feature).
  • IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love.  A festival surprise hit.
  • FOR SOME INEXPLICABLE REASON: A good-natured Belgian comedy containing some very innovative nuggets.

 

CORN ISLAND
CORN ISLAND

Cinequest’s international film scout Charlie Cockey came through once again with the fest’s best film, the transcendent Georgian drama CORN ISLAND, which won the Jury Award for Best Narrative Drama.

 

ASPIE SEEKS LOVE
ASPIE SEEKS LOVE

This 2015 fest was the strongest recent Cinequest for documentaries. The well-deserved Jury Award for best Documentary went to ASPIE SEEKS LOVE, the story of a surprisingly sympathetic subject. Other excellent docs included:

 

Not every film was a home run.  Director John Boorman’s personal appearance was a hit, but his QUEEN AND COUNTRY was only moderately entertaining.  And the eagerly awaited  CLOUDS OF SILS MARIA (Cesar-winning Kristen Stewart) and the Sundance award-winning SLOW WEST were clunkers.

Richard von Busack, the highly respected local film critic, picked Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. A packed house agreed that this was one of Cinequest 2015’s top experiences.

Other highlights included the Belgian romantic dramedy THREE HEARTS, the French comedy GEMMA BOVERY and the exceptionally well-directed Kosovan drama THREE WINDOWS AND A HANGING.

The most underrated movie at Cinequest? Somehow, the biting darkly hilarious Mexican social satire LOS HAMSTERS is flying under the radar. I think this tale of a dysfunctional family is both very smart and very funny.

BARCO Escape showcased developing three-screen technology to envelope the audience in the cinematic experience.  I have reservations about the BARCO experience, but the short film WITHDRAWAL was a definite winner.

Here’s all my Cinequest coverage – with several features and comments on over twenty-five movies – conveniently linked on one page.

WILD TALES
WILD TALES