comedy

The Way, Way Back: when parents are no help whatsoever

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THE WAY WAY BACK

In the appealing coming of age story The Way, Way Back,  a betrodden teen (Liam James) gains confidence when mentored at his summer job by a lowlife (Sam Rockwell).  The kid’s mom (Toni Collette) has been rocked by a divorce (hubby found a young thing), and has rediscovered some self esteem in the attentions of a creep (Steve Carrell).  Now the kid, his mom, her insufferable boyfriend and the boyfriend’s bratty daughter are off to his summer home on the Atlantic shore.  The kid finds a job at a cheesy local water park, and funny stuff happens.

In depicting the ways that parents make their teen kids miserable, The Way, Way Back is spot on.  I’m not talking about the uncool cluelessness that makes all teens embarrassed about the even most perfect parents.  The Way, Way Back focuses on children from broken marriages who are made to feel unvalued or whose weaknesses are picked at or whose parents become too involved with their own issues.  Indeed all the kids in The Way, Way Back come from divorced families.  Even one childless marriage (Rob Corddry from Warm Bodies and Amanda Peet) is very imperfect.

Collette’s performance nails the desperation of a woman, once abandoned, for a relationship that will meet at least some of her needs.  Alison Janney is hilarious as the neighboring divorcee who is embracing her alcoholism.  The rest of the cast, including Maya Rudolph, is good, too.  Give credit to Carrell for taking on a very unsympathetic role, something not every bankable star will do.

It may not be a Must See, but The Way, Way Back is sweet, perceptive and pretty funny.

Bert and Arnie’s Guide to Friendship: why watch these guys?

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BERT AND ARNIE'S GUIDE TO FRIENDSHIP

Now out on VOD, Bert and Arnie’s Guide to Friendship is an odd couple comedy with the promising premise that the two main characters become entangled when one has an affair with the other’s wife. The good news is that the comedy is driven by the characters, one an abrasive womanizer and the other a pretentious and self-involved minor novelist.  The bad news is that the broad characters are neither textured or interesting or sympathetic enough to sustain a movie of longer than 49 minutes (which is when I stopped watching).  And worse, Bert and Arnie wastes a supporting performance by the delightful Anna Chlumsky.

Bert and Arnie’s Guide to Friendship is available  streaming from Amazon and iTunes.

The Heat: worth seeing for Melissa McCarthy

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THE HEAT

We’ve all seen cop buddy comedies before (Lethal Weapon, 48 Hours and scores of copycats).   In the The Heat, the odd couple is Sandra Bullock (as the arrogant and fastidious FBI agent) and Melissa McCarthy (as the earthy and streetwise Boston cop).  There are some especially well-written bits in The Heat, especially when Bullock’s prig finally explodes into a completely inept torrent of profanity and when McCarthy’s cop belittles her commander’s manhood for what must be the zillionth time.

But here’s why you will enjoy The Heat.  Melissa McCarthy’s line readings are brilliantly hilarious.  Her gift for dialogue makes everything and everyone in this movie much funnier.  Her performance elevates the entire movie.  In fact, every person who has talked to me about The Heat has laughed when describing it.  It may not be that original, but it’s sufficiently well made and McCarthy is sublime.

This Is the End: grossing out The Rapture

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THIS IS THE END

As gross-out comedies go, This Is the End is adequately entertaining. Seth Rogen, Jonah Hill, James Franco and other movie comedy stars play themselves – all partying at Franco’s over-the-top Hollywood mansion when the Apocalypse and The Rapture intrude.

The cast does a good job with the very broad material.  Franco, Hill, Harry Potter’s Emma Watson and especially Michael Cera all poke fun at their own images.  And, just when you think you’re watching a low brow comedy, Danny McBride arrives and takes that brow even further into the gutter.

It’s co-written and co-directed by best friends Rogen and Evan Goldberg, who co-wrote Superbad as teenagers.  Jay Baruchel plays a character based on Goldberg, down from Canada to visit his boyhood chum and distrusting Rogen’s Hollywood posse.  It’s a solid send-up of the apocalyptic movie genre, with a nice little homage to The Exorcist.  The guys will enjoy This Is the End more than will the gals.

Monsters University: plenty fun, with an even better short

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Pixar’s
MONSTERS UNIVERSITY

Pixar movies feature both excellent animation and outstanding storytelling., and such is the case with Monsters University, the welcome prequel to Monsters, Inc.  This is the story of how Monsters Inc.’s Mike and Sully met at college, with Billy Crystal and John Goodman returning to voice the roles.   When I saw Monsters University, the kids in the audience laughed plenty, but the adults were picking up on most of the college jokes; for example, Mike and Sully are relegated to the loser fraternity – so nerdy that the guys are living with one frat brother’s mom (a very funny Julia Sweeney).

Monsters University is preceded by an even better movie, the imaginative Pixar short The Blue Umbrella.  The Blue Umbrella is a simple and sentimental story set at foot level, amid manhole covers, storm drains and the feet of city-dwellers – and there’s no dialogue.  The animation is remarkable; in fact, I had to keep telling myself that it was animated, although it helped when the mailbox and the rain spout moved expressively.  I’m sure that The Blue Umbrella will be nominated for the Best Animated Short Oscar.

Nancy, Please: an unhealthy (and unfunny) obsession

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NANCY, PLEASE

In the dark comedy Nancy, Please, a neurotic and feckless Yale grad student has just moved in with his new girlfriend and realizes that he has left his copy of Little Dorrit at his old digs. His former female roommate is both hostile and passive aggressive, and she won’t return it.  It’s a big deal, because he is up against a thesis deadline and his notes are annotated in the book.

But the central joke in the movie is that losing the book shouldn’t be THAT big a deal.  Sure, she’s being a jerk, but it’s pretty hard to imagine that he can’t reconstruct his notes, as he is advised by everyone else in his life except one friend who has the excuse of being drunk.  The grad student can’t let it go, making this molehill into a mountain that obstructs his progress on any and all fronts.  As he becomes more and more emotionally paralyzed, his academic career, his new relationship and even the walls of his new apartment disintegrate.  And a dose of maturity would solve the whole thing. 

I did chuckle when his girlfriend, alarmed by his escalating obsession, announces “I can’t support this any more.  I withdraw my support.”  Still, we’re talking about a $3.99 rental and 84 minutes of your life, and Nancy, Please just is not THAT funny.  Nancy, Please is available on VOD from Amazon, Vudu and Google Play. 

DVD of the Week: Quartet

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Quartet, an ensemble geezer comedy, is really an excuse for four brilliant actors (Maggie Smith, Billy Connolly, Tom Courtenay, Pauline Collins) to show their chops.  It’s set in a retirement home for retired musicians.  The residents are preparing for an annual benefit performance, and the long-estranged ex-wife of a resident is moving in.

The most interesting character is the one played by Pauline Collins – a vivacious woman who may have always been ditzy and now has very little short-term memory. In 1996, Collins won a Tony and was nominated for an Oscar for the title role in Shirley Valentine.

Tom Courtenay plays a man still devastated by a bad breakup decades before.  There’s a wonderful scene in which he explains opera to a class of working class teens by comparing it to rap.  Courtenay is best known for The Loneliness of the Long Distance Runner (1962), Dr. Zhivago (1965), The Dresser (1983), but was excellent more recently in the overlooked Last Orders (2001).

Maggie Smith and Billy Connolly are very good in familiar roles.  The irrepressible Connolly is very funny as a particularly randy old gentleman.  Smith’s character is in her sweet spot – not unlike the sharp-edged but increasingly vulnerable gals she played in Gosford Park, Downton Abbey and The Best Exotic Marigold Hotel.  The actors playing the other residents are delightful, including a passel of opera stars from the 70s and 80s, Sinatra’s European trumpet player and more.

This is the first movie directed by Dustin Hoffman, and he did an able job.  He takes advantage of the beautiful pastoral location, paces the film well and, as one would expect, enables the actors to turn in very fine performances.  Quartet is just a lark, but not a bad way to spend an hour and a half.

Quartet is available on DVD from Netflix and Redbox and streaming from Vudu, YouTube and other VOD outlets.

Much Ado About Nothing: it’s not homework, it’s a screwball comedy

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Alexis Denisof and Amy Acker in MUCH ADO ABOUT NOTHING

Director Joss Whedon (The Avengers, Buffy the Vampire Slayer) takes a break from pop with Shakespeare’s Much Ado About Nothing.  It’s set in current times (with iPods and cupcakes) and filmed in black and white at Whedon’s Santa Monica home.  It worked for me.

Whedon told NPR “Some people won’t see Shakespeare because they don’t believe there’s characters in them, they think it’s, you know, homework.”  Whedon’s version brings out the screwball comedy sensibility of the tale.  Indeed, there’s really nothing uniquely 16th century about the plot: one couple is perfectly matched but they think that they despise each other, another couple is head over heels in love and a mean, unhappy villain wants to break up the romance.  As the primary couple who wage “a merry war” of wit, Alexis Denisof and Amy Acker keep up with the quickpaced barbed patter and show a gift for flopping-on-the-floor physical humor.  Nathan Fillion hilariously deadpans the malapropisms of Dogberry, here the dimmest supervising rent-a-cop in English literature.

[Note: There’s also some serious home and party decorating/staging porn for the HGTV set.]

It’s all good fun, and there’s no need to review the play before enjoying it.  In fact, I’m adding it to my list of Best Shakespeare Movies.

DVD of the Week: Celeste and Jesse Forever

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I really enjoyed Celeste and Jesse Forever, starring Rashida Jones and Andy Samberg as best friends who have been married, are now working on an amiable divorce and are still best friends. The screenplay is co-written by Rashida Jones (Paul Rudd’s fiance in I Love You, Man) and, once you accept the comic premise that this couple is made for each other but not as a married couple, everyone’s behavior is authentic. Sure, he wants to get back with her when she isn’t in a place to do that – and, then, vice versa – but the characters resolve the conflict as they would in real life. Here’s a mini-spoiler – this movie is just too smart to end in rushing to the airport or disrupting the wedding or any of the other typical rom com contrivances.

The supporting characters are funny without being absurdly zany (except for one pot dealer). Chris Messina pops up in Celeste, as he did in the other smart actress-written comedy Ruby Sparks, and does a good job here, too. I’m certainly looking forward to Rashida Jones’ next screenplay.

The Incredible Burt Wonderstone: Jim Carrey gets to be funny again

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In The Incredible Burt Wonderstone, Steve Carrell plays the title character, a schlub who has lucked into Vegas headliner success as a magician and has developed narcissistic entitlement, along with some destructive spending habits.  Steve Buscemi plays his long suffering partner.  Their prop-driven act, with its Siegfried and Roy schtick, is challenged by an emerging street magician a la David Blaine (Jim Carrey).  Laughs result when the clueless Burt Wonderstone sabotages his own successful act and must come to terms with his own limitations; this being show biz, there’s a lot of unabashed backstabbing.  There’s also a brief but very funny poke at celebrity charity in the Third World.

As we remember from his breakthrough performance in 1994’s The Mask, there are things that Jim Carrey can do that no other performer can.  His movie vehicles since The Mask, however, have tempted him to preen and wink at the audience.   Here, he has a well-written role that is perfect for his rubber face, physicality and sheer force of character, and he takes it to the max. It turns out that, while he can make us wince in a Jim Carrey movie, Carrey can make us belly laugh in a Steve Carrell movie.

The Incredible Burt Wonderstone benefits from a deep cast.  The very game and able Olivia Wilde plays the exploited intern.  James Gandolfini plays a deliciously ruthless and self-interested casino tycoon.  The great Alan Arkin just gets funnier as he ages.  And Jay Mohr is delightful in one his best recent roles, a hopelessly unsuited comedian named Rick the Implausible.

The Incredible Burt Wonderstone is fluff, but it’s fun fluff.  And a showcase for Jim Carrey.