For the 4th of July Weekend – Ten Patriotic Movies

I haven’t found any other acceptable lists of patriotic movies.  Other lists tend to be less patriotic and more jingoistic and nationalistic, less about celebrating the essential American values and triumphs (sometimes triumphs over ourselves) than about dominating some furriners in war or sport.  That’s why Top Gun and Miracle show up on those lists, but not mine.

Throughout our history,  American patriots have taken risks and made sacrifices for ideas and causes greater than themselves.  Here are ten movies that celebrate that authentic patriotism.

1. Casablanca:  Our greatest film also depicts the decision to make a painful personal sacrifice, abandoning the love of one’s life, to join the risky fight against fascism, racism and fundamental evil.  “I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world.”Now that’s the essence of patriotism.

Rick is good at being noble, after all.

 

 

 

2.  John Adams: There was a time when the English subjects in North America needed to be convinced to seek Independence.  There was a time – a long time – when the outcome of the war for that Independence was uncertain.  There was a time when the winners of that war needed to invent a new government.  And then the new government needed to be led by people without experience in self-government.  John Adams, the most overlooked giant of our Founding Fathers,  was a central player in all of these dramatic events and is the subject of this brilliant mini-series.

Unique among the Founding Fathers, his day-to-day activities were frankly chronicled in hundreds of letters to and from his wife of fifty-four years, Abigail.  These surviving letters comprise one of the most essential first-hand accounts of the founding of America, and, of course, also reveal much about the talented but prickly Adams and the Adams’ relationship.

 

 

 

3.  Gettysburg:  This is the best Civil War movie, shot on the actual battlefield with thousands of re-enactors.  It makes this list because it highlights the character of Joshua Lawrence Chamberlain (Jeff Daniels), a professor of rhetoric and theology, who finds himself leading a few men to defend his army’s most vulnerable position; the screenplay uses Chamberlain to verbalize the rationale for his commitment to preserve the world’s flagship democracy.

 

 

 

4.  To Kill a Mockingbird:   Atticus Finch is compelled to pursue truth, justice and fair play, and he is committed to reaching those outcomes in the American justice system that he cherishes.  In doing so, he rejects the expectations of his time and place, and he risks his community standing, his family’s comfort and security and his own personal safety.

 

 

 

5.  Saving Private Ryan:  A high school teacher is thrust onto history’s biggest stage: the Allied invasion of Nazi-held Normandy.  He is assigned a dangerous mission that he understands has public relations value, but little military tactical importance.   He appreciates how high are the risks and how little the impact that the mission will have on the outcome of the War, yet maintains his focus on the success of his mission and the safety of his men.

 

 

 

6.  The Best Years of Our Lives:    A war ends, and it’s time to total up the sacrifices made by both those who fought and their loved ones, and to recognize how they have been changed by their experiences.  Check out this beautifully re-cut trailer.

 

 

 

7:  Eyes on the Prize: American’s Civil Rights Years 1954-1965:  July 4, 1776, is the start, not the apex, of the American journey.  Since then, we have been working to fashion a more ideal America – in both tiny increments and great strides, with missteps along the way.  This series tells the story of a great stride – accomplished by underdogs.

 

 

 

8.  Seven Days in May:  Is patriotism about nationalism (us against outsiders), or is it a devotion to the American core principle of democracy?  That’s the central question in this thriller about a plotted military coup in the United States.

 

 

 

9.  In Harm’s Way:  This is the closest to a conventional war movie on this list, but one about Americans facing a conflict with determination despite being uncertain of the outcome.  It depicts even the most troubled American making the ultimate sacrifice for a greater good.  Otto Preminger introduces his own trailer:

 

 

 

10.  Baseball:  This is the Ken Burns nine part history of baseball.  There is some heroism here (Jackie Robinson, Branch Rickey), but mostly this film makes the list to celebrate an essential thread in the American fabric.  Like our culture, baseball has rules, history, customs, competition, winners and losers. Like our country, baseball has been shaped by immigration, urbanization and new technologies.   Like our nation’s history, baseball’s history is replete with racists, greedy capitalists, cheaters, solid role models, eccentrics, innovators, visionaries and idealists.  Baseball has its own language, food and iconography, and is generally one of the most consistently sweet things about America. For better or for worse, there is nothing more American than baseball, and what’s more patriotic than watching Baseball?

Updated Movie Recommendations

 

Jennifer Lawrence in Winter's Bone

 

The “must see” films in theaters remain Winter’s Bone and Toy Story 3.  Joan Rivers: A Piece of Work is good, too.  For trailers and other choices, see Movies to See Right Now.

My DVD of the week is John Adams.  For the trailer and other DVD choices, see DVDs of the Week.

  

Milos Forman's The Firemen's Ball

 

Movies on TV include The Firemen’s Ball, The Crying Game and Before Sunrise.

DVD of the Week: John Adams

John Adams:  The most overlooked giant of our Founding Fathers is the subject of this brilliant mini-series.  Adams was a major player in forming the political consensus to seek independence from England, an important (if unevenly successful) diplomat during the war, a key political ally of George Washington’s and our nation’s first Vice-President and second President.  Unique among the Founding Fathers, his day to day activities were frankly chronicled in hundreds of letters to and from his wife of fifty-four years, Abigail.  These surviving letters comprise one of the most essential first-hand accounts of the founding of America, and, of course, also reveal much about the talented but prickly Adams and the Adams’ relationship.

To seal the quality of this miniseries, the Adams are played by the generally brilliant Paul Giamatti and Laura Linney.  Giamatti captures the short-tempered, brilliant political strategist who understands the limits of his own personal popularity.  Linney is perfect as the perceptive Abigail, who often helps John by pointing out that he needs to get out of his own way.

The series also, seemingly alone amid contemporary filmmaking, captures the era.  It was a time when travel and communication took weeks on horseback or months by sailing ship and when smallpox inoculation was by blade instead of by needle.  Day-to-day life is portrayed without romanticism or iconography.  In particular, no one who watches the tar-and-feathering scene will again view this practice as quaintly comical.

Lisbeth Salander returns July 9

 

Spanish poster for the Stieg Larsson trilogy

 

Noomi Rapace reprises her portrayal of Lisbeth Salander in The Girl Who Played With Fire, the second part of Stieg Larsson’s trilogy.  It follows one of my personal favorite films of the year, The Girl With the Dragon Tattoo.

Lisbeth Salander is the best new crime drama character since Helen Mirren’s Inspector Jane Tennyson.  And Noomi Rapace creates a Lisbeth Salander who is a lethal mix of damage and drive.  Noomi Rapace’s Lisbeth, as a tiny fury of a Goth hacker, is only 90 pounds, so she will lose a fistfight with a man; but she prevails with her smarts, resourcefulness and machine-like  relentlessness.  Lisbeth is always mad AND always gets even.

When Hollywood remakes the film, it will not cast Noomi Rapace in the lead, so you’ll miss the film’s essential performance if you wait for the American version.

The Girl With the Dragon Tattoo only has about one more week to go in theaters, so you should see it now.

Scandanavian poster for the first film in the Stieg Larsson trilogy

Helen Mirren nekked!

indieWIRE has this article (with photos) on the almost 65-year-old Dame Helen Mirren posing nude for New York Magazine.

But don’t overlook the 1969 film Age of Consent, where Mirren plays about a third of the movie naked, and the other two thirds wearing nothing but the most threadbare and easily discardable short cotton dress.

Shot when Mirren was 24, she plays a teen wild child abused and neglected by a hateful aunt in the remotest Australian coastal settlement.  James Mason, artistically blocked and on the run from his fame as a painter, shows up, and she becomes his muse.  Age of Consent is available on DVD, Netflix streaming  and occasionally on TCM.

This photo is substantially cropped

This Week's Movie Recommendations

The “must see” films in theaters are Winter’s Bone and Toy Story 3.  For trailers and other choices, see Movies to See Right Now.

My DVD of the week is The Girl on the Train.  For the trailer and other DVD choices, see DVDs of the Week.

Orson Welles in The Third Man

 

Movies on TV include The Third Man, Blue Velvet and Cool Hand Luke.

Winter's Bone: Debra Granik

 

Director Debra Granik

 

Winter’s Bone Director Debra Granik has delivered one of the year’s best American films – with just her second feature.  Every moment of Winter’s Bone seems absolutely real and absolutely true.  Granik shot in southern Missouri, and used local people, local homes, local clothes and local music – all choices that result in the film’s authenticity. Even the Army recruiter is a real-life Army recruiter.  Similarly, the soundtrack is spare and pure – pretty much just the snapping twigs, chirping birds, barking dogs and sputtering pickups of the Ozarks; the audience feels the gripping story without the filmmaker layering on manipulative music.

Granik’s first feature, Down to the Bone, won acting awards for its star Vera Farmiga as a grocery clerk mom who undergoes drug rehab without support from her husband or employer.  In both Winter’s Bone and Down to the Bone, Granik lets her actors act, most compellingly when they are not talking.  Down to the Bone is available on DVD and Netflix streaming.

Granik and screenwriting partner Anne Rosellini were looking for a story that featured a strong female protagonist ans found it in Daniel Woodrell’s novel.  Here are Granik and Woodrell on NPR’s Fresh Air.

Richard von Busack also has an excellent interview with Granik and Lawrence – click here and scroll below his review.

Thanks to David H. Schleicher of the Schleicher Spin, here is the blog of Marideth Sisco, the musical consultant for Winter’s Bone, and the lead singer in the pickin’ scene.

Five Great Hillbilly Movies

Winter’s Bone inspired me to think of other great movies set in a hillbilly milieu.  If there is a Hillbilly Genre, these movies don’t fit because they aren’t about Being a Hillbilly.  They are human stories that happen to be set amongst hillbillies.  Winter’s Bone and Ulee’s Gold are about determined individuals determined to protect their families no matter the risk.  Coal Miner’s Daughter is about an artist’s journey from naive teen to superstar.  Harlan County USA is about a community banding together to find justice.  And Deliverance is about men sharing an ordeal and secrets from it.

1.  Deliverance:  Four suburban guys seek a mild adventure – canoeing down a backwoods river before it is dammed.  The adventure becomes an ordeal.  The most horrible things happen to them, and they are forced to do horrible things.

I have watched this twice in the past few years, and it still really stands up today.  In particular, the cinematography and editing are fantastic.  Here is the famous banjo scene.

2.  Harlan County, USA:  This is the story of coal miners seeking a union contract with a hostile mining company.  It won the Oscar as best documentary.  Filmmaker Barbara Kopple embedded herself among the strikers and got amazing footage – including of herself threatened and shot at.

3.  Winter’s Bone: A 17-year-old Ozarks girl is determined to save the family home by tracking down her meth dealer dad – dead or alive.  The girl’s journey through a series of nasty and nastier Southern Missouri crank cookers is riveting – without any explosions, gunfights or chase scenes.  Every moment of this film seems completely real.

4.  Ulee’s Gold:  In his finest performance, Peter Fonda is a rural beekeeper who must enter a dangerous underworld to track down his druggie daughter-in-law.   Here is how Gene Siskel and Roger Ebert saw it.

5.  Coal Miner’s Daughter: Sissy Spacek won the Best Actress Oscar for her portrayal of Loretta Lynn in this successful biopic.  In an early major role, Tommy Lee Jones plays Loretta’s husband Mooney.  Levon Helm, the Arkansas-bred drummer for The Band has one of his rare but compelling film roles as Loretta’s Daddy.  Besides the performances, the movie works because Loretta must grow from nobody to star, girl to woman and hick to worldly.

Levon Helm at left and Sissy Spacek in Coal Miner's Daughter

DVD pick of the week: The Girl on the Train

The Girl on the Train (La fille du RER) is an absorbing mother daughter drama set in the Paris suburbs.

The young woman  is  Emilie Dequenne, the Belgian actress who won the best actress award at Canne when she was only 17 in the Dardenne brothers’ Rosetta.  In contrast to Rosetta, she doesn’t play a force of nature, but a slacker bobbing through life on a tide of random influences.  She lives with her single mom (Catherine Deneuve), and they get along, despite the mother’s unwelcome tips on job hunting.

The daughter meets a guy, her life takes some resulting turns and then she makes a really bad choice.  The mom seeks out an old beau, now a celebrity attorney to help fix the situation.

I missed seeing this in the theater because the trailer emphasizes a faked hate crime (and I wasn’t eager to see a topical movie).  But the movie is not about the faked hate crime, which occurs late into the story.  The story is character driven.  The daughter drifts first part of the movie and is controlled by events until she finds herself in a desperate situation; she panics and sees the most stupid option as a solution.  The situation then forces the mother to re-open a chapter in her life that she had chosen to close – how far will she open the old door?

It’s on my list of Best Movies of 2010 So Far.

See the rest of my DVD recommendations.