Biutiful

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Biutiful is about a great performance by Javier Bardem in a grim, grim, really grim role.  (Yes, this film is grimmer than Bardem’s The Sea Inside, in which he plays a suicidal paraplegic.)  In this film, Bardem plays Uxbal, a Barcelona lowlife who lives by perpetrating various petty scams.  Low level crime does not pay well, and he lives in poverty with his kids, who he cannot trust with his bipolar, alcoholic wife (who is sleeping with his brother).  Then he receives a medical death sentence – only two months to live.  And then, things get even worse!

Can he leave his kids with a stable life?  Can he find some redemption?  It’s a compelling portrait of a desperate man in desperate circumstance, directed by Alejandro Gonzalez Inarritu (Amores perros, 21 Grams, Babel).

Has anyone has five better performances in the past decade than Bardem in The Dancer Upstairs, The Sea Inside, No Country for Old Men, Vicky Christina Barcelona and Biutiful?   Bardem won Best Actor at Cannes for Biutiful.

Season of the Witch

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Okay, I’ll admit that I saw Season of the Witch because the trailer made me laugh out loud.  I thought that it might have been goofily bad enough to qualify for my list of 10 Movies So Bad They Are Fun.  Unfortunately, it’s just bad and not much fun.

Season of the Witch is a Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.  Cage and Perlman play two knights who, after slaughtering more than their share of women and children infidels, become disgusted with the Crusades.  The deserters find themselves back in plague-ridden Central Europe escorting a comely accused witch to her abbey trial.  Along the way, they encounter the cheesiest of CGI effects, the most portentous of soundtracks  and every medieval cliché.

My recommendation:  get some laughs from the trailer and skip the 95 minute version.

Movies to See Right Now

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Mark Wahlberg and Christian Bale in The Fighter

Now is the time to catch future Oscar contenders on the big screen, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.

True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.

I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent.  All are on my list of Best Movies of 2010.

I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres.  Red Hill is a stylish contemporary Aussie Western.  Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.

For trailers and other choices, see Movies to See Right Now. You can see the trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is In the Name of the Father. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include 12 Angry Men, I Want to Live! and Glory on TCM.

Red Hill

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There’s not much original in Red Hill, a contemporary Aussie Western, but it is stylish and well-made – and we don’t see a lot of Westerns these days.  Some critics has remarked on the violence in Red Hill, but it is not extreme.

At 95 minutes, the story moves along quickly.  There is a lot of subtle humor, not from gag lines, but from the absurdly relentless persistence of the rookie cop, the facial scarring that makes the outlaw even scarier and the inopportune appearance of a very hungry panther.

Pete Postlethwaite and my DVD of the Week

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The great character actor Pete Postlethwaite died last week, and this week’s DVD pick honors his finest film work. In the Name of the Father (1993)  is based on the true story of Gerry Conlon (Daniel Day-Lewis) of the Guildford Four, wrongly convicted of an IRA bombing that killed four British soldiers and a civilian.  The four were coerced into confessions by torture and threats against their families.  The real IRA terrorists, captured later for another act, confessed to the crime, but the British government suppressed the evidence of the Guildford Four’s innocence.   Gerry Conlon wound up in prison with his father Giuseppe (Postlethwaite), also convicted of an IRA plot as a member of the Maguire Seven – and Postlethwaite’s performance is one of uncommon inner strength.

The film was nominated for seven Oscars and is on my 10 Best Prison Movies.

The New Year's Movies To See Right Now

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True Grit

Don’t miss the great movies released during the Holidays.  This is the time of year that I live for – lots of great choices in the theater, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.

True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the  crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush).  Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.

I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner.  The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. For some delectable food porn, see Kings of Pastry.

Love and Other Drugs is a passable comedy.

There are some Must See films still kicking around in theaters this week: Inside Job and The Social Network. Both are on my list of Best Movies of 2010 – So Far.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Restless or Red Hill, opening this weekend. You can see the trailers at Movies I’m Looking Forward To.

My DVD pick is The American.   For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include The Producers, The Third Man, 12 Angry Men, I Want to Live! and Glory on TCM.

2010 in Movies: The Year of Food Porn

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To conclude my 2010 in Movies series, here’s another very fun trend:  2010 brought us more food-centric films than any year in memory: I Am Love (Io sono l’amore), Mid-August Lunch, The Kings of Pastry, Today’s Special, A Woman, a Gun and a Noodle House and Soul Kitchen.  The Movie Gourmet approves of this trend.

You can get the idea here from I Am Love‘s trailer.  Check out the plate of glazed prawns about 58 seconds into the trailer.

Here’s my list of 10 Food Porn Movies.

2010 in Movies: The Year of the Crime Drama

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2010 continued a trend of really good recent crime dramas.  This year, most of them came from overseas:  The Secrets in Their Eyes (Argentina) won the most recent Best Foreign Language Oscar and A Prophet (France) and Ajami (Palestine/Israel) were nominated.

All three made my list of the year’s best movies and my list of  Best Recent Crime Dramas.

We also had other strong imports in this genre:  the Mesrine films (France), Animal Kingdom (Australia) and Mother (Korea).

The best American crime drama was The Town, in which the rockin’ first two acts were betrayed by a sappy and implausible climax.

Here’s the trailer for Ajami, an ultra-realistic crime drama set in a scruffy neighborhood in Jaffa, Israel.  The story weaves together Arab Christians and Arab Muslims and both religious and non-religious Israeli Jews.  Everyone aspires to make a living and live in personal safety, but the circumstances and tribal identities make this very difficult at best.  There are two trans-religious romances, but no one is going to live happily ever after. Ajami was co-written and co-directed by Scandar Copti, a Jaffa-born Palestinian, and Yaron Shoni, an Israeli Jew.   After seeing the film, I was surprised to learn that it has no trained actors – all of the roles are played by real-life residents who improvised their lines to follow the story line.

DVD of the Week: The American

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In this 2010 thriller, George Clooney plays an international master assassin.  He lives a life of crushing loneliness.  Anyone who gets close to him will either die or betray him.  He is exhausted by years of perpetual vigilance, unnourished by human affection.  I remember this loneliness from my own years as an international master assassin.

Clooney’s character is written and played well.  This is a smart, arty film that transcends its hackneyed set-up:  the assassin takes One Last Job and encounters some beautiful, available and potentially dangerous women who may be Up To No Good.  The climax reminds me of the greatest assassin movie, Day of the Jackal.

For my recent DVD choices (including trailers), see DVDs of the Week.

2010 in Movies: Biggest Disappointments

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1. I couldn’t see some of the Cannes and Sundance Festival favorites because they haven’t been released where I live: Poetry, Certified Copy, Uncle Boonmee, Cane Toads: The Conquest, Aurora, The Princess of Montpensier.

2. After director Niels Arden Opley’s super rockin’ The Girl with the Dragon Tattoo, the second and third films in Stieg Larsson’s Milenium trilogy were dragged down by plodding director Daniel Alfredson.

3. The 2004 French action movie District B13 introduced us to thrilling parkour and was an original, offbeat spectacle.   But this year’s sequel District 13: Ultimatum was cartoonish and very, very dumb.

4.  Wall Street: Money Never Sleeps:  First of all, I hoped that the movie was going to be primarily about the Michael Douglas characterization of Gordon Gekko – which Douglas knocked out of the park yet again. Will someone explain to me why Shia LaBeouf seems to be a movie star? Anyone? Anyone? Bueller?

Second, the screenplay keeps raising the issue of moral hazard (whether to bail out people from the consequences of risks that they knew they were taking).  Yet, at the end, the two flawed main characters each get exactly what they wanted at the beginning of the film despite making risky or evil choices throughout.  The movie’s payoff (things will turn out OK no matter how badly or foolishly you behave) is exactly opposite of the movie’s sermonette.

5. No one could find a better vehicle for the sublime Amy Adams than the execrable Leap Year?

6.  Pirate Radio:  Has Philip Seymour Hoffman been in a worse film?

7. From the trailer and the buzz, I thought that The Kids Are All Right was shaping up to contend for Best Picture.  It’s a good movie with a wonderful performance by Annette Bening, but  it didn’t fulfill its promise as one of the year’s best.

8. I really wanted to like Ireland’s animated The Secret of Kells, but it was a snoozer.

9. The German comedy Soul Kitchen had a fun trailer (that contained the actually funny three minutes in the entire film).

10.  Shutter Island:  Marty, what were you thinking?