Movies to See Right Now

Actually, there’s no MUST SEE in theaters right now, but here are three pretty good movies, plus a recent hit and an overlooked classic.

Jake Gyllenhaal is brilliant in two roles in the psychological thriller Enemy.  Like all Wes Anderson movies, The Grand Budapest Hotel is wry and imaginative, but not one of his most engaging.  Just out today, Dom Hemingway is a fun and profane romp.

My DVD/Stream of the Week is the gloriously entertaining American Hustle.  Amid an all-star cast, I think that Jeremy Renner, Jennifer Lawrence and Louis C.K. steal the show. American Hustle is now available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

Reportedly, James Garner and Julie Andrews have each tagged the biting anti-war satire  The Americanization of Emily as their favorite movie, and Turner Classic Movies will be playing it on April 6.

Finally, baseball season has begun, so it’s time to check out this wonderfully mad movie list: Bob Calhoun’s Zombies in the Outfield and Cats in the Owners’ Box: The Top Ten Odd and Overlooked Baseball Movies for RogerEbert.com.

DVD/Stream of the Week: American Hustle

american hustleWhy is American Hustle so gloriously entertaining? It’s certainly successful as a con man movie, as a 70s period piece and as a fast-paced (sometimes almost screwball) comedy. But I think the key is that writer-director David O. Russell develops such compelling characters – lots of them – and they’re so endearingly wacky, we just need to see what happens next. That’s the recipe he used in last year’s triumph Silver Linings Playbook (and in his under-appreciated 1996 Flirting with Disaster).

American Hustle opens with the wonderfully sly disclaimer “Some of this actually happened”, and then we see Christian Bale assembling the worst comb-over in cinematic history – and we’re hooked. The story follows the arc of the real-life Abscam scandal with the FBI forcing con artists to sting elected officials in an outlandish bribery-by-phony-sheik scheme. Bale plays an unattractive yet magnetic con man. Amy Adams is his tough and sexy partner. Bradley Cooper is their hyper-ambitious FBI handler.

As we would expect, Bale, Adams and Cooper are all fun to watch with this material. But Russell ‘s cast is very deep – the secondary and tertiary characters are just as fun. Jennifer Lawrence is a force of nature as Bale’s estranged wife, who takes passive aggressiveness to an entirely unforeseen level. Jeremy Renner (The Hurt Locker) almost steals the picture as an extremely sympathetic and good-hearted local pol who doesn’t see what’s coming. And Louis C.K. is hilarious as Cooper’s put-upon boss; as he did so successfully in Blue Jasmine, C.K. plays the character completely straight and lets the material generate the laughs; many comedians make the mistake of trying to act funny in movie comedies, but C.K. has a real gift for the lethal dead pan.

American Hustle plants us firmly in the late 1970s with an especially evocative score and very fun costumes and hair. Besides Bale’s comb-over, we enjoy the tightly permed curls of Adams and Cooper, along with Lawrence’s Jersey updo. And Adams and Lawrence sport an unceasing series of dresses with severely plunging necklines.

Funny and gripping at the same time, with scads of movie stars at their very best, American Hustle is a surefire good time at the movies.   American Hustle is now available on DVD frpm Netflix and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

DVD/Stream of the Week: Outrage Beyond

Takeshi Kitano dares a Yakuza to shoot him in OUTRAGE BEYOND

Takeshi Kitano returns to star in the Japanese gangster movie Outrage Beyond. It’s a sequel to writer-director Kitano’s 2011 Outrage, of which I wrote:

If you’re looking for a hardass gangster movie with deliciously bad people doing acts of extreme violence upon each other, Outrage is the film for you. But what makes Outrage stand out is the pace and stylishness of all the nastiness, as if Quentin Tarantino had made Goodfellas (only without all the extra dialogue about foot rubs and the Royale with cheese)…Kitano, much like Charles Bronson, has the worn and rough face of a man who has seen too much disappointment and brutality.

Outrage was more of a tragic noir, because you know that most of the characters probably won’t survive – and they know it, too. There is less foreboding in Outrage Beyond, which is just glorious exploitation – gangster mayhem splattering the streets. Because this is a Yakuza film, Kitano delivers the minimum one full body tattoo and one severed finger. But he also makes ingeniously lethal use of a pitching machine in a batting cage, and “Let’s play baseball” is the cruelest line in the film.

I saw Outrage Beyond at the San Francisco International Film Festival. It’s now available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, Google Play and XBOX Video.

DVD/Stream of the Week: Blue is the Warmest Color

Adèle Exarchopoulos in BLUE IS THE WARMEST COLOR

The French drama Blue is the Warmest Color explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. Exarchopoulos plays a 17-year-old (also named Adèle) who falls in love with an out lesbian five or six years her senior. The film traces the course of their relationship over the next several years as the couple are challenged by jealousies and their different temperaments and class backgrounds, and as Adèle matures.

The acting is excellent, including Léa Seydoux (Farewell My Queen, Midnight in Paris) as the lover. But Adèle Exarchopoulos is a revelation. She is perfect as a teen typically full of curiosity and devoid of confidence, outwardly raunchy but profoundly innocent. And she has an extraordinary gift to seem utterly alone in a crowd. After watching Exarchopoulos, I felt as I did after seeing Jennifer Lawrence in Winter’s Bone – I can’t wait to see this emerging major talent again.

This is the first film I’ve seen by Tunisian-born French director Abdelatif Kechiche, who has twice before won the Cesar (the French Oscar). In Blue Is the Warmest Color, Kechiche uses the closeup more than any recent director that I can recall, and he is fortunate to have Exarchopoulos, who can pull it off. It’s an excellent reason to see Blue Is the Warmest Color on the big screen.

Blue Is the Warmest Color is three-hours long, which is an indulgent length, but not too long. I am usually impatient with movies over two hours and quick to find them overlong. But Blue Is the Warmest Color kept my interest and engagement for its duration, and I really couldn’t recommend many cuts.

There is a LOT of explicit simulated sex in this movie. The main characters’ first love scene must sample the entire lesbian Kama Sutra. That scene, reputed by some to last nineteen or twenty minutes, didn’t seem that nearly long. The film proudly earns its NC-17 rating by depicting the (apparently very satisfying) sexual aspect of a romance.

But, in the end, it’s all about Adèle’s romance and Exarchopoulos’ performance. Blue Is the Warmest Color won the top prize at Cannes, and is my pick as 2013’s best film.  It’s available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Sundance Now and XBOX Video.

Movies to See Right Now

Cinequest hit HUNTING ELEPHANTS
Cinequest hit HUNTING ELEPHANTS

I’m a little behind on seeing the most recent movie openings because, as usual, I’ve been so consumed by San Jose’s Cinequest film festival. You can find my comments on 20 Cinequest films at my CINEQUEST 2014 page. Remember that Encore Day – in which Cinequest reprises its most popular films – is this Sunday.

Anyway, the promising newer films that I HAVEN’T yet seen are The Grand Budapest Hotel and Tim’s Vermeer.  Still in theaters are:

  • the gloriously entertaining American Hustle;
  • superb filmmaking and a great Sandra Bullock performance in Gravity;
  • the Oscar-winning 12 Years a Slave, a good film that I do NOT recommend; and
  • the Chilean drama Gloria about an especially resilient 58-year-old woman.

My DVD of the week is Nebraska, which made my Best Movies of 2013.  Nebraska is available on DVD from Netflix and Redbox and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and XBOX Video.

On Monday, Turner Classic Movies is showing the 1970’s nugget The Outfit, which I’ll be profiling tomorrow.  On the 21st, TCM will show perhaps Paul Newman’s most charismatic performance in Cool Hand Luke.

DVD/Stream of the Week: Nebraska

In the funny, poignant and thought-provoking Nebraska, a Montana geezer named Woody (Bruce Dern) gets a sweepstakes come on in the mail and believes that he has actually won a million dollars. Unwilling to accept the explanations from his loved ones, Woody is determined to get to Omaha to claim his fortune – by walking if necessary. His son David (Will Forte from Saturday Night Live) decides to drive him, and their journey takes them through Woody’s tiny Nebraska hometown.

At first, we see that Woody is bitter, drinks too much, is sometimes addled and drives his loved ones crazy. As the story progresses, we learn that Woody’s bitterness is rooted in frustration of his modest aspirations by both circumstance and by his own shortcomings. And we see David longing for a relationship with his father that he had never thought possible before. David makes a valiant effort, but Woody is long past any sentimentality. In Nebraska, director Alexander Payne (Sideways, The Descendants) has another triumph of endearingly flawed characters.

There are many laughs in Nebraska, the funniest coming from Woody’s wife’s salty exasperation, David’s repellant cousins and the hilarious theft of a generator.

The acting is outstanding. Bruce Dern deservedly got an Oscar nomination. It’s a character that is revealed to be more and more complex. Is he demented, or is he in denial, or is he lying? Some of each for sure, but it’s always hard to tell. Dern has stated that he called upon his own experience with unsupportive parents to play the film’s most searing scene, in which David takes a reluctant Woody back to see Woody’s now abandoned childhood home. June Squibb, who play’s Woody’s wife, was also nominated for an Oscar; indeed, she gets to deliver most of the funniest lines.

But there are two other exceptional performances that I don’t want to overlook. As the son, Will Forte plays Woody’s straight man. It’s a far less flashy role – and perhaps more challenging role. But Forte lets us see past the son’s stoicism to his pain, embarrassment, frustration, determination and love.

And Actress Angela McEwan has the tiny part of the small town newspaper publisher. She just gets one brief exchange with Forte and then a second scene where she looks at a truck driving past. That look is one of the unforgettable moment in cinema this year.

Finally, my parents were from Nebraska, and I have spent plenty of time in the state. I must say that I have NEVER seen such a dead on take on small town Nebraska and Nebraskans. If you see Nebraska, you really don’t need to visit the real Nebraska to capture the full experience.

I found Nebraska to be an exceptionally evocative family portrait, and I’ve liked and admired it the more I’ve thought about it. One of my Best Movies of 2013 and nominated for the Best Picture Oscar, it is available on DVD from Netflix and Redbox and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and XBOX Video.

DVD/Stream of the Week: Fruitvale Station

FRUITVALE STATION

Note:  You can see Fruitvale Station on the big screen this week at Cinequest.  It will be introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan on Saturday, March 8 at the San Jose Rep.

Here’s number 8 on my Best Movies of 2013. The emotionally powerful Fruitvale Station explores the humanity behind the news. If, as I do, you live in the San Francisco Bay Area, you know what happened to Oscar Grant. Returning to the East Bay after 2008 New Year’s Eve revelries in San Francisco, the unarmed 22-year-old was handcuffed and lying on his stomach when he was mortally wounded by a transit cop’s gunshot. Oscar Grant was African-American. The transit cop was white. Multiple cell phone videos of the incident went viral on New Year’s Day. Fruitvale Station opens with one of those shaky videos.

But the beauty and strength of this impressive film is that Fruitvale Station is not about the incident and its political fallout – it’s about the people involved, in their workaday and familial roles to which all of us can relate. It follows the fictionalized life of Oscar Grant as he lives out what he doesn’t know is his last day.

Writer-director Ryan Coogler’s Oscar Grant is a complete and textured character. Oscar is a charming guy, a loving father and the fun dad/uncle who children love roughhousing with. He’s remarkably unreliable as a boyfriend, son and employee. He’s done a stretch in San Quentin, and he’s got a temper. He’s capable of random acts of kindness. He’s a complete package of decency, fecklessness, irresponsibility and possibilities. Would he have turned his life around if he hadn’t been at Fruitvale Station that night? We’ll never know. And that’s the tragedy laid bare by Fruitvale Station.

Although it’s a tragedy with some heartbreaking moments, Fruitvale Station isn’t a downer – it’s too full of humanity for that. Neither is it a political screed; Coogler lets the facts speak for themselves and the audience to draw its conclusions.

The acting is first-rate, especially Michael B. Jordan as Oscar, Melonie Diaz as his girlfriend and the great Octavia Spencer as his mom. Equally, important, the supporting cast is just as authentic.

It’s a stunning debut feature for 27-year-old filmmaker Ryan Coogler, from whom much is now expected. (Coogler is also an African-American from the East Bay who is roughly the same age as Oscar Grant.)

Fruitvale Station was justifiably honored at both the Sundance and Cannes film festivals. Fruitvale Station is available on DVD from Netflix and Redbox and streaming from Amazon, Vudu, Google Play, YouTube and Xbox Video.

Movies to See Right Now

GLORIA
GLORIA

The Chilean drama Gloria is about an especially resilient 58-year-old woman.  The Palestinian Omar is a heartbreaking romance inside a tense thriller; Omar is nominated for the Best Foreign Language Oscar.

My DVD/Stream of the Week is the flawless true story thriller Captain Phillips, my choice as the best Hollywood movie of the year. It’s now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013. I also strongly recommend Best Picture nominees The Wolf of Wall Street and PhilomenaDallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch.

I saw this year’s Oscar Nominated Live Action Shorts and was disappointed.  There was nothing to match recent gems like The God of Love or Curfew.  I liked the British short about a particularly bored and malevolent God masquerading as a convict, but that 13 minutes didn’t justify the two hours that I had invested.  A 30-minute Spanish film about child soldiers in Africa was to excruciatingly brutal to justify the trite attempt at a redemptive payoff.  (I haven’t seen the Oscar Nominated Animated Shorts, but I have heard good things about that program.)

Check out my first post on Cinequest – and follow me on Twitter for my Cinequest coverage.

I love 31 Days of Oscar, Turner Classic Movies magical month of Oscar-nominated films. On March 1, TCM is showing all five Best Picture nominees from 1967: The winner was In the Heat of the Night, which I can’t imagine holds up as well today as The Graduate or the groundbreaking Bonnie and Clyde. The other nominees were Doctor Doolittle and the now embarrassingly dated Guess Who’s Coming to Dinner.

DVD/Stream of the Week: In a World…

IN A WORLD…

Actress Lake Bell wrote/directed/stars in In a World…, the story of an underachieving voice coach who still lives in the house of her dad, the king of movie trailer narration. She’s disheartened when he kicks her out to make room for his new and very young squeeze, but she lucks into a voiceover gig herself and is “discovered” as the hot new talent. In fact, she’s up for the most prestigious new payday when she finds out that her dad is not as supportive as one might expect…

Here’s why In a World… is so damn good – Bell has written a very funny comedy about a generational rivalry and woven it together with a Hollywood satire, an insider’s glimpse into the hitherto under-the-radar voiceover industry and a romantic comedy. The romantic comedy thread, in which our heroine is oblivious to the nice guy who really likes her, is better by itself than most romantic comedies. But we also get many LOL moments among the self-absorbed and back-stabbing Hollywood set. Plus there’s a very sweet story of the relationship between the protagonist’s sister and her hubby – that could stand alone and be better than a lot of indies as well..

Bell gets most of the laughs from the foibles of the characters and from really intelligently crafted dialogue. But she know how to pull off a physical gag, too. At one point, our heroine wants to be kissed by a handsome Hollywood bigshot, but when it happens, his technique is to put her entire nose into his mouth – and her surprise and discomfort is very funny.

Fortunately, Bell was able to cast Fred Melamed, a distinguished voiceover artist, as the father. Melamed has been the voice of CBS Sports, the Super Bowl, the Olympics and Mercedes-Benz. He’s also a brilliantly funny actor. I called Melamed’s performance as the hilariously pompous and blatantly manipulative Sy Ableman in A Serious Man “the funniest movie character of the decade”.

Bell’s previous roles have been secondary parts that have taken advantage of her unconventionally severe beauty. You may remember Bell as Alec Baldwin’s new trophy wife in It’s Complicated. Having written it herself, she finally has a role in which she can show her comic chops. I turns out that she’s a gifted comic actress, with screwball timing, a rich take and a knack for physical comedy.

The rest of the cast is uniformly good. I especially enjoyed Rob Corddry (Warm Bodies) as the long suffering husband of the sister.

In a World… is a complete and winning film and the year’s best comedy. In a World… is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, GooglePlay and Xbox Video.

Movies to See Right Now

AMERICAN HUSTLE
AMERICAN HUSTLE

The Palestinian Omar is a heartbreaking romance inside a tense thriller; Omar is nominated for the Best Foreign Language Oscar. The Chilean drama Gloria is about an especially resilient 58-year-old woman. Harder to find, Stranger by the Lake is an effective French thriller with LOTS of explicit gay sex.

My DVD/Stream of the Week is the flawless true story thriller Captain Phillips, my choice as the best Hollywood movie of the year. It’s now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013. I also strongly recommend Best Picture nominees The Wolf of Wall Street and Philomena. Dallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch. The Oscar Nominated Live Action Shorts is also a good bet.

The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence. I also like the Mumblecore romance Drinking Buddies, now available on VOD.

We’re still enjoying Turner Classic Movies magical month of Oscar-nominated films – 31 Days of Oscar. This week I recommend the brilliant 1971 drama The Last Picture Show and the classic Bogart/Bacall thriller Key Largo.