DVD/Stream of the Week: Blue is the Warmest Color

Adèle Exarchopoulos in BLUE IS THE WARMEST COLOR

The French drama Blue is the Warmest Color explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. Exarchopoulos plays a 17-year-old (also named Adèle) who falls in love with an out lesbian five or six years her senior. The film traces the course of their relationship over the next several years as the couple are challenged by jealousies and their different temperaments and class backgrounds, and as Adèle matures.

The acting is excellent, including Léa Seydoux (Farewell My Queen, Midnight in Paris) as the lover. But Adèle Exarchopoulos is a revelation. She is perfect as a teen typically full of curiosity and devoid of confidence, outwardly raunchy but profoundly innocent. And she has an extraordinary gift to seem utterly alone in a crowd. After watching Exarchopoulos, I felt as I did after seeing Jennifer Lawrence in Winter’s Bone – I can’t wait to see this emerging major talent again.

This is the first film I’ve seen by Tunisian-born French director Abdelatif Kechiche, who has twice before won the Cesar (the French Oscar). In Blue Is the Warmest Color, Kechiche uses the closeup more than any recent director that I can recall, and he is fortunate to have Exarchopoulos, who can pull it off. It’s an excellent reason to see Blue Is the Warmest Color on the big screen.

Blue Is the Warmest Color is three-hours long, which is an indulgent length, but not too long. I am usually impatient with movies over two hours and quick to find them overlong. But Blue Is the Warmest Color kept my interest and engagement for its duration, and I really couldn’t recommend many cuts.

There is a LOT of explicit simulated sex in this movie. The main characters’ first love scene must sample the entire lesbian Kama Sutra. That scene, reputed by some to last nineteen or twenty minutes, didn’t seem that nearly long. The film proudly earns its NC-17 rating by depicting the (apparently very satisfying) sexual aspect of a romance.

But, in the end, it’s all about Adèle’s romance and Exarchopoulos’ performance. Blue Is the Warmest Color won the top prize at Cannes, and is my pick as 2013’s best film.  It’s available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Sundance Now and XBOX Video.

Movies to See Right Now

Cinequest hit HUNTING ELEPHANTS
Cinequest hit HUNTING ELEPHANTS

I’m a little behind on seeing the most recent movie openings because, as usual, I’ve been so consumed by San Jose’s Cinequest film festival. You can find my comments on 20 Cinequest films at my CINEQUEST 2014 page. Remember that Encore Day – in which Cinequest reprises its most popular films – is this Sunday.

Anyway, the promising newer films that I HAVEN’T yet seen are The Grand Budapest Hotel and Tim’s Vermeer.  Still in theaters are:

  • the gloriously entertaining American Hustle;
  • superb filmmaking and a great Sandra Bullock performance in Gravity;
  • the Oscar-winning 12 Years a Slave, a good film that I do NOT recommend; and
  • the Chilean drama Gloria about an especially resilient 58-year-old woman.

My DVD of the week is Nebraska, which made my Best Movies of 2013.  Nebraska is available on DVD from Netflix and Redbox and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and XBOX Video.

On Monday, Turner Classic Movies is showing the 1970’s nugget The Outfit, which I’ll be profiling tomorrow.  On the 21st, TCM will show perhaps Paul Newman’s most charismatic performance in Cool Hand Luke.

DVD/Stream of the Week: Nebraska

In the funny, poignant and thought-provoking Nebraska, a Montana geezer named Woody (Bruce Dern) gets a sweepstakes come on in the mail and believes that he has actually won a million dollars. Unwilling to accept the explanations from his loved ones, Woody is determined to get to Omaha to claim his fortune – by walking if necessary. His son David (Will Forte from Saturday Night Live) decides to drive him, and their journey takes them through Woody’s tiny Nebraska hometown.

At first, we see that Woody is bitter, drinks too much, is sometimes addled and drives his loved ones crazy. As the story progresses, we learn that Woody’s bitterness is rooted in frustration of his modest aspirations by both circumstance and by his own shortcomings. And we see David longing for a relationship with his father that he had never thought possible before. David makes a valiant effort, but Woody is long past any sentimentality. In Nebraska, director Alexander Payne (Sideways, The Descendants) has another triumph of endearingly flawed characters.

There are many laughs in Nebraska, the funniest coming from Woody’s wife’s salty exasperation, David’s repellant cousins and the hilarious theft of a generator.

The acting is outstanding. Bruce Dern deservedly got an Oscar nomination. It’s a character that is revealed to be more and more complex. Is he demented, or is he in denial, or is he lying? Some of each for sure, but it’s always hard to tell. Dern has stated that he called upon his own experience with unsupportive parents to play the film’s most searing scene, in which David takes a reluctant Woody back to see Woody’s now abandoned childhood home. June Squibb, who play’s Woody’s wife, was also nominated for an Oscar; indeed, she gets to deliver most of the funniest lines.

But there are two other exceptional performances that I don’t want to overlook. As the son, Will Forte plays Woody’s straight man. It’s a far less flashy role – and perhaps more challenging role. But Forte lets us see past the son’s stoicism to his pain, embarrassment, frustration, determination and love.

And Actress Angela McEwan has the tiny part of the small town newspaper publisher. She just gets one brief exchange with Forte and then a second scene where she looks at a truck driving past. That look is one of the unforgettable moment in cinema this year.

Finally, my parents were from Nebraska, and I have spent plenty of time in the state. I must say that I have NEVER seen such a dead on take on small town Nebraska and Nebraskans. If you see Nebraska, you really don’t need to visit the real Nebraska to capture the full experience.

I found Nebraska to be an exceptionally evocative family portrait, and I’ve liked and admired it the more I’ve thought about it. One of my Best Movies of 2013 and nominated for the Best Picture Oscar, it is available on DVD from Netflix and Redbox and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and XBOX Video.

DVD/Stream of the Week: Fruitvale Station

FRUITVALE STATION

Note:  You can see Fruitvale Station on the big screen this week at Cinequest.  It will be introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan on Saturday, March 8 at the San Jose Rep.

Here’s number 8 on my Best Movies of 2013. The emotionally powerful Fruitvale Station explores the humanity behind the news. If, as I do, you live in the San Francisco Bay Area, you know what happened to Oscar Grant. Returning to the East Bay after 2008 New Year’s Eve revelries in San Francisco, the unarmed 22-year-old was handcuffed and lying on his stomach when he was mortally wounded by a transit cop’s gunshot. Oscar Grant was African-American. The transit cop was white. Multiple cell phone videos of the incident went viral on New Year’s Day. Fruitvale Station opens with one of those shaky videos.

But the beauty and strength of this impressive film is that Fruitvale Station is not about the incident and its political fallout – it’s about the people involved, in their workaday and familial roles to which all of us can relate. It follows the fictionalized life of Oscar Grant as he lives out what he doesn’t know is his last day.

Writer-director Ryan Coogler’s Oscar Grant is a complete and textured character. Oscar is a charming guy, a loving father and the fun dad/uncle who children love roughhousing with. He’s remarkably unreliable as a boyfriend, son and employee. He’s done a stretch in San Quentin, and he’s got a temper. He’s capable of random acts of kindness. He’s a complete package of decency, fecklessness, irresponsibility and possibilities. Would he have turned his life around if he hadn’t been at Fruitvale Station that night? We’ll never know. And that’s the tragedy laid bare by Fruitvale Station.

Although it’s a tragedy with some heartbreaking moments, Fruitvale Station isn’t a downer – it’s too full of humanity for that. Neither is it a political screed; Coogler lets the facts speak for themselves and the audience to draw its conclusions.

The acting is first-rate, especially Michael B. Jordan as Oscar, Melonie Diaz as his girlfriend and the great Octavia Spencer as his mom. Equally, important, the supporting cast is just as authentic.

It’s a stunning debut feature for 27-year-old filmmaker Ryan Coogler, from whom much is now expected. (Coogler is also an African-American from the East Bay who is roughly the same age as Oscar Grant.)

Fruitvale Station was justifiably honored at both the Sundance and Cannes film festivals. Fruitvale Station is available on DVD from Netflix and Redbox and streaming from Amazon, Vudu, Google Play, YouTube and Xbox Video.

Movies to See Right Now

GLORIA
GLORIA

The Chilean drama Gloria is about an especially resilient 58-year-old woman.  The Palestinian Omar is a heartbreaking romance inside a tense thriller; Omar is nominated for the Best Foreign Language Oscar.

My DVD/Stream of the Week is the flawless true story thriller Captain Phillips, my choice as the best Hollywood movie of the year. It’s now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013. I also strongly recommend Best Picture nominees The Wolf of Wall Street and PhilomenaDallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch.

I saw this year’s Oscar Nominated Live Action Shorts and was disappointed.  There was nothing to match recent gems like The God of Love or Curfew.  I liked the British short about a particularly bored and malevolent God masquerading as a convict, but that 13 minutes didn’t justify the two hours that I had invested.  A 30-minute Spanish film about child soldiers in Africa was to excruciatingly brutal to justify the trite attempt at a redemptive payoff.  (I haven’t seen the Oscar Nominated Animated Shorts, but I have heard good things about that program.)

Check out my first post on Cinequest – and follow me on Twitter for my Cinequest coverage.

I love 31 Days of Oscar, Turner Classic Movies magical month of Oscar-nominated films. On March 1, TCM is showing all five Best Picture nominees from 1967: The winner was In the Heat of the Night, which I can’t imagine holds up as well today as The Graduate or the groundbreaking Bonnie and Clyde. The other nominees were Doctor Doolittle and the now embarrassingly dated Guess Who’s Coming to Dinner.

DVD/Stream of the Week: In a World…

IN A WORLD…

Actress Lake Bell wrote/directed/stars in In a World…, the story of an underachieving voice coach who still lives in the house of her dad, the king of movie trailer narration. She’s disheartened when he kicks her out to make room for his new and very young squeeze, but she lucks into a voiceover gig herself and is “discovered” as the hot new talent. In fact, she’s up for the most prestigious new payday when she finds out that her dad is not as supportive as one might expect…

Here’s why In a World… is so damn good – Bell has written a very funny comedy about a generational rivalry and woven it together with a Hollywood satire, an insider’s glimpse into the hitherto under-the-radar voiceover industry and a romantic comedy. The romantic comedy thread, in which our heroine is oblivious to the nice guy who really likes her, is better by itself than most romantic comedies. But we also get many LOL moments among the self-absorbed and back-stabbing Hollywood set. Plus there’s a very sweet story of the relationship between the protagonist’s sister and her hubby – that could stand alone and be better than a lot of indies as well..

Bell gets most of the laughs from the foibles of the characters and from really intelligently crafted dialogue. But she know how to pull off a physical gag, too. At one point, our heroine wants to be kissed by a handsome Hollywood bigshot, but when it happens, his technique is to put her entire nose into his mouth – and her surprise and discomfort is very funny.

Fortunately, Bell was able to cast Fred Melamed, a distinguished voiceover artist, as the father. Melamed has been the voice of CBS Sports, the Super Bowl, the Olympics and Mercedes-Benz. He’s also a brilliantly funny actor. I called Melamed’s performance as the hilariously pompous and blatantly manipulative Sy Ableman in A Serious Man “the funniest movie character of the decade”.

Bell’s previous roles have been secondary parts that have taken advantage of her unconventionally severe beauty. You may remember Bell as Alec Baldwin’s new trophy wife in It’s Complicated. Having written it herself, she finally has a role in which she can show her comic chops. I turns out that she’s a gifted comic actress, with screwball timing, a rich take and a knack for physical comedy.

The rest of the cast is uniformly good. I especially enjoyed Rob Corddry (Warm Bodies) as the long suffering husband of the sister.

In a World… is a complete and winning film and the year’s best comedy. In a World… is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, GooglePlay and Xbox Video.

Movies to See Right Now

AMERICAN HUSTLE
AMERICAN HUSTLE

The Palestinian Omar is a heartbreaking romance inside a tense thriller; Omar is nominated for the Best Foreign Language Oscar. The Chilean drama Gloria is about an especially resilient 58-year-old woman. Harder to find, Stranger by the Lake is an effective French thriller with LOTS of explicit gay sex.

My DVD/Stream of the Week is the flawless true story thriller Captain Phillips, my choice as the best Hollywood movie of the year. It’s now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013. I also strongly recommend Best Picture nominees The Wolf of Wall Street and Philomena. Dallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch. The Oscar Nominated Live Action Shorts is also a good bet.

The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence. I also like the Mumblecore romance Drinking Buddies, now available on VOD.

We’re still enjoying Turner Classic Movies magical month of Oscar-nominated films – 31 Days of Oscar. This week I recommend the brilliant 1971 drama The Last Picture Show and the classic Bogart/Bacall thriller Key Largo.

DVD/Stream of the Week: Captain Phillips

Here’s my pick for 2013’s best Hollywood movie.  In Captain Phillips, Tom Hanks stars as the real-life ship captain hijacked by Somali pirates and rescued by American commandos in 2009. The real-life Phillips survived his terrifying ordeal with guts and smarts, and Hanks and director Paul Greengrass bring the story alive. Greengrass is an old hand at movies with urgency and tension: Bloody Sunday, two movies in the Bourne franchise and an Oscar nomination for United 93.

Another key is that Captain Phillips was shot on the high seas on an actual container ship, an actual lifeboat and a skiff just like the real pirates use. As a result, it’s amazingly real when the pirates clamber up the side of the massive ship while both vessels roll in the waves and when the seamen and pirates play hide-and-go-seek below decks in the dark.

That being said, the movie wouldn’t work without Tom Hanks, who is unsurpassed at playing an Everyman thrust into a perilous situation. Hanks is our generation’s Jimmy Stewart, and I can see Hanks playing Stewart’s roles in Rear Window, Vertigo, Anatomy of a Murder and The Man Who Shot Liberty Valance.

Most of the pirates are standard types, but the lead pirate is a much more textured character, superbly played by Barkad Abdi, hitherto a Somali-American limo driver from Minneapolis. The depth in Abdi’s performance is also essential to the film’s success. The cast also features character actor Michael Chernus, so good in Higher Ground and Men in Black 3, as the #2 on the ship.

All in all, Captain Phillips is a flawless true story thriller.  It’s now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Barkad Abdi

Movies to See Right Now

SHORT TERM 12
SHORT TERM 12

This week, I’m featuring three movies that are flying under the radar. The Chilean drama Gloria is about an especially resilient 58-year-old woman.  Harder to find, Stranger by the Lake is an effective French thriller with LOTS of explicit gay sex.

And my DVD/Stream of the Week is the compelling and affecting foster care drama Short Term 12. This movie made both my Best Movies of 2013 and my Most Overlooked Movies of 2013, with its star making performance by Brie Larson.   Short Term 12 is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video.

In theaters, you can still find Oscar nominees Nebraska, American Hustle and Her, which all made my Best Movies of 2013.  I also strongly recommend Best Picture nominees The Wolf of Wall Street and PhilomenaDallas Buyers Club, with its splendid performances by Matthew McConaughey and Jared Leto, is formulaic but still a pretty good watch.

The Hunger Games: Catching Fire is another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence. I also like the Mumblecore romance Drinking Buddies, now available on VOD.

I saw this year’s Oscar Nominated Live Action Shorts and was disappointed.  There was nothing to match recent gems like The God of Love or Curfew.  I liked the British short about a particularly bored and malevolent God masquerading as a convict, but that 13 minutes didn’t justify the two hours that I had invested.  A 30-minute Spanish film about child soldiers in Africa was to excruciatingly brutal to justify the trite attempt at a redemptive payoff.  (I haven’t seen the Oscar Nominated Animated Shorts, but I have heard good things about that program.)

Turner Classic Movies has launched its wonderful annual 31 Days of Oscar – filling the entire month with Oscar-nominated movies. This week I recommend the romantic French musical The Umbrellas of Cherbourg (1964) which is notable for three things: 1) the actors sing all of the dialogue; 2) the breakout performance by then 20-year-old Catherine Deneuve; and 3) an epilogue scene at a gas station – one of the great weepers in cinema history.  I also recommend two great performances by Peter O’Toole screening on February 20, as a lethally driven movie director in The Stunt Man (1980) and as a gloriously dipsomaniacal screen icon in the comedy My Favorite Year (1982).

DVD/Stream of the Week: Short Term 12

SHORT TERM 12

Here’s number 7 on my Best Movies of 2013. The compelling and affecting Short Term 12 is set in a foster care facility unit named Short Term 12; since the kids can live there for years, it seems pretty long-term to me. These are kids who have suffered abuse and neglect and who act out with disruptive and dangerous behaviors. Runaways, assaults and suicide attempts are commonplace, and some of the kids thrive on creating drama.

The gifted lead counselor on the unit is Grace (Brie Larson), who isn’t much older than the kids. She’s kind of a Troubled Kid Whisperer who, in each impossible situation, knows exactly what to do to defuse or comfort or protect. But while she is in total command of her volatile and fragile charges, she is profoundly troubled herself. She and her boyfriend Mason (John Gallagher Jr.), who also works on the unit, are themselves survivors and former foster youth. Mason seems to have resolved his issues, but Grace’s demons lurk just under her skin.

In Short Term 12’s taut 96 minutes, we watch Grace navigate through crisis after crisis until she must face her own. We share many of the most powerful moments in 2013 cinema, particularly one kid’s unexpectedly painful insightful and sensitive rap, another kid’s authoring a wrenching children’s story and Grace’s own outburst of ferocity to protect a kid from a parent.

Brie Larson’s performance as Grace is being widely and justifiably described as star-making, and I think she deserves an Oscar nomination. I noticed her performances in much smaller roles in Rampart and The Spectacular Now , and I’m really looking forward to the launch of a major career. Think Jennifer Lawrence.

John Gallagher Jr. must be a superb actor, because nobody in real life can be as appealing and sympathetic as his characters in Margaret, Newsroom and Short Term 12. I’ll watch any movie with Gallagher in it, and he’s almost good enough to help me stomach Newsroom.

In his debut feature, writer-director Destin Cretton has hit a home run with one of the year’s best dramas. Some might find the hopeful ending too pat, but I say So What – I have met many former foster youth who have transcended horrific childhoods to become exemplary adults.

Short Term 12 is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video.