Weekly Movie Recommendations

Movies to See Right Now

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Andrew Garfield and Michael Shannon in 99 HOMES
Andrew Garfield and Michael Shannon in 99 HOMES

First things first – the Camera Cinema Club is kicking off its 20th season this weekend, and it’s an absolute MUST for Silicon Valley film lovers.  I explain why in these comments.   I’ve been a Club member since its 2003-04 season. If you love movies and live in Silicon Valley, you need to be in the Camera Cinema Club. Sign up here.

There’s something for everyone in theaters:

  • The Martian – an entertaining Must See space adventure – even for folks who usually don’t enjoy science fiction;
  • Sicario – a dark and paranoid crime thriller about the drug wars.
  • Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies. Now hard to find in theaters, it’s worth tracking down.
  • 99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
  • Steve Jobs: The Man in the Machine – Alex Gibney’s anything but reverential documentary on Steve Jobs.

My most recent Stream of the Week is the unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play. You will be able to rent it on DVD from Netflix and Redbox on November 3.

This week, Turner Classic Movies brings us two fantastic comedies – two of the very best in cinema history. First, on October 19, there’s My Man Godfrey (1936) – an assembly of eccentric, oblivious, venal and utterly spoiled characters make up a rich Park Avenue family and their hangers-on during the Depression. The kooky daughter (Carole Lombard) brings home a homeless guy (William Powell) to serve as their butler. The contrast between the dignified butler and his wacky employers results in a brilliant screwball comedy that masks searing social criticism that is relevant today. The wonderful character actor Eugene Pallette (who looked and sounded like a bullfrog in a tuxedo) plays the family’s patriarch, who is keenly aware that his wife and kids are completely nuts.

Then on October 21, TCM will present the groundbreaking French comedy La Cage Aux Folles – a daring film in 1978, when few were thinking about same-sex marriage. A gay guy runs a nightclub on the Riviera – and his partner is the star drag queen. The nightclub owner’s beloved son wants him to meet the parents of his intended.  But the bride-to-be’s father is a conservative politician who practices the most severe and judgmental version of Roman Catholicism, so they’re going to have to conceal aspects of their lifestyle. Mad cap comedy ensues, and La Cage proves that broad farce can be heartfelt. Michel Serrault is unforgettable as Albin/Zaza – one of the all-time great comic performances. (La Cage was tepidly remade in 1996 as The Birdcage with Robin Williams, but you want to see the French original.)

Ugo Tognazzi and Michel Serrault in LA CAGE AUX FOLLES
Ugo Tognazzi and Michel Serrault in LA CAGE AUX FOLLES

CAMERA CINEMA CLUB – a MUST for Silicon Valley Film Lovers

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Jennifer lawrence breaks through in WINTER'S BONE, featured at the Camera Cinema Club
Jennifer Lawrence breaks through in WINTER’S BONE, featured at the Camera Cinema Club

An absolute MUST for Silicon Valley film lovers, the Camera Cinema Club is kicking off its 20th season this weekend.

It’s your chance to see ten as yet unreleased films for $160.   There’s usually an post-screening Q&A with a filmmaker, either live or via Skype. It’s like seeing ten movies at a film festival – except it’s a manageable one per month instead of all at once.

The movies range from indie gems to Oscar Bait and are selected by Tim Sika, President of the San Francisco Film Critics Circle. Sika is the host and producer of the movie magazine radio show Celluloid Dreams and also reviews movies for KGO radio.

Here’s how it works.  The club meets monthly on Sundays – at Campbell’s Camera 7 in the morning and at downtown San Jose’s Camera 12 in the afternoon.  After a movie trivia contest (winners get movie schwag), the house lights go off and a movie appears on the screen.  Until this moment, we don’t know which movie it is.  The mystery is part of the club’s appeal, and, as a result, I’ve seen some wonderful films that I otherwise never would have chosen to see.  Afterward, Sika leads a discussion about the film – almost always with at least one of the filmmakers.

The Club’s 20th season begins on October 18th and you can sign up at here. It’s 10 events for $160 – a film festival on the installment plan. You can also buy a four-movie punch card or pay for an individual screening. The Camera Cinema Club is one of my Best Movie Deals in Silicon Valley.

I first saw my pick for the top movie of 2010, Winter’s Bone (four Oscar nominations, including for Jennifer Lawrence’s breakthrough performance), at the Camera Cinema Club.  Here are some other Cinema Club films that have made my Best of the Year lists:

Me and Earl and the Dying Girl, I’ll See You in My Dreams, Two Days One Night, Alive Inside, Bernie, Beasts of the Southern Wild, Rabbit Hole, Project Nim, The Messenger, The Tillman Story, Wendy and Lucy, Goodbye Solo, Taxi to the Dark Side, Shotgun Stories, American Splendor, Maria Full of Grace.

As you can see, Tim Sika has exquisite taste.  Thanks to him, Camera Cinema Club members get to see (before their release):

  • Crowd pleasers like Meet the Patels, Cloudburst, Once and Mad Hot Ballroom;
  • Challenging cinematic ground breakers like Shane Carruth’s Upstream Color and Gus Van Zant’s Last Days;
  • Unknown gems like The Grief of Others and In the Family by the as yet undiscovered genius Patrick Wang, the hitherto forgotten neo-noir The Woman Chaser and the delightful Bay Area indie Colma: The Musical.

And I have to admit that, otherwise, I never would have seen The September Issue (I have no interest in the fashion world) or The Tillman Story (I thought I already knew the whole story).  Both were rewarding movie experiences.

Cinema Club members also get invited to special previews and events.  Recently, I attended a 99 Homes preview with star Andrew Garfield. Another highlight for me was a preview of Killer Joe with director William Friedkin (The French Connection, The Exorcist).  In a rare revival showing, the Cinema Club also screened an almost lost film, the 1981 They All Laughed – and I found myself sitting next to director Peter Bogdanovich!

I’ve been a Club member since its 2003-04 season.   If you love movies and live in Silicon Valley, you need to be in the Camera Cinema Club. Sign up here.

ME AND EARL AND THE DYING GIRL screened pre-release at the CAMERA CINEMA CLUB
ME AND EARL AND THE DYING GIRL screened pre-release at the CAMERA CINEMA CLUB

Movies to See Right Now

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Matt Damon in THE MARTIAN
Matt Damon in THE MARTIAN

Plenty of excellent movie choices in the theaters – and something for everyone:

  • The Martian – an entertaining Must See space adventure – even for folks who usually don’t enjoy science fiction;
  • Sicario – a dark and paranoid crime thriller about the drug wars.
  • Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies.  Now hard to find in theaters, it’s worth tracking down.
  • 99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
  • Steve Jobs: The Man in the Machine – Alex Gibney’s anything but reverential documentary on Steve Jobs.
  • The excellent true life crime drama Black Mass with Johnny Depp, Joel Edgerton and a brilliant cast.
  • Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO and now in theaters.

My Stream of the Week is the unforgettable coming of age dramedy Me and Earl and the Dying Girl.  It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play.  You will be able to rent it on DVD from Netflix and Redbox on November 3.

On October 12, Turner Classic Movies presents the groundbreaking French noir Elevator to the Gallows(1958). A thriller about the perfect crime that goes awry, it still stands up today, .It’s one of my Overlooked Noir. Elevator to the Gallows is such a groundbreaking film, you can argue that it’s the first of the neo-noir. It’s difficult now to appreciate the originality of Elevator the Gallows; but in 1958, no one had seen a film with a Miles Davis soundtrack or one where the two romantic leads were never on-screen together. Directed by Louis Malle when he was only 24 years old.

On October 15, TCM brings us the 1979 Oscar-winner Harlan County U.S.A. Filmmaker Barbara Kopple embedded herself among the striking coal miners and got amazing footage – including of herself threatened and shot at. Also one of my 5 Great Hillbilly Movies.

HARLAN COUNTY, USA
HARLAN COUNTY, USA

Stream of the Week: ME AND EARL AND THE DYING GIRL – perched on the knife edge between comedy and tragedy

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ME AND EARL AND THE DYING GIRL
ME AND EARL AND THE DYING GIRL

Here’s a MUST SEE – the unforgettable coming of age Me and Earl and the Dying Girl, a brilliant second feature from director Alfonso Gomez-Rejon. The title suggests a weeper (and it is), but 90% of Me and Earl is flat-out hilarious. It’s high on my list of the Best Movies of 2015 – So Far.

Greg (Thomas Mann) is a Pittsburgh teenager who has decided that the best strategy for navigating high school is to foster good relations with every school clique while belonging to none. Embracing the adage “hot girls destroy your life”, he gives the opposite gender a very wide berth. Outwardly genial, Greg is emphatically anti-social in practice, except for his best friend Earl (Ronald Cyler II). But he even refuses to admit that Earl is his friend, describing him “as more of a co-worker”.

Greg’s parents disrupt Greg’s routine by forcing him to visit his classmate Rachel (Olivia Cooke), who has just been diagnosed with leukemia. Rachel doesn’t want any pity, so this is awkward all around until Greg makes Rachel laugh, which draws him back again to visit -and again. A friendship, based on their shared quirky senses of humor, blossoms, but – given her diagnosis – how far can it go?

Rachel is delighted to learn that Greg and Earl shoot their own movies – short knock-offs of iconic cinema classics. She first laughs when she finds that he has remade Rashomon as MonoRash. Their other titles include Death in Tennis, Brew Velvet and A Box of Lips Now.

Why is Me and Earl so successful? Most importantly, it perches right on the knife-edge between tragedy and comedy, and does so more than any movie I can think of. As funny as it is, we all know that there’s that leukemia thing just under the surface. But, with its originality and resistance to sentimentality, Me and Earl is the farthest thing from a disease-of-the-week movie.

Any movie lover will love all the movie references, as well as Greg and Earl’s many short films. Gomez-Rejon shot these shorts with Super 8, Bolex, digital Bolex and iPhone. Jesse Andrews adapted his own novel, and, as Gomez-Rejon expanded the number of “films within the film”, he called on Andrews to supply him with the new titles – and there are scores of them, right through the ending credits.

Finally, Me and Earl’s art direction is the most singular of any coming of age film. In fact, all the art direction led to the movie’s very satisfying ending; Gomez-Rejon brought in those surprises on the wall at the end – it’s not in the novel.

But Me and Earl and the Dying Girl is at its heart a coming of age story. Sure, the character of Greg is an original, but the life lessons that he must learn are universal.

Thomas Mann is hilarious as Greg; he could be a great comic talent in the making. Cooke and newcomer Cyler are also excellent. Nick Offerman and Connie Britton are perfect as Greg’s well-meaning parents, as is Molly Shannon as Rachel’s needy mom. Jon Bernthal also rocks the role of Mr. McCarthy, another great character we haven’t seen before – a boisterously vital, but grounded history teacher; Mr. McCarthy lets Greg and Earl spend their lunch hours in his office watching Werner Herzog movies on YouTube. (And Herzog himself reportedly loves the references.)

Alfonso Gomez-Rejon started as a personal assistant to Martin Scorsese and worked his way up to second unit director. With the startling originality of Me and Earl, he’s proved his chops as an auteur.

I saw Me and Earl and the Dying Girl in early May at the San Francisco International Film Festival at a screening with Gomez-Rejon. It also just screened at San Jose’s Camera Cinema Club, another fine choice by Club Director Tim Sika, President of the San Francisco Film Critics Circle.

Me and Earl and the Dying Girl is a guaranteed crowd-pleaser and a Must See. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play. You will be able to rent it on DVD from Netflix and Redbox on November 3.

Movies to See Right Now

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MEET THE PATELS
MEET THE PATELS

The Matt Damon space adventure The Martian is a crowd pleaser that I’ll be writing about soon. Here are this week’s other recommendations:

  • Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies.
  • 99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
  • The excellent true life crime drama Black Mass with Johnny Depp, Joel Edgerton and a brilliant cast.
  • Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO and now in theaters.

This week’s Stream of the Week comes from The Movie Gourmet’s list of Overlooked Noir. The Burglar (1957) is known primarily as the movie debut of Jayne Mansfield, but it’s a fine film noir. The Burglar plays from time to time on Turner Classic Movies and is available streaming on Amazon Instant Video, iTunes, Vudu, Xbox Video and Flixster.

On October 4, Turner Classic Movies airs Key Largo (1948), one of the classic film noirs and still satisfying to this day. Trapped in a claustrophobic Florida island resort by a hurricane, Humphrey Bogart has to face down sadistic mobster Edward G. Robinson. 23-year-old Lauren Bacall was at her most appealing. Claire Trevor’s heartbreaking performance as a gangster’s moll aging out of her looks is one of her best.

Stream of the Week: THE BURGLARS

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Jayne Mansfield and Dan Duryea in THE BURGLAR
Jayne Mansfield and Dan Duryea in THE BURGLAR

This week’s Stream of the Week comes from The Movie Gourmet’s list of Overlooked Noir. The Burglar (1957) is known primarily as the movie debut of Jayne Mansfield, but it’s a fine film noir. It starts out with a tense burglary, but once the necklace is successfully burgled, the story focuses on the heist team going stir crazy as they wait for the environment to cool down so they can safely fence the booty. They are strung so tight that even the whistle of a tea kettle is enough to startle the gang. While dodging the cops, they find that they are also being hunted by a corrupt rogue cop and his partner.

The core of The Burglar is the stellar lead performance of Dan Duryea as the chief burglar. He’s a tortured and worn-out guy – with one deep loyalty.

There are plenty of noir moments – lots of shadows, uplit faces in the darkness and amoral, grasping characters. We have not one, but two noir vixens – Jayne Mansfield and Martha Vickers. Asked at a bar by Duryea what she wants, Vickers answers “Basically, I’m out to find myself a man.” The characters in this fine film noir find themselves in Atlantic City, where the bad cop chases the protagonists through the House of Horrors and the Steel Pier, culminating in a final confrontation under the boardwalk.

The acting is excellent, other than Peter Capell, who gives over-acting a bad name while playing the most nerve-wracked member of the gang. Even Mansfield is good; (The Burglar was held in the can for two years and then released when Mansfield became a sensation with The Girl Can’t Help It).

The movie was shot on location in Philadelphia and Atlantic City. We see Independence Hall, and it’s hard not to think of Rocky when Duryea climbs the steps to the Philadelphia Museum of Art.

The Burglar plays from time to time on Turner Classic Movies and is available streaming on Amazon Instant Video, iTunes, Vudu, Xbox Video and Flixster.

[Note: The Burglar features John Facenda as his real-life role as a Philadelphia newscaster (when local TV stations aired 15-minute newscasts). Facenda later found much broader fame as “The Voice of God” for his narration for NFL Films football documentaries.]

Movies to See Right Now

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99 HOMES
99 HOMES

Now we’re talkin’ – it’s late September and once again we have some fine movie choices in the theaters:

  • Meet the Patels, a heartwarming crowd-pleaser – a documentary that’s funnier than most fictional comedies.
  • 99 Homes, a riveting psychological drama about the foreclosure crisis with searing performances by Andrew Garfield and Michael Shannon.
  • The excellent true life crime drama Black Mass with Johnny Depp, Joel Edgerton and a brilliant cast.
  • Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO and now in theaters.

My DVD/Stream of the Week is the hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.

On September 28, Turner Classic Movies brings us that paragon of madcap comedies, Arsenic and Old Lace (1944); Cary Grant leads a cast that is perfect, right down to Jack Carson as Officer O’Hara, the new cop on the beat.

GOING CLEAR: THE PRISON OF BELIEF: a devastating expose

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GOING CLEAR: THE PRISON OF BELIEF
GOING CLEAR: THE PRISON OF BELIEF

Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO in April, is opening theatrically tomorrow. The indictment of Scientology as dangerous cult is stunning. Gibney is sunshining an amazingly rich reservoir of source material: we hear from several former Scientologists, including the former chief spokesperson, the former top deputy to the Chairman of the Board, along with former believer director Paul Haggis and the John Travolta’s original Scientology handler.

Gibney begins by tracing the journey of Scientology’s founder, L. Ron Hubbard and reviewing the organization’s history. Now I knew about the science fiction writer Hubbard, his book Dianetics and even the E-meter. But I sure didn’t know about the Sea Org with its billion-year employment contracts, the Scientology Navy and the bizarro theology with invisible Thetans, volcanos and H-bombs. Nor had I seen the North Korea-style cult-of-personality spectacles featuring Chairman of the Board David McCavige. And I hadn’t heard about the church’s opposition to same-sex marriage.

Then come the really scary stuff. We hear from former Scientology officials who testify that they have been incarcerated in the Rehabilitation Project Force – a concentration camp on a top floor of the Scientology’s Los Angeles HQ and in what is essentially a prison camp in Florida to “re-educate” suspected heretics and backsliders. And there is testimony about the prisoners being separated from their children, who are shunted off to Cadet Org. One official offers personal testimony of his assignment to break up Nicole Kidman’s marriage to Tom Cruise and to alienate her children from her. It’s horrifying stuff. And it’s a riveting viewing experience.

Alex Gibney is one our very, very best documentarians. He won an Oscar for Taxi to the Dark Side, and he made the superb Casino Jack: The United States of Money, Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Elliot Spitzer and Mea Maxima Culpa: Silence in the House of God. (He can’t seem to pass up a really long movie title – but Going Clear etc., came from a book title.)

If you’re asking “How can smart, able people fall into this stuff?”, then I recommend finding a film that I reviewed at Cinequest 2015 – The Center. Upon its release, The Center should become the perfect narrative fiction companion to Going Clear.

DVD/Stream of the Week: WILD TALES

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WILD TALES
WILD TALES

Okay, here’s the first Must See of 2015 – the hilariously dark Argentine comedy Wild Tales. Writer-director Damián Szifron presents a series of individual stories about revenge. It’s still high my list of Best Movies of 2015 – So Far.

We all feel aggrieved, and Wild Tales explores what happens when rage overcomes the restraints of social order. Think about how instantly angry you can become when some driver cuts you off on the highway – and then how you might fantasize avenging the slight. Indeed, there is a story in Wild Tales that has the most severe case road rage since Spielberg’s Duel in 1971. Now Wild Tales is dark, and you gotta go with it. The humor comes from the EXTREMES that someone’s resentment can lead to.

One key to the success of Wild Tales is that it is an anthology. In a very wise move, Szifron resisted any impulse to stretch one of the stories into a feature-length movie. Each of the stories is just the right length to extract every laugh and pack a punch. The funniest stories are the opening one set on an airplane and the final one about a wedding.

The acting is uniformly superb. In one story, Oscar Martínez plays a wealthy man in a desperate jam, who buys the help of his shady lawyer fixer (Osmar Núñez) and his longtime household retainer (Germán de Silva) – until their prices get just a little too high. The three actors take what looks like it’s going to a thriller and morph into a (very funny) psychological comedy with a very cynical view of human nature.

One of the middle episodes stars one of my favorite film actors, Ricardo Darín, who I see as the Argentine Joe Mantegna. I suggest that you watch Darín in the brilliant police procedural The Secrets in Their Eyes (on my top ten for 2010), the steamy and seamy Carancho and the wonderful con artist movie Nine Queens.

Wild Tales has been a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Picture Oscar. I saw Wild Tales at Cinequest 2015. It’s now available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.

Movies to See Right Now

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John Cusack and Elizabeth Banks in LOVE & MERCY
John Cusack and Elizabeth Banks in LOVE & MERCY

Next weekend, a couple of great choices are coming to Bay Area theaters – 99 Homes and Meet the Patels.  I’ll be writing about those next week. For THIS weekend, I suggest that you look to video with my DVD/Stream of the Week and a couple other streaming choices.

My DVD/Stream of the Week is the Brian Wilson biopic Love & Mercy, the story of an extraordinarily gifted person’s escape from torment.  It’s on my Best Movies of 2015 – So Far.    Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.

Joe Swanberg’s romantic comedy Digging for Fire is available for streaming from Amazon, Vudu, You Tube and Google Play.

She’s Funny That Way is just comic fluff, but it’s well-crafted fluff from master filmmaker Peter Boganovich;  it’s now available to stream from Amazon Instant Video, Vudu, YouTube and Google Play.

Thanks again to Turner Classic Movies for playing the The Best Years of Our Lives on September 22, an exceptionally well-crafted, contemporary snapshot of post WW II American society adapting to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.