DVD/Stream of the Week: ’71 – keeping the thrill in thriller

'71
’71

The title of the harrowing thriller ’71 refers to the tumultuous year 1971 in Northern Ireland’s Troubles. An ill-prepared unit of British soldiers gets their first taste of action in Belfast, and the rookie Private Gary Hook (Jack O’Connell) gets inadvertently left behind in hostile territory. Private Hook races around an unfamiliar and dangerous city at night. He is being hunted by his own regular troops, a shadowy and sketchy military intelligence unit, the regular IRA, the hotheaded Provisional IRA and Ulster paramilitaries – all with their own conflicting agendas. Any civilian who helps him will be at direct and lethal risk from the partisans.

In their feature debuts, director Jann Demange and cinematographer Tat Ratcliffe take us on a Wild Ride, with just a couple of chances for the audience to catch its collective breath. Importantly, the way Private Hook gets left behind amid the escalating chaos is very believable. Then there’s an exhilarating footrace through the alleys and over brick walls. Every encounter with another person is fraught with tension. Finally, there’s a long and thrilling climactic set piece in a Belfast apartment block.

O’Connell is in 90% of the shots and carries it off very well. All of the acting in ’71 is excellent. Corey McKinley is special as the toughest and most confident ten-year-old you’ll ever meet. Barry Keoghan takes the impassive stone face to a new level. And I always enjoy David Wilmot (so hilarious in The Guard).

I thank the casting and the direction for making it easy for us to tell all of these pale, ginger characters apart. To the credit of writer Gregory Burke, the beginning of the film economically sets up Private Hook as having the fitness and stamina to survive what befalls him throughout the night.

With all the different sides playing each other, the action (and the action is compelling) is set in an especially treacherous version of three-dimensional chess. Some of the double- and triple-crossing at the end is breathtaking. But what ’71 does best is putting the thrill in a thriller – keeping the audience on the edge of our seats for all 99 minutes.

’71, which I saw at Cinequest, made my list of the Best Movies of 2015. It’s now available on DVD from Netflix and Redbox and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Movies to See Right Now

ZERO DAYS
ZERO DAYS

My running list of Best Movies of 2016 – So Far is out. For movies in theaters right now:

  • Our Kind of Traitor is a robust espionage thriller with a funny yet powerful performance by Stellan Skarsgård.
  • Free State of Jones effectively combines the elements of political drama, romance and war movies into an absorbing Civil War drama, one which connects the dots between the 19th Century and the 20th and beyond. With a sizzling Matthew McConaughey.
  • Zero Days is a documentary on a jaw-dropping hacker mystery – who and how was able to get Iranian military computers to destroy the hardware for their own nuclear weapons program.
  • All the Way is a thrilling political docudrama with a stellar performance. It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before. All the Way is still playing on HBO.
  • Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.
  • I’m not writing about Ghostbusters, but I’ve seen it, and it’s not terrible.  Kristen Wiig and Melissa McCarthy are brilliant talents, and they produce some laughs in Ghostbusters.

Here are my top picks at the San Francisco Jewish Film Festival (SFJFF36), underway right now throughout the Bay Area.

My DVD/Stream for the next two weeks is one of my Best Movies of 2016 – So Far. San Jose native Matt Sobel’s impressive directorial debut Take Me To the River is entirely fresh. Not one thing happens in Take Me to the River that you can predict, and it keeps the audience off-balance and completely engaged. You can stream Take Me to the River on Amazon Instant, iTunes, Vudu, YouTube and Google Play or rent the DVD from Netflix.

On July 26, Turner Classic Movies presents the still-powerful 1943 The Ox-Bow Incident, a parable about mobs acting rashly on the basis of fear and prejudice (which certainly resonates in today’s political environment).  Henry Fonda and Harry Morgan lead an excellent period cast with Dana Andrews, Anthony Quinn and Jane Darwell, along with  Frank Conroy and Harry Davenport, whose performances are perfect little gems.  Which character most resembles Donald Trump?

On July 27, TCM airs Heaven’s Gate, a movie that I reviled when I saw it in a theater in 1980 and again in 2013 when it garnered some wholly undeserved revisionist praise.   The second time around, I still found Heaven’s Gate to be a brutal, if occasionally unintentionally humorous, viewing experience.  Its director, Michael Cimino, died last week, and it’s a good time to honor him by watching his masterpiece The Deer Hunter.

Henry Fonda and Harry Morgan in THE OX-BOW INCIDENT
Henry Fonda and Harry Morgan in THE OX-BOW INCIDENT
THE OX-BOW INCIDENT
THE OX-BOW INCIDENT

DVD/Stream of the Week: TAKE ME TO THE RIVER – fresh, unpredictable and gripping

TAKE ME TO THE RIVER
TAKE ME TO THE RIVER

For the second week in a row, I’m featuring one of my Best Movies of 2016 – So Far. San Jose native Matt Sobel’s impressive directorial debut Take Me to the River is entirely fresh. Not one thing happens in Take Me to the River that you can predict, and it keeps the audience off-balance and completely engaged.  Here are some notes from an interview with Sobel.

A California couple and their teenage son drive to an annual family reunion in rural Nebraska. The son is gay and out, but that’s not going to be the drama here. There’s almost immediately an unexpected development that rocks the extended family. Then we settle in for over an hour of simmering unease and tense dread until something REALLY disturbing happens.

The story may be told from the teen’s point of view, but the real story turns out to be in the highly-charged relationship between his mom (Robin Weigert) and her brother Keith (Josh Hamilton). Keith, the boy’s uncle, is not a redneck rube, but very angry and very manipulative. By the end of the movie, we understand why. It’s an excellent performance by Hamilton, and whenever he’s on-screen, we fidget and wait for him to explode.

Weigert (Calamity Jane in Deadwood, Ally in Sons of Anarchy) is also excellent – her character is a Los Angeles physician who hasn’t lost the Nebraskan gift of never referring to the elephant in the room, no matter how huge. She embraces the Nebraskan imperative of avoidance with persistent geniality, covering up any unpleasantness with with niceties. My family is from rural Nebraska, which I have visited many times, so I know of what I speak.

The child actress Ursula Parker (the youngest daughter in Louie) is also especially outstanding here. Take Me to the River contains some sexual behavior by a child which is very uncomfortable for the audience, but central to the story and non-exploitative.

Take Me to the River played at Sundance in 2015, was finally released in the Bay Area in Spring 2016. Before its release, I viewed it at the Camera Cinema Club. You can stream Take Me to the River on Amazon Instant, iTunes, Vudu, YouTube and Google Play or rent the DVD from Netflix.

Movies to See Right Now

Ewen McGregor and Stellan Skarsgaard in OUR KIND OF TRAITOR
Ewen McGregor and Stellan Skarsgård in OUR KIND OF TRAITOR

My running list of Best Movies of 2016 – So Far is out. For movies in theaters right now:

  • Our Kind of Traitor is a robust espionage thriller with a funny yet powerful performance by Stellan Skarsgård.
  • Free State of Jones effectively combines the elements of political drama, romance and war movies into an absorbing Civil War drama, one which connects the dots between the 19th Century and the 20th and beyond. With a sizzling Matthew McConaughey.
  • NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans.
  • Zero Days is a documentary on a jaw-dropping hacker mystery – who and how was able to get Iranian military computers to destroy the hardware for their own nuclear weapons program.
  • All the Way is a thrilling political docudrama with a stellar performance. It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before. All the Way is still playing on HBO.
  • Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.

Here’s my early peek at next week’s San Francisco Jewish Film Festival.

My DVD/Stream for the next two weeks is one of my Best Movies of 2016 – So Far.  San Jose native Matt Sobel’s impressive directorial debut Take Me To the River is entirely fresh. Not one thing happens in Take Me to the River that you can predict, and it keeps the audience off-balance and completely engaged. You can stream Take Me to the River on Amazon Instant, iTunes, Vudu, YouTube and Google Play or rent the DVD from Netflix.

On July 16 Turner Classic Movies presents the grievously underrated Don Siegel thriller  Charley Varrick.  Siegel was a master of crime movies (and was the primary filmmaking mentor to Clint Eastwood).  I particularly love Siegel’s San Francisco noir The Lineup, the guilty pleasure Two Mules for Sister Sara and John Wayne’s goodbye: The Shootist.  The 1973 neo-noir Charley Varrick is right up there with Siegel’s best.  Walter Matthau stars as the title character, an expert heist man who sets up a “perfect crime” bank robbery which, of course, goes awry.  Worst of all, it turns out that Varrick has stolen a secret Mob fortune being laundered by the bank, and now the underworld organization is after him.  Only his wits can save him.  I’ve rewatched Charley Varrick a couple times recently, and it still holds up for me.

Faithful readers know that I revere the Sergio Leone/Clint Eastwood/Ennio Morricone spaghetti westerns.  On July 19, TCM brings us A Fistful of Dollars, For a Few Dollars More and, of course, The Good, the Bad and the Ugly.

Walter Matthau in CHARLEY VARRICK
Walter Matthau in CHARLEY VARRICK

 

DVD/Stream of the Week: TAKE ME TO THE RIVER – fresh, unpredictable and gripping

TAKE ME TO THE RIVER
TAKE ME TO THE RIVER

My DVD/Stream for the next two weeks is one of my Best Movies of 2016 – So Far. San Jose native Matt Sobel’s impressive directorial debut Take Me to the River is entirely fresh. Not one thing happens in Take Me to the River that you can predict, and it keeps the audience off-balance and completely engaged.

A California couple and their teenage son drive to an annual family reunion in rural Nebraska. The son is gay and out, but that’s not going to be the drama here. There’s almost immediately an unexpected development that rocks the extended family. Then we settle in for over an hour of simmering unease and tense dread until something REALLY disturbing happens.

The story may be told from the teen’s point of view, but the real story turns out to be in the highly-charged relationship between his mom (Robin Weigert) and her brother Keith (Josh Hamilton). Keith, the boy’s uncle, is not a redneck rube, but very angry and very manipulative. By the end of the movie, we understand why. It’s an excellent performance by Hamilton, and whenever he’s on-screen, we fidget and wait for him to explode.

Weigert (Calamity Jane in Deadwood, Ally in Sons of Anarchy) is also excellent – her character is a Los Angeles physician who hasn’t lost the Nebraskan gift of never referring to the elephant in the room, no matter how huge. She embraces the Nebraskan imperative of avoidance with persistent geniality, covering up any unpleasantness with with niceties. My family is from rural Nebraska, which I have visited many times, so I know of what I speak.

The child actress Ursula Parker (the youngest daughter in Louie) is also especially outstanding here. Take Me to the River contains some sexual behavior by a child which is very uncomfortable for the audience, but central to the story and non-exploitative.

Take Me to the River played at Sundance in 2015, was finally released in the Bay Area in Spring 2016.  Before its release, I viewed it at the Camera Cinema Club. You can stream Take Me to the River on Amazon Instant, iTunes, Vudu, YouTube and Google Play or rent the DVD from Netflix.

Movies to See Right Now

FREE STATE OF JONES
FREE STATE OF JONES

Here are my (almost) ALL NEW movie recommendations.

  • Our Kind of Traitor is a robust espionage thriller with a funny yet powerful performance by Stellan Skarsgård.
  • Free State of Jones effectively combines the elements of political drama, romance and war movies into an absorbing Civil War drama, one which connects the dots between the 19th Century and the 20th and beyond. With a sizzling Matthew McConaughey.
  • NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans.
  • Zero Days is a documentary on a jaw-dropping hacker mystery – who and how was able to get Iranian military computers to destroy the hardware for their own nuclear weapons program.
  • All the Way is a thrilling political docudrama with a stellar performance. It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before. All the Way is still playing on HBO.
  • Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.

My Stream of the Week is the perfect companion film to Weiner – it’s the inside story of ANOTHER campaign – one of Anthony Weiner’s opponents in the same 2013 mayoral election.  Hers to Lose: Inside Christine Quinn’s Bid for Mayor is an extraordinarily evocative political film, it’s only 30 minutes long and you can watch it for free here at the NYT.

Tonight Turner Classic Movies explores “America in the 70s” with four of the best films EVER – All the President’s Men, The Candidate, Network and The Conversation – along with the time capsule thriller Klute.

And on July 13, TCM presents the John Sturges masterpiece Bad Day at Black Rock with Spencer Tracy investigating a disappearance in an especially hostile, racist and sinister town.  Besides having Tracy at his best and being a great looking movie,  Bad Day at Black Rock is notable for its menacing crew of Bad Guys – Robert Ryan, Ernest Borgnine and Lee Marvin.

Spencer Tracy and Robert Ryan in BAD DAY AT BLACK ROCK
Spencer Tracy and Robert Ryan in BAD DAY AT BLACK ROCK

Stream of the Week: HERS TO LOSE – an inside look at ANOTHER campaign spiraling into defeat

Here is the perfect companion film to Weiner – it’s the inside story of ANOTHER campaign – one of Anthony Weiner’s opponents in the same 2013 mayoral election.

Hers to Lose: Inside Christine Quinn’s Bid for Mayor is an extraordinarily evocative political film, it’s only 30 minutes long and you can watch it for free.  It’s the story of Christine C. Quinn’s bid for New York City mayor in 2013. At the start of the race, Quinn was the heavy favorite. She was the City Council President and a dominant force in Manhattan’s Democratic establishment. She would have been the first woman and the first openly gay Mayor of New York City.

Then, as happens in politics, two things went wrong. First, she had positioned herself as the Democratic partner and heir to Republican Mayor Bloomberg, which helped her immensely in the years of Bloomberg’s popularity in New York; but by the time of the 2013 primary, Bloomberg had become very UNPOPULAR among Democratic primary voters. Then, as voters looked to an anti-Bloomberg alternative, one of Quinn’s opponents, Bill de Blasio unleashed a killer campaign commercial, featuring his teenage son Dante, that crystallized the aspirations of the electorate. Quinn sank like a rock in the polls, and de Blasio shot upward. This was one of those moments in a political campaign when there is just nothing a candidate can do to stop a popular tsunami.

As Hers to Lose opens, we see Quinn – just after her defeat – explaining that she granted access to the New York Times documentarians so they could record her victory. She is composed, but her eyes are filled with pain. Quinn had dedicated years of her life to running in this race, suffering political and personal attacks, enduring long hours and living in a fish bowl; to see this film is to appreciate how much she put into the contest and how helplessly she watched her lead slip away. At its most searing, Her to Lose chronicles the never-ending torrent of abuse hurled at Quinn by haters – especially the single issue opponents of horse-drawn carriages, who hang around her building so they can revile her as she begins each day; as one might assume, this vitriol takes its toll.

You can view Hers to Lose: Inside Christine Quinn’s Bid for Mayor here at the NYT.

Movies to See Right Now

Bryan Cranston in ALL THE WAY
Bryan Cranston in ALL THE WAY

It’s an exceptional week for movies about American politics.

  • All the Way is a thrilling political docudrama with a stellar performance.  It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before.  All the Way is still playing on HBO.
  • Don’t miss the political documentary Weiner – it’s probably the best documentary of the year. Weiner has more than its share of forehead-slapping moments and is often funny and always captivating. It also provokes some reflection on the media in this age.
  • Scroll down to read about two other great films of American politics coming up on TV: All the President’s Men and The Candidate.

If you like the espionage novelist John le Carré, you’ll enjoy Our Kind of Traitor opens today. It’s a robust thriller with a funny yet powerful performance by Stellan Skarsgård.

Also in theaters:

  • Love & Friendship – a sharply witty adaptation of a Jane Austen story with an adept turn by Kate Beckinsale.
  • The Nice Guys – Ryan Gosling and Russell Crowe in a very funny mismatched buddy movie from the creator of the Lethal Weapon franchise.
  • Julianne Moore, along with supporting players Bill Hader and Maya Rudolph, shine in the amiably satisfying little romantic comedy Maggie’s Plan.
  • Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.

My DVD/Stream of the Week is the quietly engrossing drama 45 Years, a movie on my Best Movies of 2015 list with an enthralling Oscar-nominated performance by Charlotte Rampling. 45 Years is available to rent on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Set your DVRs for Turner Classic Movies next Friday, July 7, as TCM explores “America in the 70s” with four of the best films EVER – All the President’s Men, The Candidate, Network and The Conversation –  along with the time capsule thriller Klute (after which 15% of all American women changed their hairstyles to mirror Jane Fonda’s “shag”).

Jane Fonda in KLUTE
Jane Fonda in KLUTE

DVD/Stream of the Week: 45 YEARS – you can’t unring the bell

Tom Courtenay and Charlotte Rampling in 45 YEARS
Tom Courtneay and Charlotte Rampling in 45 YEARS

Here’s a movie on my Best Movies of 2015 list with an enthralling Oscar-nominated performance by Charlotte Rampling. In the quietly engrossing drama 45 Years, we meet the married couple Geoff (Tom Courtenay) and Kate (Rampling), a well-suited pair who share each others’ values sensibilities and senses of humor. They are planning a party to mark their 45th anniversary when Geoff learns that the body of his previous girlfriend (killed in a mountain climbing accident 47 years ago ) has been found preserved in ice. He is knocked for a loop, and then slides into complete shock. He becomes brooding, even obsessed about his old flame and his youth.

Kate tries to settle Geoff and be supportive. But she learns one thing about his old flame, and then a second, and suddenly she’s the one who become the most troubled. She says, “I can hardly be cross about something before we existed, could I?….Still…” She asks him a question that she shouldn’t have. Her feelings may or may not be justified or rational, but they are her feelings, and they become the facts on the ground.

Geoff is usually the one who gets to burst out with his feelings, and Kate cleans up after. But Kate’s feelings are so much more complicated than Geoff’s.

45 Years meditates on the power and durability of memories and then shifts into a study of relationships. We see intimacy without the sharing of all truths, and see how the truth can be toxic and destructive. We live based on assumptions, and when those are revealed to be not fully correct, well, you can’t unring the bell.  Camera Cinema Club Director Tim Sika overheard a critic colleague describe 45 Years thus, “It’s about nothing until you realize that’s it’s about everything”.

Writer-director Andrew Haigh is a brilliant storyteller. He lets the audience connect the dots. Our involvement in 45 Years intensifies as we piece together the back story and as the characters learn about new developments. There’s a wonderful undercoating of early 60s pop, a great soundtrack that avoids seeming like a jukebox.

Charlotte Rampling is marvelous and gives one of the greatest performances of the year in cinema. Rampling is most searing in Kate’s unspoken moments, in which we see her anguish, amusement, unease, radiance and heartbreak. It’s remarkable that such emotional turbulence can be portrayed without a hint of melodrama.
toryteller. He lets the audience connect the dots. Our involvement in <em>45 Years</em> intensifies as we piece together the back story and as the characters learn about new developments. There’s a wonderful undercoating of early 60s pop, a great soundtrack that avoids seeming like a jukebox.

Charlotte Rampling is marvelous and gives one of the greatest performances of the year in cinema. Rampling is most searing in Kate’s unspoken moments, in which we see her anguish, amusement, unease, radiance and heartbreak. It’s remarkable that such emotional turbulence can be portrayed without a hint of melodrama.

Before you see 45 Years, I’d suggest a careful reading of the lyrics to Smoke Gets in Your Eyes.

They asked me how I knew
My true love was true
I of course replied
Something here inside
Can not be denied

They, said some day you’ll find
All who love are blind
When you heart’s on fire
You must realize
Smoke gets in your eyes

So I chaffed them, and I gaily laughed
To think they would doubt our love
And yet today, my love has gone away
I am without my love

Now laughing friends deride
Tears I cannot hide
So I smile and say
When a lovely flame dies
Smoke gets in your eyes

[SPOILER ALERT – I think that the tipping point in their relationship occurs when Kate says, “Open your eyes”.]

I’ve also written a companion essay on the film45 Years is available to rent on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Simon Pegg and Lake Bell in MAN UP
Simon Pegg and Lake Bell in MAN UP

Don’t miss the political documentary Weiner – it’s probably the best documentary of the year. Weiner has more than its share of forehead-slapping moments and is often funny and always captivating. It also provokes some reflection on the media in this age.

Also in theaters:

  • Love & Friendship – a sharply witty adaptation of a Jane Austen story with an adept turn by Kate Beckinsale.
  • The Nice Guys – Ryan Gosling and Russell Crowe in a very funny mismatched buddy movie from the creator of the Lethal Weapon franchise.
  • Julianne Moore, along with supporting players Bill Hader and Maya Rudolph, shine in the amiably satisfying little romantic comedy Maggie’s Plan.

You can find a thrilling political docudrama with a stellar performance playing on HBO. It’s All the Way, the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before.

Stay away from the dark comedy The Lobster. A grim and tedious misfire, it’s the biggest movie disappointment of the year.

My video recommendations this week are smart and engaging recent romantic comedies – all written by women.

  • Zoe Kazan’s Ruby Sparks is available to rent on DVD from Netflix and Redbox and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.
  • Rashida Jones’ Celeste and Jesse Forever is available to rent on DVD from Netflix and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.
  • Tess Morris’ Man Up is available to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.
  • And a bonus: Lake Bell’s In the World…, is available to rent on DVD from Netflix and Redbox and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.

Tomorrow night, Turner Classic Movies resurrects the great, great comedic performance by George C. Scott as the con man Mordecai Jones in The Flim-Flam Man (1967).  Mark Twain would have loved this movie.

George C. Scott (right) with Michael Sarrazin and Slim Pickins in THE FLIM-FLAM MAN
George C. Scott (right) with Michael Sarrazin and Slim Pickins in THE FLIM-FLAM MAN