Movies to See Right Now

Andrew Garfield in HACKSAW RIDGE
Andrew Garfield in HACKSAW RIDGE

It’s Memorial Day weekend.  Scroll down for my recommendations of current and classic movies on video and television that honor military service.

Recommended movies to see in theaters this week:

  • Opening this weekend, The Commune, looks like comedy of errors, but it’s a family drama with a searing performance by Trine Dyrholm.
  • The Lost City of Z, a thoughtful and beautifully cinematic revival of the adventure epic genre.
  • In Norman: The Moderate Rise and Tragic Fall of a New York Fixer, writer-director Joseph Cedar and his star Richard Gere combine to create the unforgettable character of Norman Oppenheimer, a Jewish Willy Loman who finally gets his chance to sit with the Movers and Shakers. This may be Gere’s best movie performance ever.

My DVD/Stream of the Week is last year’s Oscar-winning Hacksaw Ridge, about American Army Medic Desmond T. Doss, who single-handedly rescued 75 fellow soldiers at the Battle of Okinawa and became the first Conscientious Objector in American history to be awarded the Congressional Medal of Honor. You can rent Hacksaw Ridge on DVD from Netflix and Redbox or stream it from Amazon, iTunes, Vudu, YouTube and Google Play and DirecTV. If you’re going to see one war movie this year, make it this one.

Yesterday I wrote about Turner Classic Movies’ uncommon slate of thoughtful Korean War movies airing Saturday, including Men in War, The Steel Helmet, The Rack and The Hook.

On Sunday May 28, TCM will present the definitive Pearl Harbor movie, Tora! Tora! Tora! from 1970. Featuring great American and Japanese casts, Tora! Tora! Tora! tells the story from both American and Japanese perspectives. It’s a suspenseful minute-by-minute countdown. Tora! Tora! Tora! is one of the very best movies ever made about a well-known historical event.  And on Monday, May 29, TCM will broadcast the fine WW II submarine warfare movie The Enemy Belowwhich I wrote about last month (scroll down.

TORA! TORA! TORA!
TORA! TORA! TORA!

Movies to See Right Now

TRUMAN
TRUMAN

Recommended movies to see in theaters this week:

  • The gentle and insightful end-of-life drama Truman. Often funny, it’s a weeper that is never maudlin. One of the best movies of the year.  Hard to find, but worth it.
  • The droll dark comedy Radio Dreams explores the ambivalence of the immigrant experience through the portrait of a flamboyant misfit, a man who rides the roller coaster of megalomania and despair. Radio Dreams opens today for a one-week-only run at the Roxie Theater in San Francisco.
  • The Lost City of Z, a thoughtful and beautifully cinematic revival of the adventure epic genre.
  • In Norman: The Moderate Rise and Tragic Fall of a New York Fixer, writer-director Joseph Cedar and his star Richard Gere combine to create the unforgettable character of Norman Oppenheimer, a Jewish Willy Loman who finally gets his chance to sits with the Movers and Shakers. This may be Gere’s best movie performance ever.
  • The Dinner is an emotional potboiler that showcases Richard Gere, Laura Linney Steve Coogan and Rebecca Hall.
  • Free Fire is a witty and fun shoot ’em up.
  • Their Finest is an appealing, middling period drama set during the London Blitz.
TRUMAN
TRUMAN

And movies to avoid:

  • A Quiet Passion, a miserably evocative portrait of a miserable Emily Dickinson.
  • I found the predictable Armenian Genocide drama The Promise to be a colossal waste of Oscar Isaac and Christian Bale.

My DVD/Stream of the week is the historical Feel Good Hidden Figures, which tells the hitherto generally unknown story of some African-American women whose math wizardry was key to the success of the US space program in the early 1960s. The audience at my screening burst into applause, which doesn’t happen that often. Hidden Figures is available on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

On May 23, Turner Classic Movies will air two great, great, great Westerns: John Ford’s classic The Searchers with John Wayne and a much less famous film, Sydney Pollack’s under recognized 1972 masterpiece Jeremiah Johnson, which features a brilliantly understated but compelling performance by Robert Redford. If you want to understand why Redford is a movie star, watch this movie. Give lots of credit to Pollack – it’s only 108 minutes long, and today’s filmmakers would bloat this epic tale by 40 minutes longer.

Then on May 25, there is a real curiosity on TCM, the 1933 anti-war movie Men Must Fight, which predicts many aspects World War II with unsettling accuracy. If you haven’t seen it, it’s a trip.

Also on May 25, TCM brings us another two movies from my list of Least Convincing Movie MonstersThe Killer Shrews and The Wasp Woman.

Robert Redford in JEREMIAH JOHNSON
Robert Redford in JEREMIAH JOHNSON

DVD/Stream of the Week: HIDDEN FIGURES – Woman Power, Black Power, Brain Power

Taraji P. Henson in HIDDEN FIGURES
Taraji P. Henson in HIDDEN FIGURES

Hidden Figures tells the hitherto generally unknown story of some African-American women whose math wizardry was key to the success of the US space program in the early 1960s. It’s pretty rare that someone can make a historical movie about something I had never heard of, but here we are. The screenplay is based on real events, and we see the images of the real thee women at the end of the movie. It’s a good story.

I had forgotten that engineers used to do even the complicated calculations by hand. Indeed, lots of aeronautical engineering calculations were needed to send the first NASA astronauts into space, and this was before the government used mainframe computers, let alone handheld calculators. So the answer was to have, for every room of (all male) engineers, a room full of women with the job title of “Computer” to do and check the math problems.

Hidden Figures’ heroines, including an authentic math prodigy and pioneer in computer programming, are perfectly played by Taraji P. Henson, Olivia Spencer and Janelle Monae (fresh from another acting triumph this fall in Moonlight). Remember that these women had to overcome the automatic sexism of the Mad Men era. On top of that, they were black women working in still-segregated Virginia. And, just to make things even more difficult, they were working for engineers, too!

The entire cast is excellent, especially Mahershala Ali (hunky and compelling yet again), Kevin Costner and Jim Parsons as a particular officious and sexist foil.

We see one of the first massive, room-filling but delicate IBM mainframe computers. That, calling people “computers” and the use of the programming language FORTRAN all drew chuckles from the Silicon Valley audience at my screening.

Hidden Figures does an especially fine job in depicting the tension during John Glenn’s communications blackout. Glenn’s space capsule had a problem with the heat shield. When it re-entered the atmosphere, there was a period of a few minutes when Glenn’s communications went dead. During this time (and I remember it well), everyone on the planet was watching on TV and no one knew whether the craft and Glenn were being consumed by a fireball or on the way to a successful splashdown. Those moments were unbearable.

Hidden Figures is eminently watchable, but not a perfect movie. There are some obviously over-dramatized and over-simplified segments. I thought I heard a character – in this movie about math whizzes – refer to “an altitude of 116 miles per hour” (which should be either an altitude of 116 miles or a velocity of 116 miles per hour). And John Glenn has hair even though, in real life, he was balding at the time (perform a Google Image search for “john glenn mercury 7” if you want to see for yourself).

But those flaws don’t detract from the core story, which is compelling. The audience at my screening burst into applause, which doesn’t happen that often. Hidden Figures is available on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Richard Gere in NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER
Richard Gere in NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER

Recommended movies to see in theaters this week:

  • The gentle and insightful end-of-life drama Truman. Often funny, it’s a weeper that is never maudlin. One of the best movies of the year.  Hard to find, but worth it.
  • The Lost City of Z, a thoughtful and beautifully cinematic revival of the adventure epic genre.
  • In Norman: The Moderate Rise and Tragic Fall of a New York Fixer, writer-director Joseph Cedar and his star Richard Gere combine to create the unforgettable character of Norman Oppenheimer, a Jewish Willy Loman who finally gets his chance to sits with the Movers and Shakers. This may be Gere’s best movie performance ever.
  • The Dinner is an emotional potboiler that showcases Richard Gere, Laura Linney Steve Coogan and Rebecca Hall.
  • Free Fire is a witty and fun shoot ’em up.
  • Their Finest is an appealing, middling period drama set during the London Blitz.
TRUMAN
TRUMAN

And movies to avoid:

  • A Quiet Passion, a miserably evocative portrait of a miserable Emily Dickinson.
  • I found the predictable Armenian Genocide drama The Promise to be a colossal waste of Oscar Isaac and Christian Bale.

My DVD/Stream of the Week is the emotionally affecting drama Lion, one of the top crowd pleasers of 2016.  When The Wife and I saw Lion, pretty much the entire audience was choked up. Stay all the way through the end credits for even more tears. Lion is available on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

What’s coming up this week on Turner Classic Movies? To start with, tonight TCM broadcasts the iconic generational comedy The Graduate AND my choice for the funniest movie of all time, The Producers.

On May 15, TCM will air the film that launched the Coen Brothers (Ethan and Joel), their first feature Blood Simple. Since their debut, the Coens have gone on to win Oscars for Fargo and No Country for Old Men, and their True Grit and the very, very underrated A Serious Man are just as good. Along the way, they also gave us the unforgettable The Big Lebowski.

It all started with their highly original neo-noir Blood Simple. It’s dark, it’s funny and damned entertaining. The highlight is the singular performance by veteran character actor M. Emmet Walsh as a Stetson-topped gunsel. Blood Simple was also the breakthrough performance for Frances McDormand. The suspenseful finale, when Walsh is methodically hunting down McDormand, is brilliant.

BLOOD SIMPLE
M. Emmet Walsh in BLOOD SIMPLE
BLOOD SIMPLE
Frances McDormand in BLOOD SIMPLE
BLOOD SIMPLE
Dan Hedaya and M. Emmet Walsh in BLOOD SIMPLE

DVD/Stream of the Week: LION – watch, enjoy, weep

Dev Patel in LION
Dev Patel in LION

The emotionally affecting drama Lion is one of the top crowd pleasers of the Holiday season and of the year. Here are the bones of the plot:

  • An Indian boy is accidentally separated from his family and lost, ending up in a hellish orphanage.
  • He is adopted and raised by a loving Australian couple (Nicole Kidman and David Wenham).
  • As a man, (Dev Patel of Slumdog Millionaire and The Second Best Exotic Marigold Hotel), he sets out on a quest to find his mother and brother in India – a classic Needle in a Haystack search.
  • Amazingly, it’s a true story.

Before the screening, I was ready to dismiss Lion as a stereotypical family melodrama, what movies studio called a “women’s picture” in the 1940s. But it’s much more than that. The young man has survivor’s guilt that becomes an obsession, explored through how it affects his relationship with his significant other (Rooney Mara). His adoptive parents have another adopted son – one who is severely emotionally disturbed.

Understandably, the young man is driven by an overwhelming need to give closure to his birth mother. What we don’t expect are the needs of the adoptive mother, and what surprises even our main character is what the adoptive mother does and does not need to be protected from.

Lion is the first feature for director Garth Davis, who has made his name in commercials; as one would expect, he is able in manipulating the audience with images and music, but not in a cheap way. The scene where the main character closes in on his search is exceptional.

Patel is remarkably engaging, and our sympathy with his character drives the movie. The other performances are solid. (Wow – Nicole Kidman is now playing the leading man’s Mom!) The two child actors who play the protagonist and his brother as children, Sunny Pawar and Abhishek Bharate, are exceptional.

When The Wife and I saw Lion, pretty much the entire audience was choked up. Stay all the way through the end credits for even more tears. Lion is available on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Charlie Hunnam in THE LOST CITY OF Z photo courtesy of SFFILM
Charlie Hunnam in THE LOST CITY OF Z
photo courtesy of SFFILM

Recommended movies to see in theaters this week:

      • My top recommendation is The Lost City of Z, a thoughtful and beautifully cinematic revival of the adventure epic genre.
      • In Norman: The Moderate Rise and Tragic Fall of a New York Fixer, writer-director Joseph Cedar and his star Richard Gere combine to create the unforgettable character of Norman Oppenheimer, a Jewish Willy Loman who finally gets his chance to sits with the Movers and Shakers.  This may be Gere’s best movie performance ever.
      • Free Fire is a witty and fun shoot ’em up.
      • Their Finest is an appealing, middling period drama set during the London Blitz.
Richard Gere in NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER
Richard Gere in NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER

And four movies to avoid:

      • Kristen Stewart is excellent in Personal Shopper, a murky mess of a movie; don’t bother.
      • I found the predictable Armenian Genocide drama The Promise to be a colossal waste of Oscar Isaac and Christian Bale.
      • Song to Song is yet another visually brilliant storytelling failure from auteur Terence Malick.
      • Also avoid the horror film The Blackcoat’s Daughter, which is out on video and, UNBELIEVABLY, getting some favorable buzz.

My DVD/Stream of the Week is The Founder starring Michael Keaton as Ray Kroc, the man who created the global corporate superpower that is McDonald’s. It’s both the vivid portrait of a particular change-maker and a cold-eyed study of exactly what capitalism really rewards. The Founder is available on DVD from both Netflix and Redbox and tp stream from Amazon, iTunes, Vudu, YouTube and Google Play.

On May 11, Turner Classic Movies will air not one, BUT TWO movies on my list of Least Convincing Movie MonstersThe Giant Claw and The Black Scorpion.

THE GIANT CLAW
THE GIANT CLAW

DVD/Stream of the Week: THE FOUNDER – moneygrubbing visionary

Michael Keaton in THE FOUNDER
Michael Keaton in THE FOUNDER

In the enjoyably addictive The Founder, Michael Keaton brings alive Ray Kroc, the man who created the global corporate superpower that is McDonald’s. It’s both a vivid portrait of a particular change-maker and a cold-eyed study of exactly what capitalism really rewards.

Speaking of capitalism, it’s hard to imagine a truer believer than Ray Kroc, not even Willy Loman. When we meet Kroc, he is grinding through small town America selling milkshake mixers none too successfully. Each night he retires to yet another dingy motel for heavy doses and Early Times bourbon and a motivational speaker on his portable record player.

Then Kroc stumbles across the McDonald brothers Dick (Nick Offerman) and Mac (John Carroll Lynch). In their Riverside, California, hamburger stand, the McDonald brothers invented the industrialization of food service, their achievement being “fast food” as we know it today. One the most fascinating sequences in The Founder is a flashback of the McDonald brothers designing the most efficient fast food kitchen possible with chalk on a tennis court. The brothers are passionate about their business, equally devoted to their product and their customers.

Kroc falls in love. Having driven through every town in the country as a traveling salesman, he can appreciate the untapped market. He persuades the brothers to let him take over franchising McDonald’s restaurants. It turns out that that the 50ish Kroc is well-equipped for the job because he’s driven, absolutely ruthless and always on the verge of desperation. He HAS to succeed. Kroc is hungry, perpetually hungry, and learns to identify potential franchisees who are not complacent investors, but are who are also driven enough to accept his discipline and run each franchise by the numbers. Egotistical as he is, Kroc is also smart enough to adopt a brilliant idea from someone else – the key to making McDonald’s his.

John Carroll Lynch and Nick Offerman in THE FOUNDER
John Carroll Lynch and Nick Offerman in THE FOUNDER

Dick McDonald is a humorless detail freak with brilliant ideas; Mac is the conflict-avoidant, supportive brother, always unruffling Dick’s feathers and keeping their options alive. Both are proud and true to their values. The McDonald brothers are authentic American business geniuses, but are they too principled to fight off a double cross by Kroc?

In much of the movie, Dick is on phone with Mac listening to Dick’s side of the conversations. Both Nick Offerman and John Carroll Lynch are superb, but Lynch’s performance is Oscar-worthy. There’s a “handshake” scene where WE know and MAC knows that he is going to get screwed, and Lynch’s eyes in those few seconds are heartbreaking.

As far as I can tell, The Founder is very historically accurate. Thanks to screenwriter Robert D. Siegel (The Wrestler) and director John Lee Hancock (The Blind Side), we also meet some other historical characters – Harry Sonneborn, Fred Turner, June Martino and Joan Smith Kroc – and appreciate their contributions to the McDonald’s business.

The Founder’s Ray Kroc is shitty to his wife (Laura Dern), shitty to his partners and, basically, shitty to his core. But we HAVE to keep watching him. Do we root for him because only HE can build this empire? We Americans have a heritage of empire building. And the idea of someone building something so big and so successful with only his smarts, persistence and opportunism is irresistible to us.

This is a good movie. I’ll even watch The Founder again. And I’ll have fries with that. You can watch it on DVD from Netflix and Redbox or stream it from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

FREE FIRE
FREE FIRE

Three movies to see in theaters this week:

  • My top recommendation is The Lost City of Z, a thoughtful and beautifully cinematic revival of the adventure epic genre.
  • Free Fire is a witty and fun shoot ’em up.
  • Their Finest is an appealing, middling period drama set during the London Blitz.

And four to avoid:

  • Kristen Stewart is excellent in Personal Shopper, a murky mess of a movie; don’t bother.
  • I found the predictable Armenian Genocide drama The Promise to be a colossal waste of Oscar Isaac and Christian Bale.
  • Song to Song is yet another visually brilliant storytelling failure from auteur Terence Malick.
  • Also avoid the horror film The Blackcoat’s Daughter, which is out on video and, UNBELIEVABLY, getting some favorable buzz.

My Stream of the Week is the important and absorbing documentary Zero Days, which traces the story of an incredibly successful cyber attack by two nation states upon another – and its implications. It’s that rare documentary which has become even more topical today.  Since Zero Days’ release last June, we have endured the successful Russian cyber attack on the US election process. And we face an unpredictable foe in North Korea, and our only practical protection against North Korea’s nuclear threat may be our own preemptive cyber attacks. Zero Days is available to stream on Amazon, iTunes, Vudu, YouTube and Google Play.

On May 1, Turner Classic Movies will be broadcasting one of the great movies that you have likely NOT seen, having just been released on DVD in 2009: The Earrings of Madame de… (1953). Max Ophuls directed what is perhaps the most visually evocative romance ever in black and white. It’s worth seeing for the ballroom scene alone. The shallow and privileged wife of a stick-in-the-mud general takes a lover, but the earrings she pawned reveal the affair and consequences ensue. The great Italian director Vittorio De Sica plays the impossibly handsome lover.

The Earrings of Madame de...
The Earrings of Madame de…

Stream of the Week: ZERO DAYS – cyberwar triumph? maybe not

ZERO DAYS
ZERO DAYS

My Stream of the Week is a movie that has actually become MORE topical since its release last year.  The important and absorbing documentary Zero Days traces the story of an incredibly successful cyber attack by two nation states upon another – and its implications. In Iran’s nuclear weapons development program, the centrifuges used to enrich uranium began destroying themselves in 2010. It turned out that these machines were instructed to self-destruct by a computer worm devised by American and Israeli intelligence.

No doubt – this was an amazing technological triumph. Zero Days takes us through a whodunit that is thrilling even for a non-geek audience. We learn how a network that is completely disconnected from the Internet can still be infected. And how cybersecurity experts track down viruses. It’s all accessible and fascinating.

But, strategically, was this really a cyberwarfare victory? We learn just what parts of our lives can be attacked and frozen by computer attacks (Spoiler: pretty much everything). And we learn that this attack has greenlighted cyberwarfare by other nations – including hostile and potentially hostile ones. Zero Days makes a persuasive case that we need to have a public debate – as we have had on nuclear, biological and chemical weapons – on the use of this new kind of weaponry.

And here’s why it is more topical today.  Since Zero Days’ release last year, we have endured the successful Russian cyberattack on the US election process.  And we face an unpredictable foe in North Korea, and our only practical protection against North Korea’s nuclear threat may be our own preemptive cyberattacks.

Director Alex Gibney is one our very, very best documentarians. He won an Oscar for Taxi to the Dark Side, and he made the superb Casino Jack: The United States of Money, Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Elliot Spitzer, Mea Maxima Culpa: Silence in the House of God, Going Clear: The Prison of Belief and Steve Jobs: Man in the Machine.

Gibney’s specialty is getting sources on-camera that have the most intimate knowledge of his topic. In Zero Days, he pulls out a crew of cybersecurity experts, the top journalist covering cyberwarfare, leaders of both Israeli and American intelligence and even someone who can explain the Iranian perspective. Most impressively, Gibney has found insiders from the NSA who actually worked on this cyber attack (and prepared others).

Zero Days is available to stream on Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Robert Pattinson and Charlie Hunnam in THE LOST CITY OF Z photo courtesy of SFFILM
Robert Pattinson and Charlie Hunnam in THE LOST CITY OF Z
photo courtesy of SFFILM

My top recommendation is The Lost City of Z, which opens in the Bay Area today.

Also in theaters this week:

  • Their Finest is an appealing, middling period drama set during the London Blitz.
  • I liked the gloriously pulpy revenge thriller The Assignment with Michelle Rodriguez, the toughest of the Tough Chicks, playing both the Before and After roles in a hostile gender re-assignment surgery. The Assignment is out, but in few theaters. It’s available now to stream from Amazon, iTunes, Vudu, YouTube and Google Play.
  • Kristen Stewart is excellent in Personal Shopper, a murky mess of a movie; don’t bother.
  • I found the predictable Armenian Genocide drama The Promise to be a colossal waste of Oscar Isaac and Christian Bale.
  • Song to Song is yet another visually brilliant storytelling failure from auteur Terence Malick.
  • Also avoid the horror film The Blackcoat’s Daughter, which is out on video and, UNBELIEVABLY, getting some favorable buzz.

My DVD/Stream of the Week is the absorbing French drama Augustine, about obsession, passion and the birth of a science. I just saw The Stopover at the San Francisco International Film Festival, and the feral fierceness and simmering intensity of its star Soko reminded me of her earlier work in Augustine. It’s available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

On April 22, Turner Classic Movies airs The Enemy Below (1957), a cleverly plotted and well-acted WW II submarine story, ably directed by Dick Powell. Robert Mitchum is the new captain of a sub-chaser, and Curd Jürgens commands a German sub. The Jürgens character has no sympathy for the Nazi regime, which makes him relatable for the audience; in real life, the Bavarian-born Jürgens was imprisoned by the Nazis for his political views and became an Austrian citizen after being liberated. The Enemy Below is a brilliant game of lethal cat-and-mouse between the two skippers.

The Germans are trapped by their mission, which requires them to keep on a certain bearing. The US commander recognizes this and is able to keep catching up to them on this route. Mitchum explains his tactics to his crew, gets the crews trust and helps us follow the chess game. As nerves crack on the sub below, Jurgens takes unusual tactics to maintain morale. Mutual respect is manifested at end, with stirring loyalty demonstrated by the men to their captains.

There’s a lot here that you don’t see in other submarine warfare movies, including a rare ramming collision and aerial views of the depth charge pattern. There’s also a great special effect shot showing sailors on the deck dropping their fishing line down to the U-boat resting on the sea bottom directly below. The author of the source novel was himself a veteran of anti-sub warfare.

Robert Mitchum in THE ENEMY BELOW
Robert Mitchum in THE ENEMY BELOW
Curd Jurgens in THE ENEMY BELOW
Curd Jurgens in THE ENEMY BELOW