Weekly Movie Recommendations

Movies to See Right Now

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The new PBS documentary by Ken Burns and Lynn Novick, The Vietnam War, is one of the best documentaries of the century and a superb history lesson, crucial to understand the America of today. It’s a Must See for Baby Boomers. For different reasons, it’s a Must See for Americans of later generations. The ten episodes of The Vietnam War can be streamed from PBS through October 15.

Your best chance to see an Oscar-winner is at the Mill Valley Film Festival, now underway at several Marin locations. The MVFF always previews many of the most promising prestige films that are scheduled for release during Award Season.

In theaters now, there is the often funny and stealthily profound Lucky. Here’s my remembrance of its star, Harry Dean Stanton.

Sure to be near the end of its theatrical run, you can still catch the contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.

My DVD/Stream of the Week is the compelling and affecting Short Term 12, set in a foster care facility and starring Brie Larson as kind of a Troubled Kid Whisperer.  Short Term 12 is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video. It was high on my Best Movies of 2013.

On October 15, Turner Classic Movies presents Diabolique. The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress. When he goes missing, the police drain the murky pool where the killers dumped the body…and the killers get a big surprise. Now the suspense from director Henri-Georges Clouzot (often tagged as the French Hitchcock) really starts.

And TCM offers something completely different on October 16, the delightful Peter Bogdanovich screwball comedy What’s Up, Doc? The nerdy academic Howard (Ryan O’Neal) and his continually aggrieved fiance Eunice (Madeline Kahn) travel to San Francisco to compete for a career-launching grant. The luggage with Howard’s great discovery (musical rocks) is mixed up with two identical suitcases, one containing valuable jewelry, the other with spy secrets, and soon we have juggling MacGuffins.

That’s all funny enough, but Howard bumps into Judy (Barbra Streisand), the kookiest serial college dropout in America, who determines that she must have him and utterly disrupts his life. Our hero’s ruthless rival for the grant is hilariously played by Kenneth Mars (the Nazi playwright in The Producers). Austin Pendleton is wonderful as the would-be benefactor.

The EXTENDED closing chase scene is among the very funniest in movie history – right up there with the best of Buster Keaton; Streisand and O’Neal lead an ever-growing cavalcade of pursuers through the hills of San Francisco, at one point crashing the Chinese New Year’s Day parade. I love What’s Up, Doc? and own the DVD, and I watch every time I stumble across it on TV. Boganovich’s hero Howard Hawks, the master of the screwball comedy, would have been proud.

WHAT’S UP, DOC?

DVD/Stream of the Week: SHORT TERM 12 – compelling and affecting, in the world of foster kids

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SHORT TERM 12

The compelling and affecting Short Term 12 is set in a foster care facility unit named Short Term 12; since the kids can live there for years, it seems pretty long-term to me. These are kids who have suffered abuse and neglect and who act out with disruptive and dangerous behaviors. Runaways, assaults and suicide attempts are commonplace, and some of the kids thrive on creating drama.

The gifted lead counselor on the unit is Grace (Brie Larson), who isn’t much older than the kids. She’s kind of a Troubled Kid Whisperer who, in each impossible situation, knows exactly what to do to defuse or comfort or protect. But while she is in total command of her volatile and fragile charges, she is profoundly troubled herself. She and her boyfriend Mason (John Gallagher Jr.), who also works on the unit, are themselves survivors and former foster youth. Mason seems to have resolved his issues, but Grace’s demons lurk just under her skin.

In Short Term 12’s taut 96 minutes, we watch Grace navigate through crisis after crisis until she must face her own. We share many of the most powerful moments in 2013 cinema, particularly one kid’s unexpectedly painful insightful and sensitive rap, another kid’s authoring a wrenching children’s story and Grace’s own outburst of ferocity to protect a kid from a parent.

Brie Larson’s performance as Grace is being widely and justifiably described as star-making, and I think she deserves an Oscar nomination. I noticed her performances in much smaller roles in Rampart and The Spectacular Now , and I’m really looking forward to the launch of a major career. Think Jennifer Lawrence.

John Gallagher Jr. must be a superb actor, because nobody in real life can be as appealing and sympathetic as his characters in Margaret, Newsroom and Short Term 12. I’ll watch any movie with Gallagher in it, and he’s almost good enough to help me stomach Newsroom.

In his debut feature, writer-director Destin Cretton has hit a home run with one of the year’s best dramas. Some might find the hopeful ending too pat, but I say So What – I have met many former foster youth who have transcended horrific childhoods to become exemplary adults.

Short Term 12 is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, YouTube, GooglePlay and Xbox Video. It was high on my Best Movies of 2013.

Movies to See Right Now

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Harry Dean Stanton in LUCKY. Photo courtesy of Magnolia Pictures

The often funny and stealthily profound Lucky opens this weekend in the Bay Area. Here’s my remembrance of its star, Harry Dean Stanton.  Other choices:

  • A Must See: the contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
  • The historical thriller Dunkirk.
  • The amiably entertaining hillbilly heist film Logan Lucky.

Here’s my preview of the 40th Mill Valley Film Festival, underway now at several Marin locations.

For the second straight week, my DVD/Stream of the Week is the extraordinary performance of French actress Isabelle Huppert in the subversive Elle. The controversial Elle is available on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

On October 8, Turner Classic Movies brings us the especially nasty noir Detour, in which poor Tom Neal is practically eaten alive by Ann Savage as perhaps the most predatory and savage female character in film noir history. One of the few Hollywood films where the leading lady was intentionally de-glamorized with oily, stringy hair.

Ann Savage and Tom Neal in DETOUR (Hint - she's trouble!)
Ann Savage and Tom Neal in DETOUR (Hint – she’s trouble!)

Movies to See Right Now

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Isabelle Huppert in ELLE

We’re on the verge of a promising Prestige Movie Season. For the time being:

  • A Must See: the contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
  • The historical thriller Dunkirk.
  • The amiably entertaining hillbilly heist film Logan Lucky.

The extraordinary performance of French actress Isabelle Huppert makes the already subversive Elle into a Must See DVD/Stream of the Week. The controversial Elle is available on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

On September 30, Turner Classic Movies presents a wonderfully entertaining comedy about an entire family of professional con artists, The Young in Heart. It’s sweet and sappy, with the optimistic view that the criminals could be reformed by the unconditional love of a lonely old lady. After much fun, it turns out that they just needed some structure that incentivizes them to use their talents for good rather than evil. As readers will know, I’m not generally attracted to sentimental movies, but this one is damn funny. The family is played by Roland Young, Janet Gaynor, Douglas Fairbanks, Jr. and the always batty Billie Burke,The movie is almost stolen by Minnie Dupree as their intended victim, Miss Fortune. There’s also a nice turn by the gorgeous Paulette Goddard. The Young in Heart is a showcase for Roland Young, so often the supporting character in the great screwball comedies; this film, more than his Topper series, may be his best and most enjoyable performance.

Roland Young and Douglas Fairbanks, Jr. in THE YOUNG IN HEART
Roland Young and Douglas Fairbanks, Jr. in THE YOUNG IN HEART

DVD/Stream of the Week: ELLE – subversive and absorbing, with Huppert’s stunning performance

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Isabelle Huppert in ELLE
Isabelle Huppert in ELLE

The extraordinary performance of French actress Isabelle Huppert makes the already subversive Elle into a Must See. Huppert plays the middle-aged businesswoman Michèle, who is raped in her home in the first seconds of this movie. Elle is likely to be controversial; Michèle’s reaction to the rape will not meet anyone’s expectations. At first, Elle seems like it will be a looks like a whodunit (who is the attacker?), then it shifts into a revenge fantasy, all the while remaining, at its core, an amazing study of Michèle, a character that we haven’t seen before. This is a woman who refuses to accept – and may not be capable of – victimhood.

The screenplay, which turns upside down any expectations we may have, is written by David Birke from a Philippe Djian novel. The hunted becomes the hunter, we never know what to expect from Michèle and shockers abound. Who better than Paul Verhoeven (Basic Instinct) to direct? Especially since the willful Michèle has a lusty sexual appetite, with adventuresome tastes.

Michèle needs to be in control, and she’s generally tough enough to stay in charge. The way to understand her actions is that she will do anything to regain that control and to avenge any moment that someone else has wrested it from her. One would expect the rape to be shattering enough, but Michèle starts getting messages from her attacker that would send ANYONE into a puddle of paralyzing terror; instead she’s only momentarily unnerved.

With the exception of two monsters, all the men in Elle are weak (despite any internal sense of bravado), and she handles them all easily. (Those two monsters better watch out, too.)

One way of watching Elle is to keep score, as in: Michèle 6, Men 0. But Elle is not a man-bashing film – Michèle’s ridiculously self-centered mom and her son’s abusive nightmare of a girlfriend are just as unsympathetic as all but two of the men.

There’s plenty of dark humor in Elle. For example, immediately after the opening rape scene, we watch Michèle at work as the founding CEO of a video game company. She’s watching a clip from her company’s newest video game in development. The clip is so hyper-violent and misogynistic that it would trigger massive PTSD for any rape victim, but Michèle’s complaint is that it’s NOT VIOLENT ENOUGH.

Isabelle Huppert may be the best screen actress working today, she’s certainly the most fearless. She’s so fearless, you gotta wonder if there any scripts that she rejects for being TOO weird, challenging or transgressive. She is comfortable with roles that range from the kinky (The Piano Teacher) to the most twisted (Ma Mere).

Huppert is especially gifted at playing impenetrable. She is at her best when she simply REGARDS other characters, assessing and judging them. With almost no lines,and very little screen time, her sphinx-like character dominated the recent Louder Than Bombs.

I also have to note that her character in Elle is in her early 50s – a sexy early 50s – while Huppert herself is 63. She seems to have somehow stopped the aging process about 15 years ago.

Elle ends in a moment of friendship, with the final line an homage to my favorite movie of all time. There’s a difference between perverse and perverted, and Elle keeps just inside that fine line. The shockers, the very dark humor and Huppert’s singular and compelling performance make Elle one of the year’s most absorbing films. Two weeks after screening it, I’m still thinking about it. Elle is available on DVD from Netflix and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

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Ray Romano and Holly Hunter in THE BIG SICK

There are some VERY promising movies about to be released. For the time being, just make sure that you’ve seen these three while they are still in theaters:

  • The contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
  • The delightful romantic comedy The Big Sick.
  • The historical thriller Dunkirk.

My DVD/Stream of the Week is the wonderfully entertaining Gone Girl, the best Hollywood movie of 2014. It’s both a mystery filled with plot twists and a study of psychopathy. The ending is different than that of the best-selling novel, but fans like both. Gone Girl is available on DVD from Netflix and streaming on Amazon Instant, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

On September 24, Turner Classic Movies will present Elia Kazan’s 1957 Boomerang!, a courtroom movie that could NEVER happen in real life – BUT DID. The same District Attorney convicts a guy of murder, changes his mind and then successfully proves the guy’s innocence. The fine cast includes Dana Andrews, Arthur Kennedy, Lee J. Cobb, Ed Begley (in the first of his 103 screen credits) and (one of my favorites) Sam Levene. Look for Karl Malden and Brian Keith in bit roles. Here’s my full discussion of Boomerang!, including the real life history.

BOOMERANG!

DVD/Stream of the Week: GONE GIRL – 2014’s best Hollywood movie

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Rosamund Pike in GONE GIRL
Rosamund Pike in GONE GIRL

In the marvelously entertaining Gone Girl, Ben Affleck plays Nick, a good-looking lug who can turn a phrase. At a party one night, he’s on his A game, and he snags the beautiful Amy (Rosamund Pike). She’s smarter, a good rung on the ladder more attractive than he is, has parents with some money and is a second-hand celebrity to boot. Not particularly gifted and certainly not a striver, he knows he’s the Lucky One. He has married above himself, but he doesn’t have a clue HOW MUCH above until she suddenly disappears.

Based on the enormously popular novel by Gillian Flynn (who also wrote the screenplay), Gone Girl is the mystery of what has happened to Amy and what is Nick’s role in the disappearance. Plot twists abound, but you won’t get any spoilers from The Movie Gourmet.

This is Rosamund Pike’s movie.  Her appearance is so elegant – she looks like a crystal champagne flute with blonde hair – that pulling her out of Victorian period romances and into this thriller is inspired. And Pike responds with the performance of her career. She’s just brilliant as she makes us realize that there’s something behind her eyes that we hadn’t anticipated, and then keeps us watching what she is thinking throughout the story.

Gone Girl is directed by the contemporary master David Fincher (Fight Club, Se7en, Zodiac, The Social Network, The Girl with the Dragon Tattoo). Here, Fincher has successfully chosen to rely on Flynn’s page turner of a story and the compelling characters, so Gone Girl is the least flashy of his films, but one of the most accessible. I’ll say this for Fincher – I can’t remember a more perfectly cast movie.

Kim Dickens (Treme, Deadwood) is superb as the investigating detective – this time almost unrecognizable as a brunette. Tyler Perry is wonderfully fun as a crafty celebrity attorney. The previously unheralded Carrie Coon is excellent as Nick’s twin sister (she’s gone on to cash in on the Avengers franchise). Missi Pyle does such a good job as a despicable cable TV personality that I thought I was actually watching a despicable cable TV personality. And David Clennon and (especially) Lisa Banes positively gleam as Amy’s parents. (Carefully observe every behavior by the parents in this movie.)

Just like the thug in The Guard who forgets whether he had been diagnosed in prison as a sociopath or a psychopath, I had the ask The Wife, who turned me on to this passage from Psychology Today. It’s useful to read this because, although you don’t realize it for forty-five minutes or so, Gone Girl is also a study of psychopathy.

Psychopaths … are unable to form emotional attachments or feel real empathy with others, although they often have disarming or even charming personalities. Psychopaths are very manipulative and can easily gain people’s trust. They learn to mimic emotions, despite their inability to actually feel them, and will appear normal to unsuspecting people. Psychopaths are often well educated and hold steady jobs. Some are so good at manipulation and mimicry that they have families and other long-term relationships without those around them ever suspecting their true nature.

When committing crimes, psychopaths carefully plan out every detail in advance and often have contingency plans in place. Unlike their sociopathic counterparts, psychopathic criminals are cool, calm, and meticulous. Their crimes, whether violent or non-violent, will be highly organized and generally offer few clues for authorities to pursue. Intelligent psychopaths make excellent white-collar criminals and “con artists” due to their calm and charismatic natures.

Gillian Flynn changed the story’s ending for the movie. The Wife, who is a big fan of the novel, didn’t mind. Gone Girl is recommended for both those who have and have not read the book. I understand that there’s more humor in the movie, as we occasionally laugh at the extremity of the behavior of one of the characters.

It all adds up into a remarkably fun movie and one that I was still mulling it over days later. Gone Girl was the best big Hollywood studio movie of 2014 (not counting releases from the prestige distribution arms of the major studios). It’s now available on DVD from Netflix and streaming on Amazon Instant, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

Movies to See Right Now

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Jeremy Renner in WIND RIVER
We’re in the dog days of summer movies, waiting for the Prestige Movies starting in late October, and hoping that some gems sneak into theaters now. For the time being, just make sure that you’ve seen these three:

  • The contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
  • The delightful romantic comedy The Big Sick.
  • The historical thriller Dunkirk.

The best of the rest:

  • Baby Driver is just an action movie, but the walking, running and driving are brilliantly timed to the beat of music.
  • I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde.

My DID/Stream of the Week is Stories We Tell from brilliant Canadian director Sarah Polley (Away From Her, Take This Waltz), a documentary in which she interviews members of her own family about her mother, who died when Sarah was 11. It doesn’t take long before Sarah uncovers a major surprise about her own life. And then she steps into an even bigger surprise about the first surprise.  You can rent Stories We Tell on DVD from Netflix and Redbox and stream it from Amazon, iTunes, Vudu, YouTube and Google Play.

On September 17, Turner Classic Movies airs In a Lonely Place (1950). The most unsettlingly sexy film noiress Gloria Grahame falls for the troubled screenwriter Humphrey Bogart, a guy with a MAJOR anger management issue; once she’s hooked, she realizes that he might be a murderer after all…Nicholas Ray directs. In a Lonely Place justifiably made the BBC’s list of the 100 Greatest American Films. The Czar of Noir Eddie Muller has named it as his #1 noir.

Gloria Grahame and Humphrey Bogart in IN A LONELY PLACE

DVD/Stream of the Week: STORIES WE TELL – when life surprises…and how we explain it

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Michael Polley in STORIES WE TELL

Stories We Tell is the third film from brilliant Canadian director Sarah Polley (Away From Her, Take This Waltz), a documentary in which she interviews members of her own family about her mother, who died when Sarah was 11. It doesn’t take long before Sarah uncovers a major surprise about her own life. And then she steps into an even bigger surprise about the first surprise. And then there’s a completely unexpected reaction by Polley’s father Michael.

There are surprises aplenty in the Polley family saga, but how folks react to the discoveries is just as interesting. It helps that everyone in the Polley family has a deliciously wicked sense of humor.

The family story is compelling enough, but Polley also explores story telling itself. Everyone who knew Polley’s mother tells her story from a different perspective. But we can weave together the often conflicting versions into what seems like a pretty complete portrait of a complicated person.

Polley adds more layers of meaning and ties the material together by filming herself recording her father reading his version of the story – his memoir serves as the unifying narration.

To take us back to the 1960s, Polley uses one-third actual home movies and two-thirds re-creations (with actors) shot on Super 8 film. Polley hired cinematographer Iris Ng after seeing Ng’s 5 minute Super 8 short. The most haunting clip is a real one, a video of the actress Mom’s audition for a 60s Canadian TV show.

Make sure that you watch all of the end credits – there’s one more surprise, and it’s hilarious.

You can rent Stories We Tell on DVD from Netflix and Redbox and stream it from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

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Graham Greene and Elizabeth Olsen in WIND RIVER

Do your self a favor and make sure that you see the best of this summer:

  • The contemporary Western thriller Wind River, which has mystery, explosive action, wild scenery and some great acting, especially by Jeremy Renner and Gil Birmingham.
  • The delightful romantic comedy The Big Sick.
  • The historical thriller Dunkirk.

The best of the rest:

  • Baby Driver is just an action movie, but the walking, running and driving are brilliantly timed to the beat of music.
  • I enjoyed Charlize Theron’s rock ’em, sock ’em, espionage thriller Atomic Blonde.
  • The Trip to Spain, another gourmet romp from Rob Brydon and Steve Coogan is funny for the first 90 minutes or so – just leave when the characters part company in Malaga.

My Stream of the Week is the surprisingly engaging documentary about New York Times obituaries Obit, a superb study writing – we sit on the writers’ shoulders and observe their process in real-time.  Obit is now available to stream on Amazon, iTunes, Vudu, YouTube and Google Play.

On September 9, Turner Classic Movies airs Alfred Hitchcock’s masterpiece of voyeurism, Rear Window.   Here we have James Stewart playing a guy frustrated because he is trapped at home by a disability. When he observes some activity by neighbors that he interprets as a possible murder, he becomes more and more obsessed and voyeuristic. When it looks like he has been correct instead of paranoid, that business about being trapped by a disability takes on a whole new meaning.  With the cool beauty Grace Kelly and the glowering and menacing Raymond Burr.

REAR WINDOW
REAR WINDOW