THE AUGUST VIRGIN: in search of reinvention

Photo caption: Itsaso Arana in THE AUGUST VIRGIN. Photo courtesy of Outsider Pictures.

In the lovely and genuine The August Virgin, 33 year-old Eva (Itsaso Arana) is between relationships, not defined by any career success, and her biological clock is ticking. She knows it’s time for a reset. In August, Eva borrows an acquaintance’s apartment in another Madrid neighborhood and sets off on a series of strolls, in search of possibilities as yet unknown.

Many madrileños escape the city’s oppressive heat for the month of August. But Madrid is still filled with street festivals and tourists. Eva meanders around town, encountering old friends and making new ones. As Eva notes, in Madrid’s August, expectations are relaxed.

Eva is purposeful about shaking things up, but she has no plan other than to be open to the possibilities. That openness, with its fluidity and randomness, leads her to her moment of reinvention.

Eva is played by the film’s co-writer, Itsaso Arana. What’s so singular about Arana’s performance is that her Eva, as dissatisfied as she is with her current situation, is always comfortable in her own skin. She’s never desperate or needy (except when trying to negotiate a reluctant door lock) and always confident enough to engage with a stranger. At one point, the Spanish pop star Soleá sings, “I’ve still got time. I’m still here.”

THE AUGUST VIRGIN. Photo courtesy of Outsider Pictures.

The August Virgin’s other co-writer is director Jonás Trueba, and this is his sixth feature. I recently watched his next most recent film The Reconquest (La Reconquista) on Netflix, and it’s another intensely personal and genuine story, about two 30-year-olds reconnecting 15 years after a teen crush. Jonás Trueba is the son of Oscar-winning director Fernando Trueba (Belle Epoque, Chico & Rita).

Several critics have seen Trueba’s work as an homage to French New Wave filmmaker Éric Rohmer, but I found that The August Virgin, with Eva’s serial conversations (real, probing conversations), reminded me of the more accessible work of Richard Linklater.

Madrid itself is on display here, with its searing daytime sun, and the liveliness of the streets, tapas bars and after-hours clubs when the sun goes down.

Trueba and Arana allow Eva her process, and she samples one experience after another, seemingly with the faith that one of them will lead her to where she wants to be. This is not a film for the impatient, but I found its two hours enchanting.

The August Virgin is on my list of Best Movies of 2020and is now available to stream on Amazon, AppleTV, Vudu and YouTube.

Movies to See Right Now

Photo caption: Wes Studi and Dale Dickey in A LOVE SONG. Courtesy of Bleecker Street.

This week on The Movie Gourmet – a new review of A Love Song with Dale Dickey and Wes Studi, the how-could-this-happen? documentary My Old School, and the fluffy Mrs. Harris Goes to Paris. I’ve also completely refreshed most eclectic watch-at-home recommendations you’ll find ANYWHERE. Plus my preview of the San Francisco Jewish Film Festival, now underway.

I’m traveling and don’t have time to write a review, but I saw Nope and it is excellent – an unusually intelligent popcorn movie. I’m not a big horror/sci fi guy and I loved it. One of the best movies of 2022.

REMEMBRANCE

Bob Rafaelson was a New Hollywood director, a peer of Martin Scorsese, Francis Ford Coppola, Steven Spielberg, George Lucas, William Friedkin, Peter Bogdanovich and Brian De Palma. But Rafaelson only made one great movie, Five Easy Pieces, which he co-wrote. Five Easy Pieces, though, is by itself an eternal legacy.

ICYMI here are my remembrances of actor L.Q. Jones and composer Monty Norman (scroll down).

CURRENT MOVIES

WATCH AT HOME

Ethan Hawke and Philip Seymour Hoffman in BEFORE THE DEVIL KNOWS YOU’RE DEAD

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Before the Devil Knows You’re Dead: for Philip Seymour Hoffman. Amazon, AppleTV, Vudu, YouTube.
  • Jockey: he finally grapples with himself. Amazon, AppleTV, Vudu, YouTube.
  • The Visitor: self-isolation no longer. Amazon, AppleTV, Vudu, YouTube.
  • The Bra: Just your average silent Azerbaijani comedy. Amazon, AppleTV, Vudu, YouTube.
  • The East: how do we punish corporate crime? HBO, Amazon, AppleTV, redbox.
  • Project Nim: a chimp learns the foibles of humans. Amazon, AppleTV, YouTube.
  • Bombshell: The Hedy Lamar Story: the world’s most beautiful woman and her secrets. Amazon, AppleTV, Vudu, YouTube, KINO Now.
  • The Gatekeepers: winning tactics make for a losing strategy. Amazon, AppleTV, Vudu, YouTube.
  • Colma: The Musical: a refreshing hoot. Amazon, Vudu, YouTube.
  • Auggie: Who do you see when you put on the glasses? Amazon, AppleTV, Vudu, YouTube
  • Step Into Liquid: “insanely gorgeous” surfing. Amazon, AppleTV, Vudu, YouTube.
  • Riding Giants: obsessive search for the biggest wave to surf. Amazon, AppleTV, Vudu, YouTube.

ON TV

Claire Trevor in RAW DEAL

Tomorrow night, July 30, Turner Classic Movies presets Raw Deal, featuring some of the best dialogue in all of film noir, a love triangle and the superb cinematography of John Alton. A con (Dennis O’Keefe) escapes from prison and goes on the run with his girlfriend (Claire Trevor) and a hostage, his prison social worker (Marsha Hunt). None of them know that the jailbreak had been engineered by the convict’s ruthless partner (Raymond Burr), who was expecting that he would be killed in the attempt. On the desperate road trip, attractions blossom, and the Bad Girl and the Good Girl begin to share the Good/Bad Guy.

Raw Deal is one of my Overlooked Noir, and TCM will air it Saturday night and Sunday morning on its Noir Alley with an intro and an outro by Eddie Muller.

Marsha Hunt, Claire Trevor and Dennis O’Keefe in RAW DEAL

A LOVE SONG: bittersweet, heartfelt and funny

Photo caption: Dale Dickey in A LOVE SONG. Courtesy of San Luis Obispo Film Fest.

A Love Song is a welcome starring vehicle for the longtime character actress Dale Dickey, whose every good night and every bad night is etched into the lines on her face. Dickey plays Faye, whom we meet camping alone in her travel trailer in the remote high desert of Western Colorado.

After a decades-long marriage, Faye has been widowed for seven years, paralyzed by grief in the first two. Now she moves confidently around her solo campsite, displaying her serious outdoor skills and an impressive touch for fishing for crawdads.

It is revealed that Faye is waiting for someone. She has invited a high school friend, whom she hasn’t seen for over three decades, to re-connect. That friend is Lito (Wes Studi), who has also been widowed after a long marriage.

A Love Song wistfully explores loneliness and how grief can impact the ability to love again.

Dickey is on screen almost every moment, and she’s great. Dickey has a way of making even her supporting performances unforgettable. She broke through as the scary meth matriarch in Winter’s Bone, and played the flinty bank teller in Hell and High Water.

Wes Studi and Dale Dickey in A LOVE SONG. Courtesy of Bleecker Street.

Studi recently received a deserved lifetime Oscar. His performances as very scary Native American warriors in Dances with Wolves and The Last of the Mohicans sparked a very impressive body of film work.

Dickey and Studi have said that each had their very first on-screen kiss in A Love Song.

A Love Song is the first feature for writer-director Max Waterman-Silver, who uses his debut to show off his native Western Colorado. I found his direction inconsistent, but he delivered two perfect single-shot scenes, both of very long duration, one when Lito and Faye are sitting with guitars, the other when the two are standing outside Faye’s trailer.

Faye is occasionally visited by four Native American brothers with their little sister as their spokeswoman. Waterman-Silver’s sense of comic timing in these scenes is flawless.

Both The Wife and I were periodically distracted by holes or inconsistencies in the screenplay. At one point, the dog inexplicably vanishes (fortunately temporarily). And there’s no way that someone with Faye’s seasoning would hike up a mountain without water, especially when she can’t make it back down by nightfall.

I admire filmmakers who make their films short enough (82 minutes) so they can pace them slowly. The Wife, less patient with slow burns, still thought that it ran long.

The performances by Dickey and Studi are reason enough to watch this bittersweet, gentle, heartfelt and funny film. I saw A Love Song at the San Luis Obispo International Film Festival. It releases into theaters this weekend.

Movies to See Right Now

Photo caption: Antonio Banderas, Penélope Cruz and Oscar Martínez in OFFICIAL COMPETITION. Courtesy of IFC Films.

This week on The Movie Gourmet – a preview of the San Francisco Jewish Film Festival, including new reviews of Speer Goes to Hollywood and The Faithful: The King, The Pope and The Princess. Plus reviews of the year’s wittiest movie so far, Official Competition, and My Donkey, My Lover and I.

REMEMBRANCES

L.Q. Jones in HANG ‘EM HIGH

Actor L.Q. Jones, born with the already Texas-colorful name of Justus E. McQueen, took the name of his first movie character (in Battle Cry) and rode it through 165 roles, bringing something interesting and different in every one. His NYT obit quoted him an liking to play “a heavy that is not crazy or deranged — although we play those, of course — but rather someone who is a heavy because he enjoys being a heavy.” Jones worked in some excellent war movies (Men in War, Torpedo Run, The Naked and the Dead, Hell Is for Heroes) and revisionist westerns (The Wild Bunch, The Ballad of Cable Hogue, Pat Garrett and Billy the Kid, Hang ‘Em High). He was also a delightful raconteur, which you can enjy by searching for “LQ Jones” on YouTube.

Composer Monty Norman created the James Bond Theme for Dr. No, which has been used in every Bond film flick since. Norman massaged a tune he had written earlier, and, as his NYT obit quoted him, “I thought,My God, that’s it. His sexiness, his mystery, his ruthlessness — it’s all there in a few notes’.

CURRENT MOVIES

WATCH AT HOME

TOUCHING THE VOID

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Outfit: no one is just what they seem to be. Amazon, AppleTV, Vudu, YouTube, redbox.
  • Jockey: he finally grapples with himself. Amazon, AppleTV, Vudu, YouTube.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.
  • Step Into Liquid: “insanely gorgeous” surfing. Amazon, AppleTV, Vudu, YouTube.
  • Riding Giants: obsessive search for the biggest wave to surf. Amazon, AppleTV, Vudu, YouTube.
  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.

ON TV


Cynda Williams and Billy Bob Thornton in ONE FALSE MOVE

On July 27, Turner Classic Movies will air the gripping contemporary neo-noir One False Move. This is a fundamentally noir story – there are guys overreaching for greed and ambition, a femme fatale, and a very dark secret. America’s original sin – race – is at the core of One False Move.

The tale begins with a home invasion in Los Angeles. Two vicious professional robbers, with one’s beautiful girlfriend, steal money and cocaine, leaving a trail of corpses. The crime is solved right away – the cops know who did it and that the murderers are headed to a small town in Arkansas. The LA cops fly to Arkansas and lay in wait with the local constabulary. One False Move is a ticking time bomb as we wait for the criminals to drive across the Southwest to the inevitable confrontation.

One False Move features a great performance by the late Bill Paxton. It’s one of my Overlooked Neo-noir, and can also be streamed from Amazon, AppleTV, Vudu and YouTube.

Bill Paxton in ONE FALSE MOVE

Movies to See Right Now

Photo caption: Colie Moline and Hollyn Patterson in BITTERBRUSH. Courtesy of Magnolia Pictures.

This week on The Movie Gourmet – new reviews of Poser, Bitterbrush and Both Sides of the Blade, plus a preview of this year’s in-person Cinequest.

REMEMBRANCES

James Caan in THE GODFATHER

Actor James Caan is mostly remembered for his vivid portrayal of a guy with too much testosterone -Sonny Corleone in The Godfather (Bada bing!). Caan had been working since age 21 in TV series, wih a John Wayne movie thrown in, when he appeared in the TV movie Brian’s Song – a highly popular weeper. He also appeared, with Robert Duvall, in Francis Ford Coppola’s The Rain People. Most underappreciated performance? Probably Rollerball.

Actor Tony Sirico, best known for his Paulie “Walnuts” Gualtieri in The Sopranos, overcame a youth that landed him in Sing Sing to play a slew of movie and TV gangsters (and appear in four Woody Allen films, too.)

CURRENT MOVIES

WATCH AT HOME

THE IMPOSTER

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.
  • Jockey: he finally grapples with himself. Amazon, AppleTV, Vudu, YouTube.
  • Step Into Liquid: “insanely gorgeous” surfing. Amazon, AppleTV, Vudu, YouTube.
  • Riding Giants: obsessive search for the biggest wave to surf. Amazon, AppleTV, Vudu, YouTube.
  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.

ON TV

Dana Andrews, Sally Forrest, Thomas Mitchell and Ida Lupino in WHILE THE CITY SLEEPS

On July 19, Turner Classic Movies will air one of my Overlooked Noir, Fritz Lang’s While the City Sleeps (1956). A zillionaire dies and leaves his media empire to his feckless playboy son (Vincent Price). The ne’er-do-well scion cruelly dangles the CEO job in front of the company’s top talent, plunging them into a ruthless competition. Whoever solves the Lipstick Killer Murders will win the prize, and plenty of boardroom backstabbing ensues.

Movies to See Right Now

Photo caption: Dakota Johnson in CHA CHA REAL SMOOTH. Courtesy of AppleTV.

This week on The Movie Gourmet – new reviews of Hallelujah: Leonard Cohen, a Journey, a Song and Cha Cha Real Smooth.

CURRENT MOVIES

WATCH AT HOME

Clifton Collins, Jr. in JOCKEY. Courtesy of Sony Pictures Classics.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Jockey: he finally grapples with himself. Amazon, AppleTV, Vudu, YouTube.
  • Step Into Liquid: “insanely gorgeous” surfing. Amazon, AppleTV, Vudu, YouTube.
  • Riding Giants: obsessive search for the biggest wave to surf. Amazon, AppleTV, Vudu, YouTube.
  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.

ON TV

Tab Hunter in TAB HUNTER CONFIDENTIAL.

On July 11, Turner Classic Movies presents the recent documentary Tab Hunter Confidential. Tab Hunter was Hollywood’s dreamboat of the 1950’s – and he was a closeted gay man. That meant that he was walking a tightrope in an era when one scandal sheet revelation could erase his career. We hear Tab’s story from Tab himself; the doc is based on Hunter’s memoir, co-written by Eddie Muller. Tab is still very good-looking and seems like a helluva decent guy. Also available to stream on Amazon.

Movies to See Right Now

Photo caption: JOCKEY. Courtesy of Sony Pictures Classics.

This week on The Movie Gourmet –

CURRENT MOVIES

WATCH AT HOME

NUTS! Courtesy of SFFILM.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • Jockey: he finally grapples with himself. Amazon, AppleTV, Vudu, YouTube.
  • Step Into Liquid: “insanely gorgeous” surfing. Amazon, AppleTV, Vudu, YouTube.
  • Riding Giants: obsessive search for the biggest wave to surf. Amazon, AppleTV, Vudu, YouTube.
  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.
NUTS! Courtesy of SFFILM.

ON TV

Emilio Estevez and Harry Dean Stanton in REPO MAN.

I’m recommending tonight’s midnight (PDT) showing of Alex Cox’s 1984 cult film Repo Man on Turner Classic Movies. Emilio Estevez plays a punk (in both senses) who stumbles into a job assisting a professional auto-repossessor. That repo man is played by Harry Dean Stanton, who, at the age of 58, broke through in two wonderful lead performances. In his titular role in Repo Man, he plays the crusty, old school mentor of the heretofore aimless kid. The same year, Stanton delivered his masterpiece performance in Wim Wenders’ Paris, Texas.

Repo Man is a delight, with a full dose of Harry Dean, the inside peek into a shady and dangerous job, lots of humor and even an homage to the classic film noir Kiss Me Deadly. (In Repo Man, look for singer-songwriter Jimmy Buffett in a bit part as “Additional Blonde Agent”.)

Hang ten this summer

RIDING GIANTS

Let’s go surfin’ now

Everybody’s learning how

Come on and safari with me

It’s a great time to get stoked with the two most bitchin’ surfing movies, the documentaries Step Into Liquid and Riding Giants.

In Step Into Liquid (2003), we see the world’s best pro surfers in the most extreme locations.  We also see devoted amateurs in the tiny ripples of Lake Michigan and surfing evangelists teaching Irish school children.  The cinematography is remarkable – critic Elvis Mitchell called the film “insanely gorgeous”.  The filmmaker is Dana Brown, son of Bruce Brown, who invented the surf doc genre with The Endless Summer (1966) and The Endless Summer II (1994).

Riding Giants (2004) focuses on the obsessive search for the best wave by some of the greatest surfers in history. We see “the biggest wave ever ridden” and then a monster that could be bigger.  The movie traces the discovery of the Half Moon Bay surf spot Mavericks.  And more and more, all wonderfully shot.

The filmmaker is Stacy Peralta, a surfer and one the pioneers of modern skateboading, (and a founder of the Powell Peralta skateboard product company).  Peralta also made Dogtown and Z-boys (2001), the great documentary about the roots of skateboarding, and wrote the 2005 Lords of Dogtown.

Both Step into Liquid and Riding Giants can be streamed from Amazon, AppleTV, Vudu and YouTube.

Movies to See Right Now

Photo caption: JAZZFEST: A NEW ORLEANS STORY. Courtesy of Sony Pictures Classics

This week on The Movie Gourmet – James Stewart, Robert Mitchum: The Two Faces of America, coming up tomorrow on TCM and an unusually personal review of Jazzfest: A New Orleans Story. Plus two very contrasting remembrances.

Frameline —the world’s largest LGBTQ film festival— runs through Sunday, June 26, 2022. Here are my four recommendations.

REMEMBRANCES

Bo Hopkins in AMERICAN GRAFFITI.

A few weeks ago, we lost actor Bo Hopkins, who left us with some absolutely indelible performances in his heyday, a decade starting in the late 1960s. No one has ever been better at portraying a smirking, dimwitted redneck. I liked him best as the ill-fated young robber in The Wild Bunch, the greaser hard guy in American Graffiti and Burt Reynold’s moonshining partner in White Lightning. In this period, he appeared in .
Cat Ballou, The Getaway, Monte Walsh and Midnight Express.

Burt Reynolds and Bo Hopkins in WHITE LIGHTNING.
Jean-Louis Trintignant in THE CONFORMIST.

Actor Jean-Louis Trintignant starred in some of the most prestigious European movies of the past six decades: Roger Vadim’s …And Man Created Woman with Brigitte Bardot (1956), Claude Leloach’s A Man and a Woman (1966), Claude Chabrol’s Les Biches (1968), Costa-Gravras’ Z (1969), Éric Rohmer’s My Night at Maud’s, Bernardo Bertolucci’s The Conformist (1970), Krzysztof Kieslowski’s Red (1994) and Michael Haneke’s Amour (2012). He even made a Sergio Corbucci spaghetti western The Great Silence in 1968. Trintignant was 91.

Jean-Louis Trintignant in AMOUR.

CURRENT MOVIES

WATCH AT HOME

Julia Garner in ELECTRICK CHILDREN

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.

Movies to See Right Now

Photo caption: Lina Al Arabi and Esther Esther Bernet-Rollande in BESTIES, playing at Frameline. Courtesy of Frameline.

This week on The Movie Gourmet – a new review of My Donkey, My Lover and I, plus four recommendations for the Frameline film festival – opening today in San Francisco and next week online.

CURRENT MOVIES

ON VIDEO

Dick Johnson in DICK JOHNSON IS DEAD. Courtesy of Netflix.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

  • Dick Johnson Is Dead: funny, heartfelt and frequently bizarre. Netflix.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • The Handmaiden: gorgeous, erotic and a helluva plot. Amazon (included with Prime), Vudu.
  • Very Semi-Serious: glorious The New Yorker cartoons. Amazon, AppleTV, YouTube.
  • Touching the Void: the gripping true life story of a mountaineer who had to cut his climbing partner’s rope. Amazon, AppleTV.
  • The Women’s Balcony: a righteous man must keep his woman happy. Amazon, AppleTV, Vudu, YouTube.
  • Electrick Children: magical Mormon runaways in Vegas. Amazon, AppleTV, YouTube.
  • NUTS!: the rise and fall of a testicular empire. Amazon, AppleTV, Vudu, YouTube.
  • The Imposter: you gotta see this. Amazon, AppleTV, Vudu, YouTube.

ON TV

hep cats in BUCKET OF BLOOD

On June 21, Turner Classic Movies will air A Bucket of Blood, a campy, minor horror film from 1959, more interesting as a window into beatnik culture.  Can you dig it?