Updated Movies to See Right Now

Pedro Almodovar's Women on the Verge of a Nervous Breakdown

The Must See films in theaters this week remain Inside Job and The Social Network. Hereafter and The Girl Who Kicked the Hornet’s Nest are also good choices.  Morning Glory (more tomorrow) is a passable comedy.

Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year. It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system. Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various tricks and bamboozles that have hidden behind their own complexity.

Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death. The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.

The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans. Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film. Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.

The Girl Who Kicked the Hornet’s Nest is an acceptable final chapter in Stieg Larsson’s Millenium trilogy and best as the showcase for Noomi Rapace’s final performance as Lisbeth Salander. If you’ve seen the first two movies, you should complete the trilogy by seeing this somewhat plodding film. As with the first two films, Hornet’s Nest centers on Rapace’s Lisbeth, a tiny fury of a Goth hacker, damaged and driven. Lisbeth is always mad AND always gets even.

The Social Network: The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires. It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War). It’s already on my list of Best Movies of 2010 – So Far.

Leaving (Partir) is a romantic tragedy with another powerful performance by Kristin Scott Thomas and not much else. Howl has a fine performance by James Franco, but is marred by an unsuccessful animation. The Town is hanging around theaters and, without strongly recommending it, I can say that it is a satisfying Hollywood thriller.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Welcome to the Rileys. This Sundance hit features James Gandolfini as a Midwestern plumbing contractor who visits New Orleans for a conference, meets teen runaway Kristin Stewart, and decides to stay. I also haven’t seen Fair Game, the Valerie Plame/Joe Wilson story. You can see the trailers at Movies I’m Looking Forward To.

My DVD of the Week is Women on the Verge of a Nervous Breakdown. My top two American films of the year are now available on DVD – the indie Winter’s Bone and Pixar’s Toy Story 3. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include Leave Her to Heaven, Seven Days in May and Strangers on a Train on TCM.

DVD of the Week: Women on the Verge of a Nervous Breakdown

The stage version of Pedro Almodovar’s 1988 madcap comedy Women on the Verge of a Nervous Breakdown has opened on Broadway, starring Patti LuPone.  The show is not getting the best of reviews, but the Almodovar film is hilarious and available on DVD.

Carmen Maura plays Pepa, a voice-over actress who has been dumped by her voice-over actor boyfriend, Ivan.  Pepa has a gal pal who has discovered that her new squeeze is a Shiite terrorist.   Ivan has a lunatic wife (who is armed and bewigged), a bespectacled son (a very young Antonio Banderas) and a new feminist attorney girlfriend.   Everyone converges in Pepa’s apartment, on the streets of Madrid and on the way to a flight to Stockholm.  Along the way, there is a mambo-loving Mad Hatter of a cabbie and some barbiturate-spiked gazpacho.  Comic mayhem ensues.

Almodovar had made several movies before, but Women on the Verge was the art house hit that first brought him to the attention of American audiences.  Today he is one of our very best film makers.  His Talk To Her (2002), Bad Education (2004) and Broken Embraces (2009) each made the top four on my lists of the years’ best films.

For my recent DVD choices (including trailers), see DVDs of the Week.

This week's Movies to See Right Now

Bryce Dallas Howard and Matt Damon in Hereafter

The Must See films in theaters this week remain Inside Job and The Social Network.  Hereafter and The Girl Who Kicked the Hornet’s Nest are also good choices.

Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year. It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system. Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various tricks and bamboozles that have hidden behind their own complexity.

Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death. The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.

The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans. Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film. Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.

The Girl Who Kicked the Hornet’s Nest is an acceptable final chapter in Stieg Larsson’s Millenium trilogy and best as the showcase for Noomi Rapace’s final performance as Lisbeth Salander. If you’ve seen the first two movies, you should complete the trilogy by seeing this somewhat plodding film. As with the first two films, Hornet’s Nest centers on Rapace’s Lisbeth, a tiny fury of a Goth hacker, damaged and driven. Lisbeth is always mad AND always gets even.

The Social Network: The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires. It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War). It’s already on my list of Best Movies of 2010 – So Far.

Leaving (Partir) is a romantic tragedy with another powerful performance by Kristin Scott Thomas and not much else.  Howl has a fine performance by James Franco, but is marred by an unsuccessful animation. The Town is hanging around theaters and, without strongly recommending it, I can say that it is a satisfying Hollywood thriller.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Welcome to the Rileys, which is just opening. This Sundance hit features James Gandolfini as a Midwestern plumbing contractor who visits New Orleans for a conference, meets teen runaway Kristin Stewart, and decides to stay. I also haven’t seen Fair Game, the Valerie Plame/Joe Wilson story. You can see the trailers at Movies I’m Looking Forward To.

My DVD of the Week is I’ve Loved You So Long.   My top two American films of the year are now available on DVD – the indie Winter’s Bone and Pixar’s Toy Story 3.   For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include The Best Years of Our Lives, Harlan County U.S.A., The Crimson Kimono and Picnic at Hanging Rock on TCM.   More on The Crimson Kimono tomorrow.

Sam Fuller's The Crimson Kimono

DVD of the Week: Kristin Scott Thomas in I've Loved You So Long

Yesterday, I was underwhelmed by Leaving despite Kristin Scott Thomas’ great performance.  Here is a much better movie with an even better Thomas performance.  I’ve Loved You So Long was the best film of 2008.   A sad woman (Thomas) is released from prison.  She moves in with her sister, and her back story unfolds in multiple totally unanticipated surprises.   A transformative film about loss and redemption.

One of my 10 Great Movies You Missed in the 2000s.

For my recent DVD choices (including trailers), see DVDs of the Week.

Movies to See Right Now – updated for this week

Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year. It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system. Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various tricks and bamboozles that have hidden behind their own complexity.

Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death. The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.

The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans. Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film. Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.

The Girl Who Kicked the Hornet’s Nest is an acceptable final chapter in Stieg Larsson’s Millenium trilogy and best as the showcase for Noomi Rapace’s final performance as Lisbeth Salander. If you’ve seen the first two movies, you should complete the trilogy by seeing this somewhat plodding film.  As with the first two films, Hornet’s Nest centers on Rapace’s Lisbeth, a tiny fury of a Goth hacker, damaged and driven. Lisbeth is always mad AND always gets even.

The Social Network: The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires. It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War). It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation. Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Welcome to the Rileys, which is just opening.   This Sundance hit features James Gandolfini as a Midwestern plumbing contractor who visits New Orleans for a conference, meets teen runaway Kristin Stewart, and decides to stay.  I also haven’t seen Fair Game, the Valerie Plame/Joe Wilson story.  You can see the trailers at Movies I’m Looking Forward To.

My DVD of the Week is Toy Story 3, the best American studio film of the year. Last week’s choice was my favorite 2010 film, the indie Winter’s Bone.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include Metropolis, M and The Set-Up on TCM.

New Movies to See Right Now

Jennifer Lawrence and John Hawkes in Winter's Bone

Charles Ferguson’s brilliant documentary Inside Job may be the most important movie of the year.  It is a harsh but fair explanation of the misdeeds that led to the recent near-collapse of the global financial system.  Unexpectedly, the film begins in Iceland, setting the stage for the collapse and kicking off the easily understandable explanations of the various  tricks and bamboozles that have hidden behind their own complexity.

Hereafter: For the first time, Clint Eastwood and screenwriter Peter Morgan (The Queen, Frost/Nixon, The Damned United) venture into the supernatural with the story of three people and their individual experiences with death.   The most skeptical, nonspiritual viewer (me) finds this to be a compelling film.

The question of What Comes Next is unanswered, and less interesting than the film’s observations of what happens on this Earth to living humans.  Eastwood’s genius is in delivering moments of complete truthfulness, one after the other, across a wide range of settings, from intimate human encounters to the big CGI-enhanced action sequence at the beginning of the film.  Eastwood is an actor’s director, and star Matt Damon leads a set of excellent performances, especially by Bryce Dallas Howard, Frankie McLaren, Cecile de France and Richard Kind.

The Social Network:   The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen The Girl Who Kicked the Hornet’s Nest, which opens this week. You can see the trailer at Movies I’m Looking Forward To.

My DVD of the Week is Winter’s Bone, the best American indie film of the year.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  Freaks and Downhill Racer on TCM.

Robert Redford in Downhill Racer

DVD of the Week: Winter's Bone

My pick for 2010’s best movie to date is Winter’s Bone, which is just now available on DVD.  A 17-year-old Ozarks girl is determined to save the family home by tracking down her meth dealer dad – dead or alive.  The girl’s journey through a series of nasty and nastier Southern Missouri crank cookers is riveting – without any explosions, gunfights or chase scenes.  Every moment of this film seems completely real.  Winter’s Bone won the screenwriting and grand jury prizes at Sundance.

With just her second feature, Debra Granik has emerged as an important filmmaker to watch.  She presents an unflinching look at this subculture without ever resorting to stereotype.  Granik hits a home run with every artistic choice, from the locations to the spare soundtrack to the pacing to the casting.  I’ll be watching for her next film.

As the protagonist, 20-year-old Jennifer Lawrence is in every scene.  With a minimum of dialogue, she creates a lead character of rarely seen determination.

Dale Dickey is exceptional as a criminal matriarch.  John Hawkes (the kind Sol Star in Deadwood)  also gives a tremendous performance as the ready-to-explode Uncle Teardrop.

For my recent DVD choices (including trailers), see DVDs of the WeekWinter’s Bone is on my lists of Best Movies of 2010 – So Far and 5 Great Hillbilly Movies.

Updated Movies To See Right Now

James Coburn and James Garner in The Americanization of Emily

The best movie to see is still The Social Network.   The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.  Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.  You can skip Wall Street: Money Never Sleeps and You Will Meet a Tall, Dark Stranger.  For trailers and other choices, see  Movies to See Right Now.

I have not yet seen Inside Job or Hereafter, which open this week.  You can see their trailers at Movies I’m Looking Forward To.

My DVD of the Week is still The Day of the Jackal.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  The Americanization of Emily (more on that tomorrow) and The Black Stallion, all coming up on TCM.

This week's Movies to See Right Now

 

Rooney Mara and Jesse Eisenberg open The Social Network

 

The Social Network is still the top choice in theaters this week. The birth story of Facebook is a riveting tale of college sophomores that are brilliant, ambitious, immature, self-absorbed and disloyal – and about to become zillionaires.  It’s a triumph for actor Jesse Eisenberg (Adventureland, Zombieland and Solitary Man), director David Fincher (Fight Club, Zodiac) and screenwriter Aaron Sorkin (A Few Good Men, The West Wing, Charlie Wilson’s War).  It’s already on my list of Best Movies of 2010 – So Far.

Howl has a fine performance by James Franco, but is marred by an unsuccessful animation.

It’s Kind of a Funny Story is a light and wry coming-of-age comedy set in a locked psychiatric facility.  It’s good-hearted fluff with a few chuckles and an unexpectedly restrained and  heartfelt performance by Zach Galifianakis.

Without strongly recommending it, I can say that The Town is a satisfying Hollywood thriller.  You can skip Wall Street: Money Never Sleeps and You Will Meet a Tall, Dark Stranger.

For trailers and other choices, see Movies to See Right Now.

My DVD of the Week is The Day of the Jackal, like The American, the tale of an international master assassin – only fact-based and even better.  For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include  Mister Roberts, Repo Man and Arsenic and Old Lace, all coming up on TCM.

DVD of the Week: The Day of the Jackal

My DVD of the Week is The Day of the Jackal (1973), like The American, the tale of an international master assassin – only fact-based and even better.  In Day of the Jackal, French security forces are tipped off to a plot to assassinate President DeGaulle and they eventually figure out where and when the assassination will be attempted.  But they don’t know who they are looking for or what he looks like.  Without computers or cell phones, they must track down the unknown assassin in time.

Edward Fox is excellent as the resourceful and meticulously professional killer.  So is Michael Lonsdale as the creative yet methodical cop leading the manhunt.  But the real star is director Fred Zinnemann (High Noon, From Here to Eternity, A Man for All Seasons).  As he showed in High Noon, Zinnemann knows how to tell a story and build tension, and the ending in Day of the Jackal is thrilling.

The Day of the Jackal has nothing to do with Carlos the Jackal of The Sundance Channel’s Carlos.

For my recent DVD choices (including trailers), see DVDs of the Week.