Rants and Ruminations

The Movie Gourmet hits the all-you-can-eat buffet

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It was a perfect storm.  Lots of important movies were opening where I live.  The Wife was out-of-town.  And my buddy Kiefer was game to join me.  It was time for the all-you-can-eat buffet of movie-going – five movies in 48 hours!

We started on Friday night by catching Super 8 at San Jose’s Camera 12.  We were both impressed with authenticity of the coming of age story embedded in the sci-fi thriller.  Good start!

Saturday morning, we drove to San Francisco’s Embarcadero Center Cinema for the noon show of Beginners.   Home run!  We both loved this smart and original comedy by Mike Mills.  Christopher Plummer will certainly get an Oscar nod.  I rated it as one of the year’s best.

We jumped in a cab to make the 2:30 show of Le Quattro Volte at the Lumiere.  The cabbie knows most of the San Francisco Giants – and even two of their moms; he keeps a box of baseballs in the front seat for autographs.

We settled in for Le Quattro, the Italian goatherd movie and a critical fave.  An aged goatherd moves his goats up and down a hill, coughing as he goes.  The next day, he does the same, only coughing more. Suddenly, a young goat is born, starts to grow up and gets lost.  Here’s where Kiefer fell asleep.  Then the villagers cut down a tall tree for a festival.  After the festival, it is added to a pile of wood that becomes charcoal.  I get that it is intended to comment on The Circle of Life, but I found it less a tranquil and profound reflection than an eye-glazing bore.  After the screening, other patrons were asking who voted this Best of Europe?

Okay – back to the Embarcadero for an early dinner at San Francisco’s oldest restaurant The Tadich Grill.  Cioppino still awesome!

Now we needed to drive back to San Jose for the 7:15 PM show of The Tree of Life.  We got stuck in San Francisco Giants traffic, and we’d never make it to San Jose in time.  Never fear, some Blackberry surfing in the car revealed a 7:15 show in Palo Alto that we COULD make.

So we got to the Palo Alto Square CineArts in time for The Tree of Life.  This screening was packed.  We were both stunned, and most of the crowd stumbled out mumbling something like “What the hell was THAT?”.  Kiefer and I were laughing – even after we had mentally cut out all of the Sean Penn scenes, we were still trying to figure out whether Tree of Life was worse than the Italian goatherd movie.

Sunday morning, we have breakfast and amble into my 10:30 AM Camera Cinema Club at The Camera 7 in Campbell.  This month’s Club selection was Turkey Bowl, a delightful indie comedy set in a group of friends’ annual touch football game.  It is a mere 62 minutes, but loaded with laughs.  After the screening, we heard writer-director Kyle Smith tell how he financed the film with $25,000 that he earned from a reality TV show, and shot it over ten days in an East LA city park.

So, all-in-all, we had a very rich film experience sampling indies, art films, a mini-blockbuster, foreign cinema, the most accessible movies and the most obtuse.  Doesn’t get any better.

What we learned from Cannes 2011

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It’s not news that the French love Woody Allen (Midnight in Paris) or that Terrence Malick can make a beautiful, profound and confusing film (The Tree of Life).  And we’ll get to see Midnight in Paris for ourselves this weekend and The Tree of Life in a couple of weeks.  But I’m especially looking forward to four more films screened at the festival:  The Artist, Drive, The Kid with a Bike and Polisse.

The film that captured the most fans at Cannes is The Artist, a mostly silent film about a silent film star at the advent of talking pictures.  By all accounts, it’s a visually and emotionally satisfying film.   The French actor Jean Dujardin won Cannes’ best actor award; John Goodman, James Cromwell and Penelope Ann Miller also appear.  The Artist will be released in the US by The Weinstein Company.

Drive is an action movie starring Ryan Gosling as a stunt driver by day, criminal getaway driver by night.  It’s getting attention for the emotionally vacant character played by Gosling and the stylishness of the car chases and violence. Drive will be released in the US in September by FilmDistrict.

The Kid with a Bike is the latest from the Belgian Bardennes brothers, two of my favorite film makers (The Son, Rosetta).  a 12-year-old boy wants to find the father who dumped him at a children’s home, but meets a woman who becomes his de fact foster mom.  The Kid with the Bike will be released in the US by Sundance Selects.

Polisse is a reputedly riveting French police procedural about the child protective services unit.  It stars an ensemble cast led by Karin Viard (Paris, Potiche, Time Out).  Polisse will be released in the US by IFC Films.

Here’s the trailer for The Artist.

[youtube:http://www.youtube.com/watch?v=EgAvXlG68Y8]

Elizabeth Taylor – Farewell to a Movie Star

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A Place in the Sun

Elizabeth Taylor was a fine actress and a compelling screen presence.  The movies are full of extraordinary beauties, but few could better dominate a camera’s attention.

She won her Oscar for Butterfield 8, which was entirely her vehicle.  But my favorite Elizabeth Taylor performances were in the ensemble casts of Cat on a Hot Tin Roof, Who’s Afraid of Virginia Woolf? and Giant.  Although A Place in the Sun is Montgomery Clift’s movie, Elizabeth Taylor is essential – if an 18-year-old Elizabeth Taylor fell in love with him, what man wouldn’t at least think about killing for her?

Cat on a Hot Tin Roof

Hereafter’s special effects and the real tsunami

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In recommending Clint Eastwood’s Hereafter as my DVD of the Week, I mentioned the amazing tsunami scene at the beginning of the film.  You can easily find and watch this sequence on YouTube by searching for “Hereafter tsunami”.

Here’s a featurette by Scanline VFX that illustrates how they created the Oscar-nominated special effects for Hereafter.

To compare it with the real thing, here are some real tsunami videos from last week.

This year’s Oscar dinner

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Every year, The Movie Gourmet watches the Oscars while enjoying a meal inspired by the Best Picture nominees. You can read more at Oscar Dinner.

Planning this year’s Oscar Dinner proved challenging (despite being a great year for movie Food Porn).  Fortunately I received some great suggestions from my readers.

Here is my menu for Oscar Dinner 2011.

COCKTAILS AND STARTERS

First, the pièce de résistance:  Severed Hand Ice Sculpture for 127 Hours and Winter’s Bone.

We will be floating the ice sculpture in an Appletini Punch for The Social Network. I read that, after seeing the film, Mark Zuckerberg made the Appletini the official cocktail of Facebook.

Pistachios from Inception. It looks like the guys are sharing a bowlful of pistachios while assembling the team in Mombasa.

Beer Nuts from The Fighter.  Amy Adams’ bar looks like a beer nut kind of place.  I am told by a New Englander that the Eklund-Ward clan would be drinking Narragansett, but I can’t find ‘Gansetts in California, so a MGD or PBR will have to do.

Tortilla Roll Ups from Toy Story 3. This is inspired by the all-time funniest movie scene involving a tortilla: Mr. Potato Head executes a prison escape by putting his facial features on a tortilla that can slide under a door.

DINNER

Cowboy beans from True Grit. Obvious and right out of the movie.

Steak and Organic Roast Vegetable Salad served with a Petite Syrah from The Kids Are All Right. The Mark Ruffalo character serves steak (he mists it with truffle oil)  while hosting the family at his house.  Earlier, he brings a bottle of Petite Syrah to dinner, which impresses the Annette Bening character (before she drinks too much of it too fast).  We see organic strawberries from his restaurant’s garden, but I can see his menu featuring a nice salad of roasted veggies.

DESSERT

Coffee from Inception.  From the Parisian cafe scene.

Sheet cake from Black Swan. (We will not vomit it back up.)

English toffees for The King’s Speech.  They’re English and we will have difficulty speaking when we are chewing them.

(I decided not to skin my own squirrel for Winter’s Bone and not to recycle my urine for 127 Hours.)

Great suggestions by you for my Oscar Dinner

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You’ve sent me some great suggestions for my Oscar Dinner.   Every year, The Movie Gourmet watches the Oscars while enjoying a meal inspired by the Best Picture nominees. For example, last year’s highlight was Grandma Ethel’s Brisket for A Serious Man. We also had airplane bottles of liquor for Up in the Air, fastfood chicken for Precious and Middle Eastern fare for The Hurt Locker. I particularly relished having prawns for District 9; (“prawn” is the South African slur for the aliens). You get the idea and you can read more at Oscar Dinner.

But this year, I was stumped on 127 Hours The King’s Speech and The Fighter and asked for your help.

127 Hours:  imagemoved said, “all he had was freeze dried food and granola bars. He also left that bottle of Gatorade in his car. Maybe do something with that?”  The Wife suggested a water bottle with the exact number of milliliters of water that he had when he got stuck.  The Wife has so far vetoed my idea of a water bottle with faux urine (the protagonist recycles his own urine while trapped).  But Ana may have a winning idea:  “Ginger ale, pineapple, white grape, and cranberry juice punch with an ice hand floating inside (pour water in a latex glove and freeze, remove glove and place in punch) — A bit gruesome but funny too, right? …right..? lol”.

The King’s Speech:  I think Ana also has a winner here: “English toffees. 1) They’re English 2) Their stickiness renders you temporarily incapable of speech. Get it? Eh, eh? :D“.  They also made a big deal of serving tea in The King’s Speech, but I really like the idea of gumming up my jaw with the toffee.

The Fighter:  Ana suggests “Boneless Buffalo Wings — They’re manly and something you’d eat while watching a boxing match…and their flavor is a real ‘knockout’.”  But something tells me that Amy Adams would be serving the buffalo wings WITH bones in that bar.  Maybe I’ll just pick up some MGD or PBR.

Any more ideas?

Cowboys & Aliens gets a Super Bowl commercial

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The Super Bowl audience just got a glimpse of the newest genre mutant – a sci fi blended with a Western.  Universal recently released the trailer for its $100 million summer 2011 blockbuster Cowboys & Aliens.  In this article, the New York Times reports that the trailer’s first showing to a live audience evoked gales of laughter – but it’s not supposed to be a comedy.

According to the trailer, Harrison Ford’s torch-bearing mounted lynch mob is interrupted by laser attack from an alien spaceship.  Daniel Craig, playing a Clint Eastwoodesque Man With No Name, awakes with his memory erased by aliens and a futuristic bracelet.  Saloon gal Olivia Wilde (House, The OC) is pulled into the sky by alien forces.

It turns out that this isn’t the first Western with space aliens, although Oblivion aimed a lot lower. This 1994 schlockfest starred Andrew Divoff (as the alien Redeye), Richard Joseph Paul, Meg Foster, Isaac Hayes and Julie Newmar, with George Takei as the Jim Beam-swilling town doctor.  Amazingly, Oblivion rated a 1996 sequel, Oblivion 2:  Backlash.

Here’s the real trailer for Cowboys & Aliens.

The Rite: Taking today's Church into the 13th century

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Earlier this month, I giggled through Season of the Witch, about the medieval Church’s exorcism of demons from an accused witch.  Season of the Witch was set in the 13th century.

The new film The Rite is based on a book about Father Gary, who is the Diocese of San Jose’s official exorcist.  Now.  In 2011.

Helpfully, the Diocese has published  FAQs about its modern-day exorcism.  The FAQs include this statement:

“The Catholic Church maintains that demons are real and very rarely can inhabit the physical bodies of human beings, and to this day practices a rite of exorcism to make them leave. While it may take months or even years of exorcisms to free a person from a demonic presence, the Church’s solemn ritual of exorcism can be a formidable weapon against such evil.”

There is no word from the Diocese as to any Official Inquisitor.

I need some help with this year's Oscar Dinner

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Every year, The Movie Gourmet watches the Oscars while enjoying a meal inspired by the Best Picture nominees.  For example, last year’s highlight was Grandma Ethel’s Brisket for A Serious Man. We also had airplane bottles of liquor for Up in the Air, fastfood chicken for Precious and Middle Eastern fare for The Hurt Locker.  I particularly relished having prawns for District 9; (“prawn” is the South African slur for the aliens).  You get the idea and you can read more at Oscar Dinner.

But this year, the elements of my Oscar Dinner are not so obvious (despite being a great year for movie Food Porn). Now, I do know what I’m going to serve for True Grit, Black Swan, Toy Story 3, Inception, The Social Network and The Kids Are All Right.

But I’m stumped on 127 Hours The King’s Speech and The Fighter.  I need to find food and/or beverages found in these movies or inspired by the movies (typical of the movie’s setting, a pun on the movie, etc.)  Any ideas?  I welcome your suggestions.

My take on the Oscar nominees

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I’m pretty pleased with this year’s Oscar nominees.  The Academy did better than usual and avoided its frequent horribly undeserving nominations and inexplicably unjust missed nominations.

I’m downright giddy that my pick for the year’s best movie, the underdog indie Winter’s Bone, earned four Oscar nominations: Best Picture, Best Actress (Jennifer Lawrence), Best Supporting Actor (John Hawkes) and Best Adapted Screenplay (Director Debra Granik and Anne Rosellini).

Of the ten nominees for Best Picture, eight are on my list of Best Movies of 2010 – all except  127 Hours (which I have not seen) and The Kids Are Alright (which was OK but not great in my book).  The one-year old format of ten Best Picture nominees made it pretty obvious that True Grit, The Social Network, Black Swan, The King’s Speech and Inception would make the list along with the deserving Pixar entry Toy Story 3. The question was about the other four, and, fortunately, Winter’s Bone and The Fighter slipped in.

I’m also delighted that Australian veteran actress Jacki Weaver was nominated for her role in Animal Kingdom as an impossibly upbeat gal who can effortlessly put out a contract on her own grandson.

Christopher Nolan should have gotten a Best Director nod for his Best Picture nominee Inception.  I wish that Winter’s Bone‘s Debra Granik had been nominated for Best Director.  And I did find it odd that GasLand rated an Oscar nod for Best Documentary, but not The Tillman Story or Joan Rivers: A Piece of Work.  But those are just quibbles relative to my complaints in other years.  Here’s to the Oscars!