Rants and Ruminations

Levon Helm RIP

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We just lost Levon Helm to throat cancer. Of course, he is best known as the drummer and singer with the influential rock group The Band – it’s Levon’s voice on Up on Cripple Creek, The Weight and The Night They Drove Dixie Down, among others. He appeared with The Band in Martin Scorsese’s masterpiece 1978 concert film The Last Waltz.

Levon also had a rich movie career. His 17 acting credits include some very top shelf stuff. He was Loretta’s father in Coal Miner’s Daughter. In The Right Stuff, he played Ridley, test pilot Chuck Yeager’s aircraft mechanic, the guy who loans him Beeman’s chewing gum before each life-risking test flight. He was also the narrator in The Right Stuff.

Levon Helm in THE THREE BURIALS OF MELQUIADES ESTRADA

I particularly loved one of his last roles, Old Man with Radio in Tommy Lee Jones’ overlooked 2005 The Three Burials of Melquiades Estrada. Playing a blind man living alone on the Mexican border, he was absolutely haunting.

Here’s an 8-minute clip from The Right Stuff in which Chuck Yeager breaks the sound barrier for the first time. The scene is introduced by Levon Helm as the narrator, and then Levon as Ridley helps Yeager (Sam Shepherd) into the test plane and loans him his Beeman’s. What a wonderful voice.

Whither Reese Witherspoon

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Reese Witherspoon winning an Oscar in WALK THE LINE

After the very brief February appearance of the universally panned This Means War, Brooke Barnes wrote in the New York Times:  “Hollywood keeps trying to turn Reese Witherspoon into a Sandra Bullock or Julia Roberts for a new generation. A new generation keeps refusing to take the memo.”

It’s a good point.  Starting in 1998, Witherspoon acted in a string of smart, high quality movies, most notably Pleasantville,  Election and American Psycho, culminating in an Oscar for 2005’s Walk the Line.  The operative word is “smart”, and even in the popular hit Legally Blonde, Witherspoon played a smart woman who was only acting like a ditz.

But since then she’s been plugged into popular crap like How Do You Know and This Means War, with very little artistic or commercial success.

Happily, I see that Reese Witherspoon is taking on what look to be some high quality projects.  She’ll be starring with Michael Shannon in the film Mud, by writer director Jeff Gordon (Shotgun Stories, Take Shelter).

She’ll also be acting with Colin Firth in Devil’s Knot, Atom Egoyan’s (Exotica, The Sweet Hereafter) version of the Robin Hood Hills murders and witch hunt, the subject of the three Paradise Lost documentaries.

And she’ll star in Big Eyes, writer Scott Alexander’s (The People vs Larry Flynt, Man on the Moon) screenplay for bio of the artist Margaret Keane, whose husband claimed credit for her works.

The common thread here for Witherspoon is avoiding Hollywood fluff to work with top quality filmmakers.  At last, good for her.

Recapping Cinequest 22

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San Jose’s Cinequest 22 film festival has ended.  For me, Cinequest 22 meant seeing 17 features, a short and several interviews and Q&As with filmmakers – all including several world and US premieres.  I saw my share of American films, but I also saw movies from China, Spain, Belgium, the Slovak Republic, Argentina, Hungary, Russia, Sweden and Norway.

Among the festival crowd, movies about overcoming disability and disease seemed to be the most popular.  I generally preferred the comedies and romances that prove that it is still possible to write a good movie in those genres.

I especially liked two of the biggest movies in the festival:  the zany Chinese action film Let the Bullets Fly and the drama about the American education system Detachment (I’ll be commenting on Detachment on Wednesday before its release this weekend).

There were some smaller films that I hope gain distribution:  King Curling, the Norwegian comedy about a curling star who must go off his psych meds to win the big match; the Argentine modern-day spaghetti western Salt; and the hipster screwball comedy Percival’s Big Night.  If given the chance to see these films, American audiences will love them.

Here’s the trailer for King Curling.

 

 

 

The 2012 Oscars: meh

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The good news is that there weren’t any huge surprises at the Oscars.  All of the awards were deserved, even Meryl Streep’s (I would have preferred Michele Williams or Viola Davis to win Best Actress).

The bad news was that the show was a bit of a  drudge and instantly forgettable.

The producers made some good choices this year: 1) dropping the full-length renditions of nominated songs; 2) reshuffling the order of awards to mix in the boring ones; 3) limiting the Academy President’s drone to about 30 seconds; 4) subbing in the spectacular Cirque du Soleil for the usual big dance number snorefest; and 5) bringing in the Best of Show/A Mighty Wind cast for a skit on a studio focus group in 1939.  The show was well-paced and ended relatively on-time.

The Academy used the telecast to deliver a message – “Watch our movies in a theater – not on your iPhone!”.  Unfortunately, the delivering was both vague and heavy-handed, using talking heads and a pointless montage of random great film moments.

So the framework was better than in the past, but the Academy still needs to punch up this show.

some random thoughts on tonight’s Oscars

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Oscar deserving Michele Williams (with Dougray Scott as Arthur Miller) in MY WEEK WITH MARILYN

I’m really not too exercised about tonight’s Oscars because I trust that it will a good night for my favorites among the nominated films:  The Artist and The Descendants.  Most of the nominations are relatively deserved, so it’s not like two years ago, when I was gnashing my teeth over the battle between The Hurt Locker (my fave) and Avatar (NOT my fave).

I am really rooting for Michele Williams to win the Best Actress Oscar.  Her performance is deserving, and she warrants recognition as the best of our younger actresses – and one who bravely picks quality scripts (Brokeback Mountain, Wendy and Lucy, Blue Valentine).

If you’re betting, the three biggest locks are Christopher Plummer for Supporting Actor,  Rango for Animated Feature and A Separation for Foreign Language Picture.

 

this year’s Oscar Dinner

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Every year, The Movie Gourmet watches the Oscars while enjoying a meal inspired by the Best Picture nominees. You can read more at Oscar Dinner.

Here is my menu for Oscar Dinner 2012.

COCKTAILS AND STARTERS

First,  The Artist inspired both strawberries (George Valentin was breakfasting on strawberries while avoiding his wife’s glare) and whiskey (George later downs more than his share).

From Moneyball, we have a ballpark hot dog.

DINNER

Fried chicken from The Help and turnips (remember the ruined crop?) from War Horse.  This also kinda fits with the 50s meat-and-potatoes fare that Jessica Chastain was serving up to Brad Pitt in The Tree of Life.

When George Clooney and Shailene Woodley show up at the beach bungalow in The Descendants, wine is offered.  And we have selected a French wine, a Bordeaux that Michael Sheen in Midnight in Paris can continue to prattle on about.

DESSERT

From Hugo, we have one of the stolen croissants he subsisted upon (although we bought our croissant) served with some of the jam made by the Niels Arestrup character in War Horse.

We are bypassing the most obvious choice on the movie menu – Minnie’s chocolate pie from The Help.  Instead, The Wife is making a Big Apple pie for Extremely Loud and Incredibly Close.


Looking foward to this year’s Oscar Dinner

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The Movie Gourmet's culinary tribute to 127 HOURS and WINTER'S BONE

Every year, The Movie Gourmet watches the Oscars while enjoying a meal inspired by the Best Picture nominees. For example, last year’s highlight was the ice sculpture of severed hands for 127 Hours and Winter’s Bone. We also had Appletinis for The Social Network, cowboy beans for True Grit, and steak and organic roast vegetable salad with a Petite Syrah from The Kids Are All Right. (I decided not to skin my own squirrel for Winter’s Bone and not to recycle my urine for 127 Hours.)  You get the idea and you can read more at Oscar Dinner.

The pickins are slimmer this year, but fortunately I have found food and/or beverages referenced in or inspired by the Best Picture nominees.

You may remember George Valentin’s uneasy breakfast with his wife in The Artist, or the ruined crop in War Horse, or Jessica Chastain serving up some 50s  fare to Brad Pitt in The Tree of Life.  One thing for sure:  Minnie’s chocolate pie from The Help will make an appearance!

 

Happy Valentine’s Day

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If you’re going to celebrate Valentine’s Day with a romantic movie tonight, I recommend the magical romance The Artist.

Although they are excellent films, tonight I would avoid the two films of marital breakdown,  The Descendants and A Separation.  You don’t want to kill the mood.

Or you could stream Franco Zefferelli’s 1968 Romeo and Juliet, with its ultra romantic score by Nino Rota.  It’s an exceptionally beautiful film, which won Oscars for cinematography and costume design.

Farewell Ben Gazzara

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They All Laughed

Farewell to actor Ben Gazzara, dead at 81.  Cinephiles point to Gazzara’s work in groundbreaking two John Cassavetes films, Husbands and The Killing of a Chinese Bookie.  Most Baby Boomers first saw him as the star of the 60s TV series Run for Your Life.  Along the way he was married to Janice Rule and had an affair with Audrey Hepburn.

Although I’m a big fan of Gazzara in Chinese Bookie and Peter Bogdanovich’s Saint Jack, I immediately thought of the Coolest Movie Character Ever, John Russo in Peter Bogdanovich’s They All Laughed.  Despite being a middle-aged guy with a receding hairline, John Russo is a streetwise private detective who is adored by his tween daughters and can disarm any woman with a glance and a smile.  For my money, John Russo is right up there with Bogart’s Rick Blaine and the coolest Mitchum and Clooney characters.

And here’s a tidbit about his performance in They All Laughed.  According to the New York Times, Gazzara “I was in a depression during the whole shooting, and I was terrific in that film,” he said. “And I don’t remember doing it.”