movie gourmet

DVD of the Week: Young Adult

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With Young Adult, screenwriter Diablo Cody (Juno) and director Jason Reitman (Thank You for Smoking, Juno, Up in the Air) are challenging the current mode of comedy itself.  They turn many comic conventions on their heads in this nastily dark comedy, and Young Adult is on my list of Best Movies of 2011.

Played by Charlize Theron, the main character is stunningly non-empathetic,  utterly self-absorbed and thoroughly unpleasant.  She was the prom goddess in her small town high school, and has moved to the city for a job with a hint of prestige.  With a failed marriage, a looming career crisis and no friends, she’s drinking too much and is in a bad place.  So she decides to return to her hometown and get her old boyfriend (Patrick Wilson) back – despite the fact that he’s gloriously contented with his wife and newborn infant.

Naturally, social disasters ensue.  Along the way, the story probes the issues of happiness and self-appraisal.

Patton Oswalt is wonderful as someone the protagonist regarded as a lower form of life in high school, but who becomes her only companion and truth teller.

Young Adult is inventive and very funny.  Its cynicism reminds me of a Ben Hecht or Billy Wilder screenplay (high praise).  Note:  This is NOT a film for someone expecting a light comedy.

Whither Reese Witherspoon

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Reese Witherspoon winning an Oscar in WALK THE LINE

After the very brief February appearance of the universally panned This Means War, Brooke Barnes wrote in the New York Times:  “Hollywood keeps trying to turn Reese Witherspoon into a Sandra Bullock or Julia Roberts for a new generation. A new generation keeps refusing to take the memo.”

It’s a good point.  Starting in 1998, Witherspoon acted in a string of smart, high quality movies, most notably Pleasantville,  Election and American Psycho, culminating in an Oscar for 2005’s Walk the Line.  The operative word is “smart”, and even in the popular hit Legally Blonde, Witherspoon played a smart woman who was only acting like a ditz.

But since then she’s been plugged into popular crap like How Do You Know and This Means War, with very little artistic or commercial success.

Happily, I see that Reese Witherspoon is taking on what look to be some high quality projects.  She’ll be starring with Michael Shannon in the film Mud, by writer director Jeff Gordon (Shotgun Stories, Take Shelter).

She’ll also be acting with Colin Firth in Devil’s Knot, Atom Egoyan’s (Exotica, The Sweet Hereafter) version of the Robin Hood Hills murders and witch hunt, the subject of the three Paradise Lost documentaries.

And she’ll star in Big Eyes, writer Scott Alexander’s (The People vs Larry Flynt, Man on the Moon) screenplay for bio of the artist Margaret Keane, whose husband claimed credit for her works.

The common thread here for Witherspoon is avoiding Hollywood fluff to work with top quality filmmakers.  At last, good for her.

Movies to See This Week

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THE KID WITH THE BIKE

The Kid with the Bike is an extraordinary film that tells a riveting story of unconditional love.  It is emotionally powerful without being sentimental and is gripping without stunts and explosions- one of the year’s best.

In Footnote, a rising Talmudic scholar sees his career-topping prize accidentally awarded to his grumpy father.  This potentially comic situation reveals the characters of the two men.

The drama Detachment features a top-rate performance by Adrien Brody as a teacher in a hellish school system that decays teachers’ souls. In a sizzling performance, Woody Harrelson plays a corrupt and brutal LA cop trying to stay alive and out of jail in Rampart. The searing and brilliantly constructed Iranian drama A Separation won the Best Foreign Language Oscar.  The Best Picture Oscar-winning The Artist is still playing in theaters.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the documentary Project Nim, the extraordinary story of a chimpanzee that was taught American Sign Language and then sent off to an assortment of post-placements, some terrifying.

The Kid with the Bike: a riveting and unsentimental story of unconditional love

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The Kid with a Bike is an extraordinary film that tells a riveting story of unconditional love.  It is emotionally powerful without being sentimental and is gripping without stunts and explosions.

A 12-year-old boy wants to find the father who dumped him at a children’s home, but meets a woman who becomes his de facto foster mom.  In the face of overwhelming evidence, the boy refuses to acknowledge the possibility that his father doesn’t want him.  He becomes angry, acts out and is poised to make life-ruining choices.  His one chance in life is the woman who is drawn to caring for him, but he could alienate her, too.

The writer-directors, the Belgian brothers Luc and Jean-Pierre Dardennes, are two of my favorite film makers (The Son, Rosetta).  Their gift is minimalistic filmmaking that addresses fundamental themes like love, loss, forgiveness and belonging.  To avoid sappiness, they set their stories in gritty industrial towns and employ vividly realistic characters.  As all their work, The Kid with a Bike is an unvarnished and utterly realistic looking film.  This helps them create a fable about absolute goodness and the saving of another human being and present it in a credible, unsentimental and immediate package.

The Dardennes are known for their success with untrained actors, and here Thomas Doret is excellent as the kid – energetic, longing and single-minded.  The Belgian-born French star Cecille De France (Hereafter, The Spanish Apartment) is wonderful as the foster mom – steadfast but unknowable.  The compelling actor Olivier Gourmet (The Son, Rosetta, Mesrine) briefly appears in a bit part.

It’s one of the best films of the year.

Footnote: a comedy of awkwardness reveals two guys choosing misery

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A rising Talmudic scholar sees his career-topping prize accidentally awarded to his grumpy father.  This potentially comic situation reveals a character study of the two men.  At the beginning, we see the father as bitterly sullen.  As the story peels back the onion, we see the pomposity and narcissism in both men.

As you would think from watching the trailer, the first two-thirds of the film is very funny.  In fact, the scene of an academic meeting in a cramped office is one of the funniest moments you’ll see in any movie this year.  However, once the father makes a discovery, the movie darkens as the two men miss every chance to grasp selflessness.

As the end of the movie nears, the filmmakers create tension that makes the ending too abrupt for me, with too little payoff.  I think that the filmmakers of A Separation, by winding down the end of the movie, created a much successful ambiguous ending.

I admired Footnote more than I liked it, and, indeed, the critical consensus warmed to the film more than I.  Footnote won the screenplay award at Cannes and was nominated for the Best Foreign Language Oscar.

Capturing the essence of the film perfectly, Roger Ebert wrote, “The Talmud provides guidance to Jews about how to lead their lives, but these two Jews have learned nothing that helps them when they find themselves in an impossible situation.”

DVD of the Week: Project Nim

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The documentary Project Nim tells the extraordinary story of a chimpanzee that was taught a human language – American Sign Language.  In a remarkable and compelling journey, the chimp Nim is first placed as a baby with a human hippie family and then at a university-owned country estate and at college laboratories.  Amazingly, he learns to use an ASL vocabulary – not just responding to commands, but initiating communication and forming sentences.  Then, the experiment ends, and he is off to an assortment of post-placements, some terrifying.

Along the way, we hear from the motley assortment of humans involved in his raising, his exploitation and his care. One human who enters the story as a grad student, Bob Ingersoll, emerges as the hero of the story.  It’s the story of a chimp, but we learn more about the foibles of humans.

Acclaimed documentarian James Marsh (Man on Wire) delivers another great story – one of the 2011’s best documentaries.

Coming up on HBO: Hemingway and Gellhorn

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HBO has released the trailer for Hemingway & Gellhorn, which will broadcast beginning on May 28.  It’s the story of Ernest Hemingway and his third wife Martha Gellhorn.   Gellhorn was a leggy blonde whose work as a war correspondent leading up to and during World War II eclipsed Hemingway’s.  She was also the only one of Hemingway’s wives to kick his butt to the curb.  Gellhorn is played by the leggy Nicole Kidman.  Clive Owen is Hemingway.

(A year ago, I had a drink at the Key West bar where Gellhorn had paid the bartender $20 to introduce her to Hemingway; I understand that the movie may move the bar to Bimini).

Hemingway & Gellhorn is directed by Philip Kaufman, one of the great American directors.  His masterpiece is The Right Stuff, the story of the Mercury astronauts.  But his remake of the sci fi horror classic Invasion of the Body Snatchers is also excellent.  And I just rewatched his art film about love and sex set in the Prague Spring of 1968 and its aftermath, The Unbearable Lightness of Being, and it still stands up.  That’s three top-rate movies in three different genres, an accomplishment few filmmakers can claim.

Kaufman lives in the Bay Area and shot Hemingway & Gellhorn’s Key West, Havana, Carnegie Hall, Finland, Germany and Spain scenes in San Francisco, San Rafael, Livermore and Oakland. Incidentally, earlier this year, Kaufman was in the house at Noir City this year for Bad Girl Night.

I’ve added Hemingway & Gellhorn to Movies I’m Looking Forward To.

Movies to See This Week

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DETACHMENT

Yes, it’s Despair Week at the Movie Gourmet, where you can experience the hopeless human experience with my three top picks.  First, the gripping drama Detachment features a top-rate performance by Adrien Brody as a teacher in a hellish school system that decays teachers’ souls.  In a sizzling performance, Woody Harrelson plays a corrupt and brutal LA cop trying to stay alive and out of jail in Rampart.  The searing and brilliantly constructed Iranian drama A Separation won the Best Foreign Language Oscar.

Joshua Marston, writer-director of the brilliant Maria, Full of Grace, has made a fine drama set in Albania, The Forgiveness of Blood.  It’s slightly less depressing than my top three this week.

Safe House is a fine paranoid action spy thriller with Denzel Washington and the director’s pedal jammed to the floor. Thin Ice is a Fargo Lite diversion.

The Best Picture Oscar-winning The Artist is still playing in theaters.

I have also commented on the biopics My Week with Marilyn (thumbs up) and The Iron Lady (thumbs down).

I haven’t yet seen Footnote and The Kid with the Bike, which open this week.  You can read descriptions and view trailers of these and other upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Take Shelter, #2 on my list of Best Movies of 2011 and probably the single most overlooked film of last year.

Coming up on TV: Night and the City

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Richard Widmark running out of luck in THE NIGHT AND THE CITY

On March 25, Turner Classic Movies is showing the under appreciated film noir classic Night in the City (1950).  Richard Widmark is superb as a  loser who tries to corner the pro wrestling business in post-war London – and, as in any noir classic, it doesn’t end well for the sap.

The American director Jules Dassin had just made the noir classics The Naked City and Thieves’ Highway when he shot Night and the City in the UK.  He was blackballed in the McCarthy Era and never moved back to the US.

At the request of a studio exec, Dassin created a role in Night and the City for the stunningly beautiful but emotionally fragile Gene Tierney.  The cast also includes real life wrestlers Stanislaus Zbyszko and Mike Mazurki.

Night in the City (along with The Wrestler) represents wrestling on my list of Best Sports Movies., and there’s a clip of an extended wrestling scene from the movie on that page.  (Also, Dassin’s Brute Force makes my list of Best Prison Movies.)

DVD of the Week: Take Shelter

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My DVD pick is Take Shelter, #2 on my list of  Best Movies of 2011 and probably the single most overlooked film of last year.

Michael Shannon (Shotgun Stories, Agent Van Alden in Boardwalk Empire) is perhaps our best creep actor. And what’s creepier than watching a solid parent and spouse enduring a full-fledged psychotic breakdown?

Shannon plays the most grounded guy in America until he starts having terrifying dreams and then hallucinations. One of his parents is mentally ill, and he is determined to resist a breakdown and protect his family. Unlike in a lesser screenplay, Shannon’s protagonist is very aware that he may be going crazy and is digging his fingernails into sanity.

Shannon gave a breakthrough performance in Shotgun Stories, by writer/director Jeff Nichols. (In the excellent Shotgun Stories, Nichols created a dysfunctional family with a father so dismissive of his offspring that he non-named them Son, Kid and Boy.) This time, Nichols has given Shannon the role of a lifetime, for which Shannon should have received an Oscar nomination for Best Actor.

This is also the performance that should have earned Jessica Chastain her Oscar nod as Shannon’s wife. Chastain must react to her husband’s behavior, which starts out quirky, becomes troublesome and spirals down to GET ME OUT OF HERE.

[youtube:http://www.youtube.com/watch?v=I5U4TtYpKIc]