Albert Nobbs: the perfomances can’t overcome the story

Glenn Close plays the title character, a woman living as a man in early 20th century Dublin; the woman makes a convincing male waiter at a small hotel.  She is repressed, obsessed with stashing a trove of tips to finance opening a shop and terrified that anyone will discover her secret.

Although Close is very good, the actress Janet McTeer gives the movie’s best performance; I will avoid a spoiler by describing her character.  Pauline Collins is excellent as the hotel’s avaricious owner.  Brendan Gleeson pops in for one of his delightful turns as the hotel’s doctor.

The fine young actress Mia Wasilkowska (The Kids Are All Right, Alice in Wonderland), however, just doesn’t seem to fit the period.  She is stuck with playing the one dimensional role of an oversexed hotel maid who could be wearing a placard that says, “Knock me up”.

The problem with Albert Nobbs is that, to buy the story, you have to accept that a 50-year-old hotel worker has no idea whatsoever about certain aspects of sexuality.  Now Albert Nobbs is asexual and traumatized from an early incident of sexual abuse, but that really doesn’t explain how she could have observed behavior of hotel guests for thirty years without even learning about some basic proclivities.

Another problem is that the visiting English elite is SO cruel to the Irish staff (not just with historically accurate cruelty, but over-the-top  cruelty), that these story elements become broad and campy, which doesn’t mesh with the rest of the movie.  Despite the best efforts of Close, McTeer, Collins and Gleeson, Albert Nobbs just doesn’t work.

[youtube:http://www.youtube.com/watch?v=66N5hjkq740]

The Guard: another winner for Brendan Gleeson

This Irish dark comedy is a showpiece for Brendan Gleeson as a lowbrow cop happening upon an international drug conspiracy.  Gleeson is always very good and was especially memorable in director Martin McDonagh’s  2008 In Bruges, which was either the funniest hit man movie ever or the darkest and most violent buddy comedy ever.  This time, McDonagh’s brother John Michael McDonagh directs Gleeson as a very canny man who convincingly strives to appear much dumber than he is.   The perfect foil for Gleeson’s sloppy local cop is the refined FBI agent played by Don Cheadle.  Those familiar with Ireland will recognize the Connemara Coast.  Don’t miss The Guard.

Movies: Best bets for late July

You can see trailers and descriptions of upcoming films at Movies I’m Looking Forward To.

Beginning on July 22, in Sarah’s Key, Kristen Scott Thomas stars in another French film, this time as a journalist tracking the story of a girl during the WWII roundup of Jews in France.  Co-stars Niels Arestrup (A Prophet) and Aidan Quinn.

Also on July 22, 1970s cult director Monte Hellman presents Road to Nowhere, just after he turned 79 on July 12.  His signature is the hard-edged road movie.

On July 29, we’ll have another showcase for Brendan Gleeson (In Bruges)  in The Guard,  an Irish dark comedy about a lowbrow cop happening upon an international drug conspiracy.

On August 5, we’ll see The Names of Love, in which Sarah Forestier has gotten great buzz for her performance as a flighty lefty Frenchwoman who seeks to educate and convert conservatives by sleeping with them.

Here’s the trailer for Sarah’s Key.