Movies to See Right Now

John Hawkes in THE SESSIONS

The best bet is still Argo, Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis. It’s unquestionably the best Hollywood movie of the year so far.

But there are some other excellent choices. The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy. The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray.  I also liked the thinking person’s sci fi movie, LooperPerks of Being a Wallflower is an authentic coming of age story. I also recommend the indie alcoholism drama Smashed.

Cloud Atlas delivers six fast paced stories set across six centuries with lots of movie stars playing multiple roles; it’s fun to watch, but it’s not as good a film as the ones listed above.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand.  The poignant French geezer comedy All Together is also available on Video On Demand.  History buffs will appreciate Ethel, the documentary on Ethel Kennedy by her daughter Rory Kennedy, still playing on HBO.

The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying.  The Master is a visual and acting masterpiece, but the story fizzles out.  You can skip HBO’s dreary The Girl.

I haven’t yet seen the Denzel Washington blockbuster thriller Flight, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Elena, a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia.   Elena makes my list of Best Movies of 2012 – So Far.

Movies to See Right Now

Nicole Kidman in THE PAPERBOY

The best bet is still Argo, Ben Affleck’s brilliant thriller based on a true story from the Iran Hostage Crisis.  It’s unquestionably the best Hollywood movie of the year so far.

But there are some other excellent choices.  The Sessions is an uncommonly evocative, funny and thoughtful film about sex leading to unexpected emotional intimacy.   The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray. You can still find End of Watch, a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, LooperPerks of Being a Wallflower is an authentic coming of age story. I also recommend the realistic indie alcoholism drama Smashed.

Two lower profile films are continuing their long runs. The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France. Another good choice is the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist who didn’t know that he was a rock star.

Paul Williams Still Alive, an affecting documentary about the songwriter, omnipresent in the 70s, but not now, is available on Video On Demand.  History buffs will appreciate Ethel, the documentary on Ethel Kennedy by her daughter Rory Kennedy, still playing on HBO.  You can skip HBO’s dreary The Girl.

The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying. The Master is a visual and acting masterpiece, but the story fizzles out.

I haven’t yet seen the blockbuster sci fi epic Cloud Atlas, which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the most overlooked film of the year, Sarah Polley’s brilliant Take This Waltz.   It’s a woman’s movie, but in the best possible way. It’s not a shallow chick flick and there’s no wedding scene. Instead, it’s an exploration of attraction and fulfillment from a woman’s perspective. Take This Waltz makes my list of Best Movies of 2012 – So Far.

Movies to See Right Now

Ben Affleck in ARGO

DO NOT MISS Argo, unquestionably the best Hollywood movie of the year so far.   In this true story from the Iran Hostage Crisis, a down-on-his-luck spy rescues six Americans hiding in the Canadian Ambassador’s Tehran home by pretending to make a cheesy Hollywood sci fi movie. The scenes in Tehran and Washington are pure thriller, leavened by the very funny Hollywood thread.

The Paperboy is a deliciously pulpy crime drama, enhanced by a trashy Nicole Kidman and a canny Macy Gray.

End of Watch is a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper.   Perks of Being a Wallflower is an authentic coming of age story.

Two lower profile films are continuing their long runs.  The zany French odd couple comedy The Intouchables is a crowd pleaser – and an attendance record breaker in France.   Another good choice is the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist who didn’t know that he was a rock star.

The dark crime comedy Seven Psychopaths is well-acted by a very deep team of my favorite actors and is embedded with belly laughs, but, as a whole, it’s just not that satisfying.  The Master is a visual and acting masterpiece, but the story fizzles out.

I haven’t yet seen Smashed, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Wes Anderson’s wistfully sweet and visually singular Moonrise Kingdom. It’s on my list of Best Movies of 2012 – So Far.

Argo: the first Must See this fall

Ben Affleck directs and stars in Argo, unquestionably the best Hollywood movie of the year so far.   In this true story from the Iran Hostage Crisis, a down-on-his-luck spy rescues six Americans hiding in the Canadian Ambassador’s Tehran home by pretending to make a cheesy Hollywood sci fi movie. The scenes in Tehran and Washington are pure thriller, leavened by the very funny Hollywood thread.

It’s a gripping story.  Setting up the audacious plan is only the beginning. It must be sold to risk averse government officials.  And it must be sold to the “house guests”, who clearly understand how risky it is.  The diplomats must learn their cover identities as Canadian filmmakers well enough to withstand interrogation.  And the team must be shuttled past layer upon layer of suspicious, trigger happy and completely unpredictable revolutionaries.  Helluva story, well told.

Thanks to director Affleck, editor William Goldberg and cinematographer Rodrigo Prieto, Argo is brilliantly photographed and constructed.It is economical story-telling at its best, with each shot revealing critical information – the lethal chaos in the streets of Tehran, the paralyzing fear of the house guests, the determination of Affleck’s operative.

It’s a deep cast.  John Goodman and Alan Arkin are hilarious as the movie industry guys.  Scoot McNairy and Christopher Denham are especially good as house guests.  Farshad Farahat is compelling as the commander of the final revolutionary checkpoint.  The rest of the cast is equally superb:   Bryan Cranston, Philip Baker Hall, Richard Kind, Michael Parks, Clea DuVall, Adam Arkin, Chris Messina and Victor Garber.  Watch for a bit role played by 80s horror maven Adrienne Barbeau.

This could have been jingoistic, but Affleck starts the movie with an animated historical primer to remind (or teach) the audience about why the Iranians were so angry.  And he generously included another American perspective during the end credits.  Much more nuance than the standard Hollywood movie –  good for Affleck!

Movies to See Right Now

 

Bruce Willis and Joseph Gordon-Levitt in LOOPER

As I wrote on Wednesday, I’m eagerly anticipating today’s release of Seven Psychopaths and Argo.   The best of the movies already in release is End of Watch, a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper.   Perks of Being a Wallflower is an authentic coming of age story.

The inventive Sleepwalk With Me and Robot and Frank.are two excellent comedies that you haven’t seen before. Although there isn’t an unpredictable moment in Trouble with the Curve, it charmed me with its fine acting and baseball nostalgia. The Master is a visual and acting masterpiece, but the story fizzles out. The indie comedy Liberal Arts has some good moments, but overall rings hollow.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.

The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. The Words is a corny drama that insults the audience by over-explaining everything.

I haven’t yet seen the big Hollywood thriller Argo or the dark crime comedy Seven Psychopaths, which open this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the gripping drama Detachment, a nightmare for teachers with Adrien Brody’s best performance since winning an Oscar for The PianistDetachment is on my list of Best Movies of 2012 – So Far.

Two big new movies this weekend

You can read descriptions and watch trailers of upcoming new movies on my Movies I’m Looking Forward To page, including this week’s two big releases, Argo and Seven Psychopaths.

I know that I’m gonna love Seven Psychopaths (which I’ve already been shilling).

Argo was wildly popular at the Toronto International Film Fest, and Roger Ebert tweeted that it is likely to win the Best Picture Oscar.  Ben Affleck directs and stars in this true story from the Iran Hostage Crisis: a down-on-his-luck spy rescues five Americans hiding in the Canadian Ambassador’s Tehran home by pretending to make a Hollywood sci fi movie.  The trailer emphasizes the thriller aspect, but I understand that the movie industry guys played by John Goodman and Alan Arkin are very funny.  There’s also a Who’s Who of high quality supporting actors:  Bryan Cranston, Philip Baker Hall, Richard Kind, Michael Parks, Clea DuVall, Adam Arkin, Chris Messina and Victor Garber (plus Adrienne Barbeau).  Here’s the trailer.