ZERO DAYS: cyberwar triumph? maybe not

ZERO DAYS
ZERO DAYS

The important and absorbing documentary Zero Days traces the story of an incredibly successful cyber attack by two nation states upon another – and its implications. In Iran’s nuclear weapons development program, the centrifuges used to enrich uranium began destroying themselves in 2010. It turned out that these machines were instructed to self-destruct by a computer worm devised by American and Israeli intelligence.

No doubt – this was an amazing technological triumph.  Zero Days takes us through a thrilling whodunit non-geek audience.  We learn how a network that is completely disconnected from the Internet can still be infected.  And how cybersecurity experts track down viruses. It’s all accessible and fascinating.

But, strategically, was this really a cyberwarfare victory?  We learn just what parts of our lives can be attacked and frozen by computer attacks (Spoiler: pretty much everything).  And we learn that this attack has greenlighted cyberwarfare by other nations – including hostile and potentially hostile ones.  Zero Days makes a persuasive case that we need to have a public debate – as we have had on nuclear, biological and chemical weapons – on the use of this new kind of weaponry.

Director Alex Gibney is one our very, very best documentarians. He won an Oscar for Taxi to the Dark Side, and he made the superb Casino Jack: The United States of Money, Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Elliot Spitzer, Mea Maxima Culpa: Silence in the House of God,  Going Clear: The Prison of Belief and Steve Jobs: Man in the Machine.

Gibney’s specialty is getting sources on-camera that have the most intimate knowledge of his topic.  In Zero Days, he pulls out a crew of cybersecurity experts, the top journalist covering cyberwarfare, leaders of both Israeli and American intelligence and even someone who can explain the Iranian perspective.  Most impressively, Gibney has found insiders from the NSA who actually worked on this cyber attack (and prepared others).

Zero Days opens tomorrow in theaters and will also be available to stream on Amazon, iTunes, Vusu, YouTube, Google Play, Xbox and various PPV platforms, including DirecTV.

Stream of the Week: HERS TO LOSE – an inside look at ANOTHER campaign spiraling into defeat

Here is the perfect companion film to Weiner – it’s the inside story of ANOTHER campaign – one of Anthony Weiner’s opponents in the same 2013 mayoral election.

Hers to Lose: Inside Christine Quinn’s Bid for Mayor is an extraordinarily evocative political film, it’s only 30 minutes long and you can watch it for free.  It’s the story of Christine C. Quinn’s bid for New York City mayor in 2013. At the start of the race, Quinn was the heavy favorite. She was the City Council President and a dominant force in Manhattan’s Democratic establishment. She would have been the first woman and the first openly gay Mayor of New York City.

Then, as happens in politics, two things went wrong. First, she had positioned herself as the Democratic partner and heir to Republican Mayor Bloomberg, which helped her immensely in the years of Bloomberg’s popularity in New York; but by the time of the 2013 primary, Bloomberg had become very UNPOPULAR among Democratic primary voters. Then, as voters looked to an anti-Bloomberg alternative, one of Quinn’s opponents, Bill de Blasio unleashed a killer campaign commercial, featuring his teenage son Dante, that crystallized the aspirations of the electorate. Quinn sank like a rock in the polls, and de Blasio shot upward. This was one of those moments in a political campaign when there is just nothing a candidate can do to stop a popular tsunami.

As Hers to Lose opens, we see Quinn – just after her defeat – explaining that she granted access to the New York Times documentarians so they could record her victory. She is composed, but her eyes are filled with pain. Quinn had dedicated years of her life to running in this race, suffering political and personal attacks, enduring long hours and living in a fish bowl; to see this film is to appreciate how much she put into the contest and how helplessly she watched her lead slip away. At its most searing, Her to Lose chronicles the never-ending torrent of abuse hurled at Quinn by haters – especially the single issue opponents of horse-drawn carriages, who hang around her building so they can revile her as she begins each day; as one might assume, this vitriol takes its toll.

You can view Hers to Lose: Inside Christine Quinn’s Bid for Mayor here at the NYT.

Stellan Skarsgård – at last, we see his funny side

Stellan Skarsgård in OUR KIND OF TRAITOR
Stellan Skarsgård in OUR KIND OF TRAITOR

Stellan Skarsgård stars as the chief money-launderer for the Russia Mob in Our Kind of Traitor, and Skarsgård completely dominates the movie with his always robust and often hilarious performance.  Who knew that the familiar Skarsgård could be so funny?  After all, he usually plays a character that is brooding or menacing.

Skarsgård had already amassed over 50 screen credits at age 35 when the American art house audience really noticed him in Breaking the Waves (1996),  He played an amiable and lusty seafarer who transforms the mousy Emily Watson with his joie de vivre, before he becomes a heartbreakingly suicidal paraplegic.

Emily Watson and Skarsgård in BREAKING THE WAVES
Emily Watson and Skarsgård in BREAKING THE WAVES

Although I hadn’t remembered him, earlier, Skarsgård appeared in The Unbearable Lightness of Being (1988), where he played The Engineer who had a one-night stand with Juliette Binoche’s Tereza.  Then, in 1990, he played the Russian sub captain in The Hunt for Red October.

After Breaking the Waves came Insomnia, Good Will Hunting, The Girl with the Dragon Tattoo, and lots of really bad Hollywood movies where he’s the best thing in them – primarily dramas, thrillers and action films where he’s the intensely stolid or sinister presence.

Now, everybody’s got to start somewhere, and in 1973, Stellan Skarsgård’s second year making feature films, he starred in a cult Guilty Pleasure – Anita: Swedish Nymphet.  As the title suggests, the story is about a 16-year-old girl (played by a 23-year-old actress) with psychological issues which compel her to have sex in random and unhealthy encounters.  It’s completely trashy, but, of course, the appeal of Anita: Swedish Nymphet to US (male) audiences was lots of nudity and sex – still uncommon in American movies.
Skarsgård plays Anita’s counselor, who eventually cures her by making her his girlfriend.

But now’s the time to enjoy Skarsgård in Our Kind of Traitor, It’s not a great movie, but Skarsgård makes it damn entertaining.  By himself, he’s worth the price of a ticket.

Skarsgård in ANITA: SWEDISH NYMPHET
Skarsgård counseling a troubled girl in ANITA: SWEDISH NYMPHET

FREE STATE OF JONES: sound and compelling history, with a sizzling McConaughey

Mahershala Ali and Matthew McConaughey star in FREE STATE OF JONES
Mahershala Ali and Matthew McConaughey in FREE STATE OF JONES

Free State of Jones is the compelling story of resistance to the Confederacy and to white supremacy by Southerners during and after the Civil War.  Matthew McConaughey stars as  Newton Knight, an overlooked but quite singular figure in American history.  It is little-known, but the Confederacy actually lost control of some Mississippi counties to poor white farmers who tired of fighting a war to benefit the rich slave-holders.

I am a pretty serious Civil War history buff, and I was planning to skip Free State of Jones entirely until I found out about writer-director Gary Ross’ commitment to taking the history seriously.  In fact, Ross has posted a very impressive website which outlines the historical events and figures depicted in the movie and even links the primary historical source material.  I’ve never seen such a credible effort by a filmmaker to explain how he got the history right. Here’s a New York Tines article about the movie, Ross and his website.

In the second act of his career, McConaughey has delivered brilliant performances in excellent movies  (Mud, Bernie, The Paperboy, Killer Joe, The Wolf of Wall Street, Dallas Buyers Club, True Detective).  Here, he positively sizzles as the intensely principled and determined Newt Knight.  The rest of the cast is excellent, too, especially Mahershala Ali (House of Cards) as an escaped slave turned Reconstruction political organizer.

Free State of Jones effectively combines the elements of political drama, romance and war movies into an absorbing drama, one which connects the dots between the 19th Century and the 20th and beyond.

OUR KIND OF TRAITOR: Skarsgård steals this robust thriller

Naomie Harris and Ewan McGregor in OUR KIND OF TRAITOR. Photo courtesy of the San Francisco Film Society.
Naomie Harris and Ewan McGregor in OUR KIND OF TRAITOR. Photo courtesy of the San Francisco Film Society.

Our Kind of Traitor is a robust globe-trotting thriller, enlivened by a lusty Stellan Skarsgård and played out in a series of stunning set pieces.  A meek Everyman (Ewan McGregor) is a tag-along on his high-powered wife’s trip to Cairo.   Nursing a drink after a tiff with said wife (the sleek Naomie Harris from 28 Days Later… and a couple of Bond films), he is inveigled into joining a crew of partying Russians and becomes entangled in an intrigue that puts entire families at stake – including his own.

It turns out that our protagonist has been randomly plucked from the humdrum by Dima (Skarsgård), the top money launderer for the Russian Mafia, who is trying to get British intelligence to help his family escape from his murderous colleagues.  The story having been adapted from a John le Carré novel, the dour British spy (Damian Lewis from Homeland) on the case is being hindered at every turn by a thoroughly corrupt British law enforcement and intelligence bureaucracy, with the rot reaching up to Cabinet level.

The very best thing about Our Kind of Traitor is Stellan Skarsgård’s performance.   Dima is loud, flamboyant and profoundly course. Skarsgård has filled his career with brooding roles, but here he gets to play the life of the party, and he is hilarious – and steals the movie.

Our Kind of Traitor also looks great as it takes us from Russia (shot in Finland) to Cairo (Morocco) to Switzerland to London to Paris.  Director Susanna White is a veteran (21 directing credits on IMDb), but Our Kind of Traitor is her first big budget action movie.    The success of the film revolves around a series of spectacular set pieces, and White pulls it off masterfully.

Our Kind of Traitor isn’t as good as the best of his work (Tinker, Tailor, Soldier, Spy, for instance), but it’s damn entertaining.  I saw the final four plot twists coming, but by then I was hooked, so I still enjoyed the film.  And, adapting to the post-Cold War world, le Carré may have become even more cynical. 

I saw Our Kind of Traitor earlier this year at the 59th San Francisco International Film Festival at a screening with director Susanna White.  If you’re looking for an intelligent summer thriller for adults, this is your movie.

Movies to See Right Now

Bryan Cranston in ALL THE WAY
Bryan Cranston in ALL THE WAY

It’s an exceptional week for movies about American politics.

  • All the Way is a thrilling political docudrama with a stellar performance.  It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before.  All the Way is still playing on HBO.
  • Don’t miss the political documentary Weiner – it’s probably the best documentary of the year. Weiner has more than its share of forehead-slapping moments and is often funny and always captivating. It also provokes some reflection on the media in this age.
  • Scroll down to read about two other great films of American politics coming up on TV: All the President’s Men and The Candidate.

If you like the espionage novelist John le Carré, you’ll enjoy Our Kind of Traitor opens today. It’s a robust thriller with a funny yet powerful performance by Stellan Skarsgård.

Also in theaters:

  • Love & Friendship – a sharply witty adaptation of a Jane Austen story with an adept turn by Kate Beckinsale.
  • The Nice Guys – Ryan Gosling and Russell Crowe in a very funny mismatched buddy movie from the creator of the Lethal Weapon franchise.
  • Julianne Moore, along with supporting players Bill Hader and Maya Rudolph, shine in the amiably satisfying little romantic comedy Maggie’s Plan.
  • Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.

My DVD/Stream of the Week is the quietly engrossing drama 45 Years, a movie on my Best Movies of 2015 list with an enthralling Oscar-nominated performance by Charlotte Rampling. 45 Years is available to rent on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Set your DVRs for Turner Classic Movies next Friday, July 7, as TCM explores “America in the 70s” with four of the best films EVER – All the President’s Men, The Candidate, Network and The Conversation –  along with the time capsule thriller Klute (after which 15% of all American women changed their hairstyles to mirror Jane Fonda’s “shag”).

Jane Fonda in KLUTE
Jane Fonda in KLUTE