This week on The Movie Gourmet – two marvelously entertaining movies about depressives and am edge-of-your-seat movie about real people risking their lives for there families. To wit, I have new reviews of Richard Linklater’s Blue Moon with Ethan Hawke, the docudrama about Bruce Springsteen, Deliver Me from Nowhere, and the immigration thriller Roads of Fire.
I also want to warn you off of The Summer Book, which you may see algorithm-recommended on your streaming platform. An elementary school-age girl and her father, struggling with the death of her mother, spend the summer at her grandmother’s home on a tiny Finnish island. The grandmother (Glenn Close) always knows the right thing to do or say as the girl heals and comes of age. This is an adaptation of the 1972 novel by Finnish-Swedish author Tove Jansson, which is reputedly a great read. Unfortunately, its literary merit isn’t translated to the screen. Close’s fine performance can’t save this slog. I checked the time after nothing had happened in the first 31 minutes, and decided to keep watching in case it turned out to be the most boring film I had ever seen. That most boring film ever remains Le Quattro Volte, but The Summer Book is a contender.
CURRENT MOVIES
- A House of Dynamite: a master filmmaker reminds us of the terrifyingly plausible. Netflix.
- Blue Moon: wit and vulnerability. In theaters.
- Deliver Me from Nowhere: a genius works out his issues. In theaters.
- Eleanor the Great: grief, an appalling lie, redemption. In theaters.
- One Battle After Another: sometimes hilarious, sometimes thrilling, always outrageous. In theaters.
- Roads of Fire: an edge-of-your-seat documentary. In select arthouse theaters.
- To a Land Unknown: no good choices. Amazon, AppleTV, Youtube.
- To Kill a Wolf: mysteries revealed. Amazon, AppleTV, Fandango.
ON TV
On November 2, Turner Classic Movies pay tribute to the late Robert Redford’s acting career by airing eight of his films: Downhill Racer, Barefoot in the Park, The Candidate, Jeremiah Johnson, All the President’s Men, The Sting, Butch Cassidy and the Sundance Kid, and The Way We Were. With the exception of Barefoot in the Park, which I find dated, these are all excellent movies that stand up well today. The Candidate, Jeremiah Johnson and All the President’s Men are three of my personal favorite films.
Of course, Redford was important for being more than a fine actor. His very first effort at directing, Ordinary People, won the Best Picture Oscar. Redford’s biggest contribution was his developing the Sundance Institute and the Sundance Film Festival as incubators for other people’s independent filmmaking; that leveraged his own stardom to accelerate the careers of Steven Soderbergh, Quentin Tarantino, James Wan, Darren Aronofsky, Nicole Holofcener, David O. Russell, Ryan Coogler, Robert Rodriguez, Chloé Zhao and Ava DuVernay.
To celebrate his acting, I am recommending one of Redford’s earliest and less well-known roles, Downhill Racer. Redford plays Chappellet, a talented, competitive skier with a chip on his shoulder. He becomes a rookie on the US national ski team, where he remains a social outsider. To unleash his promise, his sensitive but no nonsense coach Claire (Gene Hackman) must penetrate the issues that make Chappellet a hitherto uncoachable diva. Redford and Hackman deliver fine performances This was the first feature film for then-television director Michael Ritchie, who followed Downhill Racer with Prime Cut, The Candidate, Bad News Bears and Semi-Tough.