Warren Oates in BRING ME THE HEAD OF ALFREDO GARCIA
Yesterday I wrote about the actor Warren Oates and the biodoc Warren Oates Across the Border. On Monday, August 24, Turner Classic Movies will show seven, count ’em, SEVEN Warren Oates films: Bring Me the Head of Alfredo Garcia, The Wild Ones, Chandler, Badlands, There Was a Crooked Man, The Thief Who Came to Dinner and The Split. Of these, the best two movies are Sam Peckinpah’s The Wild Bunch (Oates plays one of the treacherous but moronic Gorch brothers)and in Terence Malick’s Badlands (Oates plays Sissy Spacek’s father, blown away by teen punk Martin Sheen). But the iconic Warren Oates lead performance is in the Peckinpah neo-noir Bring Me the Head of Alfredo Garcia. (TCM will not be screening Two-Lane Blacktop, Cockfighter, Barquero or Peter Fonda’s The Hired Hand – more about the first two on Tuesday). Set your DVR for Warren Oates.
In the movie theaters, we are in the dreaded Mid August Doldrums, but there are some good choices:
The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today more widely, so be sure to see it.
Joel Edgerton’s The Giftis a satisfying thriller – and much more.
I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse.
Listen to Me Marlon is the excellent documentary with Marlon Brando’s own words revealing the keys to his life.
In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
My DVD/Stream of the Week is the inventive, scary and non-gory It Follows– a rare horror movie choice from The Movie Gourmet. It Follows is available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
The Movie Gourmet doesn’t watch many horror movies, but I really liked the inventive, scary and non-gory It Follows. 19-year-old Jay (Maika Monroe) has sex with a guy who then tells her that he has passed on to her a kind of supernatural infection – a monster will follow her and kill her if she doesn’t pass it on to someone else. The monster shambles along at zombie speed and takes the form of a different human being each time. It’s terrifying – there’s a constant sense of dread and a convulsive shock every time It appears.
Writer-director David Robert Mitchell has created a very scary horror film with an excellent soundtrack and a minimum of makeup, special effects and hardly any blood. It’s even more frightening that she’s being stalked by something that usually looks normal.
Before the screening, I had to sit through several trailers from the horror genre. There was NOTHING in those trailers that I hadn’t seen before in The Shining, The Exorcist or a multitude of less elevated films. I have to note the contrast with It Follows, which is definitely something that you haven’t seen before.
The very talented actress Maika Monroe is almost always on-screen and she proves that she can carry a movie. I first noticed her in At Any Price , where she played the son ‘s girlfriend. That role was especially well-written – beginning as a simple teen from a broken family looking for some fun, her journey takes several surprising turn – and Monroe’s performance was memorable. Until fairly recently, Monroe was pursuing a professional career in freestyle kite surfing.
All the acting is good in It Follows, but Keir Gilchrist is especially good at portraying the ACHING sexual frustration of a teenage boy.
It Follows has a wonderful sense of place. It is set and was shot in the Detroit suburbs, the rural lakefront and the decaying inner city. The extraordinary High Lift Building in Detroit’s Water Works Park serves as the exterior for the climactic set piece.
But the key to It Follows is its originality – without expensive f/x or disgusting gore – it’s likely the best horror movie of the year. It Follows is available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
Jesse Eisenberg and Jason Segel in THE END OF THE TOUR
The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today more widely, so be sure to see it. Other top recommendations:
Joel Edgerton’s The Giftis a satisfying thriller – and much more.
I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse.
Listen to Me Marlon is the excellent documentary with Marlon Brando’s own words revealing the keys to his life.
In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
Alicia Viksander inEX MACHINA
My DVD/Stream of the Week is one of my Best Movies of 2015 – So Far, the intensely thoughtful Ex Machina. It’s available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
Jesse Eisenberg and Jason Segel in THE END OF THE TOUR
[Note: I’m repeating this post because The End of the Tour, which opened two weeks ago is being released much more widely today, and will be much easier to find in theaters. See also my The End of the Tour: the filmmakers speak.]
The brilliantly witty and insightful road trip movie The End of the Tourisn’t great because of what happens on the road – it’s great because we drill into two fascinating characters and see how their relationship evolves (or doesn’t evolve). Leads Jason Segel and Jesse Eisenberg are both Oscar-worthy, and The End of the Tour is on my Best Movies of 2015 – So Far.
In 1996, David Lipsky (Jesse Eisenberg) is a novelist of modest success, having deeply embraced the New York City writer’s scene, and is supporting himself as a journalist for Rolling Stone Magazine. Suddenly- and out of nowhere – David Foster Wallace (Jason Segel) explodes on the scene with his masterpiece Infinite Jest and is immediately recognized as a literary genius. Lipsky is confounded by Wallace’s meteoric rise – and jealous and resentful, too.
Lipsky arranges to accompany Wallace on the last few stops of his book tour and record their conversations, so Lipsky can write a profile of Wallace for Rolling Stone. It’s clear that Lipsky plans to write a sensationalistic celebrity take down – and Wallace is so odd that there’s plenty of ammunition.
All of this REALLY HAPPENED. Years later, after Wallace’s death, Lipsky wrote a memoir of the encounters, on which the movie is based. Eisenberg and Segel got to listen to the tapes of the actual conversations between the two.
The End of the Tour is a battle of wits between two very smart but contrasting guys. Wallace is new to fame, very personally awkward, not at all confident and gloriously goofy; he seems to be an innocent, but he’s VERY smart and not entirely naive. Lipsky is all Chip On the Shoulder as he probes for Wallace’s weaknesses. As different as they are, the two are competitive and snap back and forth, verbally jousting for the entire trip. At one point, Lipsky accuses Wallace of pretending to be not as smart as he is as a “social strategy”.
As funny as is their repartee, it becomes clear that Wallace is inwardly troubled, and clinging to functionality by his fingernails. Wallace gets more confident and begins to trust Lipsky, but Lipsky is still predatory, glimpsing into Wallace’s medicine cabinet and chatting up an old flame of Wallace’s. Still, the intimacy of a road trip forces them to share experiences, which COULD become the basis for a bond.
They even share moments of friendship. But will they become friends? Is there real reciprocity between them?
Who has the power here? Wallace has the power of celebrity, and dominates Lipsky’s chosen vocation. Lipsky has the power to destroy and humiliate Wallace. Ultimately, as we see in the movie, the person who NEEDS the most will cede the power in the relationship.
Director James Ponsoldt has succeeded in making a brilliantly entertaining drama about two smart guys talking. There’s never a slow moment. We’re constantly wondering what is gonna happen. Ponsoldt has already made two movies that I love – Smashed and The Spectacular Now. No one else has made conversation so compelling since the My Dinner with Andre, and The End of the Tour is much more accessible and fun than that 80s art house hit.
Ponsoldt fills the movie with sublime moments. In one scene, we see the two watching a movie with two female companions. In the darkened theater, two characters are focused on the screen and two are gazing at others. It’s a shot of a couple of seconds, nothing happens, and there’s no dialogue – but the moment is almost a short story in and of itself.
For a true-life drama, The End of the Tour is very funny. The humor stems from situations (the two rhapsodize on Alanis Morisette, of all people), behavior (Wallace’s peculiarities and Lipsky’s limitless snoopiness) and the very witty dialogue. There’s a classic moment when Lipsky has Wallace talk on the phone to Lipsky’s wife (Anna Chlumsky) and is very uncomfortable with the results.
What is the funniest line in the movie? Who wins the battle of wits? And what’s their relationship at the end? Those questions propel the audience along the smartest road trip movie ever – The End of the Tour.
The intensely thought-provoking Ex Machinais a Must See and one of the year’s best films. Set in the present or the very near future, we meet the genius Nathan (played with predatory menace by Oscar Isaac) who developed the worlds top search engine when he was 13 and is now fantastically wealthy. Nathan lives in an extremely remote wilderness with his apparently mute housekeeper Kyoko (Sonoya Mizuno), and brings up one of his smartest software engineers under the pretext of winning a contest for a week with the boss. But Nathan really has brought in the young coder Caleb (Domhnall Gleeson) to test his latest invention – a machine equipped with artificial intelligence.
Specifically, Caleb is tasked with the Turing Test (named after Alan Turing, the subject of The Imitation Game) – he is to converse with the machine to determine whether it’s thinking and behavior is indistinguishable from a human’s. Nathan and Caleb reference that a chess-playing computer may be very efficient, but does it know that it’s playing chess and does it know what chess is? Nathan says that – if he has succeeded – he has the greatest advancement in the history of the world; Caleb rejoins that it would be the greatest invention in the history of gods.
That raises the issue of playing god. If a being – even one that is human-created – is self-aware, conscious and has feelings and its own thoughts, then who has the right to end its life or take away its liberty? And can it seek liberty on its own?
We care about these questions because the machine, named Ava, is so, well, human. Ava is played by Alicia Vikander, an actress with an uncommonly sensitive face. Vikander’s performance is top-notch, and like Caleb, we are soon seduced into liking her and then NEEDING to protect her.
Ex Machina makes so much so-called science fiction pale in comparison, because it really challenges the audience with the moral implications of a real scientific concept. Not everything set in the future is really SCIENCE fiction. Gravity, a superb movie, was basically a survival tale, and Star Wars was a Quest Fantasy and Avatar was basically a remake of the Western A Man Called Horse. Most movies set in the future are just dumb excuses to put a lot of explosions on-screen. The few recent examples of truly thoughtful sci-fi include I Origins and Her.
Ex Machina is both a great-looking movie and a stellar example of economic filmmaking. There essentially only four characters and one set. Computer graphics aren’t used for empty action eye candy, just to allow an actress to credibly play a machine. Nathan’s house/laboratory looks amazing, and the overall art direction and production design is stellar. The stark landscape surrounding Nathan’s hideaway was shot in Norway.
This is the first directing feature for writer-director Alex Garland, and it’s a triumph. He wrote the screenplay for Danny Boyles’ brilliant 28 Days Later, one of my Zombie Movies for People Who Don’t Like Zombie Movies.
Ex Machina is on my Best Movies of 2015 – So Far. It’s available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today, but it may be hard to find until next weekend. I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
Opening today is the excellent documentary Listen to Me Marlon, with Marlon Brando’s own words revealing the keys to his life.
The coming of age comedy Dopeis a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion.
On August 12, Turner Classic Movies is presenting The Yazuka, with a tired and world weary Robert Mitchum taking on the Japanese crime syndicate in the 1960s.
My DVD/Stream of the Weeks is the Oscar-winning Argentine mystery thriller The Secret in Their Eyes. Make sure that you see it before the Hollywood remake comes out. The Secret in Their Eyes is available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.
Jesse Eisenberg and Jason Segel in THE END OF THE TOUR
The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today, but it may be hard to find for two more weeks.
Also out today, the chilling and powerful documentary The Look of Silence is not for everyone, but it’s on my Best Movies of 2015 – So Far . It’s unsettling, but it’s an unforgettable movie experience.
I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
The coming of age comedy Dopeis a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion.
Could a sane man devise a con this successful? That’s the question posed by my DVD/Stream of the Week, the documentary Art and Craft. It’s available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
Tonight is the final evening of Turner Classic Movies wonderful Summer of Darkness series of film noir. I particularly like Beyond a Reasonable Doubt and While the City Sleeps, one of my Overlooked Noir. In Beyond a Reasonable Doubt, an anti-death penalty campaigner gets himself framed for a capital crime, but does too good a job – and then there’s a shocker of an ending. In While the City Sleeps, the noir cynicism is so deep that the GOOD GUY uses his girlfriend as bait for a serial killer.
Next, week on August 4, TCM plays the The Best Years of Our Lives, an exceptionally well-crafted, contemporary look at American society’s post WW II adaption to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.
Dana Andrews and Joan Fontaine in BEYOND A REASONABLE DOUBT
The startling documentary Art and Craftis about an art fraud. Of prolific scale. And which is apparently legal. By a diagnosed schizophrenic.
We start with a guy named Mark Landis. He is very good at photocopying (!) great art works, applying paint to make them seem like the real thing, putting them in distressed frames and donating them to museums in the name of his late (and imaginary!) sister. He has done this hundreds of times, fooling scores of snooty museum curators in the process.
Why does he do this? Why can’t he stop? What’s with the imaginary sister? Those answers probably lie within his schizophrenia, a disease which doesn’t impair his skill or his cunning. Landis himself, once you get over his initial creepiness and become comfortable in his Southern gentility and wry mischievousness, is one of 2014’s most compelling movie characters.
Why doesn’t his fraud constitute a criminal act? Because he doesn’t profit from selling his fakes, he just gives them away. And he doesn’t take the tax write-off.
How come he doesn’t get caught? These are PHOTOCOPIES for krissakes! Those answers are in the self-interest and professional greed of the museum professionals – embodied by one puddle of mediocrity who becomes Landis’ obsessive Javert.
All of these combine to make Art and Craft one of the year’s most engaging documentaries. I saw Art and Craft at the San Francisco International Film Festival, where it was an audience hit. Art and Craft is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
Here’s one more plaintive final plea: Do yourself a very, very, very big favor and see the coming of age masterpiece Me and Earl and the Dying Girl.
I really liked Amy, the emotionally affecting and thought provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
The coming of age comedy Dopeis a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Roadis a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.
My DVD of the Week The compelling and affecting true-life drama Omagh, available on DVD from Netflix.
We’re in the final eight days of Turner Classic Movies’ wonderful Summer of Darkness series of film noir. Tonight, of course, TCM plays the groundbreaking French Elevator to the Gallows.
Set your DVR for next Friday’s (July 31) featured noir on TCM. I particularly like Beyond a Reasonable Doubt and While the City Sleeps, one of my Overlooked Noir. In Beyond a Reasonable Doubt, an anti-death penalty campaigner gets himself framed for a capital crime, but does too good a job – and then there’s a shocker of an ending. In While the City Sleeps, the noir cynicism is so deep that the GOOD GUY uses his girlfriend as bait for a serial killer.
Don’t miss Fabrice Luchini in the delightfully dark comedy Gemma Bovery. The coming of age comedy Dopeis a nice little movie that trashes stereotypes. Alicia Vikander’s strong performance carries the anti-war memoir Testament of Youth. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion. Mad Max: Fury Roadis a rock ’em sock ’em action tour de force but ultimately empty-headed and empty-hearted.
My DVD/Stream of the Week is the year’s best thriller so far – ’71, a harrowing tale set in the Troubles of Northern Ireland. ’71 is available on DVD from Netflix and streaming on Amazon Instant Video, Vudu, YouTube, Google Play and Xbox Video.
Don’t forget that Turner Classic Movies is filling each June and July Friday with film noir in its Summer of Darkness series, hosted by Film Noir Foundation president Eddie Muller – the Czar of Noir. The series schedule includes several favorites of my Overlooked Noir. Tonight features next Friday, look out for 99 River Street.
Saturday night, Saturday, July 18, TCM is presenting THREE of the greatest films about politics: The Dark Horse, The Last Hurrah and The Candidate. On the 21st, TCM brings us that classic suspense Western 3:10 to Yuma, along with Peeping Tom – still one of the very best serial killer movies after 50 years.
On July 24, Turner Classic Movies will show the groundbreaking French noirElevator to the Gallows. It’s a groundbreaking film with so many outstanding elements that I’ll be writing about it next week. But set your DVR now.
