Saoirse Ronan in BROOKLYN – it ain’t going to win an Oscar, but you should see it while it’s on the big screen
Here’s your last chance to watch the Oscar nominees before the awards broadcast:
45 Years with Charlotte Rampling’s enthralling Oscar-nominated performance.
The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN. I predict that The Revenant will be the biggest winner at the Oscars.
The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
The Big Short – a supremely entertaining thriller – both funny and anger-provoking.
The Coen Brothers’ disappointingly empty comedy Hail, Caesar contains some cool Hollywood parodies.
Silicon Valley’s own film festival Cinequest is around the corner – make plans now to attend between March 1 and March 13.
My Stream/VOD of the Week is DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon, which takes us through an engaging and comprehensive history of the groundbreaking and seminal satirical magazine. You can stream it from iTunes or the Showtime VOD service (and you can catch it on the Showtime channel).
The Movie Gourmet features Overlooked Noir, but Billy Wilder’s Double Indemnity is anything but overlooked – it’s justifiably recognized as one of the two or three most iconic film noir. I’ve included it as the prototypical noir in my A Classic American Movie Primer. It’s about a guy who is just selling insurance until he meets a woman he can’t resist…Double Indemnity plays on Turner Classic Movies on February 28.
Fred MacMurray and Barbara Stanwyck in DOUBLE INDEMNITY. Check out her ankle bracelet.
DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon takes us through an engaging and comprehensive history of the groundbreaking and seminal satirical magazine. For those of you who weren’t there, the National Lampoon – ever irreverent, raunchy and tasteless – was at the vanguard of the counter-culture in the early 1970s. Once reaching the rank of #2 news stand seller among all US magazines, it may be the most popularly accepted subversive art ever in the US (along with the wry Mad magazine during the Cold War).
In a few short years, the Lampoon rose from nowhere (well, actually from the Harvard Lampoon) to a humor empire with the magazine, records, a radio show and a traveling revue. And, yes, the title DRUNK STONED BRILLIANT DEAD does encapsulate the arc of the Lampoon’s story.
Documentarian Douglas Tirola tells the story so successfully because he persuaded almost all the surviving key participants to talk. We meet co-founder Henry Beard, publisher Matty Simmons, Art Director Michael Gross and other Lampoon staff including P.J. O’Rourke and Christopher Buckley. You’ll recognize the first editor, Tony Hendra, from his performance as the harried band manager in This Is Spinal Tap. We see clips of two Lampoon originals who haven’t survived, co-founder Doug Kenney and resident iconoclast Michael O’Donoghue.
The National Lampoon’s live performance revue featured John Belushi, Chevy Chase, Bill Murray, Brian Doyle Murray, Gilda Radner and Harold Ramis. When Lorne Michaels hired the whole crew for Saturday Night Live, the hit television show instantly surpassed the magazine in cultural penetration. “The Lampoon lost its exceptionalism”, says one observer.
But the Lampoon made its mark on the movies by launching the entire genre of raunchy comedies with Animal House and spawning the careers of filmmakers John Landis and Harold Ramis, as well as the SNL performers. We also see a clip of Christopher Guest in an early Lampoon performance. On the other hand, I hadn’t remembered a less successful Lampoon project from its later era, Disco Beaver from Outer Space.
This is all, of course, major nostalgia for Baby Boomers. Before seeing DRUNK STONED BRILLIANT DEAD, I thought, yeah, I’ll enjoy the Blast From The Past, but will younger audience viewers dismiss this humor as quaint? After all, the Lampoon’s success came from puncturing the boundaries of taste, and it’s hard to imagine anything today that would be shockingly raunchy. But, after watching DRUNK STONED BRILLIANT DEAD, I have to say that the humor stands up today as very sharp-edged. After all, an image of a baby in a blender with Satan’s finger poised to press the “puree” button is pretty transgressive no matter when it’s published. The sole exception is the Lampoon’s over-fixation on women’s breasts, which comes off today as pathetically sophomoric – or even adolescent.
DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon has also vaulted on to my list of Longest Movie Titles.
I saw DRUNK STONED BRILLIANT DEAD at the San Francisco International Film Festival. This is an important cultural story, well-told and it deserves a wide audience. You can stream it from iTunes or the Showtime VOD service (and you can catch it on the Showtime channel).
Get ready for the Oscars by seeing these nominated films and performances, all on my Best Movies of 2015, all with some Oscar nominations:
45 Years with Charlotte Rampling’s enthralling Oscar-nominated performance.
The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN. I predict that The Revenant will be the biggest winner at the Oscars.
The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
The Big Short – a supremely entertaining thriller – both funny and anger-provoking.
The Coen Brothers’ disappointingly empty comedy Hail, Caesar contains some cool Hollywood parodies.
My DVD/Stream of the Week is the brilliant psychological drama 99 Homes, which illustrates the life-and-death stakes of our nation’s foreclosure crisis. It’s a topical film, but 99 Homes is emotionally raw and as intense as any thriller. The DVD is available to rent from Netflix and Redbox, and 99 Homes can be streamed from Amazon Video, iTunes, Vudu, YouTube, Google Play, and Playstation Video.
For just a fun time at the movies, try Richard Lester’s 1974 The Four Musketeers, coming up February 21 on Turner Classic Movies. Watch Oliver Reed, Richard Chamberlain, Michael York and Frank Finlay swashbuckle away against Bad Guys Christopher Lee, Faye Dunaway and Charlton Heston. Geraldine Chaplin and Raquel Welch adorn the action.
Christopher Lee and Faye Dunaway in THE FOUR MUSKETEERSOliver Reed in THE FOUR MUSKETEERS
The opening scene of the brilliant psychological drama 99 Homes illustrates the life-and-death stakes of our nation’s foreclosure crisis. It’s a topical film, but 99 Homes is emotionally raw and as intense as any thriller. Dennis Nash (Andrew Garfield) is a working class single dad, down on his luck. He loses his home to foreclosure and then must make a Faustian choice about supporting his family. Can he live with his choice, and what are the consequences?
With capitalism, where there are losers, there are also winners who have bet against the losers. Rick Carver (Michael Shannon) has built a prosperous real estate business on legitimate evictions and flips, supplemented with schemes to defraud federal home loan agencies, housing syndicates and individual homeowners. His world view is defined in a monologue about this nation bailing out the winners, not the losers – a cynical, but perceptive, observation.
Director Ramin Bahrani is a great American indie director, with a knack for drilling into the psyches of overlooked subsets of our society – immigrants (Chop Shop, Man Push Cart, Goodbye Solo), industrial farmers (At Any Price) and now the victims and profiteers of the Mortgage Bubble.
As foreclosure inexorably approaches, Garfield’s Nash is absorbed by dread, then desperation and, finally, to panic. His mom (Laura Dern) takes a different tack, settling firmly into denial and then erupting in hysteria. That denial recurs again and again in 99 Homes among those about to be evicted. These are people who have bought homes and can’t believe/grok/internalize that one day they will actually be forced out of them. One of the strongest aspects of 99 Homes is the use of non-actors who have lived through the nightmare. Some of the individual stories, especially one with a confused old man, are so wrenching as to be hard to watch.
This may be Andrew Garfield’ strongest cinema performance. Dennis Nash is a decent man incentivized to do the indecent. Garfield takes this good man through an amazing internal journey. Nash is forced to accept the failure resulting from his attempts to do what is right, juxtaposed with the success from conduct that he finds repulsive. Bahrani’s arty shot of the reflection of a swimming pool shimmering in a sliding glass door makes it look like Garfield is under water – which he metaphorically is at this point in the film.
Michael Shannon, one of my very favorite actors, is superb as a guy completely committed to pursuing his own survival/prosperity strategy – no matter that it is based on ruining the lives of other humans. Unlike Nash, Shannon’s Carver has accepted the incentives to act badly and has overcome any qualms about either moral ambiguity or even stark amorality.
Veteran television actor Tim Guinee is remarkable as homeowner Frank Green. Laura Dern is excellent in a pivotal role. The character actor Clancy Brown proves once again that he can grab the screen, even when he’s only visible for a minute or two.
With its searing performances by Garfield and Shannon, 99 Homes is unsparingly dark and intense until a final moment of redemption. The DVD is available to rent from Netflix and Redbox, and 99 Homes can be streamed from Amazon Video, iTunes, Vudu, YouTube, Google Play, and Playstation Video.
Still in theaters, here are five choices from my Best Movies of 2015, all with some Oscar nominations:
45 Years with Charlotte Rampling’s enthralling Oscar-nominated performance.
The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN. I predict that The Revenant will be the biggest winner at the Oscars.
The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
The Big Short – a supremely entertaining thriller – both funny and anger-provoking.
The Coen Brothers’ disappointingly empty comedy Hail, Caesar contains some cool Hollywood parodies.
My DVD/Stream of the Week is the entirely novel low budget, high quality horror film Unfriended. It’s on both my lists of I Hadn’t Seen This Beforeand Low Budget, High Quality Horrorof 2015. Unfriended is available to rent on DVD from Netflix and Redbox and streaming from Amazon Video, iTunes, Vudu, YouTube, Google Play and Flixster.
On February 15, Turner Classic Movies will broadcast the John Huston masterpiece The Treasure of the Sierra Madre with its superb performances by Walter Huston and Humphrey Bogart. And we don’t need no stinkin’ badges.
Walter Huston, Tim Holt and Humphrey Bogart in THE TREASURE OF THE SIERRA MADREAlfonso Bedoya in THE TREASURE OF THE SIERRA MADRE: Badges? We ain’t got no badges. We don’t need no badges. I don’t have to show you any stinking badges.
45 Years with Charlotte Rampling’s enthralling Oscar-nominated performance.
The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN. I predict that The Revenant will be the biggest winner at the Oscars.
Creed, the newest and entirely fresh chapter in the Rocky franchise; it’s about the internal struggle of three people, not just The Big Fight.
The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
The Big Short – a supremely entertaining thriller – both funny and anger-provoking.
Plus two more good choices:
The Hateful Eight, a Quentin Tarantino showcase for Samuel L. Jackson, Walton Goggins and Jennifer Jason Leigh, but a movie that’s not for everyone.
My Stream of the Week is the French drama In the Name of My Daughter, which uses three characters to probe the themes of obsession and betrayal. In the Name of My Daughter is available to stream from iTunes, Vudu, YouTube and Google Play.
It’s a really solid week at Turner Classic Movies. February 7 brings us Days of Wine and Roses, a hard-hitting and authentic exploration of alcoholism with Lee Remick and Jack Lemmon. On February 8, we can watch the Bogie and Bacall noir Key Largo with a career highlight performance by the Queen of the Bs, Claire Trevor. And on February 11, TCM presents TWO versions of the melodrama The Letter, the more famous 1940 version with Bette Davis and the rarely seen 1929 version with Jeanne Eagels, the emotions-on-her-sleeve actress who died from a heroin overdose just after filming The Letter.
This weekend 45 Years becomes the final film on my Best Movies of 2015 to have been released in the Bay Area. Don’t miss Charlotte Rampling’s enthralling Oscar-nominated performance. And five more from my 2015 list:
The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN.
Creed, the newest and entirely fresh chapter in the Rocky franchise; it’s about the internal struggle of three people, not just The Big Fight.
The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
The Big Short – a supremely entertaining thriller – both funny and anger-provoking.
Plus two more good choices:
The Hateful Eight, a Quentin Tarantino showcase for Samuel L. Jackson, Walton Goggins and Jennifer Jason Leigh, but a movie that’s not for everyone.
My Stream of the Week is the riveting German psychodrama Phoenix with its WOWZER ending. Phoenix is one of my Best Movies of 2015. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
This Sunday, January 31, Turner Classic Movies presents the ultra-suspenseful Diabolique from “the French Hitchcock” Henri-Georges Clouzot and the American film noir Phantom Lady, with Elisha Cook, Jr.’s orgasmic drumming scene – how did they get THAT by the censors?
Also this week on TCM: Lawrence of Arabia, The Sting, The Third Man, Cool Hand Luke, East of Eden, The Dirty Dozen.
Elisha Cook, Jr. and some nice gams in PHANTOM LADY
In the German psychological drama Phoenix, Nina Hoss plays Nelly, an Auschwitz survivor whose face has been destroyed by a Nazi gunshot; her sister has arranged for plastic surgery to reconstruct her face. When Nelly gets her new face, we accompany her on an intense quest.
Writer-director Christian Petzhold is an economical story-teller, respectful of the audience’s intelligence. Watching a border guard’s reaction to her disfigurement and hearing snippets from the sister and the plastic surgeon, we gradually piece together her back story. The doctor asks what seems like a very good question – Why would a Jewish woman successfully rooted in London return to Germany in 1938? The answer to that question involves a Woman Loving Too Much.
The sister plans to re-settle both of them in Israel, but Nelly is obsessed with finding her husband. She does find her husband, who firmly believes that Nelly is dead. But he notes that the post-surgery Nelly resembles his pre-war wife, and he has a reason to have her impersonate the real Nelly. So he has the real Nelly (who he doesn’t think IS the real Nelly) pretending to be herself. It’s kind of a reverse version of The Return of Martin Guerre.
It’s the ultimate masquerade. How would you feel while listening to your spouse describe you in detail to a stranger?
Nina Hoss is an uncommonly gifted actress. Here she acts with her face fully bandaged for the first third of the film. We ache for her Nelly’s obsessive need for her husband – and when she finally finds him, she still doesn’t really have him.
As the husband, Ronald Zehfeld shows us the magnetism that attracts Nina, along with the brusque purposefulness that he thinks he needs to survive and flourish in the post-war Germany.
Christian Petzold and Nina Hoss collaborated on the recent film Barbara (he won the Berlin Film Festival’s Silver Bear for his work). About Barbara, I wrote
“Given that’s it difficult to imagine how anyone else could have improved Barbara, I’ll be looking for Petzold’s next movie.”
Well, here it is, and it’s gripping.
The ending of the film is both surprising and satisfying. Several people in my audience let out an audible “Wow!” at the same time.
Phoenix is one of my Best Movies of 2015. It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
You can see five movies from my final list of Best Movies of 2015 in theaters this week. This is a list of the very best 21 of the 155 2015 movies that I’ve seen.
The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN.
Creed, the newest and entirely fresh chapter in the Rocky franchise; it’s about the internal struggle of three people, not just The Big Fight.
The Irish romantic drama Brooklyn is an audience-pleaser with a superb performance by Saoirse Ronan.
Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
The Big Short – a supremely entertaining thriller – both funny and anger-provoking.
(a sixth top film, 45 Years, will be released in the Bay Area next week.)
Two more choices:
The Hateful Eight, a Quentin Tarantino showcase for Samuel L. Jackson, Walton Goggins and Jennifer Jason Leigh, but a movie that’s not for everyone.
My DVD/Stream of the week is the space adventure The Martian – with all the best that a Hollywood movie can offer. You can rent The Martian on DVD from Netflix now and from Redbox on February 9. You can stream it on Amazon Video, iTunes, Vudu, YouTube and Google Play.
On January 26, Turner Classic Movies screens Spike Lee’s debut feature She’s Gotta Have It. Watch for Spike himself supplying the comic relief as the unforgettable Mars Blackmon. I still remember going to the theater in 1986 on the recommendation of Siskel & Ebert and feeling so excited about discovering a talented new auteur.
Tracy Camilla Johns and Spike Lee in SHE’S GOTTA HAVE IT
The space adventure The Martian delivers what the best big Hollywood movies can offer – a great looking movie that convincingly takes us to a place we’ve never been, inhabited by our favorite movie stars at their most appealing.
In The Martian, Matt Damon plays Mark Watney, a member of a scientific expedition to Mars who is (understandingly) left for dead when his team must make an emergency escape from the Red Planet. The next manned mission to Mars is scheduled to land four years later 1000 miles away and he only has a four months supply of food, so his chances don’t look promising. But Mark Watney is a character of irrepressible resilience, with a wicked sense of humor, and he immediately embarks on solving the many individual problems that stand between him and survival. NASA leadership (Jeff Daniels, Chiwetel Ejiofor, Kristen Wiig, Sean Bean and more) and his team en route back to Earth (Jessica Chastain, Kate Mara, Michael Pena) all try to help.
Directed masterfully by Ridley Scott, The Martian pops along and there’s never a dull moment. It helps that the character of Watney is very funny.
I’m not highly scientifically literate, but the science in The Martian seemed to be at least internally consistent. I do think that – in real life – the NASA team would have immediately come to the solution thought up in the movie by the geek in the Jet Propulsion Lab.
The awesomely desolate Marscapes are fantastic. It’s all CGI, but you can’t tell – it looks like it is shot on location.
Here’s why The Martian isn’t a great movie:
Other than Damon’s Mark Watney, the other characters are types, getting all of their authentic texture from the performances instead of from the writing.
Never for a moment does the audience think there’s any chance that The Martian is really going to kill off Matt Damon.
But, overall, The Martian is so entertaining, it’s a Must See – even for folks that usually pass on science fiction. You can rent The Martian on DVD from Netflix now and from Redbox on February 9. You can stream it on Amazon Video, iTunes, Vudu, YouTube and Google Play.
