DVD/Stream of the Week: CHEVALIER – male competitiveness, brilliantly skewered

CHEVALIER. Photo courtesy of Strand Releasing
CHEVALIER. Photo courtesy of Strand Releasing

One of the best films of the year, Chevalier is a sly and pointed exploration of male competitiveness, with the moments of drollness and absurdity that we expect in the best of contemporary Greek cinema. Chevalier is also now the Most Overlooked Movie of 2016, and I’m hoping that its popularity explodes now that it’s available on video.

In Chevalier, six guys are taking a holiday week on a yacht in the Aegean Sea. Each has his own stateroom, and the crew includes a chef. They spend their days scuba diving, jet skiing and the like. After a post-dinner game of charades, one suggests that they play Chevalier, a game about “Who is best overall?”. Of course, men tend to be competitive, and their egos are now at stake. The six guys began appraising each other, and their criteria get more and more absurd. “How many fillings do you have?”

In one especially inspired set piece, the guys race each other to construct IKEA bookcases, which results in five phallic towers on the boat’s deck (and one drooping failure). Naturally, some of the guys are obsessed with their own erections, too.

Director Athina Rachel Tsangari is obviously a keen observer of male behavior. Both men and women will enjoy laughing at male behavior taken to extreme. I sure did. Chevalier is perhaps the funniest movie of 2016, and it’s on my list of Best Movies of 2016 – So Far.

I saw Chevalier at the 59th San Francisco International Film Festival (SFIFF), where I pegged it as the Must See of the fest. (In 2011, Tsangari brought her hilariously offbeat Attenberg to SFIFF.)  Unfortunately, in the Bay Area, Chevalier only got a blink-and-you’ve-missed-it release in June.  Chevalier is now available to rent on DVD from Netflix and to stream from Netflix Instant, Amazon Instant, iTunes, Vudu, YouTube and Google Play.

Athina Rachel Tsangari, director of CHEVALIER . Photo courtesy of San Francisco Film Society
Athina Rachel Tsangari, director of CHEVALIER . Photo courtesy of San Francisco Film Society

Movies to See Right Now

Orson Welles in THE THIRD MAN - the most iconic smirk in cinema
Orson Welles in THE THIRD MAN – the most iconic smirk in cinema

The Mill Valley Film Festival is wrapping up this weekend. The closing night film is Oscar hopeful Loving, but it could be sold out on all five screens, so check first.

I’ll be writing about The Girl on the Train, the movie adaptation of the popular novel starring Emily Blunt.  The last 30 minutes rocks, but I found the murky first 82 minutes to be confusing and boring.  The Wife, however, enjoyed the whole thing.  Neither of us had finished the novel and knew about the Big Plot Twist.

And you can still find the best movie of the year so far – the character-driven crime drama Hell or High Water. It’s atmospheric, gripping, and packed with superb performances. Hell or High Water is a screenwriting masterpiece by Taylor Sheridan.  It’s becoming hard to find, but it’s out there and it’s a Must See.

Other movie choices:

      • Girl Asleep, is an offbeat coming-of-age story with more than a splash of Australian magical realism. From a first-time woman director.
      • Another odd tale from Down Under is the uneven but entertaining period tale of revenge, The Dressmaker.

My DVD/Stream of the Week is Free State of Jones, the compelling story of resistance to the Confederacy and to white supremacy by Southerners during and after the Civil War, starring Matthew McConaughey. It’s now available on DVD from Netflix (and coming soon to Redbox) and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

This is a fine week for film noir on Turner Classic Movies. On October 16, TCM presents The Third Man (1949). Shot amid the ruins of post-war Vienna, this film noir classic sets an American pulp novelist (Joseph Cotten) to find out what happened to his pre-war buddy, who turns out to have become a notorious black marketeer (Orson Welles) with a set of associates each shadier than the last. This has it all, a fated relationship with a European beauty (Alida Valli), stunningly effective black-and-white photography, an enchanting musical theme and one of cinema’s most sharply surprising reveals of a new character. There are two unforgettable set pieces – a nervous interview in a Ferris Wheel and a climactic chase through the sewers.

Then on October 19, TCM screens three more noir classics:

      • Lady in the Lake (1947): Shot entirely from the point of view of the protagonist detective (Robert Montgomery), we never see him except when reflected in mirrors. Even without this interesting gadget, it’s a good movie. Audrey Totter plays one of her iconic noir Bad Girls.
      • Detour (1945) Ann Savage plays the nastiest, most predatory and savage female character in film noir history. One of the few Hollywood films where the leading lady was intentionally de-glamorized with oily, stringy hair.
      • Born to Kill (1947): Lawrence Tierney (no cupcake in real life, either), plays the nastiest, most predatory and savage male character in film noir history. Set in the world of Reno quickie divorces. Features Queen of Noir Claire Trevor, along with Walter Slezak and Elisha Cook, Jr.
Ann Savage and Tom Neal in DETOUR
Ann Savage and Tom Neal in DETOUR

DVD/Stream of the Week: FREE STATE OF JONES – sound and compelling history, with a sizzling McConaughey

Mahershala Ali and Matthew McConaughey star in FREE STATE OF JONES
Mahershala Ali and Matthew McConaughey in FREE STATE OF JONES

Free State of Jones is the compelling story of resistance to the Confederacy and to white supremacy by Southerners during and after the Civil War. Matthew McConaughey stars as Newton Knight, an overlooked but quite singular figure in American history. It is little-known, but the Confederacy actually lost control of some Mississippi counties to poor white farmers who tired of fighting a war to benefit the rich slave-holders.

I am a pretty serious Civil War history buff, and I was planning to skip Free State of Jones entirely until I found out about writer-director Gary Ross’ commitment to taking the history seriously. In fact, Ross has posted a very impressive website which outlines the historical events and figures depicted in the movie and even links the primary historical source material. I’ve never seen such a credible effort by a filmmaker to explain how he got the history right. Here’s a New York Tines article about the movie, Ross and his website.

In the second act of his career, McConaughey has delivered brilliant performances in excellent movies (Mud, Bernie, The Paperboy, Killer Joe, The Wolf of Wall Street, Dallas Buyers Club, True Detective). Here, he positively sizzles as the intensely principled and determined Newt Knight. The rest of the cast is excellent, too, especially Mahershala Ali (House of Cards) as an escaped slave turned Reconstruction political organizer.

Free State of Jones effectively combines the elements of political drama, romance and war movies into an absorbing drama, one which connects the dots between the 19th Century and the 20th and beyond. It’s now available on DVD from Netflix (and coming soon to Redbox) and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

TONI ERDMANN
TONI ERDMANN this week at the Mill Valley Film Festival

The Mill Valley Film Festival is underway – don’t miss Oscar hopeful Toni Erdmann this week; after the MVFF, Toni Erdmann won’t be screened again in the Bay Area until it opens theatrically on January 20, 2017.

You might be able to find the best movie of the year so far – the character-driven crime drama Hell or High Water. It’s atmospheric, gripping, and packed with superb performances. Hell or High Water is a screenwriting masterpiece by Taylor Sheridan. Must See.

Here are other movie choices:

        • Opening today, Girl Asleep, is an offbeat coming-of-age story with more than a splash of Australian magical realism. From a first-time woman director.
        • Another odd tale from Down Under is the uneven but entertaining period tale of revenge, The Dressmaker.

My DVD Stream of the Week is based on the Jane Austen novel Lady Susan, the sharply witty Love & Friendship with Kate Beckinsale. It’s now available on DVD from Netflix (and coming soon to Redbox) and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and DirecTV.

On October 10, Turner Classic Movies has The Haunting, which show us what happens when a paranormal investigator invites you to join him at a haunted house. Julie Harris and Claire Bloom wish they hadn’t said “Yes”. It’s one of the very scariest black-and-white films.

On October 13, TCM plays one of my Overlooked Noir, Raw Deal with its ménage à noir, some of the best dialogue in all of film noir and the superb cinematography of John Alton.

Claire Trevor in RAW DEAL
Claire Trevor in RAW DEAL

DVD/Stream of the Week: LOVE & FRIENDSHIP – new heights for manipulation and twittery

Chloe Sevigny and Kate Beckinsale in LOVE & FRIENDSHIP
Chloe Sevigny and Kate Beckinsale in LOVE & FRIENDSHIP

Based on Jane Austen’s Lady Susan, the sharply witty Love & Friendship centers on the unabashedly amoral efforts by Lady Susan Vernon (Kate Beckinsale) to get exactly what she wants despite lack of resources and position.

Love & Friendship is filled with the 19th century version of “snappy dialogue” – old-fashioned wit. Mark Twain would have loved this movie. Much of the comes from Lady Susan’s clueless sense of entitlement and her unashamed and outrageous manipulation of the other characters. An unabashed moocher and deadbeat, she finds that, because her daughter’s school fees are “too high to even consider paying, it is actually an economy”.

It’s a pleasing turn from Kate Beckinsale at age 42, who has so often played ornamental movie roles. She first came to our attention at age 20 as the beauteous Hero in Kenneth Branagh’s Much Ado About Nothing, and broke through at age 23 by dominating the British indie Shooting Fish. After playing a bunch of less interesting roles, it’s great to see get a chance to really act in Love & Friendship.

Love & Friendship’s director is Whit Stillman, who debuted with two delightful indies from the world of old money Northeastern preppies. Metropolitan and Barcelona were talky and perceptive explorations of human nature, set in what usually is a less accessible and less sympathetic social set. (Unfortunately, he most recently made the dreadful Damsels in Distress with the always execrable Greta Gerwig.)

Right from the get-go, Stillman lets us know that he’s not taking this too seriously with self-mocking character introductions. In another nice touch, Stillman clads some of the male characters in noticeably ill-fitting clothes – something you never see in a movie from this period. It’s funny – and authentic, when you think about it.

In the funniest moments of the film, the enthusiastically dim Sir James Martin (Tom Bennett) takes twittery to new heights. Bennett, a British TV actor previously unknown to me, is quite a revelation. It’s always nice to see Chloe Sevigny, too, and she’s here playing Lady Susan’s equally amoral American friend.

Although I did not see it there, Love & Friendship was the opening night feature of the 59th San Francisco Film Festival, and folks were still praising it in festival lines a week later.   It’s now available on DVD from Netflix (and coming soon to Redbox) and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and DirecTV.

Movies to See Right Now

Richard Jenkins and margo Martindale in THE HOLLARS
Richard Jenkins and margo Martindale in THE HOLLARS

Don’t miss The Hollars, an unabashed crowd pleaser with a great cast, especially the irreplaceable Margot Martindale.

And you can still find the best movie of the year so far – the character-driven crime drama Hell or High Water.  It’s atmospheric, gripping, and packed with superb performances. Hell or High Water is a screenwriting masterpiece by Taylor Sheridan. Must See.

Here are other attractive movie choices:

    • Really liked the New Zealand teen-geezer adventure dramedy Hunt for the Wilderpeople (now also available to stream on Vudu).
    • Another odd tale from Down Under is the uneven but entertaining period tale of revenge, The Dressmaker.

DVD/Stream of the Week: Seeing the great character actor Richard Jenkins again in The Hollars reminded me that everyone should see his starring turn in the indie drama The Visitor. Touching on the themes of immigration to the US and the “otherness” of people from the Middle East, it’s especially topical today.  The Visitor is available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play ad Xbox Video.

Some promising fare from Turner Classic Movies this week:

    • Today: Bat 21: In a sadly overlooked Vietnam War action story, Gene Hackman plays an officer trapped behind enemy lines. In this ticking clock thriller, only helicopter pilot (Danny Glover) can rescue him in time.
    • October 2: Leave Her to Heaven: Poor Cornell Wilde falls for the exquisitely gorgeous Gene Tierney, but she is MESSED UP. When I see Leave Her to Heaven, I think of my best friend Steve’s advice – “Never [date] anyone crazier than you are”. MUCH, MUCH more cautionary than Fatal Attraction.
    • October 3: Fat City with Stacy Keach’s and Susan Tyrell’s courageous exploration of alcoholism. Fat City’s Stockton, California, locale is a 1970s time capsule, plus there’s a young Jeff Bridges.

      Gene Tierney in LEAVE HER TO HEAVEN
      Gene Tierney in LEAVE HER TO HEAVEN

DVD/Stream of the Week: THE VISITOR – self-isolation no longer

THE VISITOR
Richard Jenkins in THE VISITOR

Seeing the great character actor Richard Jenkins again in The Hollars reminded me that everyone should see his starring turn in the indie drama The Visitor. Touching on the themes of immigration to the US and the “otherness” of people from the Middle East, it’s especially topical today.  Jenkins has the role of his career in The Visitor – a man who deals with loss by isolating himself. He becomes intrigued with an illegal Middle Eastern immigrant, then develops a bond and then reclaims passion into his life.

The Visitor is available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play ad Xbox Video.

Movies to See Right Now

Jeff Bridges and Gil Birmingham in HELL OR HIGH WATER
Jeff Bridges and Gil Birmingham in HELL OR HIGH WATER

I’m still recommending the best movie of the year so far – the character-driven crime drama Hell or High Water. It’s atmospheric, gripping, and packed with superb performances. Hell or High Water is a screenwriting masterpiece by Taylor Sheridan. Must See.

Here are other attractive movie choices:

  • Really liked the New Zealand teen-geezer adventure dramedy Hunt for the Wilderpeople (now also available to stream on Vudu).
  • Opening this weekend, an offbeat and entertaining period tale of revenge, The Dressmaker.
  • Woody Allen’s love triangle comedy Cafe Society is a well-made and entertaining diversion, but hardly a Must See.

My Stream of the Week is still a totally overlooked drama from earlier this year, A Country Called Home. Somehow A Country Called Home missed out on any significant theatrical release even though it’s a very satisfying Finding Yourself drama. A Country Called Home can be streamed from Netflix Instant, Amazon Instant, iTunes, Vudu, YouTube and Google Play.

September 24 on Turner Classic Movies:  Caged. Want to see the prototype for Orange Is the New Black?  Eleanor Parker (who died last year) played the naive young woman plunged into a harsh women’s prison filled with hard-bitten fellow prisoners and compassion-free guards. Parker was nominated for an acting Oscar, but her performance pales next to that of Hope Emerson, whose electric portrayal of a hulking guard also got an Oscar nod. Caged also features the fine character actresses Thelma Moorhead, Jane Darwell (Ma Joad in The Grapes of Wrath) and Ellen Corby (Grandma Walton here as a young woman).  Sixty-four years later, Caged might still be the best women’s prison movie ever.

Hope Emerson and Eleanor Parker in CAGED
Hope Emerson and Eleanor Parker in CAGED

Movies to See Right Now

Chris Pine in HELL OR HIGH WATER
Chris Pine in HELL OR HIGH WATER

Topping my recommendations is the best movie of the year so far – the character-driven crime drama Hell or High Water. It’s atmospheric, gripping, and packed with superb performances. Hell or High Water is a screenwriting masterpiece by Taylor Sheridan. Must See.

Here are other attractive movie choices:

  • Really liked the New Zealand teen-geezer adventure dramedy Hunt for the Wilderpeople.
  • Florence Foster Jenkins is not just a one-joke movie about a bad singer – it’s a love story about trying to protect the one that you love.
  • Don’t Think Twice is a dramedy set in the world of comedy, another smart, insightful little film by Mike Birbiglia.
  • Woody Allen’s love triangle comedy Cafe Society is a well-made and entertaining diversion, but hardly a Must See.

Don’t have an unbridled recommendation for Mia Madre.

My Stream of the Week is the totally overlooked drama from earlier this year, A Country Called Home with Imogen Poots.   A Country Called Home can be streamed from Netflix Instant, Amazon Instant, iTunes, Vudu, YouTube and Google Play.

On September 20, Turner Classic Movies presents perhaps the most deeply funny movie of all time, Mon Oncle, Jacques Tati’s masterful fish-out-of-water satire of modern consumerism and modernist culture. If you have strong feelings (either way) for Mid-Century Modern style, be patient and settle in.  There’s very little dialogue and lots of sly observational physical humor. The use of ambient noise/sounds and the very spare soundtrack is pure genius.

Mon Oncle
Jacques Tati in MON ONCLE

Movies to See Right Now

Ben Foster and Chris Pine in HELL OR HIGH WATER
Ben Foster and Chris Pine in HELL OR HIGH WATER

Topping my recommendations is the best movie of the year so far – the character-driven crime drama Hell or High Water. It’s atmospheric, gripping, and packed with superb performances. Hell or High Water is a screenwriting masterpiece by Taylor Sheridan. Must See.

Here are other attractive movie choices:

  • Really liked the New Zealand teen-geezer adventure dramedy Hunt for the Wilderpeople.
  • Florence Foster Jenkins is not just a one-joke movie about a bad singer – it’s a love story about trying to protect the one that you love.
  • I found the documentary about Burt Reynolds and his stuntman/director Hal Needham, The Bandit, very enjoyable; it’s playing on CMT.
  • Don’t Think Twice is a dramedy set in the world of comedy, another smart, insightful little film by Mike Birbiglia.
  • Woody Allen’s love triangle comedy Cafe Society is a well-made and entertaining diversion, but hardly a Must See.

Don’t have an unbridled recommendation for Mia Madre.

My DVD/Stream of the Week is the painfully timely Weiner, one of my Best Movies of 2016 – So Far. Weiner is available on DVD from Netflix and to stream from Amazon Video, iTunes, Vudu, YouTube, Google Play and DirecTV.

Today, Turner Classic Movies airs The Conversation.  And coming up on September 12, TCM delivers early Spielberg: The Sugarland Express (1974).  White trash anti-heroes (Goldie Hahn and William Atherton) pull off a jail break, but their harebrained scheme evolves into a man-hunt and then a hostage standoff.   The wonderfully underused Ben Johnson plays the lawman.

The young Steven Spielberg’s career trajectory as a director began with Duel and a couple of other TV movies, and then The Sugarland Express was his first feature.   Right after Sugarland came Jaws and Close Encounters and Raiders and ET and etc.   The Sugarland Express was made in that very brief period when big movie studios let auteur directors tell stories that today could only be made as “indies” (like The Conversation, Five Easy Pieces, The Last Picture Show, Taxi Driver, All That Jazz).