Weekly Movie Recommendations

DVD of the Week: Smashed

by

In this indie drama, a couple navigates life while drunk.  Can they stay together and flourish when she sobers up?  Smashed is a remarkably realistic portrayal of the drinking life and the challenges of recovery and relapse, informed by the personal experience of co-writer Susan Burke.

The best thing about Smashed is the performance of Mary Elizabeth Winstead as the wife.  Winstead realistically takes her character through the carelessness, denial, humiliation and self-degradation of drinking and the fears and determination that co-exist in her recovery.  It’s a stellar performance, and I’ll be looking for Winstead in bigger roles.

Also very good are Nick Offerman as the wife’s colleague, Megan Mullally, unrecognizable as the wife’s boss, and the always delightful Octavia Spencer.

As The Wife pointed out, the amount of time that director and co-writer James Ponsoldt spent on the drinking part of the story means that lots of plot points whiz by in the final ten minutes.  Still, Smashed is very watchable and benefits from the breakthrough performance by Winstead.  It’s available on DVD from Netflix and Redbox and streaming from Amazon, iTunes and other VOD providers.

Movies to See Right Now

by
The Sapphires

I’m still recommending the absolutely winning The Sapphires, a charmer about Australian Aboriginal teens forming a girl group to entertain troops in the Vietnam War. The other side of the coin is the bleak, but masterful Romanian drama Beyond the Hills.

And I still love two indies on Video on Demand:

  • Letters from the Big Man: a beautifully looking and sounding fable about a prickly woman with a guy and a Bigfoot competing for her affections.
  • Electrick Children: an entirely unique teen coming of age story with fundamentalist Mormon teens in Las Vegas.

The other best choices in theaters:

  • No: Gael Garcia Bernal stars as the regular guy who brainstormed the guerrilla advertising campaign that dethroned Chilean dictator Pinochet.
  • The Incredible Burt Wonderstone: a pleasant comedy and a showcase for Jim Carrey.
  • Side Effects: Steven Soderbergh’s psychological thriller starring Rooney Mara, Jude Law and Catherine Zeta-Jones.
  • Quartet: a pleasant lark of a geezer comedy with four fine performances.

Music fans will enjoy the bio-documentary Beware of Mr. Baker, available on VOD.

On the Road is the faithful but ultimately unsuccessful adaptation of the seminal Jack Kerouac novel, with surprisingly little energy. The HBO movie Phil Spector is really just a freak show.

You may still be able to catch the fine PBS documentary Philip Roth: Unmasked. Roth himself gets lots of screen time to explain his career and his creative process.

I haven’t yet seen the much anticipated The Place Beyond the Pines with Ryan Gosling and Bradley Cooper, which opens today.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is the campy 1994 sci fi western Oblivion, which I’m betting is more entertaining than this week’s Hollywood remake.

On April 15, Turner Classic Movies is showing all four of the Clint Eastwood Man with No Name movies:  the Sergio Leone trilogy (For a Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly) plus Hang Em High.

DVD of the Week: the campy 1994 Oblivion

by

There’s a big budget Hollywood movie named Oblivion opening this week.  I really enjoyed the original version, the sci fi spoof 1994 Oblivion, now available on DVD.    It is set in the year 3030 on the planet Oblivion, which strongly resembles a frontier town from a spaghetti Western, peppered with the occasional cyborg, ray gun and ATM machine.

Oblivion is intentionally campy, has a silly plot and lots of tongue-in-cheek dialogue.  The scene where the funeral is interrupted by the weekly bingo game upstairs is especially funny.  The cast seems to be having lots of fun with the material. Musetta Vander as the  rawhide whip-wielding dominatrix Lash and Carel Struycken as the death-forboding undertaker Gaunt are especially over-the-top good.  In addition, Julie Newmar plays a cougarish saloon proprietor, and Star Trek’s George Takei is the Jim Beam-swilling town doc.  Amazingly, Oblivion rated a 1996 sequel, Oblivion 2:  Backlash, in which most of the cast returned.

Movies to See Right Now

by
THE SAPPHIRES

This week’s top recommendation is pretty obvious – the absolutely winning The Sapphires, a charmer about Australian Aboriginal teens forming a girl group to entertain troops in the Vietnam War.

I still love two indies on Video on Demand:

  • Letters from the Big Man: a beautifully looking and sounding fable about a prickly woman with a guy and a Bigfoot competing for her affections.
  • Electrick Children: an entirely unique teen coming of age story with fundamentalist Mormon teens in Las Vegas.

The other best choices in theaters:

  • No: Gael Garcia Bernal stars as the regular guy who brainstormed the guerrilla advertising campaign that dethroned Chilean dictator Pinochet.
  • The Incredible Burt Wonderstone: a pleasant comedy and a showcase for Jim Carrey.
  • Side Effects: Steven Soderbergh’s psychological thriller starring Rooney Mara, Jude Law and Catherine Zeta-Jones.
  • Quartet: a pleasant lark of a geezer comedy with four fine performances.

Music fans will enjoy the bio-documentary Beware of Mr. Baker, available on VOD.

Emperor, with Tommy Lee Jones as Gen. Douglas MacArthur leading the American occupation of Japan, is historical but plodding. On the Road is the faithful but ultimately unsuccessful adaptation of the seminal Jack Kerouac novel, with surprisingly little energy. The HBO movie Phil Spector is really just a freak show.

You may still be able to catch the fine PBS documentary Philip Roth: Unmasked.  Roth himself gets lots of screen time to explain his career and his creative process.

I haven’t yet seen the bleak Romanian drama Beyond the Hills.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is the superbly acted drama A Late Quartet.

On April 7, Turner Classic Movies has the film noir masterpiece Double Indemnity.  But, if you like noir,  don’t miss the underrated The Set-Up on April 10; for more on The Set-Up, scroll down to #5 on my 10 Best Boxing Movies.

DVD of the Week: A Late Quartet

by

A Late Quartet is a compelling character-driven drama about the individuals that make up an elite and successful classical string quartet.  After twenty-five years, the cellist and leader develops Parkinson’s and must consider retirement.  This development takes the lid off an array of long-simmering issues and triggers personal and interpersonal crises.

What makes A Late Quartet so gripping is the level of performance – not surprising considering the top shelf cast.  Christopher Walken plays a man of uncommon dignity and stateliness, without the creepiness or even the eccentricity that his characters are usually imbued.  Philip Seymour Hoffman is superb as a man who unleashes deeply buried resentments and vulnerabilities.  Catherine Keener is also striking as a woman who cannot answer the question, “Do you love me?”.  Mark Ivanir (who I didn’t remember from Schindler’s List and who often plays Russian gangsters) is excellent as a callous perfectionist brought literally to his knees by something he never expected.  Imogen Poots (Solitary Man) also shines as the prodigy daughter whose drops her youthful playfulness when it’s time to settle a score with her mother.

One more note:  I relished the delightful homage to Dinner with Andre when we suddenly see Wallace Shawn holding forth in a New York restaurant.

We aren’t surprised by any of the plot points, but we are continually surprised by the reactions of the characters, so masterfully delivered by the actors.

Movies to See Right Now

by
LETTERS FROM THE BIG MAN

This week’s best two movies can be found on Video on Demand (I saw them on Amazon Instant), and both feature magical realism:

  • Letters from the Big Man: a beautifully looking and sounding fable about a prickly woman with a guy and a Bigfoot competing for her affections.
  • Electrick Children: an entirely unique teen coming of age story with fundamentalist Mormon teens in Las Vegas.

The best bets in theaters:  

  • No: Gael Garcia Bernal stars as the regular guy who brainstormed the guerrilla advertising campaign that dethroned Chilean dictator Pinochet.
  • The Incredible Burt Wonderstone: a pleasant comedy and a showcase for Jim Carrey.
  • Side Effects: Steven Soderbergh’s psychological thriller starring Rooney Mara, Jude Law and Catherine Zeta-Jones.
  • Quartet: a pleasant lark of a geezer comedy with four fine performances.

Music fans will enjoy the bio-documentary Beware of Mr. Baker, available on VOD.

Emperor, with Tommy Lee Jones as Gen. Douglas MacArthur leading the American occupation of Japan, is historical but plodding.  On the Road is the faithful but ultimately unsuccessful adaptation of the seminal Jack Kerouac novel, with surprisingly little energy.  The HBO movie Phil Spector is really just a freak show.

 I haven’t yet seen the upcoming PBS documentary Philip Roth: Unmasked. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is the smart, actress-written romantic comedy Celeste and Jesse Forever.

On Easter Sunday, Turner Classic Movies offers a Jesusathon of Sword and Sandal movies: Ben-Hur, The Robe and Barabbas. Ben-Hur has the thrilling chariot race around that phenomenal set – one of the greatest sets in movie history. In Barabbas, Anthony Quinn sees Charlton Hestons’s galley slavery and raises it by a tour in the sulpher mines, a stint as a gladiator and the witnessing of the burning of Rome, all culminating in a Christian martyrdom.

DVD of the Week: Celeste and Jesse Forever

by

I really enjoyed Celeste and Jesse Forever, starring Rashida Jones and Andy Samberg as best friends who have been married, are now working on an amiable divorce and are still best friends. The screenplay is co-written by Rashida Jones (Paul Rudd’s fiance in I Love You, Man) and, once you accept the comic premise that this couple is made for each other but not as a married couple, everyone’s behavior is authentic. Sure, he wants to get back with her when she isn’t in a place to do that – and, then, vice versa – but the characters resolve the conflict as they would in real life. Here’s a mini-spoiler – this movie is just too smart to end in rushing to the airport or disrupting the wedding or any of the other typical rom com contrivances.

The supporting characters are funny without being absurdly zany (except for one pot dealer). Chris Messina pops up in Celeste, as he did in the other smart actress-written comedy Ruby Sparks, and does a good job here, too. I’m certainly looking forward to Rashida Jones’ next screenplay.

Movies to See Right Now

by
Gael Garcia Bernal in NO

This week’s best movie in theaters is the suspenseful German historical drama Barbara.  In No, Gael Garcia Bernal stars as the regular guy who brainstormed the guerrilla advertising campaign that dethroned Chilean dictator Pinochet.  The Incredible Burt Wonderstone is a pleasant comedy and a showcase for Jim Carrey. I admire Steven Soderbergh’s psychological thriller Side Effects, starring Rooney Mara, Jude Law and Catherine Zeta-Jones. Emperor, with Tommy Lee Jones as Gen. Douglas MacArthur leading the American occupation of Japan, is historical but plodding.

I haven’t yet seen Walter Salles’ Jack Kerouac movie On the Road, which opens today, or Sunday’s HBO movie Phil Spector. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD/Stream of the week is the most under-appreciated Big Movie of 2012, Zero Dark Thirty, director Kathryn Bigelow’s inspired telling of the hunt for Bin Laden.

Turner Classic Movies is showing a couple of my guilty pleasures this week.  The 1958 Terror in a Texas Town is a lousy movie with an wonderfully implausible climax where the good guy (Sterling Hayden with a Swedish accent) take on a gunfighter with a harpoon.   An even worse movie, 1964’s The Outrage tried to remake Rashomon with a Mexican bandit – and landed Paul Newman the #8 spot on my list of Least Convincing Mexicans.

DVD of the Week: Zero Dark Thirty

by

My DVD pick is the most under-appreciated Big Movie of 2012, Zero Dark Thirty,  director Kathryn Bigelow’s inspired telling of the hunt for Bin Laden.  Zero Dark Thirty got smeared with some unfair punditry and didn’t get either the box office or the Oscar recognition that it deserved.  Zero Dark Thirty is on my list of Best Films of 2012.

Bigelow, who won the directorial Oscar for The Hurt Locker, once again demonstrates an uncommon ability to enthrall. She chose to tell the story of the frustrating, wearying and dangerous ten-year man hunt, not just the exciting raid in Abbottabad.

We should all be grateful that this movie was made with Bigelow’s directorial choices. She is content to invest half of her screen time on false leads and wasted efforts – and makes them utterly gripping. She neither lingers on the violence nor shies away from it. In a scene where a CIA operative is looking for a man talking on a cell phone, the camera pulls back to reveal that he is on a chaotic Pakistani street with hundreds of men on cell phones – perfectly conveying the needle-in-a-haystack aspect of the search.  As the Navy Seal team returns from the successful raid, the music is deeply thoughtful and reflective, not the triumphalist anthem that many directors would have used.

Zero Dark Thirty contains realistic and non-gratuitous depictions of war, terrorism and torture. The movie is, to my sensibilities, not too uncomfortable for most viewers. (You can also read my rant on Zero Dark Thirty and torture – I conclude that the filmmakers did not seek to promote, justify or apologize for torture used by US forces).

Jessica Chastain brilliantly plays the CIA analyst who doggedly and passionately pursues an unlikely lead that finally pays off after a ten-year grind. I’ve already rhapsodized several times about Chastain’s sudden emergence as perhaps our best current screen actress. She is profoundly gifted and can do anything. Let’s just say that, as good as Zero Dark Thirty is, she carries it.

The rest of the fine cast includes Jason Clarke (Lawless), Joel Edgerton (Animal Kingdom), Jennifer Ehle (The Ides of March, The King’s Speech), Kyle Chandler (Friday Night Lights), Fares Fares (Safe House), Jeremy Strong (The Guard), Mark Duplass and James Gandolfini.

Movies to See Right Now

by
Nina Hoss in BARBARA

This week, the theaters feature three historical dramas, the best being the suspenseful German Barbara.  In No, Gael Garcia Bernal stars as the regular guy who brainstormed the guerrilla advertising campaign that dethroned Chilean dictator Pinochet.  Emperor, with Tommy Lee Jones as Gen. Douglas MacArthur leading the American occupation of Japan, is historical but plodding.

The documentary The Gatekeepers is centered around interviews with all six surviving former chiefs of Shin Bet, Israel’s super-secret internal security force; these are hard ass guys who share a surprising perspective on the efficacy of Israel’s war on terror. The documentary
Mea Maxima Culpa: Silence in the House of God is now playing on HBO; it explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top). I admire Steven Soderbergh’s psychological thriller Side Effects, starring Rooney Mara, Jude Law and Catherine Zeta-Jones.

San Jose’s Cinequest Film Festival is over, and for a wrap-up, see my CINEQUEST 2013 page.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD/Stream of the week is, fittingly, the Italian comedy We Have a Pope, especially in a double feature with Mea Maxima Culpa.

I usually don’t think of Dustin Hoffman as a comic actor, but some of his performances have been brilliantly funny, including Tootsie, Little Big Man and the essential The Graduate.  Turner Classic Movies will be broadcasting those three films tomorrow night, March 16.