Weiner – This hit from the Sundance and New Directors film festivals is an inside look at Anthony Weiner’s cringeworthy, self-immolating campaign for New York City Mayor;
Miss Sharon Jones! – Sure to be a festival crowd-pleaser, this doc chronicles the salty Dap Kings frontwoman and her fight against cancer. From Academy Award-winning documentarian Barbara Kopple (Harlan County U.S.A.);
Unlocking the Cage– an animal welfare doc from storied filmmakers Chris Hegedus (The War Room) and D.A. Pennebaker (Monterey Pop and The War Room); and
The Bandit, in the coveted slot as the festivals’ Closing Night film, documents the real life bromance between Burt Reynolds and iconic stuntman Hal Needham that led to Needham’s Smokey and the Bandit movies.
But some of the best docs in the fest are less well-known nuggets:
NUTS! – a persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans.
Dead Slow Ahead– a visually stunning and an often hypnotic film, shot on a massive freighter on its voyage across vast ocean expanses with its all-Filipino crew.
Under the Sun – a searing insight into totalitarian North Korean society, all from government-approved footage that tells a different story than the wackadoodle dictatorship intended.
Tim Curry turns 70 today – forever Dr. Frank N. Furter from The Rocky Horror Picture Show, the original Sweet Transvestite from Transsexual Transylvania.
The Movie Gourmet asked the folks who pick the movies at Cinequest about this year’s program.
MIKE RABEHL is Cinequest’s Director of Programming/Associate Director.
What are your predictions for the biggest audience pleasers? Something like THE SAPPHIRES/THE GRAND SEDUCTION/WILD TALES from past festivals?
Rabehl: As the programming director, I simply do not pick favorites. But, I really think audiences are going to find complete enjoyment in films like REMEMBER ME, HELLO, MY NAME IS DORIS, BUDDY SOLITAIRE, THE COMEDY CLUB, CHUCK NORRIS VS. COMMUNISM, I LOVE YOU BOTH, and any of the BARCO ESCAPE screenings.
What might be the festival’s biggest surprise hit?
Rabehl: I think two films that are REALLY going to affect people are LOVE IS ALL YOU NEED? and UNTIL 20.
Is there any remarkable new filmmaking talent (like last year’s The Center)?
Rabehl: So much to answer here. You look at Simon Stone’s debut with THE DAUGHTER, or Michael Boroweic and Sam Marine’s MAN UNDERGROUND, and you have to be in awe of what they make you feel. Yet, I really think women director’s shine this year. You look at the French influence of Estelle Artus’ ACCORDING TO HER, the vibrancy of Alicia Slimmer’s CREEDMORIA, the purity of Jane Gull’s MY FERAL HEART, or the timeliness and importance of Kim Rocco Shields’ LOVE IS ALL YOU NEED?…It’s really tough to pick just one, So many great voices, and every single one I have mentioned is unique and, in the case of several, quite groundbreaking.
Is there anything that we haven’t seen before in a movie?
Rabehl: I think LOVE IS ALL YOU NEED? pushes the boundaries in a big way and takes of somewhere we haven’t gone before—into a world where homosexuality is the norm and heterosexuality is ridiculed. And, I think people are really going to be wowed by Chris Brown’s THE OTHER KIDS—a hybrid of fiction and non-fiction that really shines a light on the newest generation of youth. And, I have NEVER seen a film like PARABELLUM in all my years of watching cinema. Just something totally different and leaves you breathless at the end.
Last year there were some great single screenings – ’71 and Gemma Bovery kind of under the radar and Three Hearts at the California. Any Can’t Miss single screenings this year?
Rabehl: OPENING and CLOSING nights, definitely. And, I think people will be very sorry if they miss seeing THE WAVE, MA MA, and SUNSET SONG on the big screen. We have also ADDED a new film to the line-up on March 13th, with Paramount’s THE LITTLE PRINCE. I saw it in December, and it is going to be a strong contender for Best Animated Feature at the Oscars next year.
You have a good nose for films from Belgium and Norway. Any Must Sees this year from those national film programs?
Rabehl: I’ve already mentioned THE WAVE—which is from Norway. But, two more films from Norway: STAYING ALIVE and WOMEN IN OVERSIZED MEN’S SHIRTS are definites. And, from Belgium, BROTHER and PROBLEMSKI HOTEL would be my picks. Also, from Russia, don’t miss ORLEANS
Demimonde really looks like my kind of movie (noirish), and Charlie Cockey says that you liked it a lot. Anything you want to tell me about it?
Rabehl: Oh, this one is going to really going to be a sleeper. Hungarian cinema has always been one of our favorites. We have two features this year (the other is FEVER AT DAWN), but in DEMIMONDE, you have this sweeping, Gothic story that feels like a noir. It’s a combination of visual set pieces, costumes, and this incredible musical score that makes me wish to see it on the big screen, rather than the small one I saw it on.
DEMIMONDE
CHARLIE COCKEY is Cinequest’s International Film Programmer.
Some of Cinequest’s highlights always come from international cinema – IDA, of course, and THE HUNT, HEAVENLY SHIFT, IN THE SHADOW and last year’s exquisite CORN ISLAND. What should we be looking for at Cinequest 2016?
Cockey: Please don’t miss THE MEMORY OF WATER – it’s rough, emotionally, but it’s incredible filmmaking. Did you see the absolutely remarkable film THE LIFE OF FISH by Matias Bize? Same director – same quality.
My other picks are LOST IN MUNICH, MAGALLANES, PARABELLUM, SONG OF SONGS, WHY ME? and FEVER AT DAWN.
THE MEMORY OF WATER
SANDY WOLF is Cinequest Documentary Programmer.
Last year’s doc program was very strong, especially ASPIE SEEKS LOVE, MEET THE HITLERS, THERE WILL BE NO STAY and SWEDEN’S COOLEST NATIONAL TEAM. What do you see as the strongest 2-3 documentary features this year? What do you predict will be the biggest audience pleasing documentary?
Wolf: My favorite doc is CHUCK NORRIS VS. COMMUNISM, which I know you have seen. After that, my next two favorites are TRANSFIXED (which is about a transsexual trying to undergo a sex change, who also has Asperger’s) and UNDER 20 (sad but inspirational about a kid who has cancer but keeps on with his high achieving life) – I could see that being an audience favorite, too.
Three others which I favored more so than some of the others are COMEDY CLUB, DAN AND MARGO and GORDON GETTY: THERE WILL BE MUSIC.
Is there any remarkable new documentary filmmaking talent (first feature, etc.)?
Wolf: TRANSFIXED is a first feature.
Bookmark my Cinequest 2016 page, with links to all my coverage. Follow me on Twitter for the latest.
I’ve already seen over twenty offerings from Cinequest 2016, and here are my initial recommendations.
MUST SEE
The Memory of Water: This Chilean drama explores grief, its process and its impact and might just be most masterful filmmaking achievement at Cinequest 2016. Exquisite. March 2, 10, 11.
WORLD PREMIERES
Lost Solace: Highly original psychological thriller and a brilliant directorial debut. World Premiere March 4, 6, 10.
Heaven’s Floor: Absorbing and character-driven autobiographical drama about a most complicated woman and the choices that indelibly affect several lives.World Premiere March 4, 6, 11.
Cinequest hosts the world premiere of LOST SOLACE
DRAMA
Demimonde: Sex, intrigue and murder in this operatic Hungarian period drama. U.S. Premiere March 2, 3, 9, 10.
The Daughter: Based on an Ibsen play, this Australian drama is Cinequest’s Closing Night film and packs a powerfully emotional punch. March 13.
ROMANCE
Fever at Dawn: Urgent period romance between Holocaust survivors, with an unexpected nugget at the end.
DOCUMENTARIES
Chuck Norris vs. Communism: The subversive impact of movies (ANY movies) on a culture-starved society. March 4, 6 and 12
Dan and Margot: A very personal look at schizophrenia from the schizophrenic’s point of view. U.S. Premiere March 6, 7, 8.
The Promised Band: A group of Israeli and Palestinian women seek to fight through the cultural, legal, political, military and security barriers between them by forming a girl band. World Premiere March 4, 6, 10.
The Brainwashing of My Dad: Personalizes the effects of right-wing media on mood and personality as well as on the political culture. US Premiere March 5, 6, 9.
Gordon Getty: There Will Be Music: Insights into the quiet passion and creative process of a most unusual classical composer. March 6, 11, 12.
SOMETHING YOU HAVEN’T SEEN BEFORE
Parabellum: This absurdist and trippy Argentine drama is set in a pre-apocalyptic near future; clearly everyone should be panicking, but no one is. March 2. 10, 12.
COMEDY
A Beginner’s Guide to Snuff: Broad, dark and shamelessly low brow comedy with a sparkling performance by an actress as an actress. World Premiere March 4, 6, 11.
WOMEN FILMMAKERS
This year, Cinequest presents the world or US premieres of sixty features and sixty-nine shorts. And of these 129 debut films, 64 were directed by women! These include Heaven’s Floor, The Brainwashing of My Dad, Dan and Margot and The Promised Band.
HEAVEN’S FLOOR
PREVIEWS
Several Cinequest films already have U.S. distributors and are planned for theatrical release later this year. I haven’t seen them yet, but you can see them first at Cinequest:
The Helen Mirren thriller Eye in the Sky on Opening Night, March 1;
The Wave (Borgen) March 2;
Ma Ma (Penelope Cruz) March 6;
Colonia (Emma Watson) March 10;
February(Shipka Kiernan from Mad Men, Emma Roberts) March 12; and
The Adderall Diaries (James Franco, who will be making a personal appearance) March 12;
The Little Prince (already spoken of as a contender for the 2017 Animated Feature Oscar) March 13.
Take a look at the entire program, the schedule and the passes and tickets. (If you want to support Silicon Valley’s most important cinema event while skipping the lines, the tax-deductible $100 donation for Express Line Access is an awesome deal.)
As usual, I’ll be covering Cinequest rigorously with features and movie recommendations. I usually screen (and write about) over thirty films from around the world. Bookmark my Cinequest 2016 page, with links to all my coverage. Follow me on Twitter for the latest.
Tomorrow: Cinequest insiders look at the 2016 festival
OK, so I just posted that we would skip our annual Oscar Dinner because we were returning from an away weekend, but The Wife insisted on meeting the challenge of catering it from Trader Joes. So here we are:
Water, rushing so extravagantly from Immortan Joe’s cliff-side fortress in Mad Max: Fury Road;
Pint of Ale from one of the Boston bars in Spotlight;
Bison Jerky from The Revenant (no raw bison liver available at TJs);
Spaghetti, which Ellis mastered eating, after much practice, in Brooklyn;
Peas and carrots from the Donovan family dinner in Bridge of Spies (served in vintage Corning ware – also on the Donovans’ table);
Potatoes (but not cultivated in our own waste) from The Martian; and
Cake as an homage both to Jake’s birthday cake (sans candles) in Room and to the Las Vegas convention dessert that Mark Baum disgustedly consumes in The Big Short.
Every year, we have watched the Oscars while enjoying a meal inspired by the Best Picture nominees. We’ve had sushi for Lost in Translation, cowboy beans for Brokeback Mountain, Somali chicken suqaar for Captain Phillips, etc. The photo above shows last year’s Oscar dinner, finished with the courtesan au chocolate, the elaborate filled pastry smuggled to Gustave (Ray Fiennes) in The Grand Budapest Hotel.
But this year, The Wife and I are spending an away weekend with our daughter and son-in-law, so we just can’t pull it off.
But, if we were going to stage our dinner, we would have considered:
spaghetti from Brooklyn;
potatoes (but not cultivated in our own waste) from The Martian;
pub pints from one of the Boston bars in Spotlight;
Steve Carell’s Las Vegas convention dessert in The Big Short;
and I like the idea of raw bison liver from The Revenant, but The Wife was never going to agree to that.
Below is our 2011 pièce de résistance, our Severed Hand Ice Sculpture for 127 Hours and Winter’s Bone.
The Movie Gourmet’s culinary tribute to 127 HOURS and WINTER’S BONE
The thought-provoking documentary The Promised Band has its world premiere next week at Cinequest. It’s about a group of Israeli and Palestinian women seeking to fight through the cultural, legal, political, military and security barriers between them (by forming a girl band). I’ve seen it, and it effectively brings the audience into the Israel-Palestine border situation and the isolating effects on both Israelis and Palestinians. The Promised Band is one of the 129 woman-directed films at this year’s Cinequest.
The most compelling subject of the documentary is the main Palestinian character, the charismatic Lina. There’s now a GoFundMe campaign to raise money to bring Lina from Ramallah to San Jose for Cinequest: Let’s Get Lina to California. I’ve kicked in a little, and I’d appreciate it if you would consider helping out, too.
The Movie Gourmet saw Brooklyn again last weekend with The Wife, and I liked it better the second time around. That’s saying something because it’s already #4 on my Best Movies of 2015. (The only three movies that I admired more weren’t nominated this year.)
Here’s my original post on Brooklyn, when it was first released. This time – even though I knew what was coming – I was much more emotionally involved in the story. I predicted that Brooklyn would especially appeal to women, but even my male poker buddies who saw it told me that they “were rooting for the Italian guy”.
Saoirse Ronan is so brilliant in Brooklyn. I expect Brie Larson to win the Best Actress Oscar for Room, but Charlotte Rampling (45 Years) and Ronan are equally deserving.
On Sunday evening, The Revenant is going to beat Spotlight for the Best Picture Oscar. I rated Brooklyn the highest of the Oscar-nominated movies, even over The Revenant and Spotlight, and I’m sticking with that assessment.
Make your plans now to attend the 26th edition of Cinequest, Silicon Valley’s own major film festival. By some metrics the largest film festival in North America, Cinequest was recently voted the nation’s best by USA Today readers. The 2016 Cinequest is scheduled for March 1 through March 13 and will over 100 feature films from the US and over twenty other countries. And, at Cinequest, it’s easy to meet the filmmakers.
This year’s headline events include:
The Helen Mirren thriller Eye in the Sky on Opening Night.
A pre-release screening of the major studio The Little Prince, already spoken of as a contender for the 2017 Animated Feature Oscar.
James Franco’s appearance to present his film The Adderall Diaries.
Rita Moreno’s attendance at the world premiere of her movie Remember Me.
The Australian drama The Daughter on Closing Night (I’ve seen it – and it packs a punch!).
This year, Cinequest presents the world or US premieres of sixty features and sixty-nine shorts. And of these 129 debut films, 64 were directed by women!
I’m going to be strongly recommending at least two of these first features, the psychological thriller Lost Solace and the character-driven drama Heaven’s Floor. I’ve already screened over a dozen Cinequest 2016 movies, and I’ve already also found an excellent period romance, some thought-provoking documentaries and even a satisfying low brow comedy.
Indeed, the real treasure at Cinequest 2016 is likely to be found among the hitherto less well-known films. In the past three years, the Cinequest gems Wild Tales, ’71, Ida and The Hunt all made my Best of the Year lists.
Cinequest is on my list of Silicon Valley’s Best Movie Deals. You can get a pass for as little as $155, and you can get individual tickets as well. The express pass for an additional tax-deductible $100 is a fantastic deal – you get to skip to the front of the lines!
Take a look at the program, the schedule and the passes and tickets. (If you want to support Silicon Valley’s most important cinema event while skipping the lines, the $100 donation for Express Line Access is an awesome deal.)
As usual, I’ll be covering Cinequest rigorously with features and movie recommendations. I usually screen (and write about) over thirty films from around the world. I’ll soon have up a Cinequest 2016 page. Follow me on Twitter for the latest.
I know that this is utterly futile, but I wish that young people will watch 45 Years. It’s not gonna happen because young people have little interest in movies about old people. But there’s much in 45 Years for folks in their 20s to consider as they build lifelong relationships.
It’s easy to say, “Be completely truthful and hide nothing from your partner”. And we’ve certainly seen enough examples (even in movies, too) about the corrosiveness of familial secrets and lies. But what about truths that are toxic and destructive?
45 Years also illustrates that you gotta live with your partner’s feelings whether justified, rational or not. Kate herself knows that she shouldn’t blame Geoff for something before he had met her, saying, “I can hardly be cross about something before we existed, could I?….Still…” Then there’s the question, not of what he did, but why he didn’t tell her. And 45 Years probes what happens when the assumptions in a relationship are rocked.
Finally, here’s some rare relationship advice from The Movie Gourmet that would have aided the characters in 45 Years: If you can’t handle the answer, don’t ask the question.
