DVD/Stream of the Week: THE HOMESMAN

Hilary Swank and Tommy Lee Jones in THE HOMESMAN
Hilary Swank and Tommy Lee Jones in THE HOMESMAN

Tommy Lee Jones co-wrote, directs and stars in the dark Western (I love Westerns!) The Homesman. Hilary Swank plays a single woman in bleak frontier Nebraska who volunteers to take three madwomen to respite, a hard five weeks wagon ride to the east in civilized Iowa. She conscripts an irascible reprobate (Tommy Lee Jones) to help her. About Jones’ character, A.O. Scott of the New York Times wrote “It’s as if Yosemite Sam had turned up in the pages of a Willa Cather novel.” As in any odyssey or road trip story, they face obstacles that make it an adventure – and, in a Western, we expect those to include harsh natural conditions, hostile Indians and bad gunmen.

Like Clint Eastwood’s Unforgiven, The Homesman doesn’t romanticize the Wild West. The three passengers have suffered mental breakdowns. Each of them has clung to sanity through almost the unbearable hardships of frontier life, and then has been broken by a distinct trauma.

The Homesman has been labeled a “feminist Western”, and this is accurate. Swank’s character is independent, industrious and earnest and responsible to a fault. She’s a great catch for any guy post-1900, but her very independence repels any hope for male companionship in the mid-19th Century Old West, where the local yokels travel all the way Back East for women that are suitably submissive. As to the three broken passengers, really bad things have happened to the women, and the fact that they’ve been isolated with patriarchal and, in some cases abusive, men, has made it that much more unbearable.

Jones directs with a steady hand, and as in his exemplary Three Burials of Melquiades Estrada, proves to have a special gift with a western setting and in getting good performances. Here, he and Swank are just as good as we would expect, which is pretty damn good. The cast is dotted by the likes of John Lithgow and even Meryl Streep, but the standout, most memorable performances are the supporting turns by Tim Blake Nelson, James Spader and Hailee Steinfeld.

Unless you’re on a date or looking for an escapist lark, The Homesman is a fine movie on all counts; but be prepared for unrelenting grimness in this starkly, dark tale. It is available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

Movies to See Right Now

Laura Dern in WILD
Laura Dern in WILD

I really liked Reese Witherspoon and Laura Dern in WILD.  Just saw THE IMITATION GAME and liked it too.  I’ll be writing about both of them this weekend.  The Theory of Everything, Foxcatcher and Whiplash are really good, too. And Birdman, Force Majeure and Gone Girl are three of the VERY BEST OF THE YEAR.   Here are the links to my recommendations:

  • The Theory of Everything is a successful, audience-friendly biopic of both Mr. AND Mrs. Genius.
  • Set in the macho world of Olympic wrestling, Foxcatcher is really a relationship movie with a stunning dramatic performance by Steve Carell.
  • The cinematically important and very funny Birdman.
  • The best Hollywood movie of 2014, the thriller Gone Girl, with a career-topping performance by Rosamund Pike.
  • I liked the droll Swedish dramedy Force Majeure, which won an award at Cannes and is Sweden’s submission for the Best Foreign Language Oscar.
  • If you want a stark and grim look at the Old West, there’s Tommy Lee Jones’ feminist Western The Homesman.
  • J.K. Simmons is brilliant in the intense indie drama Whiplash, a study of motivation and abuse, ambition and obsession.
  • Bill Murray’s funny and not too sentimental St. Vincent.
  • If you’re in the mood for a brutal, brutal World War II tank movie, there’s Fury.

I very rarely recommend a sci-fi movie, but I really liked the thought-provoking romance I Origins that explores the tension between science and spirituality.  I Origins is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Instant Video.

Tomorrow, Turner Classic Movies airs John Huston’s 1949 The Treasure of the Sierra Madre. It’s still a gripping yarn – three down-and-outers improbably (and literally) strike gold. But can they trust each other enough to realize their gains once envy and greed appear? The Treasure of the Sierra Madre features one of Humphrey Bogart’s most colorful and compelling performances, which is reason enough to watch this classic.

But I also love watching director Huston’s real life father Walter Huston, who is cast as another of the trio. Most of us know Walter Huston, with his Gabby Hayes visage, from this movie, but Walter Huston was a major movie star as cinema moved to the talkies. Just between 1929 and 1939, he starred in thirty films. I love Huston’s work in this era, and I think that, with his very modern sensibility, he would be successful if he were working in today’s cinema. This is a good introduction to his work. (He also appeared very briefly in John Huston’s directorial debut The Maltese Falcon – as Captain Jacoby, the guy who staggers into Sam Spade’s office with the titular black bird and expires.)

Michael Pitt and Brit Marling in I ORIGINS
Michael Pitt and Brit Marling in I ORIGINS

THE HOMESMAN: a dark, feminist Western – and not for eveybody

Hilary Swank and Tommy Lee Jones in THE HOMESMAN
Hilary Swank and Tommy Lee Jones in THE HOMESMAN

Tommy Lee Jones co-wrote, directs and stars in the dark Western (I love Westerns!) The Homesman. Hilary Swank plays a single woman in bleak frontier Nebraska who volunteers to take three madwomen to respite, a hard five weeks wagon ride to the east in civilized Iowa. She conscripts an irascible reprobate (Tommy Lee Jones) to help her. About Jones’ character, A.O. Scott of the New York Times wrote “It’s as if Yosemite Sam had turned up in the pages of a Willa Cather novel.” As in any odyssey or road trip story, they face obstacles that make it an adventure – and, in a Western, we expect those to include harsh natural conditions, hostile Indians and bad gunmen.

Like Clint Eastwood’s Unforgiven, The Homesman doesn’t romanticize the Wild West. The three passengers have suffered mental breakdowns. Each of them has clung to sanity through almost the unbearable hardships of frontier life, and then has been broken by a distinct trauma.

The Homesman has been labeled a “feminist Western”, and this is accurate. Swank’s character is independent, industrious and earnest and responsible to a fault. She’s a great catch for any guy post-1900, but her very independence repels any hope for male companionship in the mid-19th Century Old West, where the local yokels travel all the way Back East for women that are suitably submissive. As to the three broken passengers, really bad things have happened to the women, and the fact that they’ve been isolated with patriarchal and, in some cases abusive, men, has made it that much more unbearable.

Jones directs with a steady hand, and as in his exemplary Three Burials of Melquiades Estrada, proves to have a special gift with a western setting and in getting good performances. Here, he and Swank are just as good as we would expect, which is pretty damn good. The cast is dotted by the likes of John Lithgow and even Meryl Streep, but the standout, most memorable performances are the supporting turns by Tim Blake Nelson, James Spader and Hailee Steinfeld.

Unless you’re on a date or looking for an escapist lark, The Homesman is a fine movie on all counts; but be prepared for unrelenting grimness in this starkly, dark tale.