Movies to See Right Now

Photo caption: ABOUT ENDLESSNESS

This week, two new foreign films – one of them is brilliant. Plus an overlooked masterwork from 1964.

ON VIDEO

About Endlessness: The master of the droll, deadpan and absurd probes the meaning of life. One of the best movies of the year, but NOT FOR EVERYONE. Streaming on Amazon, Vudu, YouTube and Google Play.

Bad Tales: Middle schoolers must navigate adolescence in this Italian coming of age film while their fathers radiate toxic masculinity. Droll and dark – perhaps too dark. Virtual Cinema, including Laemmle.

IN THEATERS

Eric Bana in Robert Connolly’s film THE DRY, which played at SFFILM. Photo courtesy of SFFILM.
  • The Dry: a mystery as psychological as it is procedural. In theaters and also streaming on AppleTV, YouTube and Google Play
  • Undine: slow burn, barely flickering.

MORE ON VIDEO

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

On June 13, Turner Classic Movies will present an overlooked masterwork. Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing Englishwomen for the brass. Julie Andrews plays an English driver who has lost her husband and other male family members in the War. She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy. Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it. Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network. Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe. Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Jule Andrews and James Garner in THE AMERICANIZATION OF EMILY

Movies to Watch Right Now (at home)

THE DEEP

This week, The Movie Gourmet adds more three overlooked gems to watch at home: a real life survival story, an irresistible glimpse into The New Yorker cartoons and a forgotten anti-war classic.

ON VIDEO

The compelling The Deep tells the fact-based survival story of a shipwrecked Icelandic fisherman’s ordeal in frigid waters.   You can stream The Deep on Amazon, Vudu, YouTube and Google Play.

If you’re like me and you worship the cartoons in The New Yorker, then the documentary Very Semi-Serious is a Must See. You can stream it from Amazon (free with Prime), iTunes, YouTube and Google Play.

In the absorbing crime thriller The Whistlers, a shady cop and a mysterious woman are walking a tightrope of treachery. The Whistlers was a hit at last year’s Cannes Film Festival, but COVID-19 impaired its 2020 theatrical release in the US. You can stream it from Amazon, Vudu, YouTube and Google Play.

Other recent streaming recommendations:

Buck Brannaman in BUCK

ON TV

On May 3, Turner Classic Movies will present an overlooked masterwork. Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing Englishwomen for the brass. Julie Andrews plays an English driver who has lost her husband and other male family members in the War. She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy. Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it. Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network. Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe. Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Jule Andrews and James Garner in THE AMERICANIZATION OF EMILY

Movies to See Right Now

Anne Bancroft and Aldo Ray in NIGHTFALL playing this week at NOIR CITY

This weekend, I’m in San Francisco for the Noir City film festival; check out my festival preview.

OUT NOW

  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Will win multiple Oscars. It is streaming now Netflix.
  • Green Book: Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.
  • Do NOT, under any circumstances, see I Hate Kids, which I started to screen for a film festival earlier in the year, but could not bring myself to finish.  Somehow, it got a theatrical release, but it only has a Metacritic rating of 12.

ON VIDEO

The Aura is a brilliant 2005 neo-noir from Argentina that I wasn’t familiar with until the Czar of Noir, Eddie Muller, programmed it into the 2017 Noir City film festival. The Aura is available to rent on DVD from Netflix and to stream from Amazon and Hulu.

 

On TV

On January 27, Turner Classic Movies will present an overlooked masterwork. Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass. Julie Andrews plays an English driver who has lost her husband and other male family members in the War. She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy. Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it. Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

And on January 30, TCM presents the often transgressive cult classic Spider Baby, the last horror film for Lon Chaney, Jr. and the first for Sid Haig.

Sid Haig in SPIDER BABY
Sid Haig in SPIDER BABY

Movies to See Right Now

Ruth Bader Ginsburg in RBG

It’s a disparate set of recommendations this week: a biodoc about an 84-year-old jurist, an indie drama about a cowboy and a family horror movie.

OUT NOW

  • The MUST SEE is The Rider. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny.
  • RBG is the affectionate and humanizing biodoc about that great stoneface, Ruth Bader Ginsburg.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.

ON VIDEO
In my Stream of the Week, the delightfully smart and funny Israeli comedy The Women’s Balcony, a community of women in a traditional culture revolt. The longer you’ve been married, the funnier you’ll find The Women’s Balcony. The Women’s Balcony is available to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On June 3, Turner Classic Movies will present an overlooked masterwork.  Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Jule Andrews and James Garner in THE AMERICANIZATION OF EMILY

Movies to See Right Now

Gene Tierney startles Dana Andrews in LAURA
Gene Tierney startles Dana Andrews in LAURA

In theaters:

  • The smart and hilarious The Trip to Italy showcases the improvisational wit of Steve Coogan and Rob Brydon, along with some serious tourism/foodie porn.
  • Feedback from my readers is almost unanimous – Richard Linklater’s family drama Boyhood is a special movie experience – and possibly the best film of the decade.
  • I really liked The One I Love – a relationship romance, a dark comedy and a modern day episode of The Twilight Zone rolled into one successful movie. Although it’s leaving theaters this weekend, it remains available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Terry Gilliam’s sci-fi fable The Zero Theorem opens today; it’s visually arresting, but the story becomes tedious.  Poor writing and directing sabotage the delightful performances of Alfred Molina and John Lithgow in the romantic drama Love Is Strange. I was also disappointed by the tiresome Frank Miller’s Sin City: A Dame to Kill For.

Here’s my preview of the upcoming Mill Valley Film Festival.

My DVD/Stream of the Week is the absorbing French period drama Augustine, about obsession, passion and the birth of a science. Augustine is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, and Xbox Video.

On September 24, Turner Classic Movies plays the underrated anti-war masterpiece The Americanization of Emily, the favorite film of both of its stars – James Garner and Julie Andrews. On September 27, TCM offers the classic noir thriller Laura, with an unforgettable performance by Clifton Webb as a megalomaniac with one vulnerability – the dazzling beauty of Gene Tierney. The musical theme is unforgettable, too.

James Garner’s overlooked masterpiece

James Garner (right) with James Coburn in THE AMERICANIZATION OF EMILY

Actor James Garner has died at 86, known primarily for a brilliant television career highlighted by Maverick and The Rockford Files.  Yet Garner was also a fine movie actor, and starred in an oft overlooked masterpiece, the 1964 The Americanization of Emily. Set in England just before the D-Day invasion, The Americanization of Emily is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with procuring luxury goods and willing English women for the brass. Julie Andrews plays an English driver who has lost her husband and other male family members in the War. She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy. Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it. Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network. Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Almost twenty years later, Garner reteamed with Julie Andrews in one of the all time great comedies, Victor/Victoria.  However, both Andrews and Garner have tagged The Americanization of Emily as their favorite film.

The Americanization of Emily is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.  It also plays several times each year on Turner Classic Movies and is next scheduled for September 24.

J
Julie Andrews and James garner in THE AMERICANIZATION OF EMILY

Movies to See Right Now

Actually, there’s no MUST SEE in theaters right now, but here are three pretty good movies, plus a recent hit and an overlooked classic.

Jake Gyllenhaal is brilliant in two roles in the psychological thriller Enemy.  Like all Wes Anderson movies, The Grand Budapest Hotel is wry and imaginative, but not one of his most engaging.  Just out today, Dom Hemingway is a fun and profane romp.

My DVD/Stream of the Week is the gloriously entertaining American Hustle.  Amid an all-star cast, I think that Jeremy Renner, Jennifer Lawrence and Louis C.K. steal the show. American Hustle is now available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

Reportedly, James Garner and Julie Andrews have each tagged the biting anti-war satire  The Americanization of Emily as their favorite movie, and Turner Classic Movies will be playing it on April 6.

Finally, baseball season has begun, so it’s time to check out this wonderfully mad movie list: Bob Calhoun’s Zombies in the Outfield and Cats in the Owners’ Box: The Top Ten Odd and Overlooked Baseball Movies for RogerEbert.com.

Coming up on TV: An Anti-war Masterpiece

James Coburn and James Garner in THE AMERICANIZATION OF EMILY

Turner Classic Movies is broadcasting the 1964 The Americanization of Emily on November 11.    Set in England just before the D-Day invasion, The Americanization of Emily is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Coming up on TV: An Anti-war Masterpiece

James Coburn and James Garner in The Americanization of Emily

Turner Classic Movies is broadcasting the 1964 The Americanization of Emily on April 7.    Set in England just before the D-Day invasion, The Americanization of Emily is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Coming up on TV: The Americanization of Emily

 

Julie Andrews and James Garner in The Americanization of Emily

 

One  of my Overlooked Masterworks plays on TCM on October 25th.  Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.