La La Land – Page 2 – The Movie Gourmet

Movies to See Right Now

December 23, 2016 by movie gourmet

My movie recommendations for this Holiday weekend begin with these two crowd pleasers:

La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
Lion: an emotionally affecting family drama.

Other top recommendations:

Manchester by the Sea: MUST SEE. Don’t miss Casey Affleck’s career-topping performance in the emotionally authentic drama .
Elle: MUST SEE (but increasingly hard to find in theaters). A perverse wowzer with the year’s top performance by Isabelle Huppert. Manchester by the Sea is #2 and Elle is #4 on my Best Movies of 2016.
Loving: The love story that spawned a historic Supreme Court decision.
Mascots: the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is streaming on Netflix Instant.
The Eagle Huntress: This documentary is a Feel Good movie for the whole family, blending the genres of girl power, sports competition and cultural tourism.

Also in theaters or on video:

Despite a delicious performance by one of my faves, Michael Shannon, I’m not recommending Nocturnal Animals.
Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
Skip the dreary and somnolent Jackie – Natalie Portman’s exceptional impersonation isn’t enough.
If you’re interested in the Japanese actor Toshiro Mifune or cinema in general (and can still find the movie in a theater), I recommend the documentary Mifune: The Last Samurai.

My DVD/Stream of the Week picks are, for the rest of 2016, this year’s best films that are already available on video: Hell or High Water, Eye in the Sky, Chevalier, Weiner, Take Me to the River, OJ: Made in America and Green Room.

On Christmas Day, Turner Classic Movies presents the brilliantly funny Hail the Conquering Hero, one of writer-director Preston Sturges’ less well-known great comedies. Eddie Bracken plays a would-be soldier discharged for hay fever – but his hometown mistakenly thinks that he is sent home a war hero. Hilarity ensues. All the funnier when you realize that this film was made in 1944 amid our nation’s most culturally patriotic period.

William Demarest and fellow Marines comfort Eddie Bracken in HAIL! THE CONQUERING HERO

LA LA LAND: romantic, vivid and irresistible

December 23, 2016December 23, 2016 by movie gourmet

There’s a profound love story at the heart of La La Land, and it’s told with extravagant musical, visual and acting artistry. In dazzling performances, Emma Stone and Ryan Gosling star as struggling artists (actress and jazz pianist) in contemporary Los Angeles who meet and fall in love. Neither the actress or the musician can buy a break in their careers, and the tension between sticking to their passions and compromising for popular success will determine the future of their relationship. They can’t resist each other, and we, the audience, can resist neither them or La la Land.

Emma Stone and Ryan Gosling are Movie Stars in the best sense of the phrase. Each has a special charisma before a camera; we are driven to watch them and to sympathize with them. There’s a scene when Stone’s character is dining with another man, hears background music that reminds her of Gosling’s and runs to join him at the Rialto Theatre; it’s as authentically romantic as any scene in any movie. When Gosling’s character lashes out and says something hurtful, the expression in Stone’s eyes is absolutely heartbreaking.

La la Land employs music and dance to tell its story in as immersive an experience as in the great 1964 French drama The Umbrellas of Cherbourg. The original music by Justin Hurwitz (Whiplash) is excellent. John Legend co-stars as the leader of an emerging band. The dancing in La La Land is the real thing – we see the full bodies dancing like we did with Fred Astaire and Gene Kelly – no phony close-ups and quick cuts.

They are no Fred and Ginger, but Gosling and Stone dance well enough; Gosling started out as a Mouseketeer, after all. Gosling’s voice is not strong, but it’s pleasing (think Chet Baker). Stone finally gets to really belt one out near the finale.

Gosling plays the piano – really plays it – magnificently. Liz Kinnon is credited as Gosling’s piano teacher/coach – and she must have done a helluva job.

All of this comes from writer-director Damien Chazelle, a 31-year-old guy from Rhode Island who most recently made Whiplash. Chazelle has served notice that he’s a remarkable talent.

Chazelle’s use of vivid colors is at the core of La La Land’s hyper-stylized look. Right in the opening scene, notice the colors of cars in the opening traffic jam and then the colors of clothes on the motorists that burst into a production number. Carried throughout the movie, Chazelle’s use of the color palette made me think of the films of Pedro Almodovar. The production design is by David Wasco, who has worked on six Quentin Tarantino films and movies ranging from Rampart to Fifty Shades of Grey. It’s one of the best-looking movies in years.

As befits its title, La La Land is a love letter to Los Angeles. We see locals doing the tourist thing, which I think is very cool, as the stars take in the Watts Towers and the Angels Flight Railway. In a joint homage to LA and to the movies, our lovers watch Rebel Without a Cause at the Rialto and then sneak in the Griffith Observatory after dark themselves.

La La Land’s epilogue is as wistful and emotionally powerful as the storied snowy one in The Umbrellas of Cherbourg. This fantasy montage is the emotional climax of La La Land and perhaps its cinematic highlight.

It’s worth noting that golden age of movie musicals was when the Greatest Generation enjoyed them as a diversion from the Depression and world war. We’re well past the apex of movie musicals, but, every so often, a musical arrives at a moment when we are ready to embrace one (Grease, Fame, Flash Dance, Chicago). Now – after the election campaign of 2016 and as the new administration prepares to take over the government – is such a moment.

La La Land is a profound love story, exquisitely told with music, dance and superb acting. It’s a landmark in cinema and one of my Best Movies of 2016.

LOOKS LIKE AN AMAZING FALL SEASON FOR MOVIES

October 1, 2016 by movie gourmet

Every October through New Year, Hollywood rolls out its most cinematically aspirational movies to compete with indie and foreign Oscar bait. This shaping up to be a killer Prestige Season – the depth of the upcoming offerings is especially promising. We know about them because they’ve been screened at major film festivals earlier this year, and the buzz has leaked out. These movies start rolling out into theaters on October 7 and 14 (Birth of a Nation and Certain Women) and continue opening through January 20 in the Bay Area (Toni Erdmann).

The top candidates for the Best Picture Oscar are looking to be:

Arrival stars Amy Adams as a linguist dispatched to communicate with alien lifeforms Directed by Denis Villaneuve (Incendies – my top movie of 2011, Prisoners, Sicario).
La La Land is a big studio musical a la Singing in the Rain with Emma Stone and Ryan Gosling.
Loving tells the story of the Virginia couple whose 1967 US Supreme Court case overturned state laws banning inter-racial marriage. Stars Joel Edgerton and Ruth Negga. Directed by Jeff Nichols (Shotgun Stories, Take Shelter, Mud, all three of which made my Best of the Year lists).
Manchester By the Sea, a family drama from writer-director Kenneth Lonergan, the genius behind the little-seen Margaret. Stars Casey Affleck, Michelle Williams and Kyle Chandler. Big hit at Sundance.

Other major releases that could break through:

Lion stars Dev Patel as an Australian adoptee returning to India to search for his biological parents; costarring Nicole Kidman and Rooney Mara.
Birth of a Nation – Nate Parker writes, directs and stars in this depiction of Nat Turner’s 1831 slave rebellion. This was an awards favorite after Sundance in January, but the buzz has been sinking after the publicizing of director Parker’s own involvement in a 1999 campus rape case; (he was tried and acquitted).
Jackie – Natalie Portman as Jackie Kennedy.
Hacksaw Ridge is the true story of the WWII conscientious objector who served as a battlefield medic and earned the Congressional Medal of Honor. Being a Mel Gibson movie, the battle scenes are realistic and vivid.
And the big family hit of the Holiday season may turn out to be, of all things a documentary about a Mongolian girl – The Eagle Huntress; reportedly it’s both a crowd pleaser and spectacular eye candy.

LOVING Credit: Ben Rothstein/Focus Features

Then there is an entire herd of foreign and indie films that will grace the art houses. Some will break through as popular hits and, undoubtedly, some will spawn Oscar nominations for acting, directing and writing awards.

Toni Erdmann is writer-director Maren Ade’s perspective of a father-daughter relationship, creating a totally original and unforgettable father who takes prankstering into performance art. You might not expect an almost three-hour German comedy to break through, but I’ve seen it, and I think that it’s a lock to win the Oscar for Best Foreign Language Picture.
Nocturnal Animals is a violent thriller with Amy Adams, Jake Gyllenhaal and Michael Shannon.
The Handmaiden is a mystery romance set in Japan, from Chan-wook Park of Oldboy.
Julieta is Pedro Almodovar’s latest. That’s enough for some of us.
Aquarius, stars Sonia Braga as a woman battling developers to protect her home; Braga is still luminous 40 years after Donna Flor and Her Two Husbands.
Certain Women comes from Kelly Reichardt of Wendy and Lucy, starring Michelle Williams, Kristen Stewart and Laura Dern.
The Salesman is another personal drama from Asghar Farhadi of A Separation.
Personal Shopper is a Parisian ghost story that stars Kristen Stewart. From director Olivier Assayas.
Elle, from director Paul Verhoeven, stars Isabelle Huppert in, what else?, a psychological thriller with disturbing sex.
Paterson Adam Driver stars in this drama from Jim Jarmusch.

Keep coming back to The Movie Gourmet. and I’ll keep you current on this year’s Big Movies.