Dev Patel

MONKEY MAN: a massacre, one bad guy at a time

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Photo caption: Dev Patel in MONKEY MAN, Courtesy of Universal Pictures.

Monkey Man is a vividly colored and kinetic revenge thriller staring its director and co-writer, the ever sympathetic Dev Patel. It’s also relentlessly violent and, ultimately, empty.

The story is simple, Kid (Patel) is driven to exact vengeance for an atrocity by killing the head bad guy, and so must first kill his way through scores, perhaps hundreds, of the minor bad guys, one or two at a time. I like seeing bad guys get violently chewed up as much as the next guy, but the vastness of the bad guy fodder in Money Man became tiresome.

Now, I love watching Dev Patel, so good in Slumdog Millionaire, The Second Best Exotic Marigold Hotel, Lion, The Green Knight and The Personal History of David Copperfield. He is magnetic and equipped with what Manohla Dargis calls his “melting eyes that he can light up or expressively dim to create a sense of vulnerability”.

Monkey Man is clearly an homage to Bruce Lee, amplified by the filmmaking advances of the 50 years since Enter the Dragon. Indeed, Patel has studied Taekwando since childhood (not apparent when he’s playing a Dickensian character, for example).

We’ve always known that Dev Patel can act. Monkey Man proves that Dev Patel can carry an action picture. And Monkey Man, with its clever action sequences, speedy pacing and blazing color palette, proves that Dev Patel can direct, too.

When you have dispatch this many bad guys with one’s bare hands, some imagination is required. One instance, with a knife in the throat, will be talked about for decades.

Patel takes a shot at Hindu nationalism in India and a thinly-veiled swipe at prime minister Modi. I noted that Patel is a Brit of Gujarati Indian heritage, some generations removed from India itself. But the need to take on racism and intolerance is universal, so good for him.

Nevertheless, I left Monkey Man unsatisfied. The only unpredictability was whether Kid would kill the next bad guy with a kitchen utensil or the glass door of an oven. The next day, however, I thought about the kind of crap that teenage boys watch, and Monkey Man’s artsy filmmaking, the hint of a political message, and the Indian setting would constitute an elevated alternative. I just can’t think of why an adult cinephile would need to see it.

THE GREEN KNIGHT: more of a test than a quest

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Photo caption: Dev Patel in THE GREEN KNIGHT. Photo courtesy of A24.

In the swords-and-sorcerers fantasy The Green Knight, Dev Patel plays Sir Gawain of Arthurian legend. Gawain is privileged to be the son of a sorceress (Sarita Choudhury) and the nephew of the king (Sean Harris), and both have high hopes for him. But Gawain is short in the maturity department; he is so much of a wastrel that he can’t find his own boots after a debauch.

The callow Gawain asks, Is it wrong to want greatness? His girlfriend (Alicia Vickander) replies, Isn’t it enough to be good? This movie is about goodness (responsibility, duty, loyalty, faithfulness) as a prerequisite to greatness. Gawain would prefer to skip a necessary step.

The otherworldly Green Knight crashes Christmas dinner at the king’s court and offers a chilling “game”. He challenges anyone to strike him a blow, on the condition that the Green Knight return the blow in one year’s time. Gawain doesn’t have the emotional intelligence to pick up that the actually heroic knights around him are all spooked by an offer that seems to good to be true. Impulsively, Gawain beheads the Green Knight. The Green Knight then picks up his head and exits, turning to utter the words, One year – hence. Oops.

One year later, it’s time for Gawain to keep his end of the bargain and travel to the Green Knight’s chapel in the woods. Not having used the year to develop any more maturity or responsibility, Gawain embarks on his quest, clearly not ready for prime time as a heroic knight. He is gifted with talismans that he keeps losing and which are nonetheless restored to him. He is embarrassingly outmatched by an untethered punk of a brigand (Barry Keogh).

After a series of adventures, Gawain arrives in the Green Knight’s forest lair, and it’s time for us to see what he’s made of. The Green Knight is less a movie about a quest than it is about a character test. The thing about a test is that it can be passed or it can be failed.

Writer-director David Lowery (Ain’t Them Bodies Saints, A Ghost Story) seems like a pretty high brow director for a Knights of the Round Table tale. It is Lowery’s focus on character that makes The Green Knight a movie fit for thinking adults (and decidedly not a popcorn movie for kids).

It may not be apparent from The Movie Gourmet’s unrelenting menu of indie, international and documentary films, but I like a good adventure movie. What The Green Knight demonstrates, as a counter example, is that the folks who make tent pole movies today aren’t even trying.

The special effects are great. In particular, the face of the Green Knight himself is literally wooden, yet his eyes range from mischievous to profoundly sad, and somehow he manages an expressive smirk. There’s a CGI fox as realistic as any I’ve seen and a spectacular platoon of ghostly giants.

Lowery creates a dark, damp, sinister medieval England. The Dark Knight was filmed around Cahir Castle in Ireland, a delightful place that I’ve visited in the summertime, but which is gloomy and forbidding in this movie.

The Green Knight is slow but not ponderous, the exception being when Vikander, as a second character, has to recite a pretentious and tiresome monologue.

Dev Patel ‘s performance is excellent. Patel is remarkably charismatic. His performances here and in The Personal History of David Copperfield indicate that he is currently underutilized – this guy can carry the biggest film. It’s hard to believe that he was only 18 when he broke through with Slumdog Millionaire. At 31, he should be on the verge of an epic body of work.

Joel Edgerton shows up late in The Green Knight, and steals scenes as a charming nobleman. Edgerton turns on a melodious voice and the delivery of a trained Shakespearean.

Edgerton continues to surprise me. He is a guy who could have settled into a career of hunky action roles; he played the Navy Seal leader in Zero Dark Thirty and the thuggish Baz Brown in Animal Kingdom. But he’s also played the husband in the civil rights drama Loving. And he’s written and directed the brilliant neo-noir thriller The Gift and the topical Boy Erased.

Does Gawain have the makings of a chivalric hero? Outwardly, he’s got the chain mail and the battle axe. The Green Knight takes the measure of what’s on the inside.

THE PERSONAL HISTORY OF DAVID COPPERFIELD: Dickins alive at last

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Dev Patel in THE PERSONAL HISTORY OF DAVID COPPERFIELD

Here’s an unexpected treat: Amando Ianucci’s vivid and brilliantly constructed The Personal History of David Copperfield. Unexpected because I’ve never warmed to the work of Charles Dickins or to any Dickins movies (except for the 1951 A Christmas Carol with Alistair Sim).

Of course David Copperfield IS a storyteller and Ianucci uses the device of David’s storytelling to frame the tale as David remembers it and as his readers and listeners imagine it in their own minds. Ianucci makes the highs in David’s life so vibrant and the lows so piercing, that the total package is a dazzling delight.

Dev Patel, he of the instantaneous appeal and the gleaming smile, is perfect as the quick-witted and charming David Copperfield. Patel’s David suffers grievance after grievance, just waiting for a moment of good luck when he can control his destiny.

That the talented David Copperfield, because of his station, cannot control his destiny in the class-constricted Victorian society is the whole point of David Copperfield, social criticism which Dickins keeps from stridency with his humor.

That’s prime territory for Armando Ianucci. Ianucci is a master of wickedly funny political satire, having directed In The Loop and Death of Stalin and created the television series Veep. (In case you want to know what I do on my day job, I am basically Malcom Tucker in In the Loop, whom you can find on YouTube.) Ianucci’s production designer, Cristina Casali, deserves a shout-out, too.

Peter Capaldi in THE PERSONAL HISTORY OF DAVID COPPERFIELD

It’s a wonderful cast, including Tilda Swinton and Hugh Laurie. The standouts are:

  • Laurie as the addled, but dignified, Mr. Dick.
  • Ben Whishaw as one of literature’s most distinctive villains, Uriah Heep.
  • Peter Capaldi (who played the aforementioned Malcom Tucker) as Mr. Micawber, a character modeled after Dickins’ own father.
  • Rosalind Eleazer as the even-smarrter-than-David Agnes.
  • Morfydd Clark as the sweetly vacant Dora Seamans.
  • Bronagh Gallagher (who played one of the backup singers in The Commitments) as the remarkably glass-half-full Mrs. Micawber.

Dickins wrote this story about white people in Victorian England. As is obvious with the casting of Patel as David, The Personal History of David Copperfield has an interracial cast, based on a premise that any actor can play any role. I’m okay with that, and I think as more directors cast their movies this way, the distracting aspects will evaporate for most viewers.

The Personal History of David Copperfield is streaming on Amazon, Vudu, YouTube and Google Play.

DVD/Stream of the Week: LION – watch, enjoy, weep

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Dev Patel in LION
Dev Patel in LION

The emotionally affecting drama Lion is one of the top crowd pleasers of the Holiday season and of the year. Here are the bones of the plot:

  • An Indian boy is accidentally separated from his family and lost, ending up in a hellish orphanage.
  • He is adopted and raised by a loving Australian couple (Nicole Kidman and David Wenham).
  • As a man, (Dev Patel of Slumdog Millionaire and The Second Best Exotic Marigold Hotel), he sets out on a quest to find his mother and brother in India – a classic Needle in a Haystack search.
  • Amazingly, it’s a true story.

Before the screening, I was ready to dismiss Lion as a stereotypical family melodrama, what movies studio called a “women’s picture” in the 1940s. But it’s much more than that. The young man has survivor’s guilt that becomes an obsession, explored through how it affects his relationship with his significant other (Rooney Mara). His adoptive parents have another adopted son – one who is severely emotionally disturbed.

Understandably, the young man is driven by an overwhelming need to give closure to his birth mother. What we don’t expect are the needs of the adoptive mother, and what surprises even our main character is what the adoptive mother does and does not need to be protected from.

Lion is the first feature for director Garth Davis, who has made his name in commercials; as one would expect, he is able in manipulating the audience with images and music, but not in a cheap way. The scene where the main character closes in on his search is exceptional.

Patel is remarkably engaging, and our sympathy with his character drives the movie. The other performances are solid. (Wow – Nicole Kidman is now playing the leading man’s Mom!) The two child actors who play the protagonist and his brother as children, Sunny Pawar and Abhishek Bharate, are exceptional.

When The Wife and I saw Lion, pretty much the entire audience was choked up. Stay all the way through the end credits for even more tears. Lion is available on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

LION: watch, enjoy, weep

by

Dev Patel in LION
Dev Patel in LION

The emotionally affecting drama Lion is one of the top crowd pleasers of the Holiday season and of the year.  Here are the bones of the plot:

  • An Indian boy is accidentally separated from his family and lost, ending up in a hellish orphanage.
  • He is adopted and raised by a loving Australian couple (Nicole Kidman and David Wenham).
  • As a man, (Dev Patel of Slumdog Millionaire and The Second Best Exotic Marigold Hotel), he sets out on a quest to find his mother and brother in India – a classic Needle in a Haystack search.
  • Amazingly, it’s a true story.

Before the screening, I was ready to dismiss Lion as a stereotypical family melodrama, what movies studio called a “women’s picture” in the 1940s.  But it’s much more than that.  The young man has survivor’s guilt that becomes an obsession, explored through how it affects his relationship with his significant other (Rooney Mara).  His adoptive parents have another adopted son – one who is severely emotionally disturbed.

Understandably, the young man is driven by an overwhelming need to give closure to his birth mother.  What we don’t expect are the needs of the adoptive mother, and what surprises even our main character is what the adoptive mother does and does not need to be protected from.

Lion is the first feature for director Garth Davis, who has made his name in commercials; as one would expect, he is able in manipulating the audience with images and music, but not in a cheap way.  The scene where the main character closes in on his search is exceptional.

Patel is remarkably engaging, and our sympathy with his character drives the movie.  The other performances are solid.  (Wow – Nicole Kidman is now playing the leading man’s Mom!)   The two child actors who play the protagonist and his brother as children, Sunny Pawar and Abhishek Bharate, are exceptional.

When The Wife and I saw Lion, pretty much the entire audience was choked up.  Stay all the way through the end credits for even more tears.

DVD of the Week: The Best Exotic Marigold Hotel

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As you can see from the trailer, this story of aged Brits seeking a low-budget retirement in India looks like enjoyable fluff with a great cast.  I was expecting a fish-out-of-water comedy, but found much more than that.  Besides dealing with the culture shock issues (which are plenty funny), the characters each forge their own journeys of self-discovery.

Of course, the cast is a superb collection of British acting talent:  Bill Nighy, Judi Dench, Tom Wilkinson, Maggie Smith,  Celia Imrie, Penelope Wilton (Downton Abbey).  Dev Patel of Slumdog Millionaire is their genial and scattered host.

Nighy is especially brilliant as a guy trapped too long by his own profound decency.  Dench delivers an equally outstanding performance as a woman determined to make her own way for the first time.  In another acting gem, Tom Wilkinson follows a thread from his secret past and uncovers a moving revelation.

But those are just the highlights.  The Best Exotic Marigold Hotel is justifiably the biggest indie hit of the year.

The Best Exotic Marigold Hotel: much more than a fish-out-of-water comedy

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As you can see from the trailer, this story of aged Brits seeking a low-budget retirement in India looks like enjoyable fluff with a great cast.  I was expecting a fish-out-of-water comedy, but found much more than that.  Besides dealing with the culture shock issues (which are plenty funny), the characters each forge their own journeys of self-discovery.

Of course, the cast is a superb collection of British acting talent:  Bill Nighy, Judi Dench, Tom Wilkinson, Maggie Smith,  Celia Imrie, Penelope Wilton (Downton Abbey).  Dev Patel of Slumdog Millionaire is their genial and scattered host.

Nighy is especially brilliant as a guy trapped too long by his own profound decency.  Dench delivers an equally outstanding performance as a woman determined to make her own way for the first time.  In another acting gem, Tom Wilkinson follows a thread from his secret past and uncovers a moving revelation.

But those are just the highlights.  Go see The Best Exotic Marigold Hotel for the rest.