Stream of the Week: I’LL SEE YOU IN MY DREAMS

Sam Elliott and Blythe Danner in I'LL SEE YOU IN MY DREAMS
Sam Elliiott and Blythe Danner in I’LL SEE YOU IN MY DREAMS

The gentle, thoughtful and altogether fresh dramedy I’ll See You in My Dreams is centered on 72-year-old Carol (Blythe Danner), a widow of 21 years living a life of benign routine. Every day, she rises at 6 AM in her modest but nicely appointed LA house, reads by the pool, hosts her gal pals from the nearby retirement community for cards and is in bed by 11 PM to watch TV with her elderly canine companion. It’s not a bad life, but it’s an unadventuresome one.

Then some things happen that give her an opportunity to choose to take some chances. In short order, she has to put down her dog and deal with an unwelcome rodent. Her friends (Rhea Perlman, June Squibb and Mary Kay Place) suggest that she try speed dating. She opens her social life, developing a friendship with a much younger man (Martin Starr – Gilfoyle in Silicon Valley) and being courted by a dashing man of her own age (Sam Elliott).

What happens is sometimes funny, sometimes sad and always authentic. This is NOT a formulaic geezer comedy, but a story about venturing outside one’s comfort zone – with all the attendant vulnerability – to seek some life rewards. Carol may be 72, but she is still at a place in her life where she can grow and be challenged. I’ll See You in My Dreams proves that coming of age films are not just for the young.

I saw I’ll See You in My Dreams at the Camera Cinema Club, at which director, editor and co-writer Brett Haley was interviewed. Haley said that he and co-writer Marc Basch wanted to “avoid the obvious joke of older people doing what younger people do”. Instead, they intended to make a movie “about love, loss and that you can’t get through life unscathed – and that’s okay”. Haley and Basch certainly succeeded in creating a film about “living life without the fear of loss”.

Danner sparkles in the role (and gets to nail a karaoke rendition of Cry Me a River). Always special when playing solid-valued but rascally guys, Elliott still retains his magnetism.

We don’t often get to see realistic movies about people in their early 70s, but I’ll See You in My Dreams respects its protagonist Carol by putting her in plausible situations. Neither farcical nor mawkish, I’ll See You in My Dreams is a surefire audience pleaser.

I’ll See You in My Dreams is available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Jesse Eisenberg and Jason Segel in THE END OF THE TOUR
Jesse Eisenberg and Jason Segel in THE END OF THE TOUR

Summer is winding down, and we’ll soon see some good September releases (I’ll soon be writing about Meet the Patels and 99 Homes).  The prestige releases will start rolling out in October, but in the meantime, I suggest that you make a special effort to see The End of the Tour, which may only be available in theaters for another week or so.  Here are all three of my suggestions.

  • The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. Be sure to see it. It’s the only movie on my list of Best Movies of 2015 – So Far that’s currently playing in theaters.
  • Joel Edgerton’s The Gift is a satisfying thriller – and much more.
  • In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

Woody Allen’s Irrational Man is not bad, but empty. Skip the failed comedy Mistress America, which IS bad.

No new DVD/Stream of the Week this week, but I recently featured:

  • Ex Machina, another of my Best Movies of 2015 – So Far. It’s available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.
  • The Oscar-winning The Secret in Their Eyes. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.
  • The startling documentary Art and Craft, available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Turner Classic Movies is playing the unforgettable The Man Who Would Be King (1975) on September 8. Sean Connery and Michael Caine star as two vagabond British soldiers adventuring in colonial India when one of them is mistaken for a god by the indigenous people. They play the misunderstanding into a kingdom – until hubris, greed and lust causes them to reach a little too high. It’s a great story, well told by director John Huston. Connery and Caine are wonderful.

Michael Caine and Sean Connery in THE MAN WHO WOULD BE KING
Michael Caine and Sean Connery in THE MAN WHO WOULD BE KING

Movies to See Right Now

Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT

In the movie theaters, we are still in the dreaded Mid August Doldrums, but there are some good choices:

  • The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. Be sure to see it.
  • Joel Edgerton’s The Gift is a satisfying thriller – and much more.
  • In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

Woody Allen’s Irrational Man is not bad, but empty.  Skip the failed comedy Mistress America, which opens today.

My DVD/Streams of the Week are Cockfighter and Two-Lane Blacktop, with unforgettable performances by Warren Oates.  There’s a Criterion Collection DVD for Two-Lane Blacktop, which is available from Netflix. You can stream Cockfighter on Amazon Instant Video.

On August 29, Turner Classic Movies presents the Otto Preminger masterpiece Anatomy of a Murder (1959). This movie has everything: Jimmy Stewart’s portrayal of a wily lawyer, content to underachieve in the countryside, Stewart’s electrifying courtroom face off with George C. Scott, great performances by a surly Ben Gazzara and a slutty Lee Remick, a great jazz score by Duke Ellington and a suitably cynical noir ending.

On September 3 on TCM, we meet Robert Young as one of cinema’s least sympathetic protagonists in They Won’t Believe Me (1947). A decade before Father Know Best and two decades before Marcus Welby, M.D., Young plays a weak-willed and impulsive gold-digging womanizer. He’s married for money, but he also wants his girlfriend (the rapturous Jane Greer) AND his second girlfriend (a gloriously slutty Susan Hayward) AND his wife’s money. He’s making every conceivable bad choice until, WHAM BANG, circumstance creates a situation where he can get everything he wants …until it all falls apart. They Won’t Believe Me has one of the most ironic endings in the movies.

James Stewart and George C. Scott tangle in Anatomy of a Murder
James Stewart (right) and George C. Scott (seated) tangle in ANATOMY OF A MURDER

Movies to See Right Now

Warren Oates in BRING ME THE HEAD OF ALFREDO GARCIA
Warren Oates in BRING ME THE HEAD OF ALFREDO GARCIA

Yesterday I wrote about the actor Warren Oates and the biodoc Warren Oates Across the Border. On Monday, August 24, Turner Classic Movies will show seven, count ’em, SEVEN Warren Oates films: Bring Me the Head of Alfredo Garcia, The Wild Ones, Chandler, Badlands, There Was a Crooked Man, The Thief Who Came to Dinner and The Split.  Of these, the best two movies are Sam Peckinpah’s The Wild Bunch (Oates plays one of the treacherous but moronic Gorch brothers)and in Terence Malick’s Badlands (Oates plays Sissy Spacek’s father, blown away by teen punk Martin Sheen).  But the iconic Warren Oates lead performance is in the Peckinpah neo-noir Bring Me the Head of Alfredo Garcia.  (TCM will not be screening Two-Lane Blacktop, Cockfighter, Barquero or Peter Fonda’s The Hired Hand – more about the first two on Tuesday).  Set your DVR for Warren Oates.

In the movie theaters, we are in the dreaded Mid August Doldrums, but there are some good choices:

  • The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today more widely, so be sure to see it.
  • Joel Edgerton’s The Gift is a satisfying thriller – and much more.
  • I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse.
  • Listen to Me Marlon is the excellent documentary with Marlon Brando’s own words revealing the keys to his life.
  • In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

My DVD/Stream of the Week is the inventive, scary and non-gory It Follows – a rare horror movie choice from The Movie Gourmet. It Follows is available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

DVD/Stream of the Week: IT FOLLOWS – scary because you haven’t seen this before

IT FOLLOWS
IT FOLLOWS

The Movie Gourmet doesn’t watch many horror movies, but I really liked the inventive, scary and non-gory It Follows. 19-year-old Jay (Maika Monroe) has sex with a guy who then tells her that he has passed on to her a kind of supernatural infection – a monster will follow her and kill her if she doesn’t pass it on to someone else. The monster shambles along at zombie speed and takes the form of a different human being each time. It’s terrifying – there’s a constant sense of dread and a convulsive shock every time It appears.

Writer-director David Robert Mitchell has created a very scary horror film with an excellent soundtrack and a minimum of makeup, special effects and hardly any blood. It’s even more frightening that she’s being stalked by something that usually looks normal.

Before the screening, I had to sit through several trailers from the horror genre. There was NOTHING in those trailers that I hadn’t seen before in The Shining, The Exorcist or a multitude of less elevated films. I have to note the contrast with It Follows, which is definitely something that you haven’t seen before.

The very talented actress Maika Monroe is almost always on-screen and she proves that she can carry a movie. I first noticed her in At Any Price , where she played the son ‘s girlfriend. That role was especially well-written – beginning as a simple teen from a broken family looking for some fun, her journey takes several surprising turn – and Monroe’s performance was memorable. Until fairly recently, Monroe was pursuing a professional career in freestyle kite surfing.

All the acting is good in It Follows, but Keir Gilchrist is especially good at portraying the ACHING sexual frustration of a teenage boy.

It Follows has a wonderful sense of place. It is set and was shot in the Detroit suburbs, the rural lakefront and the decaying inner city. The extraordinary High Lift Building in Detroit’s Water Works Park serves as the exterior for the climactic set piece.

But the key to It Follows is its originality – without expensive f/x or disgusting gore – it’s likely the best horror movie of the year. It Follows is available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Movies to See Right Now

Jesse Eisenberg and Jason Segel in THE END OF THE TOUR
Jesse Eisenberg and Jason Segel in THE END OF THE TOUR

The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today more widely, so be sure to see it.  Other top recommendations:

  • The chilling and powerful documentary The Look of Silence is not for everyone, but it’s on my Best Movies of 2015 – So Far. It’s unsettling, but it’s an unforgettable movie experience.
  • Joel Edgerton’s The Gift is a satisfying thriller – and much more.
  • I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse.
  • Listen to Me Marlon is the excellent documentary with Marlon Brando’s own words revealing the keys to his life.
  • In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
Alicia Viksander inEX MACHINA
Alicia Viksander inEX MACHINA

My DVD/Stream of the Week is one of my Best Movies of 2015 – So Far, the intensely thoughtful Ex Machina. It’s available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

On August 16, Turner Classic Movies will present the 1957 Elia Kazan classic A Face in the Crowd,a cynical political thriller.  In his first feature film, Andy Griffith shed the likeability and decency that made him a TV megastar and became a searingly unforgettable villain.

Andy Griffith is the dangerous Lonesome Rhodes in A Face in the Crowd
Andy Griffith is the charming, phony and venal Lonesome Rhodes in A FACE IN THE CROWD

THE END OF THE TOUR: smartest road trip movie ever

Jesse Eisenberg and Jason Segel in THE END OF THE TOUR
Jesse Eisenberg and Jason Segel in THE END OF THE TOUR

[Note: I’m repeating this post because The End of the Tour, which opened two weeks ago is being released much more widely today, and will be much easier to find in theaters.  See also my The End of the Tour: the filmmakers speak.]

The brilliantly witty and insightful road trip movie The End of the Tour isn’t great because of what happens on the road – it’s great because we drill into two fascinating characters and see how their relationship evolves (or doesn’t evolve). Leads Jason Segel and Jesse Eisenberg are both Oscar-worthy, and The End of the Tour is on my Best Movies of 2015 – So Far.

In 1996, David Lipsky (Jesse Eisenberg) is a novelist of modest success, having deeply embraced the New York City writer’s scene, and is supporting himself as a journalist for Rolling Stone Magazine. Suddenly- and out of nowhere – David Foster Wallace (Jason Segel) explodes on the scene with his masterpiece Infinite Jest and is immediately recognized as a literary genius. Lipsky is confounded by Wallace’s meteoric rise – and jealous and resentful, too.

Lipsky arranges to accompany Wallace on the last few stops of his book tour and record their conversations, so Lipsky can write a profile of Wallace for Rolling Stone. It’s clear that Lipsky plans to write a sensationalistic celebrity take down – and Wallace is so odd that there’s plenty of ammunition.

All of this REALLY HAPPENED. Years later, after Wallace’s death, Lipsky wrote a memoir of the encounters, on which the movie is based. Eisenberg and Segel got to listen to the tapes of the actual conversations between the two.

The End of the Tour is a battle of wits between two very smart but contrasting guys. Wallace is new to fame, very personally awkward, not at all confident and gloriously goofy; he seems to be an innocent, but he’s VERY smart and not entirely naive. Lipsky is all Chip On the Shoulder as he probes for Wallace’s weaknesses. As different as they are, the two are competitive and snap back and forth, verbally jousting for the entire trip. At one point, Lipsky accuses Wallace of pretending to be not as smart as he is as a “social strategy”.

As funny as is their repartee, it becomes clear that Wallace is inwardly troubled, and clinging to functionality by his fingernails. Wallace gets more confident and begins to trust Lipsky, but Lipsky is still predatory, glimpsing into Wallace’s medicine cabinet and chatting up an old flame of Wallace’s. Still, the intimacy of a road trip forces them to share experiences, which COULD become the basis for a bond.

They even share moments of friendship. But will they become friends? Is there real reciprocity between them?

Who has the power here? Wallace has the power of celebrity, and dominates Lipsky’s chosen vocation. Lipsky has the power to destroy and humiliate Wallace. Ultimately, as we see in the movie, the person who NEEDS the most will cede the power in the relationship.

Director James Ponsoldt has succeeded in making a brilliantly entertaining drama about two smart guys talking. There’s never a slow moment. We’re constantly wondering what is gonna happen. Ponsoldt has already made two movies that I love – Smashed and The Spectacular Now. No one else has made conversation so compelling since the My Dinner with Andre, and The End of the Tour is much more accessible and fun than that 80s art house hit.

Ponsoldt fills the movie with sublime moments. In one scene, we see the two watching a movie with two female companions. In the darkened theater, two characters are focused on the screen and two are gazing at others. It’s a shot of a couple of seconds, nothing happens, and there’s no dialogue – but the moment is almost a short story in and of itself.

For a true-life drama, The End of the Tour is very funny. The humor stems from situations (the two rhapsodize on Alanis Morisette, of all people), behavior (Wallace’s peculiarities and Lipsky’s limitless snoopiness) and the very witty dialogue. There’s a classic moment when Lipsky has Wallace talk on the phone to Lipsky’s wife (Anna Chlumsky) and is very uncomfortable with the results.

What is the funniest line in the movie? Who wins the battle of wits? And what’s their relationship at the end? Those questions propel the audience along the smartest road trip movie ever – The End of the Tour.

DVD/Stream of the Week: EX MACHINA – a thinker’s Must See sci-fi

EX MACHINA
EX MACHINA

The intensely thought-provoking Ex Machina is a Must See and one of the year’s best films. Set in the present or the very near future, we meet the genius Nathan (played with predatory menace by Oscar Isaac) who developed the worlds top search engine when he was 13 and is now fantastically wealthy. Nathan lives in an extremely remote wilderness with his apparently mute housekeeper Kyoko (Sonoya Mizuno), and brings up one of his smartest software engineers under the pretext of winning a contest for a week with the boss. But Nathan really has brought in the young coder Caleb (Domhnall Gleeson) to test his latest invention – a machine equipped with artificial intelligence.

Specifically, Caleb is tasked with the Turing Test (named after Alan Turing, the subject of The Imitation Game) – he is to converse with the machine to determine whether it’s thinking and behavior is indistinguishable from a human’s. Nathan and Caleb reference that a chess-playing computer may be very efficient, but does it know that it’s playing chess and does it know what chess is? Nathan says that – if he has succeeded – he has the greatest advancement in the history of the world; Caleb rejoins that it would be the greatest invention in the history of gods.

That raises the issue of playing god. If a being – even one that is human-created – is self-aware, conscious and has feelings and its own thoughts, then who has the right to end its life or take away its liberty? And can it seek liberty on its own?

We care about these questions because the machine, named Ava, is so, well, human. Ava is played by Alicia Vikander, an actress with an uncommonly sensitive face. Vikander’s performance is top-notch, and like Caleb, we are soon seduced into liking her and then NEEDING to protect her.

Ex Machina makes so much so-called science fiction pale in comparison, because it really challenges the audience with the moral implications of a real scientific concept. Not everything set in the future is really SCIENCE fiction. Gravity, a superb movie, was basically a survival tale, and Star Wars was a Quest Fantasy and Avatar was basically a remake of the Western A Man Called Horse. Most movies set in the future are just dumb excuses to put a lot of explosions on-screen. The few recent examples of truly thoughtful sci-fi include I Origins and Her.

Ex Machina is both a great-looking movie and a stellar example of economic filmmaking. There essentially only four characters and one set. Computer graphics aren’t used for empty action eye candy, just to allow an actress to credibly play a machine. Nathan’s house/laboratory looks amazing, and the overall art direction and production design is stellar. The stark landscape surrounding Nathan’s hideaway was shot in Norway.

This is the first directing feature for writer-director Alex Garland, and it’s a triumph. He wrote the screenplay for Danny Boyles’ brilliant 28 Days Later, one of my Zombie Movies for People Who Don’t Like Zombie Movies.

Ex Machina is on my Best Movies of 2015 – So Far. It’s available on DVD from both Netflix and Redbox and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Movies to See Right Now

THE LOOK OF SILENCE
THE LOOK OF SILENCE

The chilling and powerful documentary The Look of Silence is not for everyone, but it’s on my Best Movies of 2015 – So Far . It’s unsettling, but it’s an unforgettable movie experience.

The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today, but it may be hard to find until next weekend. I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

Opening today is the  excellent documentary Listen to Me Marlon, with Marlon Brando’s own words revealing the keys to his life.

The coming of age comedy Dope is a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion.

On August 12, Turner Classic Movies is presenting The Yazuka, with a tired and world weary Robert Mitchum taking on the Japanese crime syndicate in the 1960s.

My DVD/Stream of the Weeks is the Oscar-winning Argentine mystery thriller The Secret in Their Eyes. Make sure that you see it before the Hollywood remake comes out. The Secret in Their Eyes is available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

Ricardo Darin in THE SECRET IN THEIR EYES
Ricardo Darin in THE SECRET IN THEIR EYES

Movies to See Right Now

Jesse Eisenberg and Jason Segel in THE END OF THE TOUR
Jesse Eisenberg and Jason Segel in THE END OF THE TOUR

The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. It opens today, but it may be hard to find for two more weeks.

Also out today, the chilling and powerful documentary The Look of Silence is not for everyone, but it’s on my Best Movies of 2015 – So Far . It’s unsettling, but it’s an unforgettable movie experience.

I really liked Amy, the emotionally affecting and thought-provoking documentary on Amy Winehouse. In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.

The coming of age comedy Dope is a nice little movie that trashes stereotypes. This summer’s animated Pixar blockbuster Inside Out is very smart, but a little preachy, often very sad and underwhelming. The Melissa McCarthy spy spoof Spy is a very funny diversion.

In case you missed it, I recently wrote about the BBC’s list of 100 greatest American films and why I cancelled my Netflix DVD service.

Could a sane man devise a con this successful? That’s the question posed by my DVD/Stream of the Week, the documentary Art and Craft. It’s available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Tonight is the final evening of Turner Classic Movies wonderful Summer of Darkness series of film noir. I particularly like Beyond a Reasonable Doubt and While the City Sleeps, one of my Overlooked Noir. In Beyond a Reasonable Doubt, an anti-death penalty campaigner gets himself framed for a capital crime, but does too good a job – and then there’s a shocker of an ending. In While the City Sleeps, the noir cynicism is so deep that the GOOD GUY uses his girlfriend as bait for a serial killer.

Next, week on August 4, TCM plays the The Best Years of Our Lives, an exceptionally well-crafted, contemporary look at American society’s post WW II adaption to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.

Dana Andrews and Joan Fontaine in BEYOND A REASONABLE DOUBT
Dana Andrews and Joan Fontaine in BEYOND A REASONABLE DOUBT