The Wave

Movies to See Right Now

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Ryan Gosling in THE NICE GUYS
Ryan Gosling in THE NICE GUYS
  • Something for everyone in theaters this week:
    Love & Friendship – a sharply witty adaptation of a Jane Austen story with an adept turn by Kate Beckinsale.
  • The Nice Guys – Ryan Gosling and Russell Crowe in a very funny mismatched buddy movie from the creator of the Lethal Weapon franchise.
  • A Bigger Splash – a sensual travelogue turned comedy turned thriller with a raucous and oft-naked performance by Ralph Fiennes.

You can find the best movie out right now on HBO.  It’s All the Way, the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964.  Bryan Cranston brings LBJ alive as no actor has before.

Here’s what you want in a disaster movie: 1) a really impressive disaster and 2) lots of suspense about which of the main characters will survive. My Stream of the Week, the Norwegian The Wave, successfully delivers on both counts. It’s available to stream from Amazon Video, iTunes, Vudu, YouTube, Google Play and a variety of TV PPV outlets.

June 3 is Billy Wilder Day on Turner Classic Movies, which features some wonders from my favorite writer-director: Some Like It Hot, Double Indemnity, Days of Wine and Roses and Five Graves to Cairo. Everyone recognizes Some Like It Hot and Double Indemnity as masterpieces, but I want to highlight Wilder’s very successful second film as a director – Five Graves to Cairo is a combo spy mystery and war film set in Nazi-overrun North Africa. Franchot Tone, Anne Baxter and Erich Von Stroheim star. The cast also includes two of my favorite character actors, Akim Tamiroff and Peter van Eyck.

Franchot Tone, xxx and XXX in FIVE GRAVES TO CAIRO
Franchot Tone, Anne Baxter and Erich Von Stroheim in FIVE GRAVES TO CAIRO

Stream of the Week: THE WAVE

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THE WAVE
THE WAVE

Here’s what you want in a disaster movie: 1) a really impressive disaster and 2) lots of suspense about which of the main characters will survive. The Norwegian The Wave successfully delivers on both counts.

As a non-Norwegian, I didn’t know that, every few decades, an unstable mountainside somewhere in Norway breaks loose, plunging hundreds of tons of rock into a fjord; this triggers a tsunami, which rages down the fjord, destroying everything and every one that doesn’t reach high ground. Norwegian geologists are even perched above these fjords to trigger early warning systems. A siren goes off, and everyone downstream has TEN MINUTES to climb to safety. As disasters go, this is pretty novel – not your ordinary earthquake, fire, flood, shipwreck and not even your ordinary tsunami (Hereafter, The Impossible). In The Wave, the tidal wave itself is pretty impressive, and the special effects are believable.

But the best part about The Wave is the tension produced by, not one, but TWO ticking clock scenarios. The filmmakers build the tension as we wonder just when the upcoming disaster is going to hit and whether the characters will have time to escape. And then, there’s an excruciating race-against-time to save family members from a hopeless situation.

The main characters are sympathetic, the acting is very good and the dialogue is very witty for the genre. Ane Dahl Torp plays the mom, and her character’s off-the-charts take-charge heroism and resilience is a big part of the fun. I’m not a real fan of disaster movies, but I still stayed with The Wave for its entire length.

I saw The Wave at Cinequest, where it gripped and exhausted the audience (in a good way).  You probably misses its very brief theatrical release in March, but, fortunately, The Wave is available to stream from Amazon Video, iTunes, Vudu, YouTube, Google Play and a variety of TV PPV outlets.

Movies to See Right Now

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Helen Mirren in EYE IN THE SKY
Helen Mirren in EYE IN THE SKY

Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare starring Helen Mirren and with a wonderful final performance from the late Alan Rickman.

I also really liked the gripping Norwegian disaster movie The Wave, with its ticking clock tension and cool disaster effects. (Now hard to find.)

You have to look hard to find it now, but you should still try to see the awesome and authentic survival tale The Revenant on the BIG SCREEN.

Silicon Valley’s film fest ended this week, and here’s my Cinequest festival wrap-up.

In honor of the recently concluded Cinequest, my DVD/Stream of the Week is from the 2013 fest: The Sapphires, a triumph of a Feel Good Movie. The Sapphires is available to rent on DVD from Netflix and Redbox and to stream from Amazon Video, iTunes, Vudu, GooglePlay and Flixster.

The best movie pick on TV this week will come on March 20, when Turner Classic Movies will present Touch of Evil (1958). This Orson Welles masterpiece begins with one of cinema’s great opening scenes, as our lead characters walk from a Mexican border town into an American border town in a single tracking shot of well over 3 minutes. Unbeknownst to them, they are being shadowed by a car bomb. There’s a lot to enjoy here in this cesspool of corruption: a repellent sheriff-gone-bad played by Welles himself, one of Joseph Calleia’s finest supporting turns, one of Dennis Weaver’s first roles (written just for him by Welles) and Charlton Heston as a Mexican.

Orson Welles in his TOUCH OF EVIL
Orson Welles in his TOUCH OF EVIL

Movies to See Right Now

by
THE WAVE
THE WAVE

I really liked the gripping Norwegian disaster movie The Wave, with its ticking clock tension and cool disaster effects. I saw The Wave last week at Cinequest, and it opens in theaters this weekend.  I also liked Cinequest’s Eye in the Sky, with Helen Mirren, and I’ll be writing about that by next week before it opens widely in the Bay Area.

I remain completely absorbed with Silicon Valley’s own film festival, Cinequest. Check out my up-to-the-moment coverage both on my Cinequest page and follow me on Twitter for the latest.  I especially recommend the exquisite Chilean contemplation of grief The Memory of Water, which plays Cinequest tomorrow evening; I’ve seen 25 Cinequest movies so far, and this is the best one. Tomorrow night, I’ll be checking out two movies I haven’t seen yet:  The Adderall Diaries with James Franco, Ed Harris and Amber Heard, Christian Slater and Cynthia Nixon and February, a horror flick with Mad Men’s Kiernan Shipka.

Then there are the Oscar winners and contenders, whose theatrical runs are winding down but still out in theaters:

  • Spotlight – a riveting, edge-of-your-seat drama with some especially compelling performances.
  • The Revenant, an awesome and authentic survival tale that must be seen on the BIG SCREEN. I predict that The Revenant will be the biggest winner at the Oscars.
  • The Irish romantic drama Brooklyn, an audience-pleaser with a superb performance by Saoirse Ronan.
  • The deserved Oscar winner for Screenplay, The Big Short – a supremely entertaining thriller – both funny and anger-provoking.

The Italian drama My Mother is a deeply personal film about loss with some comedic highlights from John Turturro. The Coen Brothers’ disappointingly empty comedy Hail, Caesar contains some cool Hollywood parodies.

In honor of Cinequest, my Stream of the Week is the delightful dark comedy Gemma Bovery from last year’s festival.  Gemma Bovery is available to stream from Amazon Video (free with Amazon Prime), iTunes, Vudu, YouTube and Google Play.

This week, watch for two wonderfully fun gender-crossing comedies on Turner Classic Movies on March 13: Victor/Victoria and Tootsie. TCM is playing Blow-up on March 17. Set in the Mod London of the mid-60s, a fashion photographer (David Hemmings) is living a fun but shallow life filled with sports cars, discos and and scoring with supermodels (think Jane Birkin, Sarah Miles and Verushka). Then he discovers that his random photograph of a landscape may contain a clue in a murder and meets a mystery woman (Vanessa Redgrave). After taking us into a vivid depiction of the Mod world, director Michelangelo Antonioni brilliantly turns the story into a suspenseful story of spiraling obsession. His L’Avventura, La Notte and L’Eclisse made Antonioni an icon of cinema, but Blow-up is his most accessible and enjoyable masterwork. There’s also a cameo performance by the Jeff Beck/Jimmy Page version of the Yardbirds and a quick sighting of Michael Palin in a nightclub.

BLOW-UP
BLOW-UP

THE WAVE: tension, more tension and a really scary tsunami

by
THE WAVE
THE WAVE

Here’s what you want in a disaster movie: 1) a really impressive disaster and 2) lots of suspense about which of the main characters will survive.  The Norwegian The Wave successfully delivers on both counts.

As a non-Norwegian, I didn’t know that, every few decades, an unstable mountainside somewhere in Norway breaks loose, plunging hundreds of tons of rock into a fjord; this triggers a tsunami, which rages down the fjord, destroying everything and every one that doesn’t reach high ground.  Norwegian geologists are even perched above these fjords to trigger early warning systems.  A siren goes off, and everyone downstream has TEN MINUTES to climb to safety.  As disasters go, this is pretty novel – not your ordinary earthquake, fire, flood, shipwreck and not even your ordinary tsunami (Hereafter, The Impossible).  In The Wave, the tidal wave itself is pretty impressive, and the special effects are believable.

But the best part about The Wave is the tension produced by, not one, but TWO ticking clock scenarios. The filmmakers build the tension as we wonder just when the upcoming disaster is going to hit and whether the characters will have time to escape.  And then, there’s an excruciating race-against-time to save family members from a hopeless situation.

The main characters are sympathetic, the acting is very good and the dialogue is very witty for the genre.  Ane Dahl Torp plays the mom, and her character’s off-the-charts take charge heroism and resilience is a big part of the fun.  I’m not a real fan of disaster movies, but I still stayed with The Wave for its entire length.

I saw The Wave at Cinequest, where it gripped and exhausted the audience (in a good way).   It will be released theatrically in the Bay Area on March 11.