The Help: a waste of great actresses

Viola Davis in THE HELP

Well, given the upcoming Oscars, I should weigh in on The Help and its four Oscar nominations.  Based on the well-received novel by Kathryn Stockett, it is the story of black maids raising white children amid the hatefully poisonous racism of 1963 Jackson, Mississippi.  Unfortunately, the film is overlong, plodding and wastes the talents of an unholy multitude of our greatest actresses.

I am told by The Wife that the characters in the novel are full and textured.  The problem with the movie is that the characters are cartoonish cardboard cutouts of real people.  Unfortunately, Stockett’s novel was adapted by director Tate Taylor, and he stripped any hint of nuance or ambiguity from virtually every role.  Octavia Spencer and Allison Janney play characters that have a mix of human virtues and foibles.  But the rest of the awesome cast – Olivia Davis, Bryce Dallas Howard, Jessica Chastain, Cecily Tyson, Sissy Spacek, Mary Steenburgen and Emma Stone – must play either saints or bitches.

Davis and Spencer are nominated for acting Oscars, and I wish them well.  But here’s a baffler – Chastain is a brilliant actress who has delivered not one but FIVE superb performances this year (Take Shelter, The Tree of Life, The Debt, Coriolanus, Texas Killing Fields), yet she is nominated for the one role written so broadly that she is obviously acting (The Help).

A breakthrough year for Jessica Chastain

Jessica Chastain in THE TREE OF LIFE

If any new face has broken through in 2011, it’s the actress Jessica Chastain.  First, she delivered a fine performance as an enabling 1950s mom in the most coherent part of The Tree of Life.  This week, she followed that with an excellent performance as a 1960s Mossad agent (the younger version of Helen Mirren’s character) in the thriller The Debt. She won critical praise for the trashy but aspiring housewife in a film I haven’t seen – The Help.  So we already know that Chastain is versatile enough to play soft and tough, brittle and sexy, action and romance.

Later this fall, she will have three more films in release.  In Take Shelter, she plays the wife of the mentally disintegrating Michael Shannon.  She’s a tough cop in The Texas Killing Fields.  And then she’s in Ralph Fiennes’ adaptation of Shakespeare’s Coriolanus.

Six movies in six months – that’s quite a way to start a career.  Here’s a New York Times profile of Chastain.