The Handmaiden

Movies to See Right Now (at home)

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THE HANDMAIDEN

More unjustly overlooked movies to enjoy at home: an erotic plot-twister, an unforgettable coming of age film, some political economics and an amazingly charismatic star in a classic noir…from Poland!

Tonight, I’ll be streaming the newest from documentarian Matt Wolf – Spaceship Earth, about the 1990s Biosphere 2 experiments.

ON VIDEO

After a few minutes of The Handmaiden, we learn that it’s a con artist movie. After 100 minutes, we think we’ve watched an excellent con artist movie, but then we’re surprised by a huge PLOT TWIST, and we’re in for two more episodes and lots of surprises in a gripping and absorbing final hour. It’s also one of the most visually beautiful and highly erotic films of the year. Stream it on Amazon, iTunes, Vudu, YouTube and Google Play.

The unforgettable coming of age film Me and Earl and the Dying Girl is perched right on the knife-edge between tragedy and comedy. The title suggests a weeper (and it is), but 90% of Me and Earl is flat-out hilarious. Stream it from Amazon, iTunes, Vudu, YouTube and Google Play.

ME AND EARL AND THE DYING GIRL

Other recent streaming recommendations:

Capital in the Twenty-First Century is a critical look at the concentration of wealth from Thomas Piketty’s best seller.

ROJO. Courtesy of SFFILM.

ON TV

On May 10, Turner Classic Movies presents the Polish thriller Ashes and Diamonds, one of my Overlooked Noir. A masterful director and his charismatic star make this a Can’t Miss. I’ll be writing more about this tomorrow.

ASHES AND DIAMONDS

THE HANDMAIDEN – gorgeous, erotic and a helluva plot

by

THE HANDMAIDEN
THE HANDMAIDEN

After a few minutes of The Handmaiden, we learn that it’s a con artist movie. After 100 minutes, we think we’ve watched an excellent con artist movie, but then we’re surprised by a huge PLOT TWIST, and we’re in for two more episodes and lots of surprises in a gripping and absorbing final hour. It’s also one of the most visually beautiful and highly erotic films of the year.

Director and co-writer Chan-wook Park sets the story in 1930s Korea during Japanese occupation (Japanese dialogue is subtitled in yellow and Korean dialogue in white). A young heiress has been secluded from childhood by her guardian uncle, who intends to marry her himself for her fortune. A con man embarks on a campaign to seduce and marry the wealthy young woman to harvest her inheritance himself. The con man enlists a pickpocket to become handmaiden to the heiress – and his mole. I’m not going to tell you more about the plot, but the audience is in for a wild ride.

The Handmaiden takes its time revealing its secrets. Who is conning who? Who is attracted to whom? How naive is the heiress? How loyal is the handmaiden? Who is really Japanese and who is really Korean? What’s in those antique books? What’s in the basement? Is the uncle perverted or REALLY perverted? And what legendary sex toy will show up in the final scene?

THE HANDMAIDEN
THE HANDMAIDEN

Chan-wook Park’s 2003 US art house hit Oldboy is highly sexualized, trippy and disturbing. The Handmaiden is much more mainstream and accessible than Oldboy, but its sexuality packs a punch.

Gorgeous and erotic, The Handmaiden is one of the most gloriously entertaining films of the year. You can order the DVD from Netflix or stream it on Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

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LA LA LAND
LA LA LAND

It’s Oscars Weekend and it’s pretty easy to find the favorite, La La Land, in theaters.  My personal favorite, Hell or High Water, is available to rent on DVD from Netflix and to stream from Amazon Instant, iTunes, Vudu, YouTube and Google Play.  Here are the weekly recommendations:

  • La La Land: the extraordinarily vivid romantic musical staring Emma Stone and Ryan Gosling.
  • Lion: an emotionally affecting family drama that makes the audience weep (in a good way).
  • The Founder: the enjoyably addictive story of how a the money-grubbing visionary Ray Kroc built the McDonald’s food service empire.
  • Hidden Figures: a true life story from the 1960s space program – a triumph of human spirit and brainpower over sexism and racism; the audience applauded.
  • I Am Not Your Negro, the documentary about the American public intellectual James Baldwin. It’s a searing examination of race in America as analyzed through Baldwin’s eyes and as expressed through his elegant words.
  • The thoughtful drama Fences is an actor’s showcase, especially for Viola Davis, but it’s very stagey.

I’ll also be posting about The Movie Gourmet’s annual Oscar Dinner on Sunday.  And my coverage of Cinequest starts tomorrow (hopefully).

My Stream of the Week is the gorgeous, erotic and gloriously entertaining The Handmaiden from Korea. You can stream it on Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

I always point it out when Turner Classic Movies shows the iconic film noir The Third Man (March 1) or the gender-bending comedy Victor/Victoria (March 1).

On March 3, TCM presents a wonderfully entertaining comedy about an entire family of professional con artists, The Young in Heart.  It’s sweet and sappy, with the optimistic view that the criminals could be reformed by the unconditional love of a lonely old lady.   After much fun, it turns out that they just needed some structure that incentivizes them to use their talents for good rather than evil.  As readers will know, I’m not generally attracted to sentimental movies, but this one is damn funny.  The family is played by Roland Young, the always batty Bille Burke, Janet Gaynor and Douglas Fairbanks, Jr..  The movie is almost stolen by Minnie Dupree as their intended victim, Miss Fortune.  There’s also a nice turn by the gorgeous Paulette Goddard.     The Young in Heart is a showcase for Roland Young, so often the supporting character in the great screwball comedies; this film, more than his Topper series, may be his best and most enjoyable performance.

Roland Young and Douglas Fairbanks, Jr. in THE YOUNG IN HEART
Roland Young and Douglas Fairbanks, Jr. in THE YOUNG IN HEART

Stream of the Week: THE HANDMAIDEN – gorgeous, erotic and a helluva plot

by

THE HANDMAIDEN
THE HANDMAIDEN

After a few minutes of The Handmaiden, we learn that it’s a con artist movie. After 100 minutes, we think we’ve watched an excellent con artist movie, but then we’re surprised by a huge PLOT TWIST, and we’re in for two more episodes and lots of surprises in a gripping and absorbing final hour. It’s also one of the most visually beautiful and highly erotic films of the year.

Director and co-writer Chan-wook Park sets the story in 1930s Korea during Japanese occupation (Japanese dialogue is subtitled in yellow and Korean dialogue in white). A young heiress has been secluded from childhood by her guardian uncle, who intends to marry her himself for her fortune. A con man embarks on a campaign to seduce and marry the wealthy young woman to harvest her inheritance himself. The con man enlists a pickpocket to become handmaiden to the heiress – and his mole. I’m not going to tell you more about the plot, but the audience is in for a wild ride.

The Handmaiden takes its time revealing its secrets. Who is conning who? Who is attracted to whom? How naive is the heiress? How loyal is the handmaiden? Who is really Japanese and who is really Korean? What’s in those antique books? What’s in the basement? Is the uncle perverted or REALLY perverted? And what legendary sex toy will show up in the final scene?

THE HANDMAIDEN
THE HANDMAIDEN

Chan-wook Park’s 2003 US art house hit Oldboy is highly sexualized, trippy and disturbing. The Handmaiden is much more mainstream and accessible than Oldboy, but its sexuality packs a punch.

Gorgeous and erotic, The Handmaiden is one of the most gloriously entertaining films of the year.  You can stream it on Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

2016 at the Movies: I hadn’t seen this before

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Isabelle Huppert in ELLE
Isabelle Huppert in ELLE

Here are some things that I hadn’t seen before in the movies:

  • Lead characters in Toni Erdmann and Elle that were completely sui generis.
  • A movie exposé, Under the Sun, built out of outtakes shot under the noses of the North Korean government handlers.
  • Tower, a documentary about a mass shooting that barely mentioned the shooter – and with a startlingly effective look.
  • The Greasy Strangler, a movie actually constructed as a cult movie for the midnight shows
  • The Korean period con artist movie The Handmaiden delivered some unforeseeable plot twists – and was gorgeous and erotic, too.

TOWER
TOWER

Movies to See Right Now on Thanksgiving Weekend

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Isabelle Huppert in ELLE
Isabelle Huppert in ELLE

My top movie recommendation is Isabelle Huppert in the perverse wowzer Elle. Other top choices:

  • The Korean period con artist movie The Handmaiden is gorgeous, erotic and extraordinarily entertaining.
  • Sonia Braga is still luminous in the character-driven Brazilian drama Aquarius.
  • Mascots is the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is streaming on Netflix Instant.

Also in theaters or on video:

    • Despite a delicious performance by one of may faves, Michael Shannon, I’m not recommending Nocturnal Animals; I’m writing about it tomorrow.
    • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
    • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
    • The end of the thriller The Girl on the Train (starring Emily Blunt) is indeed thrilling. But the 82 minutes before the Big Plot Twist is murky, confusing and boring.

My DVD/Stream of the Week is one of the year’s very, very best films, the character-driven crime drama Hell or High Water. It’s now available to rent on DVD from Netflix and to stream from Amazon Instant, iTunes, Vudu, YouTube and Google Play.

On November 28, Turner Classic Movies will present two excellent (and totally different) films:

  • Chandler is the 1971 neo-noir starring Warren Oates as a seedy private detective who gets in over his head. I mention, but don’t dwell on Chandler in my essay Warren Oates: a gift for desperation.
  • Crumb is the award-winning 1994 documentary, Terry Zwigoff’s profile of the counterculture cartoonist R. Crumb, the creator of Keep On Truckin’, Mr. Natural, Fritz the Cat and influential rock album covers. By exploring Crumb’s troubled family, Zwigoff reveals the origins of Crumb’s art. When we meet Crumb’s shattered brothers, it’s clear that Crumb’s artistic expression preserved his very sanity. I thought that Crumb was the very best movie of the year – and so did Gene Siskel; Roger Ebert pegged it at #2.

CRUMB
CRUMB

Movies to See Right Now

by

Isabelle Huppert in ELLE
Isabelle Huppert in ELLE

The best reason to go to the movies is to see Isabelle Huppert in the wowzer Elle, which has opened at the Embarcadero in San Francisco and will open more widely in the Bay Area on the Thanksgiving weekend.  Here are top choices that are easier to find:

  • The Korean period con artist movie The Handmaiden is gorgeous, erotic and extraordinarily entertaining.
  • Sonia Braga is still luminous in the character-driven Brazilian drama Aquarius.
  • John Travolta, Ethan Hawke and Jumpy the dog sparkle in the spaghetti western In a Valley of Violence.
  • Mascots is the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is playing in very few theaters, but it’s streaming on Netflix Instant, too.

Also in theaters or on video:

      • Despite a delicious performance by one of may faves, Michael Shannon, I’m not recommending Nocturnal Animals;  I’m writing about it tomorrow.
      • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
      • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
      • Not much happens in the talented and idiosyncratic filmmaker Kelly Reichardt’s Certain Women, but it’s well-acted and feels real.
      • If you are entertained by the epically disgusting, you can catch the horror comedy The Greasy Strangler before it hits the midnight cult movie circuit. The Greasy Strangler can be streamed from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
      • The end of the thriller The Girl on the Train (starring Emily Blunt) is indeed thrilling. But the 82 minutes before the Big Plot Twist is murky, confusing and boring.

I’ve written farewells to actor Robert Vaughn and musician Leon Russell, who died earlier this week.

My Stream of the Week is the documentary The Lovers and the Despot, the story of a crazy dictator’s kidnapping of a movie director and his movie star wife – and how they escaped and proved that it really happened.  The Lovers and the Despot is now available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and cable and satellite TV on demand.

On November 23, Turner Classic Movies plays a groundbreaking cinéma vérité documentary from 1968. Salesman is as revealing a depiction of the sales life as Glengarry Glen Ross, and just as heartbreaking – you can’t have capitalism without winners and losers. Imagine selling Bibles door-to-door.

SALESMAN
SALESMAN

Movies to See Right Now

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THE HANDMAIDEN
THE HANDMAIDEN

We’re diving into a very promising Fall movie season . Critical favorites Moonlight, The Handmaiden, Certain Women,  Aquarius, and Loving are already out. Arrival (already an Oscar favorite along with Loving) and The Eagle Huntress open today. Top choices:

  • The Korean period con artist movie The Handmaiden is gorgeous, erotic and extraordinarily entertaining.
  • Sonia Braga is still luminous in the character-driven Brazilian drama Aquarius.
  • John Travolta, Ethan Hawke and Jumpy the dog sparkle in the spaghetti western In a Valley of Violence.
  • Mascots is the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is playing in very few theaters, but it’s streaming on Netflix Instant, too.

Also in theaters or on video:

  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
  • Not much happens in the talented and idiosyncratic filmmaker Kelly Reichardt’s Certain Women, but it’s well-acted and feels real.
  • The indie drama Men Go to Battle is an insightful tale of two brothers that exceptionally illustrates the QUIET of pre-electric and pre-motorized North America. Men Go to Battle is available to stream from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
  • If you are entertained by the epically disgusting, you can catch the horror comedy The Greasy Strangler before it hits the midnight cult movie circuit. The Greasy Strangler can be streamed from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
  • The end of the thriller The Girl on the Train (starring Emily Blunt) is indeed thrilling. But the 82 minutes before the Big Plot Twist is murky, confusing and boring.

My Stream of the Week is the emotionally affecting and authentic indie drama Five Days in Maine, the impressive debut of writer-director Marin Curran. I saw Five Days in Maine at the San Francisco International Film Festival. It’s now available to stream on Amazon Instant, Vudu, Google Play, YouTube and DirecTV.

On November 13, Turner Classic Movies is screening two very different but wonderful movies from the same director, Richard Fleischer. First, there’s the overlooked film noir masterpiece The Narrow Margin (1952), a taut 71 minutes of tension. Growly cop Charles McGraw plays hide-and-seek with a team of hit men on a claustrophobic train. Marie Windsor is unforgettable as the assassins’ target. It’s highly recommended on my list of Overlooked Noir.

Then, TCM brings us the 1973 cult sci-fi classic Soylent Green, which was utterly under appreciated until the past decade or so. Set in a dystopian future (like those so popular in today’s sci-fi), humans have pretty much destroyed the environment and most are impoverished, even homeless. The dietary staple is a green pellet provided by a mega-corporation. Charlton Heston is surprisingly effective as a jaded and solitary cop, whose investigation leads him to a horrifying discovery. The cast is very good, including Edward G. Robinson in his final performance. Soylent Green was directed by the versatile Richard Fleischer, 21 years after The Narrow Margin.

Charlton Heston in SOYLENT GREEN
Charlton Heston in SOYLENT GREEN

Movies to See Right Now

by

THE HANDMAIDEN
THE HANDMAIDEN

We’re at the beginning of a very promising Fall movie season.  Critical favorites Moonlight, The Handmaiden and Certain Women are already out.  Aquarius, Mel Gibson’s Hacksaw Ridge and, possibly, Loving open today in theaters.  Arrival (already an Oscar favorite along with Loving) and The Eagle Huntress open in a week.  Top choices:

  • The Korean period con artist movie The Handmaiden is gorgeous, erotic and extraordinarily entertaining.
  • Sonia Braga is still luminous in the character-driven Brazilian drama Aquarius.
  • John Travolta, Ethan Hawke and Jumpy the dog sparkle in the spaghetti western In a Valley of Violence.
  • Mascots is the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is playing in very few theaters, but it’s streaming on Netflix Instant, too.

Also in theaters or on video:

  • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening.  It’s almost universally praised, but I thought that the last act petered out.
  • Not much happens in the talented and idiosyncratic filmmaker Kelly Reichardt’s Certain Women, but it’s well-acted and feels real.
  • The indie drama Men Go to Battle is an insightful tale of two brothers that exceptionally illustrates the QUIET of pre-electric and pre-motorized North America. Men Go to Battle is available to stream from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
  • If you are entertained by the epically disgusting, you can catch the horror comedy The Greasy Strangler before it hits the midnight cult movie circuit. The Greasy Strangler can be streamed from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
  • The end of the thriller The Girl on the Train (starring Emily Blunt) is indeed thrilling. But the 82 minutes before the Big Plot Twist is murky, confusing and boring.

My Stream of the Week is Meet the Patels, a documentary funnier than most comedies. Meet the Patels is available to stream from Netflix Instant, Amazon Video, iTunes, Vudu, YouTube and Google Play.

On November 7, the eve of the Presidential election, Turner Classic Movies brings us two brilliant political documentaries:

  • Primary documents the Wisconsin Democratic primary election campaign in 1960. This was a key stepping stone in John F. Kennedy’s road to the White House because it was a chance for him to demonstrate that he appealed to voters outside the Northeast. Kennedy’s rival Hubert Humphrey was favored because Wisconsin neighbors Humphrey’s home state of Minnesota. Primary is both a time capsule of 1960 politics and an inside look at the Kennedy family unleashed in a campaign. There’s an amazing scene where Humphrey appeals to a handful of flinty farmers in a school gym – he’s giving his all and he ain’t getting much back. Only 60 minutes long, Primary has been selected for preservation in the National Film Registry. The great documentarian D.A. Pennebaker, who went on to direct Monterey Pop and The War Room, shot, edited and recorded sound for Primary.
  • The Times of Harvey Milk – the documentary Oscar winner from 1984. It’s the real story behind the 2008 Sean Penn narrative Milk – and with the original witnesses. If you pay attention, The Times of Harvey Milk can teach you everything from how to win a local campaign to how to build a societal movement. One of the best political movies ever. And watch for the dog poop scene!

THE TIMES OF HARVEY MILK
THE TIMES OF HARVEY MILK

THE HANDMAIDEN: gorgeous, erotic and a helluva plot

by

THE HANDMAIDEN
THE HANDMAIDEN

After a few minutes of The Handmaiden, we learn that it’s a con artist movie. After 100 minutes, we think we’ve watched an excellent con artist movie, but then we’re surprised by a huge PLOT TWIST, and we’re in for two more episodes and lots of surprises in a gripping and absorbing final hour. It’s also one of the most visually beautiful and highly erotic films of the year.

Director and co-writer Chan-wook Park sets the story in 1930s Korea during Japanese occupation (Japanese dialogue is subtitled in yellow and Korean dialogue in white). A young heiress has been secluded from childhood by her guardian uncle, who intends to marry her himself for her fortune. A con man embarks on a campaign to seduce and marry the wealthy young woman to harvest her inheritance himself. The con man enlists a pickpocket to become handmaiden to the heiress – and his mole. I’m not going to tell you more about the plot, but the audience is in for a wild ride.

The Handmaiden takes its time revealing its secrets. Who is conning who? Who is attracted to whom? How naive is the heiress? How loyal is the handmaiden? Who is really Japanese and who is really Korean? What’s in those antique books? What’s in the basement? Is the uncle perverted or REALLY perverted? And what legendary sex toy will show up in the final scene?

THE HANDMAIDEN
THE HANDMAIDEN

Chan-wook Park’s 2003 US art house hit Oldboy is highly sexualized, trippy and disturbing.  The Handmaiden is much more mainstream and accessible than Oldboy, but its sexuality packs a punch.

Gorgeous and erotic, The Handmaiden is one of the most gloriously entertaining films of the year.