DVD/Stream of the Week: Much Ado About Nothing

Alexis Denisof and Amy Acker in MUCH ADO ABOUT NOTHING

Director Joss Whedon (The Avengers, Buffy the Vampire Slayer) takes a break from pop with Shakespeare’s Much Ado About Nothing. It’s set in current times (with iPods and cupcakes) and filmed in black and white at Whedon’s Santa Monica home. It worked for me.

Whedon told NPR “Some people won’t see Shakespeare because they don’t believe there’s characters in them, they think it’s, you know, homework.” Whedon’s version brings out the screwball comedy sensibility of the tale. Indeed, there’s really nothing uniquely 16th century about the plot: one couple is perfectly matched but they think that they despise each other, another couple is head over heels in love and a mean, unhappy villain wants to break up the romance. As the primary couple who wage “a merry war” of wit, Alexis Denisof and Amy Acker keep up with the quick-paced barbed patter and show a gift for flopping-on-the-floor physical humor. Nathan Fillion hilariously deadpans the malapropisms of Dogberry, here the dimmest supervising rent-a-cop in English literature.

[Note: There’s also some serious home and party decorating/staging porn for the HGTV set.]

It’s all good fun, and there’s no need to review the play before enjoying it. In fact, I’m adding it to my list of Best Shakespeare MoviesMuch Ado About Nothing is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube and other VOD outlets.

Much Ado About Nothing: it’s not homework, it’s a screwball comedy

Alexis Denisof and Amy Acker in MUCH ADO ABOUT NOTHING

Director Joss Whedon (The Avengers, Buffy the Vampire Slayer) takes a break from pop with Shakespeare’s Much Ado About Nothing.  It’s set in current times (with iPods and cupcakes) and filmed in black and white at Whedon’s Santa Monica home.  It worked for me.

Whedon told NPR “Some people won’t see Shakespeare because they don’t believe there’s characters in them, they think it’s, you know, homework.”  Whedon’s version brings out the screwball comedy sensibility of the tale.  Indeed, there’s really nothing uniquely 16th century about the plot: one couple is perfectly matched but they think that they despise each other, another couple is head over heels in love and a mean, unhappy villain wants to break up the romance.  As the primary couple who wage “a merry war” of wit, Alexis Denisof and Amy Acker keep up with the quickpaced barbed patter and show a gift for flopping-on-the-floor physical humor.  Nathan Fillion hilariously deadpans the malapropisms of Dogberry, here the dimmest supervising rent-a-cop in English literature.

[Note: There’s also some serious home and party decorating/staging porn for the HGTV set.]

It’s all good fun, and there’s no need to review the play before enjoying it.  In fact, I’m adding it to my list of Best Shakespeare Movies.

Coming up on TV: Twentieth Century

On June 18, Turner Classic Movies is broadcasting this 1934 screwball comedy, which holds up as well today as it did 77 years ago. A flamboyantly narcissistic Broadway producer (John Barrymore) has fallen on hard times and hops a transcontinental train to persuade his former star (Carole Lombard), now an A-list movie star, to headline his new venture. Barrymore’s shameless self-entitlement and hyper dramatic neediness makes for one of the funniest performances in the movies.