THE PEOPLE WE HATE AT THE WEDDING: just empty

Ben Platt, Allison Janney and Kristen Bell in THE PEOPLE WE HATE AT THE WEDDING. Courtesy of Amazon.

The purported comedy The People We Hate at the Wedding feels like an agency deal that attached the talent and was sold to Amazon before there was any story to justify the film. The story, if you chose to call it that, is a compendium of rom com tropes – the anxious bride, the Bridezilla, the bride keeping a Big Secret from the groom, the brides’ estranged parents, the mom not comfortable with her out gay son and his partner, and some more. The tropes are there, but there just isn’t a single moment of authenticity. Nor any reason to care about the characters. Nor laughs.

I’ll watch just about anything with Allison Janney and/or Kristin Bell, but they’re hopelessly wasted in this stinker. The usuallycompelling French actor Isaach De Bankole is surprisingly wooden (perhaps because his lines are in English?).

If you must, The People We Hate at the Wedding is streaming on Amazon (included with Prime).

THE WORST PERSON IN THE WORLD: funny, poignant, original and profoundly authentic

Photo caption: Renate Reinsve in THE WORST PERSON IN THE WORLD. Courtesy of NEON.

One of the very Best Movies of 2022 is finally available to watch at home. In writer-director Joachim Trier’s masterpiece The Worst Person in the World, Julie (Renate Reinsve) is roaring through her life like a locomotive in search of tracks. She’s a medical student until she isn’t, having decided that her passion is psychology instead. Then, she’s convinced her avocation is photography. Each career plunge is accompanied by a new hairstyle and a new boyfriend. She’s charming and talented – and completely restless and unreliable. Surely she can’t keep up this pace of self-reinvention forever, can she?

Julie falls in love with Aksel (Anders Danielsen Lie) a graphic novelist in his forties, and settles into a dead end retail job in a bookstore and a role as the young companion of a literary figure. Rocking a black cocktail dress for an event celebrating Aksel, she sneaks out and crashes another party. There, she meets the barista Eivind (Herbert Nordrum), and they flirt, after deciding not to cheat on their partners.

Is Julie going to dump Aksel and break up Eivind’s relationship? Real life is more complicated than that, and so is The Worst Person in the World, which maintains a profound authenticity through its moments of silliness, sexiness and poignancy.

I’ve been a huge fan of Trier, since his first feature Reprise, which I named the 4th best movie of 2005. I didn’t care for his well-crafted follow-up Oslo, August 31. But I’ve been strongly recommending his under-appreciated Louder Than Bombs. Reprise is available to stream on Amazon, and you can find the other two on many streaming platforms.

Famed director Howard Hawks said that a great movie has “three great scenes and no bad scenes.” There are no bad scenes in The Worst Person in the World, and Trier hits Hawk’s mark with the moments when:

  • Julie, on her 30th birthday, reflects on what her mother, grandmother and other female ancestors were doing when they were 30.
  • Julie and Eivind meet and share nonsexual intimacies – which is smolderingly sexy.
  • Time stands still for the rest of Oslo when Julie has the impulse to find Eivind again.

The title of the film does not refer to Julie; it’s a self-deprecating joke by another character, who is a good person himself.

Renate Reinsve is relentlessly appealing as Julie; Reinsve won the best actress award at Cannes. Lie (who starred in Reprise and Oslo, August 31) and Nordrum are also superb.

Technically, The Worst Person in the World is a romantic comedy, but it’s so smart, so authentic and so original, I can’t bring myself to describe it as such. The Worst Person in the World is Oscar-nominated both for Trier’s screenplay and for best international feature film. After an extremely limited year-end Oscar qualifying run and a couple of weeks in theaters in February, The Worst Person in the World can now be streamed from Amazon, Apple, Vudu, YouTube and redbox.

THE WORST PERSON IN THE WORLD: funny, poignant, original and profoundly authentic

Photo caption: Renate Reinsve in THE WORST PERSON IN THE WORLD. Courtesy of NEON.

In writer-director Joachim Trier’s masterpiece The Worst Person in the World, Julie (Renate Reinsve) is roaring through her life like a locomotive in search of tracks. She’s a medical student until she isn’t, having decided that her passion is psychology instead. Then, she’s convinced her avocation is photography. Each career plunge is accompanied by a new hairstyle and a new boyfriend. She’s charming and talented – and completely restless and unreliable. Surely she can’t keep up this pace of self-invention forever, can she?

Julie falls in love with Aksel (Anders Danielsen Lie) a graphic novelist in his forties, and settles into a dead end retail job in a bookstore and a role as the young companion of a literary figure. Rocking a black cocktail dress for an event celebrating Aksel, she sneaks out and crashes another party. There, she meets the barista Eivind (Herbert Nordrum), and they flirt, after deciding not to cheat on their partners.

Is Julie going to dump Aksel and break up Eivind’s relationship? Real life is more complicated than that, and so is The Worst Person in the World, which maintains a profound authenticity through its moments of silliness, sexiness and poignancy.

I’ve been a huge fan of Trier, since his first feature Reprise, which I named the 4th best movie of 2005. I didn’t care for his well-crafted follow-up Oslo, August 31. But I’ve been strongly recommending his under appreciated Louder Than Bombs. Reprise is available to stream on Amazon, and you can find the other two on many streaming platforms.

Famed director Howard Hawks said that a great movie has “three great scenes and no bad scenes.” There are no bad scenes in The Worst Person in the World, and Trier hits Hawk’s mark with the moments when:

  • Julie, on her 30th birthday, reflects on what her mother, grandmother and other female ancestors were doing when they were 30.
  • Julie and Eivind meet and share nonsexual intimacies – which is smolderingly sexy.
  • Time stands still for the rest of Oslo when Julie has the impulse to find Eivind again.

The title of the film does not refer to Julie; it’s a self-deprecating joke by another character, who is a good person himself.

Renate Reinsve is relentlessly appealing as Julie; Reinsve won the best actress award at Cannes. Lie (who starred in Reprise and Oslo, August 31) and Nordrum are also superb.

Technically, The Worst Person in the World is a romantic comedy, but it’s so smart, so authentic and so original, I can’t bring myself to describe it as such. This is one of the best movies of 2022. The Worst Person in the World is Oscar-nominated both for Trier’s screenplay and for best international feature film.

LONG SHOT: to be remembered as minor Theron

Seth Rogen and Charlize Theron in LONG SHOT

The romantic comedy Long Shot looked eminently skipable to me until I read Manohla Dargis’ NY Times review, which concluded that the unexpected pairing of Charlize Theron and Seth Rogen worked. We didn’t like it as much as Manohla did, but The Wife and I had a moderately good time.

Charlize Theron and Seth Rogen play folks who grew up next door to each other as kids. Twenty-five years later, he has gone on to become a talented muckraking journalist of minor note and uncertain employability. She has become the US Secretary of State and a presidential hopeful, a glamorous celebrity and the most powerful woman in the world. When their paths cross as adults, the Beauty and the Beast connect, sparks fly and comic stations ensue. The most biting gags send up Rupert Murdoch and Fox News.

The drop-dead-beautiful Theron, of course, won the Best Actress Oscar for playing the not-drop-dead-beautiful serial killer Aileen in Monster. She has also become cinema’s best action star (male or female) with Mad Max: Fury Road and Atomic Blonde. But she’s also made two of the smartest comedies of the century in Young Adult and Tully, both times bravely playing an unsympathetic character. Long Shot is easily within her range, and she’s predictably excellent.

Rogen is always good in a comedy, and he’s fine here, too. Director Jonathan Levine previously directed two even better comedies, 50/50 and Warm Bodies.

This isn’t cinema for the ages, but Long Shot contains plenty of chuckles and several hard guffaws.

THE WAY YOU LOOK TONIGHT: an amiable parable

THE WAY YOU LOOK TONIGHT

In the amiable comedy The Way You Look Tonight, Peter meets a woman through a dating app, but can’t find her again despite their connection and a torrid one-nighter.  Still yearning for his mystery flame, he dates a series of women, but remains unfulfilled.  Now, it’s hard to write about this movie without spoiling the hook, but let’s just say that he discovers that a group of people exist with a startling fictional condition.

Indeed, the two funniest sequences are when Peter finds out that he is the last human to find out about this condition and when he attends the support group for the afflicted (of COURSE they have one).

Nick Fink is appealing as Peter and the rest of the cast is uniformly excellent, especially the horde of actresses who play his dates.

Can someone get past appearance –  age, race, body type – to connect with a soul mate?  The Way You Look Tonight is actually a parable cloaked in a romantic comedy.  This is the first feature for writer-director John Cerrito.

Cinequest hosts the world premiere of The Way You Look Tonight

VANILLA: rich in character-driven humor

Kelsea Bauman-Murphy and appendage in VANILLA

In the winning comedy Vanilla, Elliot (Will Dennis) is stuck in a regimented life of coding software, emerging from his apartment only for gym workouts and food.  Kimmie (Kelsea Bauman-Murphy) is a kookie free spirit, but she’s stuck, too, unable to fulfill her aspiration to become a stand-up comic.  Events conspire to lead the two into a three-day road trip from New York to New Orleans.  Kimmie pitches it to Elliot as a date.  But Elliot really sees the chance to reconnect in New Orleans with his ex-girlfriend Samantha, for whom he still pining. What could go wrong?

We have an odd couple on the road, so funny stuff happens – and this is a funny movie.  Naturally, the audience is waiting for the two to jump into bed together.  But Vanilla is fundamentally a portrait of these two people, both comfortable in their ruts.  Elliot is posing as an entrepreneur, and Kimmie is posing as a comedian-in-the-making; something is going to have to shake up these two so each can grow.  Kimmie seems utterly intrepid, but we learn that she can be paralyzed by self-consciousness, just like Elliot.

Vanilla is written and directed by its star, Will Dennis, in his first feature film.  It’s an impressive debut, rich in character-driven humor.

Dennis understands not to linger on a gag; (Yorgos Lanthimos should pay close attention to this).  Dennis has Elliot try to eat a beignet in a bayou tour boat; it only works because it’s the briefest of gags.    There’s a montage of bad would-be comics at an open mic night that is brilliant in its understanding of why they think they’re funny and why they’re not.  Dennis also works in a random encounter with America’s most earnest fish store guy (Lowell Landes).  And “Anyone ever tell you that you have a Natalie Portman thing going on?” becomes a very funny come-on line.

Dennis is very good as Elliot, subtly capturing his unease, judginess and pathetic obsession with Samantha.  Bauman-Murphy makes Kimmie’s kookiness, which could easily be annoying, lovable.

Jo Firestone is perfect as Elliot’s ex Samantha.   Firestone shows us a glimpse of why Elliot would fall for her, and then a massive dose of why she’s bad for him.  Let’s just say that I recognized Samantha (as a friend’s ex-girlfriend, not mine).

The satisfying ending of Vanilla is authentic, true to the characters and NOT what would be expected from a run-of-the-mill rom com.

Cinequest hosts the world premiere of Vanilla, where Silicon Valley audiences will appreciate Elliot’s delusion that his clunky app will go viral – if only users would spend enough time learning it.

JULIET, NAKED: okay rom com with a fresh premise

Ethan Hawke, Rose Byrne and Chris Dowd in JULIET, NAKED

Rose Byrne, Ethan Hawke and Chris O’Dowd sparkle in the affable romantic comedy Juliet, Naked. This rom com has a fresh premise – boy loses girl and finds her pursued instead by his lifelong idol. But the core of the film is, is it ever too late to jump start your life?

Annie (Byrne) lives what has become a very unsatisfying life in a British beach resort. Upon her father’s death, she returned to her hometown to help raise her little sister and the take over her father’s tiny museum. She fell in love with the local professor Duncan (O’Dowd), and they’ve been living together for over a decade. But now the sister is grown, she’s outgrown the museum, and the self-absorbed Duncan just doesn’t care about her opinions or her wants. She’s very unhappy – and it’s all sneaked up on her.

Duncan, on the other hand, is completely fulfilled by his obsessive fandom for the pop singer-songwriter Tucker Crow, who disappeared into seclusion twenty years ago. He’s filled a room of their apartment with Tucker Crowe memorabilia, and lives for the online discussions that he moderates discussions on his Tucker Crowe website. He derives status and gratification from being the world’s leading self-appointed authority on Tucker Crowe.  He is a major league bloviator.  In the movies, O’Dowd always seems so lovable; here, he;s successful in stretching himself into an unsympathetic character.

Tucker Crowe (Hawke), is living in an exile of self-loathing. Whereas Annie has settled for a life she no longer wants, Tucker has blown his life up with bad choices. After fathering several kids with several mothers – and abandoning them – he is now trying for redemption as the stay-at-home dad for his youngest, an eight-year-old boy. It turns out that one act of bad behavior in particular has – to him – discredited all his hit songs.

Rose Byrne and Chris Dowd in JULIET, NAKED

A turn of events lead to Annie kicking out Duncan, and Annie and Tucker – two unhappy and lonely people – meet online. Comedy and romance ensues. Among the funnier moments are when Duncan meets Tucker in real life, when Tucker stumbles into Duncan’s Tucker Crowe shrine and when all of Tucker’s exes and progeny descend on Tucker and Annie in a hospital room.

Ethan Hawke, who is a fair musician, nails a sweet cover of The Kinks’ Waterloo Sunset. Hawke also performs many of the songs on the soundtrack, including a very fun punk anthem during the closing credits.

Rose Byrne and Ethan Hawke in JULIET, NAKED

Overall, I liked Juliet, Naked as an agreeable romp. The Wife recommends it as a home video watch, not for a special trip to the theater.

The Wife also said she was distracted by all the clumsy efforts to hide Rose Byrne’s pregnancy – extra-roomy dresses and Byrne’s awkwardly front-carrying duffels and all manner of objects. I didn’t notice, but Byrne did gave birth in November 2017, so I assume that The Wife was once, again, far more observant than I.

CRAZY RICH ASIANS: heckuva date movie

Henry Golding and Constance Wu in CRAZY RICH ASIANS

Crazy Rich Asians is wildly popular for a reason – it’s damn entertaining and probably the year’s most appealing date movie.  Nick (the hunky Henry Golding) is getting serious about his New York girlfriend Rachel (Constance Wu) and wants to take her to meet his family in Singapore.  Now Rachel, being a beautiful NYU economics professor who is fluent in multiple languages, is just about anybody’s ideal daughter-in-law.  What Rachel doesn’t know is that Nick’s family is super, super rich – so rich that their set puts on $40 million weddings.  The family matriarch, Nick’s mom Eleanor (Michelle Yeoh – the leading lady in Crouching Tiger, Hidden Dragon), is never going to approve Nick marrying an American, even a Chinese-American rock star like Rachel.  As the lovers try to win over the formidably stern Eleanor, comic situations ensue.  Will love prevail?

As you can tell, this story follows a familiar arc for a romantic comedy, but with an Asian cast, an Asian location and lots of Asian cultural references.  But his isn’t a just rom com with a gimmick.  Director John M. Chu keeps the pages turning quickly all the way through the two hours running time (a little long for this genre) without any slow spots.   The three main characters are surrounded by wacky friends and family, and most of the biggest laughs come from the foibles of the supporting characters.

I saw this film in a heavily Asian audience, and Ken Jeong’s scenes in particular drew howls from the Asian crowd.  The rapper Awkwafina, who has gotten good notices for her performance in Oceans Eight, is hilarious as Rachel’s zany friend.  We’re going to be seeing a lot more of Awkwafina in the movies; she has Lucille Ball’s lasered-in earnestness.

Awkwafina in CRAZY RICH ASIANS

Michelle Yeoh in Warner Bros. Pictures’ and SK Global Entertainment’s and Starlight Culture’s contemporary romantic comedy CRAZY RICH ASIANS, a Warner Bros. Pictures release.

The Asians in my audience also responded knowingly to the references to Chinese family traditions and parents’ relations to their adult children, much of which is, of course, also universal.

Crazy Rich Asians has some fine set pieces, including an over-the-top wedding where the bridal party wades down a flooded aisle – and a reception so decadent that it makes Baz Luhrmann’s The Great Gatsby look Amish. There’s also a mouth-watering street food scene in Singapore.

You’ll laugh, you’ll cry. Here’s the teaser (not the trailer because the trailer gives away two of the most impactful lines).

MAGGIE’S PLAN: Julianne Moore sparks a rom com with a twist

Ethan Hawke and Julianne Moore in MAGGIE'S PLAN
Ethan Hawke and Julianne Moore in MAGGIE’S PLAN

I only saw Maggie’s Plan because The Wife DRAGGED me to it, but I was surprisingly entertained by this amiable romantic comedy.  A typically floundering mumblecore Millennial (Greta Gerwig) finds herself in an affair with an older man (Ethan Hawke). When she awakens to his relationship-killing self-absorption, she decides the ease the breakup by handing him back to his overachieving ex-wife (Julianne Moore).

Hawke, of course, excels in playing the unreliable man (Before the Devil Knows You’re Dead, Boyhood, Born to Be Blue).  Gerwig (the reason I didn’t want to see this movie) is not nearly as annoying and tiresome as she has been to date in her career. But it’s Julianne Moore who really elevates Maggie’s Plan, along with Bill Hader and Maya Rudolph, who are hilarious in supporting roles. Aussie Travis Flimmer shows much promise in a very minor, but eye-catching role.

It all adds up to an amiable and satisfying rom com with a fresh twist.

Don Jon: guffaws and self-discovery

Joseph Gordon-Levitt wrote/directed/stars in Don Jon, the story of a Guido whose pursuit of a stunning hottie (Scarlett Johansson) is stymied by his porn addiction.  With help from an older woman (Julianne Moore), he recognizes what will really make him happy.

It’s just a light comedy, but Gordon-Levitt has a very smart take on romantic comedy – one that takes some unexpected turns until a moment of self discovery.  Gordon-Levitt is getting good parts (Inception, 50/50, Looper, Lincoln) and big paychecks (The Dark Knight Rises), so he doesn’t have to write his own stuff – but I’m glad that he gave us Don Jon.

Tony Danza is pretty funny as the Guido dad.