Movies to See Right Now

Isabelle Huppert in ELLE
Isabelle Huppert in ELLE

The best reason to go to the movies is to see Isabelle Huppert in the wowzer Elle, which has opened at the Embarcadero in San Francisco and will open more widely in the Bay Area on the Thanksgiving weekend.  Here are top choices that are easier to find:

  • The Korean period con artist movie The Handmaiden is gorgeous, erotic and extraordinarily entertaining.
  • Sonia Braga is still luminous in the character-driven Brazilian drama Aquarius.
  • John Travolta, Ethan Hawke and Jumpy the dog sparkle in the spaghetti western In a Valley of Violence.
  • Mascots is the latest mockumentary from Christopher Guest (Best in Show) and it’s very funny. Mascots is playing in very few theaters, but it’s streaming on Netflix Instant, too.

Also in theaters or on video:

      • Despite a delicious performance by one of may faves, Michael Shannon, I’m not recommending Nocturnal Animals;  I’m writing about it tomorrow.
      • Arrival with Amy Adams, is real thinking person’s sci-fi. Every viewer will be transfixed by the first 80% of Arrival. How you feel about the finale depends on whether you buy into the disconnected-from-linear-time aspect or you just get confused, like I did.
      • The remarkably sensitive and realistic indie drama Moonlight is at once a coming of age tale, an exploration of addicted parenting and a story of gay awakening. It’s almost universally praised, but I thought that the last act petered out.
      • Not much happens in the talented and idiosyncratic filmmaker Kelly Reichardt’s Certain Women, but it’s well-acted and feels real.
      • If you are entertained by the epically disgusting, you can catch the horror comedy The Greasy Strangler before it hits the midnight cult movie circuit. The Greasy Strangler can be streamed from Amazon Instant, iTunes, Vudu, YouTube and Google Play.
      • The end of the thriller The Girl on the Train (starring Emily Blunt) is indeed thrilling. But the 82 minutes before the Big Plot Twist is murky, confusing and boring.

I’ve written farewells to actor Robert Vaughn and musician Leon Russell, who died earlier this week.

My Stream of the Week is the documentary The Lovers and the Despot, the story of a crazy dictator’s kidnapping of a movie director and his movie star wife – and how they escaped and proved that it really happened.  The Lovers and the Despot is now available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and cable and satellite TV on demand.

On November 23, Turner Classic Movies plays a groundbreaking cinéma vérité documentary from 1968. Salesman is as revealing a depiction of the sales life as Glengarry Glen Ross, and just as heartbreaking – you can’t have capitalism without winners and losers. Imagine selling Bibles door-to-door.

SALESMAN
SALESMAN

Robert Vaughn: Mr. Icy

Robert Vaughn in THE MAGNIFICENT SEVEN
Robert Vaughn in THE MAGNIFICENT SEVEN

The actor Robert Vaughn has died. Vaughn left a body of work with 226 screen credits, mostly on television.  He was nominated for a Supporting Actor Oscar for The Young Philadelphians, but I think his most enduring feature film role was as one of The Magnificent Seven.

Of course, for us Baby Boomers, Vaughn will always be remembered as Napoleon Solo in the Bond spy spoof The Man from U.N.C.L.E., which absolutely dominated television briefly in the mid-1960s.

Not an actor with a lot of range or depth, Vaughn’s greatest attribute was his presence – a very cool presence.  Not cool as in “hip”, but cool as in “icy”.  That presence served him well in action films.  And his unremitting dead pan was PERFECT for a parody like U.N.C.L.E.

His NYT obit indicates that, in real life, he was noted for his militant rejection of any artistic pretension whatsoever and for his liberal politics.