2011 in Movies: foreign films

It was another year in which foreign cinema was essential (although not as great as years past).  Three of the nominees for the 2010 Best Foreign Language Oscar were released in the US this year: Incendies , Dogtooth and the Oscar-winning In a Better World.   Incendies earned a very prominent spot on my Best Movies of 2011.  Joining Incendies on my Best Movies of 2011 are The Artist from France, Poetry from Korea, Carancho from Argentina and Potiche from France.  That’s five films – down from ten on my list for 2010 and the lowest number of foreign films on my list ever.

Still, the French had a fine historical drama in Sarah’s Key, the costume epic The Princess of Montpensier, the sexy comedy The Names of Love and the arty head scratcher Certified Copy.   Stylized violence characterized both the Japanese gangster film Outrage and the Samurai movie 13 Assassins.  There was a sly Mexican dark comedy, Norah’s WillAttenberg was a better Greek comedy than Dogtooth.

The Polish documentary War Games and the Man Who Stopped Them was excellent. Hungary delivered a small drama, Question in Details.  The Aussies gave us a very violent contemporary Western, Red Hill.  Germany and Austria produced a contemporary crime drama in The Robber.  Even the Bolivians gave us a pretty solid Western:  Blackthorn.

Here’s the trailer for Poetry.

Updated Movies to See Right Now

Somewhere: It's Dad/Daughter Month at the Chateau Marmont

Now is the time to catch future Oscar contenders on the big screen, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.

True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.

Biutiful is a grim, grim movie with a great performance by Javier Bardem in a compelling portrait of a desperate man in desperate circumstance, directed by Alejandro Gonzalez Inarritu (Amores perros, 21 Grams, Babel).

Somewhere is Sofia Coppola’s (Lost in Translation) artsy portrait of a man so purposeless that he can find no pleasure in pleasure.  An A-list movie star (Steven Dorff) is living at the Chateau Marmont with his expensive toys, booze and drugs and an inexhaustible supply of beautiful, sexually available women, but without Without any purpose or connection to others, his debauchery is completely joyless.  To his surprise and discomfort,  his eleven-year-old daughter (Elle Fanning) moves in for a few weeks.

I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent. All are on my list of Best Movies of 2010.

I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres. Red Hill is a stylish contemporary Aussie Western. Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.

For trailers and other choices, see Movies to See Right Now.

I have not yet seen Another Year or The Way Back , opening this weekend. You can see the trailers at Movies I’m Looking Forward To.

My DVD pick is The Naked Kiss. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include Jason and the Argonauts, Hannah and Her Sisters, D.O.A., The Shop Around the Corner and Night of the Lepus on TCM.

Movies to See Right Now

Mark Wahlberg and Christian Bale in The Fighter

Now is the time to catch future Oscar contenders on the big screen, especially crowd pleasers like True Grit, The King’s Speech and Black Swan.

True Grit is the Coen Brothers’ splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance, and Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn. The King’s Speech is the crowd pleasing story of a good man (Colin Firth) overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner (Geoffrey Rush). Darren Aronofsky’s Black Swan is a rip roaring thriller and a showcase for Natalie Portman and Barbara Hershey.

I strongly recommend Rabbit Hole, an exquisite exploration of the grieving process with great performances by Nicole Kidman, Aaron Eckhardt, Diane Wiest, Sandra Oh and Miles Tenner. The Fighter is an excellent drama, starring Mark Wahlberg as a boxer trying to succeed despite his crack addict brother (Christian Bale) and trashy mom (Melissa Leo). Fair Game, the Valerie Plame/Joe Wilson story with Naomi Watts and Sean Penn, is also excellent.  All are on my list of Best Movies of 2010.

I Love You, Phillip Morris is an entertaining offbeat combo of the con man, prison and romantic comedy genres.  Red Hill is a stylish contemporary Aussie Western.  Season of the Witch is a bad Nicholas Cage/Ron Perlman buddy movie set among the plague, crusades and witch hunts of the 13th century.

For trailers and other choices, see Movies to See Right Now. You can see the trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is In the Name of the Father. For my recent DVD choices (including trailers), see DVDs of the Week.

Movies on TV include 12 Angry Men, I Want to Live! and Glory on TCM.

Red Hill

There’s not much original in Red Hill, a contemporary Aussie Western, but it is stylish and well-made – and we don’t see a lot of Westerns these days.  Some critics has remarked on the violence in Red Hill, but it is not extreme.

At 95 minutes, the story moves along quickly.  There is a lot of subtle humor, not from gag lines, but from the absurdly relentless persistence of the rookie cop, the facial scarring that makes the outlaw even scarier and the inopportune appearance of a very hungry panther.