DVD of the week: Four Lions: terrorist comedy, anyone?

This couldn’t have been made in the US, but fortunately the Brits have made the terrorist equivalent of Waiting for Guffman.   A group of homegrown Brits of Pakistani heritage decide to join the jihad and try to organize a terror mission.  Fortunately, the smartest one is both inept and unlucky, and each of the others is dumber than the last.   The cell’s intramural competition reminds me of the hilarious People’s Liberation Front scene in Monty Python’s Life of Python.

Coming up on TV: Strangers on a Train

On June 24, Turner Classic Movies is broadcasting this 1951 Alfred Hitchcock suspense thriller – one of his very best. A hypothetical discussion about murdering inconvenient people turns out to be not so hypothetical.

Robert Walker plays one of the creepiest villains in movie history.  The tennis match and carousel finale are great set pieces.

DVD of the Week: Kiss Me Deadly

Now film noir is by definition dark and cynical, but 1955’s Kiss Me Deadly is downright pissed off and nasty.  Ralph Meeker stars as LA private eye Mike Hammer in this delightfully lowbrow film noir, based on a Mickey Spillane novel.  Much of the fun comes from the menacing nuclear glow of the briefcase that is the film’s MacGuffin.

On his indieWIRE blog, Peter Bogdanovich writes that Robert Aldrich hated Spillane’s pulp so much that he concluded the screenplay with nuclear annihilation.

In the subversive 1984 cult classic Repo Man, the glowing briefcase reappears in the truck of a repossessed sedan.

The Criterion Collection has just released its DVD of Kiss Me Deadly.

Coming up on TV: Twentieth Century

On June 18, Turner Classic Movies is broadcasting this 1934 screwball comedy, which holds up as well today as it did 77 years ago. A flamboyantly narcissistic Broadway producer (John Barrymore) has fallen on hard times and hops a transcontinental train to persuade his former star (Carole Lombard), now an A-list movie star, to headline his new venture. Barrymore’s shameless self-entitlement and hyper dramatic neediness makes for one of the funniest performances in the movies.

DVD of the Week: Carancho

Here’s one of my Best Movies of 2011 – So Far.

Well, they have ambulance chasers in Argentina, too, and that seamy world is the setting for this dark and violent noirish thriller.  Ricardo Darin (The Secrets of Their Eyes, Nine Queens) stars as a suspended lawyer running insurance scams.    (I think of Darin as the Argentine Joe Mantegna.)  Set in the gloom of urban nighttime emergency rooms and funeral homes, it’s a love story between the lawyer and an equally troubled doctor (Martina Gusman), nestled into a crime thriller.

The story is as cynical and dark as it comes.  The handheld camera keeps it out of the noir category, but the story is as hard-bitten as Kiss Me Deadly or any of the really nasty noirs. The violence is realistic, and there’s lots of it – I had never seen anyone beaten to death with a file drawer before.  If you like dark and edgy (and I do), this is the film for you.

DVD of the Week: True Grit

Joel and Ethan Coen (Fargo, Blood Simple, No Country for Old Men) have brought us the splendid Old West story of Mattie Ross, a girl of unrelenting resolve and moxie played by 14-year-old Hailee Steinfeld in a breakthrough performance.   Without her performance, the movie could not have been the success that it is, and Steinfeld has no problem standing up to the likes of Jeff Bridges, Josh Brolin and Matt Damon.  Mattie’s merciless smarts and resourcefulness become clear in her negotiations with prairie mogul Col. Stonehill (magnificently played by Dakin Matthews).

Jeff Bridges is perfect as the hilarious, oft-besotted and frequently lethal Rooster Cogburn.  Damon, Brolin and the rest of the cast are excellent, especially Matthews and Barry Pepper.

This film is made from the same source material as, but is not a remake of, the 1969 John Wayne oater (a movie that I particularly dislike).  The 1969 film is burdened by a hammy effort by Wayne, the miscast and undertalented Kim Darby (playing a 14-year-old at 22) and Glenn Campbell.

The film opens (without title credits) with the old hymn Leaning on the Everlasting Arms, signaling that the Coen Brothers will play True Grit absolutely straight within the traditional Western genre – no ironic winks at the audience.

True Grit is one of my Best Movies of 2010.

DVD of the Week: Kaboom

And now for some sexy silliness. Director Gregg Araki created the brilliant and searing Mysterious Skin, but here he’s just having fun.  In the first hour of Kaboom, I lost track of how many characters had sex with each other – it’s just about non-stop and guy-on-guy, girl-on-girl, guy-on-girl, guy-and-girl-on-guy, etc.  I would characterize the sex as casual, but that would make it seem that the characters were having even a modicum of difficulty in finding partners.  Anyway, the chaotic sexathon is very funny.   The last twenty minutes takes the film into a campy version of a paranoid apocalypse film, before an abrupt (and I mean abrupt) ending.  Did I mention the bad guys in the animal masks? It’s fun and doesn’t take itself too seriously.  Have two cocktails and then pop in the DVD.

Movies to See Right Now

Incendies

I’m still urging people to see the searing drama Incendies, the year’s best film so far. Upon their mother’s death, a young man and woman learn for the first time of their father and their brother and journey from Quebec to the Middle East to uncover family secrets. As they bumble around Lebanon, we see the mother’s experience in flashbacks. We learn before they do that their lives were created – literally – by the violence of the Lebanese civil war.

13 Assassins is brilliantly staged and photographed, and is one of the best recent action films; an honorable samurai must assemble and lead a team of thirteen to hack their way through a psychotically sadistic noble’s 200 bodyguards.

Don’t miss Cave of Forgotten Dreams while it can be seen in 3D; Werner Herzog explores the amazing 30,000 year old Chauvet cave paintings.

In Bridesmaids, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life; it’s funny, but not one of the year’s best. Meek’s Cutoff is a disappointing misfire.

Source Code is a gripping scifi thriller with intelligence and heart, starring Jake Gyllenhaal, Vera Farmiga and Michelle Monaghan. Hanna is a rip roaring girl-power thriller starring Saiorse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father, and then released upon the CIA.

For trailers and other choices,see Movies to See Right Now.

I haven’t yet seen Midnight in Paris or The Hangover Part II, which open this weekend.  You can see trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick is Kings of Pastry.

Movies on TV this week include the timeless drama The Best Years of Our Lives on TCM.

DVD of the Week: Kings of Pastry

This documentary chronicles the physically grueling and emotionally draining three-day competition for the MOF, the highest designation for French pastry chefs. Amid impossibly towering sugar sculptures and delectable cream puffs and layer cakes, we see the essential cores of competition – aspiration, ambition, perseverance, commitment, desperation, heartbreak and victory. Kings of Pastry is directed by the brilliant documentarians Chris Hegedus and DA Pennebaker (The War Room).

It has earned a spot on my list of 10 Food Porn Movies.

Bridesmaids: Funny but incomplete

Bridesmaids is a funny movie, but one that could have been much better.  In a role that she wrote for herself, Kristen Wiig plays a woman whose insecurities keep her from seeing the good and the possible in her life.  Instead, she wreaks havoc on her best friend’s wedding planning and is about to sabotage a sweet romance with Chris O’Dowd.  So far, so good.

Producer Judd Apatow salted Wiig’s screenplay with some low brow stuff.  Now, I like to see gals at an upscale wedding boutique puking on each other and shitting themselves as much as the next guy (and it was the guys in the audience that were laughing the most at that scene).  But the Apatow additions didn’t quite mesh with the central story.

Still, we can conclude that Kristen Wiig has what it takes to carry a movie by herself.  Hopefully, next time she’ll get her script greenlighted as is.