DVD/Stream of the Week: HACKSAW RIDGE – unimaginable bravery disconnected from acts of violence

Andrew Garfield in HACKSAW RIDGE
Andrew Garfield in HACKSAW RIDGE

My video pick for Memorial Day Week is Mel Gibson’s powerful Hacksaw Ridge.  Just before the 2017 Oscars, The Wife and I finally got around to watching Hacksaw Ridge, which had been nominated for a Best Picture Oscar. Before you see this movie, you need to know that it’s a true story – otherwise you wouldn’t believe it. It’s the story of American Army Medic Desmond T. Doss who single-handedly rescued 75 fellow soldiers at the Battle of Okinawa and became the first Conscientious Objector in American history to be awarded the Congressional Medal of Honor.

Hacksaw Ridge shows Doss (Andrew Garfield) growing up in rural Virginia as a devout Seventh Day Adventist.  After Pearl Harbor, Doss feels compelled to serve his country but, as a religious pacifist, he can’t sign up for combat.  So he enlists as a conscientious objector to become a combat medic.  He’s thrown into a combat unit for training and endures bullying from both his officers and his fellow troops.

Doss and his unit are ordered into the Battle of Okinawa. They must climb a 350-foot cliff on cargo netting,   The Americans can carry up radios, bazookas, machine guns and flamethrowers but not anything heavier than that.   The Japanese are not contesting the climb up because they have set up a killing field on the ridge-top, which they have fortified with concrete pill-boxes.  The Japanese have also constructed a network of tunnels, in which they can wait out the US naval artillery bombardments.

It’s a blood bath.  Historically, this was an extraordinarily brutal battle – even by War in the Pacific standards.  And so director Mel Gibson, who never shies away from violence, graphically depicts that violence.  Of course, being Mel, he can’t resist a few completely gratuitous moments, including a hara-kiri and the very cool-looking slo-mo ejection of casings from an automatic weapon.  But, generally, the movie violence is proportionate to the real-life violence.

Nevertheless, the real focus is on the bravery of the US troops, of which Doss’ is extraordinary.  Their and his courage to climb the cliff a SECOND time – after learning what it is like on top –  is unimaginable.

Andrew Garfield is superb as Doss, playing him with a goofy and infectious grin, whose niceness and sweetness masks formidable strong will.  I’ve never see him as Spider-Man, but Garfield’s work in Red Riding, The Social Network, 99 Homes and now Hacksaw Ridge has been very impressive.

There isn’t a bad, or even mediocre performance in Hacksaw Ridge.  You can’t tell that Aussies Teresa Palmer, Hugo Weaving and Rachel Griffiths (Brenda in Six Feet Under) aren’t from Blue Ridge Virginia.  Sam Worthington and Vince Vaughn are especially good as Doss’ commanders.

I’ve been a fan of Hugo Weaving since he so compellingly played a blind man in the 1991 Proof (also our first look at a very young Russell Crowe). Since then, Weaving has earned iconic roles in the Matrix movies and V for Vendetta and is usually the most interesting performer in big budget movies.  Here Weaving plays Doss’ father, not just as the mean drunk who terrorizes his family, but as a vet still reeling from the PTSD of his own WWI combat experience.

Hacksaw Ridge deservedly won Oscars for both film editing and sound mixing. Gibson’s directing is excellent, as is the work of cinematographer Simon Duggan (who shot Baz Luhrman’s otherwise dreadful but great-looking The Great Gatsby).

Make sure that you watch through the epilogue and closing credits to see and hear the real life folks portrayed in the film.

You can rent Hacksaw Ridge on DVD from Netflix and Redbox or stream it from Amazon, iTunes, Vudu, YouTube and Google Play and DirecTV.

[SPOILER ALERT: I have also read on the Internet about something that is NOT in the movie. Reportedly, when Doss was being evacuated by stretcher after being wounded by the grenade, he ROLLED OFF the stretcher when he passed another wounded soldier and demanded that the stretcher bearers take the other guy. Doss then CRAWLED the final 300 yards to the cargo netting to rescue himself. Again reportedly, Mel Gibson kept this out of the movie because he thought the audience just couldn’t be expected to believe that it really happened.]

Marketing problem

Let’s see if you can help a Hollywood studio with a marketing problem.  Suppose you have made a highbrow, smart, quirky film about a man who emerges from a disabling depression by communicating only through a beaver hand puppet.  And the film is titled The Beaver.

Now suppose that the guy’s wife is played by the eminently respectable, sympathetic and likable Jodie Foster, who also directs the film.  Everybody always likes Jodie Foster, right?

With me so far?  Wonder what the marketing problem is?  Well, the problem is that the audience must sympathize with the husband and root for him to learn how to express his feelings appropriately.  And that husband is played by Mel Gibson.

See the problem?

To make things worse for poor Jodie Foster, her film was already in the can and awaiting a Fall 2010 release when the tapes of Mel threatening his real life ex were splattered across the global media.

The Beaver reportedly had a $19 million budget and finished shooting in November 2009.  The release date is now the vague “2011”.  But, never fear, the trailer is here!