2015 at the Movies: a glimmer of feminism

MUSTANG
MUSTANG

There’s been a glimmer of feminism in many of the year’s best films. The most overtly feminist is Mustang, a fierce assault on the patriarchy of a traditional culture. But Brooklyn and Carol share a feminist point of view. It’s no coincidence that the character that revolts in Ex Machina has a female form.  Ex Machina, Mustang and Brooklyn are are on my Best Movies of 2015.

Mad Max: Fury Road, a movie loved by critics (especially the female ones), is a rock ’em, sock’em action movie where women characters flee for their safety from male atrocities and then exact their revenge.

Testament of Youth is a biopic of the pioneering woman who leads a social movement. And from the 19th Century, there was the proto-feminist bodice ripper Far from the Madding CrowdChi-raq, Spike Lee’s modern inner city version of Aristophanes’ Lysistrata, also has women taking charge of their society.

All of these movies are primarily about women and have female leads.

Even the protagonist’s love interest (usually a thankless and peripheral role) in Creed is accomplished and only interested in embracing the title character on her own terms.

What does this mean? Not that Hollywood is now the paradigm of gender equity.  Just that there were some high quality movies this year, some women-centered, with a welcome perspective.

Charlize Theron in MAD MAX: FURY ROAD
Charlize Theron in MAD MAX: FURY ROAD

MAD MAX: FURY ROAD – mobile battles and little else

Charlize Theron in MAD MAX: FURY ROAD
Charlize Theron in MAD MAX: FURY ROAD

For some reason, the critical consensus on Mad Max:Fury Road has been pretty favorable. It’s 120 minutes long, of which at least 105 minutes are chase scenes that are really mobile battles. They are remarkable battles, but they are just battles. Writer-director George Miller has produced an adrenaline-filled thrill ride with some unique elements. But there just really isn’t anything exceptional – characters, dialogue, plot, setting – besides the action.

Charlize Theron and Tom Hardy are just fine as the good guys. Poor Hardy has to wear a steel mask for a third of the movie like he did for the entire The Dark Knight Rises. Theron is a fantastic actress, but all she has to do here is glint over her shoulder a lot (and she’s looks great doing that). I really loved Nicholas Hoult, who was so engaging in Warm Bodies, here as a Takes A Licking But Keeps On Ticking pawn-of-the-villain.  Zoe Kravitz rides along with Theron and Hardy, looking adorable.

If you feel the need for a simplistic rock ’em, sock’em action movie, this will fill the bill.  Don’t expect any more.