Jeff Nichols

Stream of the Week: MUD – a big dose of realism about love

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MUD

In the brilliant drama Mud, two Arkansas boys venture onto a river island and discover a man named Mud (Michael McConaughey) hiding from the authorities. Ellis (Tye Sheridan of The Tree of Life) is a hopeless romantic, consumed by an ideal view of love. His more hard-eyed buddy Neckbone (Jacob Lofland) is on the outlook for cool stuff. Both are ready for the excitement of a secret adventure.

Mud is another triumph for writer-director Jeff Nichols (Shotgun Stories, Take Shelter). The story has aspects of a boyhood adventure and of an escape thriller which hook the audience. But Mud is, at its heart, a coming of age story in which Ellis (primarily) gets a big dose of realism about love and human constancy.

Neckbone doesn’t have many illusions about human nature. His parents aren’t in the picture, and he lives with his wacky uncle Galen (Michael Shannon) in a trailer. Neckbone has a knack for immediately getting to the core of situation by bargaining an errand for a pistol or asking “Didja feel her titties?”.

A step down from Neckbone’s trailer lifestyle, Ellis lives on a floating shack tied to the riverbank. His parents are together, but, it seems, not for long. Somehow, Ellis believes in an ideal and forever love. There are many relationships for Ellis to observe: his parents’ troubled journey, the sacrifices Mud makes for his lover (Reese Witherspoon), the mysterious relationship between Mud and another houseboat dweller (Sam Shepherd), a rich man’s (Joe Don Baker) own obsession with his sons, his partnership with Neckbone and Ellis’ own first foray into dating. It’s all a bigger mouthful than Ellis was expecting.

The two kid actors are great. So are McConaughey, Shepherd, Witherspoon, Baker and Nichol’s favorite actor, Shannon. Mud primarily succeeds because Nichols has created compelling characters and woven a top-rate story, both gripping and thoughtful. I listed Mud as one of the best movies of 2013. You can stream Mud on Amazon (free on Prime), iTunes, Vudu, YouTube and Google Play; it’s also available on DVD from Netflix.

DVD/Stream of the Week: SHOTGUN STORIES – Michael Shannon’s breakthrough movie

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SHOTGUN STORIES

I am celebrating the great Michael Shannon this week by recommending writer-director Jeff Nichols’ Shotgun Stories. Nichols followed Shotgun Stories with Take Shelter and Mud, which together constitute his “Arkansas Trilogy”.  Shotgun Stories was also the breakout film for Nichols’ favorite leading man, Shannon, who has since gone on to Boardwalk Empire, The Ice Man, 99 Homes, Frank & Lola, Nocturnal Animals (Shannon is brilliant but the movie sucks) and, of course, the current Oscar favorite, The Shape of Water.

Shotgun Stories opens with three brothers learning about the death of their no good father. He had abandoned them and their mother in poverty – and was such an indifferent father that he named his children Son, Boy and Kid. After walking away from his family, he found religion and started another, more prosperous, family with another set of three sons. The three older sons crash the funeral to express their bitterness, and it becomes clear that the two sets of brothers are headed for a clash.

Shannon plays the oldest brother, who has been forged into stony strength and determination by deprivation and long-smoldering resentment. Nichols uses that resentment to light a fuse that burns fitfully but inexorably for most of Shotgun Stories’ 92 minutes.

Shotgun Stories ranked #7 on my Best Movies of 2007.  Shotgun Stories is available on DVD from Netflix and streaming from Netflix and iTunes.

DVD/Stream of the Week: LOVING – the love story that made history

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LOVING Credit: Ben Rothstein/Focus Features
Ruth Negga and Joel Edgerton in LOVING. Credit: Ben Rothstein/Focus Features

The landmark 1967 US Supreme Court case Loving v. Virginia overturned state laws that banned interracial marriage. Loving is the story of the real couple behind that ruling, and it’s a satisfying love story of two modest people who would rather not have been forced to make history.

Ruth Negga and Joel Edgerton convincingly bring the lead characters to life. As the more vibrant character, Negga is especially winning. Edgerton is just as good as he plays the stolid and far less demonstrative husband.

Marton Csokas, with his pitiless, piercing eyes, is remarkably effective as the Virginia sheriff dead set on enforcing Virginia’s racist statute in the most personally intrusive way. Too often, actors seem to be impersonating Rod Steiger in In the Heat of the Night when they play racist Southern sheriffs, but Csokas brings some originality to his performance.

Loving is directed by one of my favorites, Jeff Nichols of Shotgun Stories, Take Shelter and Mud (which he calls his “Arkansas Trilogy”). Nichols specializes in leisurely paced dramas that evoke their settings in the rural South. Nichols’ languid style works well in telling stories that have moments of shock and violence. However, there is no dramatic courtroom face off or thrilling high point as we watch these people live their workaday lives, so Loving drags a bit in places. Nevertheless, Nichols does an excellent job of depicting the ongoing dread of racist terror that these people lived under.

Michael Shannon, who owes his career breakthrough to Nichols’ Shotgun Stories and stars in his Take Shelter and Mud, shows up in a sparkling cameo as a LIFE magazine photographer. If you perform a Google image search for “Richard Mildred Loving”, you’ll find the real LIFE photos, which make it clear that Nichols went to great lengths to make the characters and the settings look very, very much like the Lovings and their environment. I don’t need “lookalikes” in a historical movie, but the makeup and wardrobe on Edgerton and Negga (and especially Richard Loving’s mother) are remarkably close to the real people. And the scenes at the drag race and on the Loving’s sofa are recreated in almost chilling accuracy.

I studied Loving v. Virginia, along with other major civil rights and individual rights cases, in law school in the mid-1970s . Then, the idea that a government could outlaw a marriage between people of different races (and even the word “anti-miscegenation”) already seemed ridiculously obsolete and perversely quaint. But I hadn’t realized that the ruling in Loving v Virginia was only 8 years old at the time I studied it. California had such a law, too, which wasn’t repealed until 1948, and I have a friend whose Filipino and Mexican-American parents were kept from marrying by that statute.

History is made by real people. Loving is both good history and a watchable personal story. You can watch on DVD from Netflix and Redbox or stream it from Amazon, iTunes, Vudu, YouTube and Google Play.

LOVING: the love story that made history

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LOVING Credit: Ben Rothstein/Focus Features
Ruth Negga and Joel Edgerton in LOVING.  Credit: Ben Rothstein/Focus Features

The landmark 1967 US Supreme Court case Loving v. Virginia overturned state laws that banned interracial marriage.  Loving is the story of the real couple behind that ruling, and it’s a satisfying love story of two modest people who would rather not have been forced to make history.

Ruth Negga and Joel Edgerton convincingly bring the lead characters to life.  As the more vibrant character, Negga is especially winning.  Edgerton is just as good as he plays the stolid and far less demonstrative husband.

Marton Csokas, with his pitiless, piercing eyes, is remarkably effective as the Virginia sheriff dead set on enforcing Virginia’s racist statute in the most personally intrusive way.  Too often, actors seem to be impersonating Rod Steiger in In the Heat of the Night when they play racist Southern sheriffs, but Csokas brings some originality to his performance.

Loving is directed by one of my favorites, Jeff Nichols of Shotgun Stories, Take Shelter and Mud (which he calls his “Arkansas Trilogy”).  Nichols specializes in leisurely paced dramas that evoke their settings in the rural South.  Nichols’ languid style works well in telling stories that have moments of shock and violence.  However, there is no dramatic courtroom face off or thrilling high point as we watch these people live their workaday lives, so Loving drags a bit in places.  Nevertheless, Nichols does an excellent job of depicting the ongoing dread of racist terror that these people lived under.

Michael Shannon, who owes his career breakthrough to Nichols’ Shotgun Stories and stars in his Take Shelter and Mud, shows up in a sparkling cameo as a LIFE magazine photographer.  If you perform a Google image search for “Richard Mildred Loving”, you’ll find the real LIFE photos, which make it clear that Nichols went to great lengths to make the characters and the settings look very, very much like the Lovings and their environment.  I don’t need “lookalikes” in a historical movie, but the makeup and wardrobe on Edgerton and Negga (and especially Richard Loving’s mother) are remarkably close to the real people.  And the scenes at the drag race and on the Loving’s sofa are recreated in almost chilling accuracy.

I studied Loving v. Virginia, along with other major civil rights and individual rights cases, in law school in the mid-1970s .  Then, the idea that a government could outlaw a marriage between people of different races (and even the word “anti-miscegenation”) already seemed ridiculously obsolete and perversely quaint.  But I hadn’t realized that the ruling in Loving v Virginia was only 8 years old at the time I studied it. California had such a law, too, which wasn’t repealed until 1948, and I have a friend whose Filipino and Mexican-American parents were kept from  marrying by that statute.

History is made by real people.  Loving is both good history and a watchable personal story.

DVD/Stream of the Week: Mud

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MUD

In the brilliant drama Mud, two Arkansas boys venture onto a river island and discover a man named Mud (Michael McConaughey) hiding from the authorities. Ellis (Tye Sheridan of The Tree of Life) is a hopeless romantic, consumed by an ideal view of love. His more hard-eyed buddy Neckbone (Jacob Lofland) is on the outlook for cool stuff. Both are ready for the excitement of a secret adventure.

Mud is another triumph for writer-director Jeff Nichols (Shotgun Stories, Take Shelter). The story has aspects of a boyhood adventure and of an escape thriller which hook the audience. But Mud is, at its heart, a coming of age story in which Ellis (primarily) gets a big dose of realism about love and human constancy. Neckbone doesn’t have many illusions about human nature. His parents aren’t in the picture, and he lives with his wacky uncle Galen (Michael Shannon) in a trailer. Neckbone has a knack for immediately getting to the core of situation by bargaining an errand for a pistol or asking “Didja feel her titties?”. A step down from Neckbone’s trailer lifestyle, Ellis lives on a floating shack tied to the riverbank. His parents are together, but, it seems, not for long. Somehow, Ellis believes in an ideal and forever love.

There are many relationships for Ellis to observe: his parents’ troubled journey, the sacrifices Mud makes for his lover (Reese Witherspoon), the mysterious bond between Mud and another houseboat dweller (Sam Shepherd), a rich man’s (Joe Don Baker) own obsession with his sons, his partnership with Neckbone and Ellis’ own first foray into dating. It’s all a bigger mouthful than Ellis was expecting.

The two kid actors are great. So are McConaughey, Shepherd, Witherspoon, Baker and Nichol’s favorite actor, Shannon.  Mud primarily succeeds because Nichols has created compelling characters and woven a top-rate story, both gripping and thoughtful.

Mud is one of the best movies of 2013.   Mud is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, GooglePlay, YouTube and other VOD outlets.

DVD/Stream of the Week: Shotgun Stories

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SHOTGUN STORIES

I am celebrating Mud this week by recommending writer-director Jeff Nichols’ Shotgun Stories.  Nichols followed Shotgun Stories with Take Shelter and now Mud, which together constitute his “Arkansas Trilogy”.  Shotgun Stories was also the breakout film for Nichols’ favorite leading man, Michael Shannon, who has since gone on to Boardwalk Empire, next week’s The Ice Man and the upcoming blockbuster Man of Steel.

Shotgun Stories opens with three brothers finding about the death of their no good father.  He had abandoned them and their mother in poverty – and was such an indifferent father that he named his children Son, Boy and Kid.  After walking away from his family, he found religion and started another, more prosperous, family with another set of three sons.  The three older sons crash the funeral to express their bitterness, and it becomes clear that the two sets of brothers are headed for a clash.

Shannon plays the oldest brother, who has been forged into stony strength and determination by deprivation and long-smoldering resentment.  Nichols uses that resentment to light a fuse that burns fitfully but inexorably for most of Shotgun Stories’ 92 minutes.

Shotgun Stories ranked #7 on my Best Movies of 2007.  Shotgun Stories is available on DVD from Netflix and streaming from Netflix and iTunes.

 

Mud: a big dose of realism about love

by

MUD

In the brilliant drama Mud, two Arkansas boys venture onto a river island and discover a man named Mud (Michael McConaughey) hiding from the authorities.  Ellis (Tye Sheridan of The Tree of Life) is a hopeless romantic, consumed by an ideal view of love.  His more hard-eyed buddy Neckbone (Jacob Lofland) is on the outlook for cool stuff.  Both are ready for the excitement of a secret adventure.

Mud is another triumph for writer-director Jeff Nichols (Shotgun Stories, Take Shelter).  The story has aspects of a boyhood adventure and of an escape thriller which hook the audience.  But Mud is, at its heart, a coming of age story in which Ellis (primarily) gets a big dose of realism about love and human constancy.

Neckbone doesn’t have many illusions about human nature.  His parents aren’t in the picture, and he lives with his wacky uncle Galen (Michael Shannon) in a trailer.  Neckbone has a knack for immediately getting to the core of situation by bargaining an errand for a pistol or asking “Didja feel her titties?”.

A step down from Neckbone’s trailer lifestyle, Ellis lives on a floating shack tied to the riverbank.  His parents are together, but, it seems, not for long.  Somehow, Ellis believes in an ideal and forever love.  There are many relationships for Ellis to observe:  his parents’ troubled journey, the sacrifices Mud makes for his lover (Reese Witherspoon), the mysterious relationship between Mud and another houseboat dweller (Sam Shepherd), a rich man’s (Joe Don Baker) own obsession with his sons, his partnership with Neckbone and Ellis’ own first foray into dating.  It’s all a bigger mouthful than Ellis was expecting.

The two kid actors are great.  So are McConaughey, Shepherd,  Witherspoon, Baker and Nichol’s favorite actor, Shannon.  Mud primarily succeeds because Nichols has created compelling characters and woven a top-rate story, both gripping and thoughtful.  Mud is one of the best movies of 2013.

DVD of the Week: Take Shelter

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My DVD pick is Take Shelter, #2 on my list of  Best Movies of 2011 and probably the single most overlooked film of last year.

Michael Shannon (Shotgun Stories, Agent Van Alden in Boardwalk Empire) is perhaps our best creep actor. And what’s creepier than watching a solid parent and spouse enduring a full-fledged psychotic breakdown?

Shannon plays the most grounded guy in America until he starts having terrifying dreams and then hallucinations. One of his parents is mentally ill, and he is determined to resist a breakdown and protect his family. Unlike in a lesser screenplay, Shannon’s protagonist is very aware that he may be going crazy and is digging his fingernails into sanity.

Shannon gave a breakthrough performance in Shotgun Stories, by writer/director Jeff Nichols. (In the excellent Shotgun Stories, Nichols created a dysfunctional family with a father so dismissive of his offspring that he non-named them Son, Kid and Boy.) This time, Nichols has given Shannon the role of a lifetime, for which Shannon should have received an Oscar nomination for Best Actor.

This is also the performance that should have earned Jessica Chastain her Oscar nod as Shannon’s wife. Chastain must react to her husband’s behavior, which starts out quirky, becomes troublesome and spirals down to GET ME OUT OF HERE.

[youtube:http://www.youtube.com/watch?v=I5U4TtYpKIc]

Take Shelter: digging his fingernails into sanity

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Michael Shannon (Shotgun Stories, Agent Van Alden in Boardwalk Empire) is perhaps our best creep actor.   And what’s creepier than watching a solid parent and spouse enduring a full-fledged psychotic breakdown?

Shannon plays the most grounded guy in America until he starts having terrifying dreams and then hallucinations.  One of his parents is mentally ill, and he is determined to resist a breakdown and protect his family.  Unlike in a lesser screenplay, Shannon’s protagonist is very aware that he may be going crazy and is digging his fingernails into sanity.

Shannon gave a breakthrough performance in Shotgun Stories, by writer/director Jeff Nichols.  (In the excellent Shotgun Stories, Nichols created a dysfunctional family with a father so dismissive of his offspring that he non-named them Son, Kid and Boy.)  This time, Nichols has given Shannon the role of a lifetime, for which Shannon should get a dark horse Oscar nomination for Best Actor.

You may have noticed that this is Jessica Chastain’s year (The Debt, The Tree of Life, The Help, Texas Killing Fields), and Chastain should receive an Oscar nod for her supporting performance as Shannon’s wife.  Chastain must react to her husband’s behavior, which starts out quirky, becomes troublesome and spirals down to GET ME OUT OF HERE.

Nichols, Shannon and Chastain have given us one of the Best Movies of 2011 – So Far.

[youtube:http://www.youtube.com/watch?v=I5U4TtYpKIc]