DVD/Stream of the Week: LOVE & FRIENDSHIP – new heights for manipulation and twittery

Chloe Sevigny and Kate Beckinsale in LOVE & FRIENDSHIP
Chloe Sevigny and Kate Beckinsale in LOVE & FRIENDSHIP

Based on Jane Austen’s Lady Susan, the sharply witty Love & Friendship centers on the unabashedly amoral efforts by Lady Susan Vernon (Kate Beckinsale) to get exactly what she wants despite lack of resources and position.

Love & Friendship is filled with the 19th century version of “snappy dialogue” – old-fashioned wit. Mark Twain would have loved this movie. Much of the comes from Lady Susan’s clueless sense of entitlement and her unashamed and outrageous manipulation of the other characters. An unabashed moocher and deadbeat, she finds that, because her daughter’s school fees are “too high to even consider paying, it is actually an economy”.

It’s a pleasing turn from Kate Beckinsale at age 42, who has so often played ornamental movie roles. She first came to our attention at age 20 as the beauteous Hero in Kenneth Branagh’s Much Ado About Nothing, and broke through at age 23 by dominating the British indie Shooting Fish. After playing a bunch of less interesting roles, it’s great to see get a chance to really act in Love & Friendship.

Love & Friendship’s director is Whit Stillman, who debuted with two delightful indies from the world of old money Northeastern preppies. Metropolitan and Barcelona were talky and perceptive explorations of human nature, set in what usually is a less accessible and less sympathetic social set. (Unfortunately, he most recently made the dreadful Damsels in Distress with the always execrable Greta Gerwig.)

Right from the get-go, Stillman lets us know that he’s not taking this too seriously with self-mocking character introductions. In another nice touch, Stillman clads some of the male characters in noticeably ill-fitting clothes – something you never see in a movie from this period. It’s funny – and authentic, when you think about it.

In the funniest moments of the film, the enthusiastically dim Sir James Martin (Tom Bennett) takes twittery to new heights. Bennett, a British TV actor previously unknown to me, is quite a revelation. It’s always nice to see Chloe Sevigny, too, and she’s here playing Lady Susan’s equally amoral American friend.

Although I did not see it there, Love & Friendship was the opening night feature of the 59th San Francisco Film Festival, and folks were still praising it in festival lines a week later.   It’s now available on DVD from Netflix (and coming soon to Redbox) and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and DirecTV.

LOVE & FRIENDSHIP: new heights for manipulation and twittery

Chloe Sevigny and Kate Beckinsale in LOVE & FRIENDSHIP
Chloe Sevigny and Kate Beckinsale in LOVE & FRIENDSHIP

Based on Jane Austen’s Lady Susan, the sharply witty Love & Friendship centers on the unabashedly amoral efforts by Lady Susan Vernon (Kate Beckinsale) to get exactly what she wants despite lack of resources and position.

Love & Friendship is filled with the 19th century version of “snappy dialogue” – old-fashioned wit.  Mark Twain would have loved this movie.  Much of the comes from Lady Susan’s clueless sense of entitlement and her unashamed and outrageous manipulation of the other characters.  An unabashed moocher and deadbeat, she finds that, because her daughter’s school fees are “too high to even consider paying, it is actually an economy”.

It’s a pleasing turn from Kate Beckinsale at age 42, who has so often played ornamental movie roles.  She first came to our attention at age 20 as the beauteous Hero in Kenneth Branagh’s Much Ado About Nothing, and broke through at age 23 by dominating the British indie Shooting Fish.  After playing a bunch of less interesting roles, it’s great to see get a chance to really act in Love & Friendship.

Love & Friendship’s director is Whit Stillman, who debuted with two delightful indies from the world of old money Northeastern preppies. Metropolitan and Barcelona were talky and perceptive explorations of human nature, set in what usually is a less accessible and less sympathetic social set. (Unfortunately, he most recently made the dreadful Damsels in Distress with the always execrable Greta Gerwig.)

Right from the get-go, Stillman lets us know that he’s not taking this too seriously with  self-mocking character introductions.  In another nice touch, Stillman clads some of the male characters in noticeably ill-fitting clothes – something you never see in a movie from this period. It’s funny – and authentic, when you think about it.

In the funniest moments of the film, the enthusiastically dim Sir James Martin (Tom Bennett) takes twittery to new heights.  Bennett, a British TV actor previously unknown to me, is quite a revelation.  It’s always nice to see Chloe Sevigny, too, and she’s here playing Lasy Susan’s equally amoral American friend.

Although I did not see it there, Love & Friendship was the opening night feature of the 59th San Francisco Film Festival, and folks were still praising it in festival lines a week later.