2014 at the Movie: farewells

James Shigeta (Right) in THE CRIMSON KIMONO
James Shigeta (Right) in THE CRIMSON KIMONO

Actor James Shigeta, who along with writer-director Sam Fuller, broke ground in 1959’s The Crimson Kimono, died in July at age 85. Shigeta’s  first movie role was in The Crimson Kimono, another sensationalistic and deliciously exploitative cop noir from the great Sam Fuller. Always looking to add some shock value, Fuller delivered a Japanese-American leading man (Shigeta), an inter-racial romance and a stripper victim. The groundbreaking aspect of The Crimson Kimono is that Fuller’s writing and Shigeta’s performance normalized the Japanese-American character. Shigeta’s Detective Joe Kojaku is a regular hardboiled, jaded and troubled film noir protagonist.  Of course, Fuller certainly relished the fact that many 1959 Americans would have been unsettled by a Japanese-American man’s intimate encounter with a white woman – another groundbreaking moment in American cinema.

We’re going to miss some other cinematic masters.  Some icons.  And some that we were expecting to create yet more film treasure:

And Philip Seymour Hoffman: His heartbreaking death was a punch to the gut on Super Bowl Sunday.  That’s the thing about addiction – not everybody makes it.

Philip Seymour Hoffman in CAPOTE
Philip Seymour Hoffman in CAPOTE

James Garner’s overlooked masterpiece

James Garner (right) with James Coburn in THE AMERICANIZATION OF EMILY

Actor James Garner has died at 86, known primarily for a brilliant television career highlighted by Maverick and The Rockford Files.  Yet Garner was also a fine movie actor, and starred in an oft overlooked masterpiece, the 1964 The Americanization of Emily. Set in England just before the D-Day invasion, The Americanization of Emily is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with procuring luxury goods and willing English women for the brass. Julie Andrews plays an English driver who has lost her husband and other male family members in the War. She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy. Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it. Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network. Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Almost twenty years later, Garner reteamed with Julie Andrews in one of the all time great comedies, Victor/Victoria.  However, both Andrews and Garner have tagged The Americanization of Emily as their favorite film.

The Americanization of Emily is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu and Xbox Video.  It also plays several times each year on Turner Classic Movies and is next scheduled for September 24.

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Julie Andrews and James garner in THE AMERICANIZATION OF EMILY

Coming up on TV: An Anti-war Masterpiece

James Coburn and James Garner in THE AMERICANIZATION OF EMILY

Turner Classic Movies is broadcasting the 1964 The Americanization of Emily on November 11.    Set in England just before the D-Day invasion, The Americanization of Emily is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Coming up on TV: An Anti-war Masterpiece

James Coburn and James Garner in The Americanization of Emily

Turner Classic Movies is broadcasting the 1964 The Americanization of Emily on April 7.    Set in England just before the D-Day invasion, The Americanization of Emily is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

Coming up on TV: The Americanization of Emily

 

Julie Andrews and James Garner in The Americanization of Emily

 

One  of my Overlooked Masterworks plays on TCM on October 25th.  Set in England just before the D-Day invasion, The Americanization of Emily (1964) is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass.  Julie Andrews plays an English driver who has lost her husband and other male family members in the War.  She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.

Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy.   Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it.  Fellow officer James Coburn must guarantee Garner’s martyrdom.

It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.

Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.

Reportedly, both Andrews and Garner have tagged this as their favorite film.

One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.

DVD of the Week: Barbarians at the Gate

The Social Network reminded me of another classic send up of contemporary business history:  Barbarians at the Gate.     Barbarians is the story of late 1980s corporate excess centered on the leveraged buyout of RJR Nabisco by Kohlberg Kravis Roberts.  James Garner, Fred Thompson and Jonathan Pryce star as the duelling CEOs bouncing between corporate jets, boardrooms and must-be-seen-at charity galas with their egos and trophy wives.  Barbarians at the Gate was originally broadcast on HBO and is available from Netflix.