Leonard Nimoy: more than Spock

Leonard Nimoy, with Donald Sutherland and Jeff Goldblum in INVASION OF THE BODY SNATCHERS
Leonard Nimoy, with Donald Sutherland and Jeff Goldblum in INVASION OF THE BODY SNATCHERS

We all know Leonard Nimoy, who died last week, for originating the unforgettable character of Mr. Spock in the first four seasons of TV’s Star Trek.  I was a teenager during the first run of Star Trek and, although I’m certainly not a Trekkie or even a huge fan of sci-fi in general, I remember that it was Must Watch TV – more of a phenomenon than a television show.

Nimoy gets much of the credit for Star Trek becoming a cultural sensation. The show’s special effects now seem remarkably lame and the other characters pretty ordinary (although the ethnic mix of the cast was novel for its time and William Shatner’s line readings were so eccentric). However, creator Gene Roddenberry’s story lines were so aspirational, exploring themes of tolerance and aggression and peace and discovery – how to Encounter the Other. And then there was Mr. Spock. Sure, the Vulcan’s pointy ears and the freedom from emotion were in the script, but it’s impossible to imagine any other actor as Spock.

Leonard Nimoy had 62 screen credits BEFORE Star Trek, mostly in television work including lots of Westerns like Bonanza, Rawhide, Wagon Train, The Virginian and Daniel Boone. And immediately after Star Trek, he went on to three seasons as part of the Mission: Impossible team in another, even more mainstream, hit TV series.

But my favorite Nimoy performance? It was the chillingly confident and authoritative Dr. David Kibner in the 1978 Philip Kaufman remake of Invasion of the Body Snatchers. Not everybody can be menacing in a turtleneck.

The Movie Gourmet’s Four-Day Film Rampage

Shailene Woodley and Miles Teller in THE SPECTACULAR NOW

Some promising movies opened this weekend while I was sampling the San Francisco International Film Festival.  The result: ten movies for me in seven theaters in three cities over four days.

I started on Friday at the SFIFF with Prince Avalanche and Rent a Family Inc. at the Sundance Kabuki Cinemas.   Prince Avalanche, a droll comedy with Paul Rudd and Emile Hirsch that will open in theaters later his summer, is very funny.  Writer-director David Gordon Green (All the Real Girls, Pineapple Express) introduced his film and took questions.  Rent a Family Inc., a documentary about an odd Japanese practice of renting fake family members, was less successful.  (Note:  I missed my monthly poker game for these two flicks.)

On Saturday, I caught up with the new releases:  The Reluctant Fundamentalist at Camera 7 in Campbell (okay), At Any Price at San Jose’s Camera 12 (liked it a lot) and the French thriller In the House at San Jose’s Camera 3 (surprisingly clever).

On Sunday, I caught Kon-Tiki at San Francisco’s Embarcadero Center Cinema; (I’m writing about Kon-Tiki tomorrow).  Then it was over to SFIFF for Me and You at the Kabuki.  Me and You is the latest from Italian cinema legend Bernardo Bertolucci, and I LOVED it.  (I had to miss the great director William Friedkin’s appearance at a rare screening of his 1977 Sorcerer at Camera 3; I would have loved it, but I just saw Friedkin last summer at a Killer Joe screening and I already had my SFIFF tickets; to make up for it, I am gonna buy Friedkin’s new book and Netflix his Sorcerer.)

Then I rendezvoused with my nephew Danny and his friend Zeke for a special showing of the 1978 Invasion of the Body Snatchers at the Castro Theatre, preceded by a Q&A with director Philip Kaufman.  It was the first time that the guys experienced both a grand movie palace and an appearance by a filmmaker – and they enjoyed the movie, too.  Body Snatchers, which I saw in its theatrical release, held up very well – and still has one of the all-time great closing shockers in cinema.

I returned to the SFIFF on Monday with The Wife.  First, we saw The Spectacular Now at the Kabuki, a coming of age indie focused on teen alcoholism; one of the best films of the year, it will open widely on August 2.  Then we saw Deceptive Practices, the fine documentary about my favorite magician/card shark Ricky Jay, at the New People Cinema.

Whew!  That was a whirlwind!  It’s lots of fun to go to the movies, but trying to write about so many in a compressed period is tough for me.  The highlight was sharing the movie experience with The Wife and the guys.  But I also saw some movies that will be on my Best Movies of 2013 – The Spectacular Now, Me and You and (probably) At Any Price – all in one glorious weekend.