Les Miserables: Now I’m miserable, too

Let’s get this out of the way first – having neither seen nor desired to see the Broadway musical Les Miserables, I am not the target audience for this movie.  I don’t care for melodramas – and Les Mis is two melodramas in one – the story of the saintly Jean Valjean being chased for decades by the monomaniacal Javert and a romance between two kids.  So I was mostly bored.  If, however, you love Les Mis, you’ll probably enjoy this long, long, lavish all-star effort from director Tom Hooper (The King’s Speech, The Damned United, John Adams).

The cast is mostly excellent.  Hugh Jackman, Anne Hathaway, Eddie Redmayne (My Week with Marilyn), Amanda Seyfried, Samantha Barks and Aaron Tveit are all excellent singers and give outstanding performances.  Redmayne is exceptional.  Sasha Baron Cohen and Helena Bonham Carter are very funny in the comic roles (the highlight of the movie for lowbrow me). The other lead is Russell Crowe, who really can’t match the singing ability of the other actors, which is a distraction.

Hooper has made the costumes and make-up very realistic for the filthy and scabby period.  This, for me, was jarring when juxtaposed against the artificiality of the characters breaking into song and some very cheesy CGI sets.

Now here’s one of my pet peeves – movies that should be over but linger like an unwanted guest.  Here, both of the plot threads (the chase and the romance) are resolved, yet the movie goes on for three more songs, including a death scene and the stirring finale.  Aaaack.

The King's Speech

The King’s Speech is the crowd pleasing story of a good man overcoming his stammer to inspire his nation in wartime with the help of a brassy commoner.  As you would expect, Colin Firth gives a stellar performance as the stuttering king.  It’s a well executed film that establishes itself as major Oscar bait.

It’s a very good cast, featuring Geoffrey Rush as the Aussie speech therapist. Helena Bonham Carter is especially good as Firth’s Queen.   Guy Pearce and Eve Best capture the shallow, selfish essence of Edward VIII and Wallis Simpson.

Movies I'm Looking Forward To: Late December Edition

Now we’re at the time of year when the award-aspiring movies are released just in time for Oscar eligibility.  Trailers and descriptions are on my Movies I’m Looking Forward To page.

We’ll start on December 22 with  Sofia Coppola’s (Lost in Translation) semiautographical Somewhere.  On Christmas Day, the Coen Brothers open their version of True GritThe King’s Speech, with Colin Firth, Geoffrey Rush and Helena Bonham-Carter,  will finally get its wide release.

On the 29th, I’ll be awaiting Another Year, a potential masterpiece by one of my favorite directors, Mike Leigh.  We’ll also have a flashy performance by Javier Bardem in a contemporary Job story – Biutiful. Kevin Spacey will star in a real life story of political corruption in Casino Jack.   Peter Weir (Master and Commander, Picnic at Hanging Rock) will showcase The Way Back.

The year’s final release will be the offbeat un-romance Blue Valentine, with Ryan Gosling and Michelle Williams.  Festival critics loved and hated this film.  The trailer, which depicts the beginning of a relationship that falls apart during the movie, is quite charming.

See my Movies I’m Looking Forward To page for descriptions, image and trailers.

Here’s the trailer for True Grit.