This week’s best picks are the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. I’m also featuring two cinematic masterpieces on TCM – The Conversation and Blow-up (see below).
I also like the intricately plotted and unrelentingly tense suspense thriller Prisoners (with Jake Gyllenhaal and Hugh Jackman). Joseph Gordon Levitt’s offbeat comedy Don Jon offers both guffaws and an unexpected moment of self-discovery. In addition, the rock music documentary Muscle Shoals, the based-on-fact French foodie saga Haute Cuisine and the witty French rom com Populaire each has something to offer.
Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).
I haven’t yet seen the Robert Redford survival drama All Is Lost, opening this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.
My DVD/Stream of the week is the cop buddy comedy The Heat, with Melissa McCarthy and Sandra Bullock. The Heat is available on DVD from Netflix and streaming from Amazon, iTunes, YouTube, Vudu and other VOD outlets.The Heat is available on DVD from Netflix and streaming from Amazon, iTunes, YouTube, Vudu and other VOD outlets.
On October 30, Turner Classic Movies is presenting back-to-back two murder mysteries that are among the greatest movies ever – The Conversation (1974) and Blow-up (1966). At the height of his powers, Francis Ford Coppola directed The Conversation between The Godfather and The Godfather: Part II, and The Conversation is every bit the masterwork as the others. In a role just as iconic as in The French Connection, Gene Hackman plays an audio surveillance expert entangled in a morally troubling assignment – and then obsessed. Veteran character actor Allen Garfield is just as good and the irreplaceable John Cazale makes us cringe and ache as always. Look for a very young Harrison Ford and for a glimpse of an uncredited Robert Duvall as a corpse. The most significant achievement in The Conversation, however, is the groundbreaking sound editing by Walter Murch. After experiencing The Conversation, you’ll never again overlook movie sound editing.
There’s yet more obsession in Blow-up. Set in the Mod London of the mid-60s, a fashion photographer (David Hemmings) is living a fun but shallow life filled with sportscars, discos and and scoring with supermodels (think Jane Birkin, Sarah Miles and Verushka). Then he finds that a landscape that he randomly photographed may contain a clue in a murder, and meets a mystery woman (Vanessa Redgrave). After taking us into a vivid depiction of the Mod world, director Michelangelo Antonioni brilliantly turns the story into a suspenseful story of spiraling obsession. His L’Avventura, La Notte and L’Eclisse made Antonioni an icon of cinema, but Blow-up is his most accessible and enjoyable masterwork. There’s also a cameo performance by the Jeff Beck/Jimmy Page version of the Yardbirds and a quick sighting of Michael Palin in a club.
