Gravity

Movies to See Right Now

by
Jonah Hill in THE WOLF OF WALL STREET
Jonah Hill in THE WOLF OF WALL STREET

I’m planning to see the Oscar Nominated Live Action Shorts, which opens today – it’s always worthwhile ( plus it helps me win the Oscar pool). You can also find the Oscar Nominated Short Animated a Films and Short Documentaries. The great thing about sampling the shorts is that, even if one short film isn’t your cup of tea, another one is coming along in 15 minutes and  you might like it a lot more.  I’ve never forgotten the touching and funny God of Love, which earned the 2011 Oscar for Best Live Action Short Film.  God of Love won that year’s Oscar over Na Wewe, one of the best films about violence in Africa that I’ve seen.  Similar discoveries could be waiting for you this week.

Oscar nominees Nebraska, American Hustle and Her all made my Best Movies of 2013. I also really recommend Best Picture nominees The Wolf of Wall Street and Philomena. And Gravity has been re-released in 3D.

Not nominated, but pretty damn good, is The Hunger Games: Catching Fire, another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence. I also admire the compelling French drama The Past.  And I also like the Mumblecore romance Drinking Buddies, now available on VOD.

I’m not a fan of Disney’s Saving Mr. Banks (sentimental and predictable) or the Coen Brothers’ Inside Llewyn Davis (about an unlovable loser – and I didn’t love the movie, either).

The great Noir City film festival is still running for the next three days, this year with an international flavor. Check it out.

My DVD/Stream of the week is Prisoners. Prisoners is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, Google Play and Xbox video.

Gravity: woman against nature – an infinitely vast nature

by

Having been nominated for a Best Picture Oscar, Gravity has been re-released in theaters in 3D.  Gripping and visually spectacular, Gravity is less a sci-fi film than it is a basic Man Against Nature (mostly Woman Against Nature) survival tale set in space. A catastrophe strikes a space station, and it’s in doubt whether the two survivors (Sandra Bullock and George Clooney) will be able to make it back to Earth or be forever lost in space.

The skeleton of the story may be simple, but Gravity is an exceptional experience because writer-director Alfonso Cuarón, in a triumph of special effects, captures both the messy nuts and bolts of space travel and the potential lethality of the space environment. I’ve seen my share of space movies, but I’ve never experienced a better sense of the terrifying dark and silent vastness of space. A human in space is suspended in an infinity in which, without a man-made propulsion device, he/she can only helplessly drift. Space is not so much hostile to humans as it is indifferent to our tiny existences.

The technical marvels of manned space missions have dulled us to the reality that space-walking astronauts are just one broken tether or one lost grip from floating away and becoming lifeless space lint. Cuarón brings his audience into that reality, and keeps our tension acute during Ms. Bullock’s Wild Ride.

The Mexico City-born Cuarón will certainly receive an Academy Award nomination for directing. Now Cuarón is an amazingly gifted filmmaker – he also wrote and directed Children of Men, my #2 movie of 2006 and Y Tu Mama Tambien, my #1 movie of 2002. Along the way, he also directed one of the best Harry Potter movies – Harry Potter & The Prisoner of Azbakan (the one with the Dementors, Sirius Black and the werewolf).

There are essentially only two characters on the screen, and Cuarón benefits from two instantly sympathetic movie stars, Sandra Bullock and George Clooney. Clooney, of course, can do anything on the screen, and he nails the less complex role of a The Right Stuff style space jock. (In a wonderful nod to Apollo 13 and The Right Stuff, Ed Harris voices the earth-based NASA control chief.)

I’m generally not a huge fan of Bullock but acknowledge her ability to sometimes excel in comedy (The Heat) and to bring something extra to action (Speed). But I’ve gotta say that she’s never been better than she is in Gravity. Here she plays the Everyman role of a person with ordinary skills thrust into overwhelming peril – the kind of cinematic part that made icons out of James Stewart and Tom Hanks. There isn’t a false moment in Bullock’s performance, and she keeps us rooting for her on whole wild ride.

Gravity currently has an unbelievably high 96 Metacritic rating because critics are rightly acknowledging Cuarón’s achievements in directing and special effects. Gravity is without flaws, and it’s damn entertaining, but I’m not going to rate it as the year’s best; I think that some indies and foreign films are more emotionally compelling and have more textured stories. But Gravity is definitely the one of the best Hollywood films of the year and deserves its Oscar nod.

Movies To See This Week (and a milestone for The Movie Gourmet)

by
INSIDE LLEWYN DAVIS
INSIDE LLEWYN DAVIS

There is NO BETTER TIME to go to the movies than THIS WEEKEND.  Of the films opening widely today, I recommend the gloriously entertaining American Hustle, with Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner and Louis C.K. at their best. I haven’t yet seen the other promising movies opening today: the Coen Brother’s Inside Llewyn Davis,  Tom Hanks as Walt Disney in Saving Mr. Banks and Go for Sisters (by my favorite indie writer-director John Sayles). And you can still several of the best movies of the year:

  • The French drama Blue Is the Warmest Color, with its stunning performance by 19-year-old actress Adèle Exarchopoulos, currently tops my list of Best Movies of 2013 – So Far.
  • The city of Rome dazzles in The Great Beauty, already another contender for the Best Foreign Language Oscar.
  • I really liked and admired the funny, poignant and thought-provoking family portrait Nebraska from Alexander Payne (Sideways, The Descendants).
  • Philomena, with Judi Dench and Steve Coogan is an emotionally satisfying gem.
  • This weekend, I will write about The Hunger Games: Catching Fire, another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence.

You can still find some of the earlier top 2013 movies in theaters: the flawless true story thriller Captain Phillips; the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance; and 12 Years a Slave, an unsparingly realistic depiction of the horrors of American slavery.

Make this a 2-3 movie weekend!

[Note: Sunday’s We Remember Billy Jack was The Movie Gourmet’s 1000th post.  Thanks to all of you for your support.]

Movies to See Right Now – Thanksgiving Weekend

by
Bruce Dern and Will Forte in NEBRASKA

I really liked and admired the evocative family portrait Nebraska from Alexander Payne (Sideways, The Descendants).  The funny, poignant and thought-provoking Nebraska opens this weekend, and features strong performances from Bruce Dern (a certain Oscar nod) and Will Forte and June Squibb.

Please don’t miss the French drama Blue Is the Warmest Color , which explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. It’s three hours long, justifiably rated NC-17 and currently tops my list of Best Movies of 2013 – So Far.

Other good choices include the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. 12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery.

Check out my VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

My DVD/Stream of the Week is the entirely fresh and riveting Parkland, which sharply dramatizes the events of November 22-25 in Dallas from the viewpoints of the secondary participants. Parkland is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, GooglePlay and XBOX Live.

On TV, you can’t do any better than John Ford’s mold-breaking Western The Searchers, with John Wayne playing a man filled with racism, obsessed with revenge and never ever giving up.  Turner Classic Movies on November 30.

Movies to See Right Now

by
Adèle Exarchopoulos in BLUE IS THE WARMEST COLOR

The French drama Blue Is the Warmest Color explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. It’s three hours long, justifiably rated NC-17 and currently tops my list of Best Movies of 2013 – So Far.

Other good choices include the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. 12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery. The Motel Life is a solid character-driven drama. Joseph Gordon Levitt’s offbeat comedy Don Jon offers both guffaws and an unexpected moment of self-discovery.

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

Here’s a treat – on November 26, Turner Classic Movies is celebrating Cops and Robbers with a feast of crime movies. The menu includes The Taking of Pelham One Two Three, Naked City, Bullitt, Rififi, Asphalt Jungle and Gun Crazy.  I’ll be writing more about these films on the weekend.

Movies to See Right Now

by
BLUE IS THE WARMEST COLOR

The French drama Blue Is the Warmest Color explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. It’s three hours long, justifiably rated NC-17 and currently tops my list of Best Movies of 2013 – So Far.

Other good choices include the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. 12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery. The Motel Life is a solid character-driven drama. Joseph Gordon Levitt’s offbeat comedy Don Jon offers both guffaws and an unexpected moment of self-discovery.

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

My DVD/Stream of the Week is Before Midnight, the year’s best romance (and one of the year’s best movies).  Before Midnight is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu and other VOD outlets. I recommend that you watch the prequels first. Both Before Sunrise and Before Sunset are available on DVD from Netflix and streaming on VOD from Amazon , iTunes, Vudu and other VOD outlets. Before Sunrise is free with Amazon Prime.

Since we’re coming up on the 50th anniversary of the JFK assassination, my television picks are two JFK films on Turner Classic Movies – the documentary Primary (November 20) and the biopic PT 109 (November 21).  I’ll be writing more about these films on Monday. (I also recommend the fresh and riveting Parkland, which sharply dramatizes the events of November 22-25 in Dallas from the viewpoints of the secondary participants; Parkland is available streaming from Amazon, iTunes, Vudu and XBOX Live.)

Movies to See Right Now

by
PARKLAND

This week’s best picks are the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance.  12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery.

I haven’t yet seen the French film that won the top prize at Cannes – Blue is the Warmest Color, which opens today.  Actresses Adèle Exarchopoulos and Léa Seydoux (Farewell My Queen, Midnight in Paris) are reportedly spectacular in this three-hour love story.  One of the explicit sex scenes takes over twenty minutes.

The Motel Life, which also opens today, is solid character-driven drama. Joseph Gordon Levitt’s offbeat comedy Don Jon offers both guffaws and an unexpected moment of self-discovery.

My Stream of the Week is the entirely fresh and riveting Parkland, which sharply dramatizes the events of November 22-25 in Dallas from the viewpoints of the secondary participants. Parkland is available streaming from Amazon, iTunes, Vudu and XBOX Live.

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

On November 11, Turner Classic Movies is playing the underrated 1949 noir The Set-up. This is one of the great film noirs and one of my 10 Best Boxing Movies . Robert Ryan plays a washed-up boxer that nobody believes can win again, not even his long-suffering wife. His manager doesn’t bother to tell him that he is committed to taking a dive in his next fight. But what if he wins? Director Robert Wise makes use of then innovative real time narrative. In this clip, watch for the verisimilitude of the bar where the deal goes down.

Movies to See Right Now

by
John Cazale and Gene Hackman in THE CONVERSATION

This week’s best picks are the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance.  I’m also featuring two cinematic masterpieces on TCM – The Conversation and Blow-up (see below).

I also like the intricately plotted and unrelentingly tense suspense thriller Prisoners (with Jake Gyllenhaal and Hugh Jackman). Joseph Gordon Levitt’s offbeat comedy Don Jon offers both guffaws and an unexpected moment of self-discovery.  In addition, the rock music documentary Muscle Shoals, the based-on-fact French foodie saga Haute Cuisine and the witty French rom com Populaire each has something to offer.

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

I haven’t yet seen the Robert Redford survival drama All Is Lost, opening this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD/Stream of the week is the cop buddy comedy The Heat, with Melissa McCarthy and Sandra Bullock. The Heat is available on DVD from Netflix and streaming from Amazon, iTunes, YouTube, Vudu and other VOD outlets.The Heat is available on DVD from Netflix and streaming from Amazon, iTunes, YouTube, Vudu and other VOD outlets.

On October 30, Turner Classic Movies is presenting back-to-back two murder mysteries that are among the greatest movies ever – The Conversation (1974) and Blow-up (1966). At the height of his powers, Francis Ford Coppola directed The Conversation between The Godfather and The Godfather: Part II, and The Conversation is every bit the masterwork as the others. In a role just as iconic as in The French Connection, Gene Hackman plays an audio surveillance expert entangled in a morally troubling assignment – and then obsessed. Veteran character actor Allen Garfield is just as good and the irreplaceable John Cazale makes us cringe and ache as always. Look for a very young Harrison Ford and for a glimpse of an uncredited Robert Duvall as a corpse. The most significant achievement in The Conversation, however, is the groundbreaking sound editing by Walter Murch. After experiencing The Conversation, you’ll never again overlook movie sound editing.

There’s yet more obsession in Blow-up. Set in the Mod London of the mid-60s, a fashion photographer (David Hemmings) is living a fun but shallow life filled with sportscars, discos and and scoring with supermodels (think Jane Birkin, Sarah Miles and Verushka). Then he finds that a landscape that he randomly photographed may contain a clue in a murder, and meets a mystery woman (Vanessa Redgrave). After taking us into a vivid depiction of the Mod world, director Michelangelo Antonioni brilliantly turns the story into a suspenseful story of spiraling obsession. His L’Avventura, La Notte and L’Eclisse made Antonioni an icon of cinema, but Blow-up is his most accessible and enjoyable masterwork. There’s also a cameo performance by the Jeff Beck/Jimmy Page version of the Yardbirds and a quick sighting of Michael Palin in a club.

David Hemmings in BLOW-UP

Gravity: woman against nature – an infinitely vast nature

by

The gripping visually spectacular Gravity is less a sci-fi film than it is a basic Man Against Nature (mostly Woman Against Nature) survival tale set in space. A catastrophe strikes a space station, and it’s in doubt whether the two survivors (Sandra Bullock and George Clooney) will be able to make it back to Earth or be forever lost in space.

The skeleton of the story may be simple, but Gravity is an exceptional experience because  writer-director Alfonso Cuarón, in a triumph of special effects, captures both the messy nuts and bolts of space travel and the potential lethality of the space environment.  I’ve seen my share of space movies, but I’ve never experienced a better sense of the terrifying dark and silent vastness of space.  A human in space is suspended in an infinity in which, without a man-made propulsion device, he/she can only helplessly drift.  Space is not so much hostile to humans as it is indifferent to our tiny existences.

The technical marvels of manned space missions have dulled us to the reality that space-walking astronauts are just one broken tether or one lost grip from floating away and becoming lifeless space lint.  Cuarón brings his audience into that reality, and keeps our tension acute during Ms. Bullock’s Wild Ride.

The Mexico City-born Cuarón will certainly receive an Academy Award nomination for directing.  Now Cuarón is an amazingly gifted filmmaker – he also wrote and directed Children of Men, my #2 movie of 2006 and Y Tu Mama Tambien, my #1 movie of 2002.  Along the way, he also directed one of the best Harry Potter movies – Harry Potter & The Prisoner of Azbakan (the one with the Dementors, Sirius Black and the werewolf).

There are essentially only two characters on the screen, and Cuarón benefits from two instantly sympathetic movie stars, Sandra Bullock and George Clooney.  Clooney, of course, can do anything on the screen, and he nails the less complex role of a The Right Stuff style space jock.  (In a wonderful nod to Apollo 13 and The Right Stuff, Ed Harris voices the earth-based NASA control chief.)

I’m generally not a huge fan of Bullock but acknowledge her ability to sometimes excel in comedy (The Heat) and to bring something extra to action (Speed).  But I’ve gotta say that she’s never been better than she is in Gravity.  Here she plays the Everyman role of a person with ordinary skills thrust into overwhelming peril – the kind of cinematic part that made icons out of James Stewart and Tom Hanks.  There isn’t a false moment in Bullock’s performance, and she keeps us rooting for her on whole wild ride.

Gravity currently has an unbelievably high 96 Metacritic rating because critics are rightly acknowledging Cuarón’s achievements in directing and special effects.  Gravity is without flaws, and it’s damn entertaining, but I’m not going to rate it as the year’s best; I think that some indies and foreign films are more emotionally compelling and have more textured stories.  But Gravity is definitely the best Hollywood film of the year so far.