coming up on TV: THE CONVERSATION

John Cazale and Gene Hackman in THE CONVERSATION

Friday, September 9, Turner Classic Movies is presenting one of the greatest movies ever – The Conversation (1974).  At the height of his powers, Francis Ford Coppola directed The Conversation between The Godfather and The Godfather: Part II, and The Conversation is every bit the masterwork as the others.

In a role just as iconic as in The French Connection, Gene Hackman plays an audio surveillance expert entangled in a morally troubling assignment – and then obsessed. Veteran character actor Allen Garfield is just as good and the irreplaceable John Cazale makes us cringe and ache as always. Look for a very young Harrison Ford and for a glimpse of an uncredited Robert Duvall as a corpse.

The most significant achievement in The Conversation, however, is the groundbreaking sound editing by Walter Murch. After experiencing The Conversation, you’ll never again overlook movie sound editing.

Congrats, Roger Corman!

This week’s DVD release of Roger Corman’s Sci Fi Classics is my occasion for celebrating the prolific low-budget producer Roger Corman.  So far, Corman has produced 395 titles –  mostly shameless and delicious exploitation movies for the teen market.  In one four-year period, he produced The Student Nurses, Private Duty Nurses, Night Call Nurses and Candy Stripe Nurses – and 21 other movies!

Corman’s great gift to us all is his mentorship of young and talented filmmakers.  Filmmakers who got their first assignment from Corman (called “the Corman Film School”) include Oscar winning directors James Cameron, Francis Ford Coppola, Jonathan Demme, Curtis Hanson, Ron Howard and Martin Scorsese.  Not to mention cult directors Paul Bartels and Monte Hellman (Corman produced Hellman’s Warren Oates classic Cockfighter).  And Chinatown screenwriter Robert Townsend.

Jack Nicholson first got some attention playing the masochistic dental patient in Corman’s 1960 Little Shop of Horrors.  Nicholson showed up again in Corman’s 1967 The Wild Angels (biker gangs), 1967 The Shooting (trippy Western) and 1967’s LSD flick The Trip (more on that tomorrow).

Probably the best movie that Corman has produced was St. Jack (1976), directed by Peter Bogdanovich.  Corman had given Bogdanovich his start, and in the intervening 12 years Bogdanovich’s star had risen (The Last Picture Show, What’s Up, Doc?, Paper Moon) and fallen (Daisy Miller).   Ben Gazzara and Denholm Elliott delivered great performances in this story of a hustling American expat running a GI brothel in Singapore during the Vietnam War.

Roger Corman’s Sci Fi Classics includes three films that I haven’t seen (or don’t remember seeing): Attack of the Crab Monsters, War of the Satellites and Not of this Earth.  Although I may not have seen them, I can tell you that 1) they don’t have fancy production values; 2) they are fast paced and not too long; and 3) they’re a kick.

TCM’s Korean War Marathon

On June 24 and 25, TCM is showing fourteen straight Korean War movies: The Steel Helmet (1951),  Men In War (1951) , Men Of The Fighting Lady (1954), I Want You (1951), Battle Circus (1953),  Tank Battalion (1958), Mission Over Korea (1953), Battle Taxi (1955), The Bamboo Prison (1955), All the Young Men (1960), Take the High Ground! (1953), Time Limit (1957), The Rack (1956) and  Hell in Korea (1956).

If you’re gonna watch just one, I recommend The Steel Helmet, a gritty classic by the great Sam Fuller, a WWII combat vet who brooked no sentimentality about war.  Fuller and Peckinpah favorite Gene Evans is especially good as the sergeant.

This time, TCM is not showing the three most well-known Korean War movies:   Manchurian Candidate, Pork Chop Hill and M*A*S*H.

Earlier this year, TCM broadcast War Hunt,  a 1962 film about Robert Redford joining a Korean War unit as a new replacement with John Saxon as the platoon’s psycho killer.  Along with Redford, Sidney Pollack and Francis Ford Coppola are in the cast, making War Hunt the only film with three Oscar-winning directors as actors.   Don’t blink, or you’ll miss for Coppola as an uncredited convoy truck driver.